Winners at the 30th Annual LA Stage Alliance Ovation Awards

The 30th Annual LA STAGE Alliance Ovation Awards were presented on Monday, January 13, 2020, at the Theatre at Ace Hotel in downtown Los Angeles.

The fast-moving evening awarded in thirty-six categories—13 Southern California theatre companies won, with 33 individual artists receiving awards.

Of the total awards, the Geffen Playhouse received 17 total for their shows "Charles Dickens' A Christmas Carol" with Dane Laffrey winning two (2)—Scenic Design and Costume Design - Large Theatre, and "Lights Out: Nat 'King' Cole." The Fountain Theatre received six (6) awards  for "Cost of Living" and "Hype Man: A Break Beat Play," the La Mirada Theatre for the Performing Arts received four (4) total for their shows "Singin’ in the Rain" and "A Night with Janis Joplin, and Sophina Brown received three (3) for "August Wilson's Two Trains Running," as did the Pasadena Playhouse for "Ragtime."

The Skylight Theatre received two (2) awards for "Bronco Billy – The Musical," as did the Center Theatre Group for "Dana H." and the Wallis Annenberg Center for the Performing Arts for "Witness Uganda."

The Fountain Theatre received the Best Season Award for "Cost of Living," "Daniel’s Husband," and "Hype Man: A Break Beat Play."


Here are winners at the 30th Annual LA Stage Alliance Ovation Awards in the order of their announcements:


PLAYWRITING FOR AN ORIGINAL PLAY

LUCAS HNATH
DANA H.
Center Theatre Group

FEATURED ACTOR IN A MUSICAL

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

FEATURED ACTRESS IN A MUSICAL

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

FEATURED ACTOR IN A PLAY

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

FEATURED ACTRESS IN A PLAY

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

SOUND DESIGN – Intimate Theatre

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

VIDEO/PROJECTION DESIGN – Intimate Theatre

VIDEO/PROJECTION DESIGN – Large Theatre

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

OVATIONS HONORS RECIPIENT

MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

OVATIONS HONORS RECIPIENT

PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within

SCENIC DESIGN – Large Theatre

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SCENIC DESIGN – Intimate Theatre

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

THE SHERWOOD AWARD FOR

MAT DIAFOS SWEENEY

BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MUSIC DIRECTION

BEST PRESENTED PRODUCTION

COSTUME DESIGN – Intimate Theatre

LEAD ACTOR IN A MUSICAL

CHOREOGRAPHY

FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

DIRECTION OF A PLAY

DIRECTION OF A MUSICAL

DAVID LEE
RAGTIME
Pasadena Playhouse

LEAD ACTOR IN A PLAY

LEAD ACTRESS IN A PLAY

ACTING ENSEMBLE OF A MUSICAL

ACTING ENSEMBLE OF A PLAY

COST OF LIVING
Fountain Theatre

BEST PRODUCTION OF A PLAY – Intimate Theatre

BEST PRODUCTION OF A PLAY – Large Theatre

BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

BEST PRODUCTION OF A MUSICAL – Large Theatre

BEST SEASON

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play

 


Now Registered on the Better Lemons Calendar – January 6 - 12, 2020


Theatrical, One-Person, Improv, and Comedy shows, Staged Readings, Live Jazz, Music, Dance, and Award Shows registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


(IM)PERFEKT

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Selma with Live Score by Jason Moran

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The Stanley Clarke Band

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17 Border Crossings

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Gifted

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jackbenny: And on the 366th Day

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Arsenic and Old Lace

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John O’Hurley in A Man With Standards

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A Rockin' New Decade

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Three

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That's the End of Our Time: A Magical Tale from Group Therapy

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Unsung Sheroes

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MOVES at @ The Montalbán

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Dr. Venus Opal Reese - THE RAW TRUTH BOOK+ TOUR

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Arthur Miller’s All My Sons

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The Really Awesome Improv Show

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Opening Night: The Improvised Musical!®

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Supportive White Parents

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The Human Comedy

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Vote for your Favorite Critic of 2019

LA's Theatre Critics are an integral part of LA Theatre and now it's our turn to recognize them with the Better Lemons Critic Awards.

