Ashley Steed Concludes EiC Tour


Ashley Steed

Non-Registered Critics, Writer


Ten years ago I was an intern at LA Stage Alliance. One day Lee Melville, who was the Editor of LA Stage Magazine (like an actual magazine made of paper), came to us interns and asked us if we'd like to write an interview for the publication. I immediately said yes, whilst simultaneously having a flashback to my senior year of high school.
Lying in the center of my room in the fetal position, my mother comes in, “Oh my god honey what's wrong!”
“Essay,” is all I can muster. I used to love writing but something twisted senior year and now anytime I had to write something I'd have an anxiety attack.
“You are a beautiful writer,” my mother exclaims. “You are a beautiful writer.”
I took me a long time to believe her - the first step towards that was saying “Yes” to Lee Melville. I was so nervous conducting that first interview, even more nervous writing it, but Lee guided me along the way and kept asking for more articles. He was a wonderful mentor and I was deeply saddened by his death nearly four years ago - his love for the LA theatre community is what has inspired me the most.
With writing for LA Stage, I discovered a passion for interviewing artists - I love hearing about what inspires them, what drives them, the challenges they face, the magic they make. I also have a deep, deep love for Los Angeles - I firmly believe this city needs more coverage of the arts. We need the rest of the world to know that we are a culturally rich and diverse city, “Hollywood” is only one aspect of our identity - this city is brimming with artists who are passionate, creative and imaginative. They deserve to be recognised and celebrated.
When offered the Editor in Chief position of Better Lemons, I immediately said yes. Again, that same flashback of my mother came rushing to my mind, this time with a different resonance. For me, the hesitation of saying yes wasn't from insecurity, it was because my mother was dying - I didn't know if I'd have the time or headspace to dedicate to the site. Yet, I could hear my mother's never ending encouragement in the back of my mind, so I took the leap.
When my mother died, I wrote about continuing on with creating despite living with immeasurable grief. It's been four months since she's passed and I've been blessed to have gone from production to production to production. I'm still grappling with the grief, but I'm thankful to have the work to keep me busy. Making theatre is my passion and what a joy it is to be able to do what I love.
It is for this reason that I'm not continuing as Editor for Better Lemons. My priority will always be making theatre. I will continue to do interviews and write about theatre when I can, but Better Lemons deserves a leader who can dedicate more time moving it forward. Which is why I'm delighted Stephen Fife is taking over the helm. He's an incredible writer with a wide range of experience in writing for and about the arts. I have no doubt that he will do great work for arts and culture coverage in Los Angeles.
My deepest gratitude to Better Lemons in allowing me to help it transition into this new chapter of the site, and I look forward to watching it grow.

Ashley Steed is a theatre maker, creative producer and writer. In Los Angeles, she's started a company that devises new works called The Visceral City Project and is also a member of Son of Semele Ensemble. She's worked on numerous projects as a director, performer or producer here in LA as well as London. She began her writing career with LA Stage Magazine under the mentorship of the late Lee Melville. Ashley holds a BA in Theatre from USC and an MA in Theatre and Performance from Queen Mary, University of London.