There are nine categories for the Better Lemons Critic Awards that you can vote for:

"I LOVE LA" Award - the critic who did the most to promote LA Theatre in 2019

"Up Late" Award - the most prolific critic in 2019

"Say What?" Award - the most provocative critic

"Enlightenment" Award - the critic who does the most to inform and educate

"Name Dropper" Award - the critic most likely to review the big shows in the big theatres with the big names and the big budgets

"Theatre Hound" Award - the critic most likely to review the hidden gems, off the beaten path, those with short runs and small budgets

"Silver Tongue" Award - the most persuasive critic, capable of enticing anyone into a theatre seat

"Director" Award - the critic who is most likely to write reviews that inform the artists

and the

"Fomenter of Revolution" Award - the critic most likely to stir a conversation about theater, politics, and social justice

Click here to vote!

If you'd like to know more about the critics, go to Better-Lemons.com/registered-critics.

Better Lemons has two groups of Critics: those who have registered with us and those who have not.

Those who are registered with us, we call Registered Critics. These Registered Critics post their own review excerpt to production pages that are registered on Better Lemons. They also give each production a Sweet, Sweet and Sour, or Sour LemonMeter rating. (We don't send out critics to review shows, so please contact the critics directly via their publication if you need a reviewer!)

Critics who have not registered with us, post their reviews online and those reviews get submitted to us by the publicists, directors, or producers of shows that are registered on our site.  The Better Lemons team also finds reviews, and then selects the pull-quote, determines the Sweet, Sweet and Sour, or Sour LemonMeter rating, and links to the original source of the review.

We appreciate and celebrate the work of all Critics, but are especially grateful for the Critics that have registered with us! Their review excerpts and LemonMeter ratings are published as soon as they submit it (their submission doesn't need to wait to be approved).

These Registered Critics ensure that the productions are getting a LemonMeter rating quickly and that their submission reflects their own opinion, not that of a publicist, producer, or a Better Lemons team member.

We appreciate these Registered Critics and we’d like to thank them, each and every one of them.

To celebrate these Critics, we are having our first Annual Top Critics Award, where our readers will be able to vote for their favorite Critic from our list of Registered Critics.

Please look at the profile pages of each Registered Critic, read their reviews if you are not familiar with them, and place your votes on the form below by 10pm on Wednesday, January 22nd.


TICKETHOLDER AWARDS 2019 PART II

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read part II below and part I here. Click here for photos.

BEST ACTOR IN A PLAY 2019

TIM CUMMINGSDaniel’s Husband, Fountain Theatre

RUNNERS-UP: Ron Bottita, Loot, Odyssey; Gilbert Glenn Brown, The Mountaintop, Marshall; Dempsey Bryk, punkplay, Circle X; Seamus Dever, The Abuelas, Antaeus; Zackary Stone Gearing, Hir, Odyssey; Zackary Stone Gearing, punkplay, Circle X; Nicholas Hormann, Loot, Odyssey; Tom Ormeny, The End of Sex, Victory; Michael Manuel, Frankenstein, ANW; Will Thomas McFadden, 1984, Actors’ Gang; Will Thomas McFadden, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Rob Nagle, Apple Season, Moving Arts; Rob Nagle, The Judas Kiss, Boston Court; Bruno Oliver, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Accidental Death of an Anarchist, Actors’ Gang

BEST ACTRESS IN A PLAY

DYLAN JONES4.48 Psychosis, Son of Semele Ensemble

RUNNERS-UP: Tessa Auberjonois, Eight Nights, Antaeus; Denise Blasor, The Abuelas, Antaeus; Tovah Feldshuh, Sisters in Law, Wallis; Liza Fernandez, Apple Season, Moving Arts; Lianne Harvey, An Inspector Calls, Wallis; Susan Priver, A Streetcar Named Desire, Odyssey; Carolyn Ratteray, The Mountaintop, Marshall; Samantha Sloyan, The Thanksgiving Play, Geffen; Maura Tierney, Witch, Geffen Playhouse; Diane Wiest, Happy Days, CTG/Taper

BEST SOLO PERFORMANCE (TIE)

HERSHEY FELDERMonsieur Chopin, San Diego Repertory Theatre

RUNNERS-UP: Mike Birbiglia, The New One, CTG/Ahmanson; Helder Guimaraes, Invisible Tango, Geffen Playhouse; Bill Irwin, On Beckett, Douglas; Tova Katz, See You at the Funeral, Broadwater Mainstage; John Leguizamo, Latin History for Morons, CTG/Ahmanson; David Mynne, A Christmas Carol, Wallis; Deirdre O’Connell, Dana H., CTG/Douglas; Ruben Santiago-Hudson, Lackawanna Blues, CTG, Taper

BEST ACTOR IN A MUSICAL

RICHARD TOPOLIndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Keith Allen, Deadly, Sacred Fools; Will Bozier, Swan Lake, CTG/Ahmanson; James Delisco Beeks, Jesus Christ Superstar, Pantages; Aaron LaVigne, Jesus Christ Superstar, Pantages; Ryan Melia, The Old Man and the Old Moon, Wallis; Andrew Monaghan, Swan Lake, CTG/Ahmanson; Liam Mower, Cinderella, CTG/Ahmanson; Andy Robinson, Julius Weezer, Troubadour

BEST ACTRESS IN A MUSICAL

JACQUE LYNN COLTON, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Caroline Bowman, Frozen, Pantages; Betty Buckley, Hello, Dolly!, Pantages; Alex Hairston, Summer, Pantages; Caroline Innerbichler, Frozen, Pantages; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Dan’yelle Williamson, Summer, Pantages

BEST SUPPORTING ACTOR IN A PLAY (TIE)

BOB TURTONViolence: The Misadventures of Spike Spangle, FarmerThe Actors’ Gang

RUNNERS-UP: Ron Bottitta, Hir, Odyssey; Chad Coe, The End of Sex, Victory; Bill Brochtrup, Daniel’s Husband, Fountain; Rob Brownstein, Anne, a New Play, Museum of Tolerance; JD Cullum, The Cripple of Inishmaan, Anteaus; Seamus Dever, Cripple of Inishmaan, Anteaus; Arye Gross, Eight Nights, Antaeus; Stephen Guarino, Handjob, Echo; Joe Hernandez-Kolski, Waiting for Waiting for Godot, Sacred Fools; Justin Huen, Apple Season, Moving Arts; Carl J. Johnson, Driving Wilde, Theatre of NOTE; Brandon Rachal, Native Son, Antaeus/CTG at the Douglas; Tom Szymanski, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Will Von Vogt, Witch, Geffen Playhouse; Josh Zuckerman, Eight Nights, Antaeus

BEST SUPPORTING ACTRESS IN A PLAY

MELISSA SULLIVANA Streetcar Named Desire, Odyssey Theatre Ensemble

RUNNERS-UP: Anne Gee Byrd, Cripple of Inishmaan, Anteaus; Irene De Bari, The Abuelas, Antaeus; Mary-Pat Green, Cripple of Inishmaan, Anteaus; Alexandra Henrikson, The Thanksgiving Play, Geffen; Sadie Kuwano, punkplay, Circle X; Mara Klein, The Judas Kiss, Boston Court; Mildred Marie Langford, Native Son, Antaeus/CTG at the Douglas; Mary Gordon Murray, Anne, a New Play, Museum of Tolerance; Jenny O’Hara, Daniel’s Husband, Fountain; Zoe Yale, Eight Nights, Antaeus

BEST SUPPORTING ACTOR IN A MUSICAL

HARRY GROENER, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Julius Weezer, Troubadour; John Colella, The Producers, Celebration; Andrew Diego, The Producers, Celebration; Paris Fitzpatrick, Cinderella, CTG/Ahmanson; Ben Ferguson, The Old Man and the Old Moon, Wallis; F. Michael Haynie, Frozen, Pantages; Paul Louis Lessard, Jesus Christ Superstar, Pantages; P.T. Mahoney, In Circles, Odyssey; Steven Rattazzi, Indecent, CTG/Ahmanson; Morgan Rusler, Julius Weezer, Troubadour; Michael A. Shepperd, The Producers, Celebration; Alan Vincent, Cinderella, CTG/Ahmanson; Dan Weschler, The Old Man and the Old Moon, Wallis

BEST SUPPORTING ACTRESS IN A MUSICAL

ADINA VERSON, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Madelaine Brennan, Cinderella, CTG/Ahmanson; Elizabeth A. Davis, Indecent, CTG/Ahmanson; Victoria Hoffman, Julius Weezer, Troubadour; Beth Kennedy, Julius Weezer, Troubadour; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Mary Ann Welshans, The Producers, Celebration; Brittney S. Wheeler, Deadly, Sacred Fools

BEST ENSEMBLE CAST IN A PLAY (TIE)

Stephen Borrello, Joely Fisher, Andy Garcia, Rose McIver, Louis Mustillo, Danny Pino, Tony Plana, Richard Riehle, Bradley Snedeker; Key Largo, Geffen Playhouse

Hugo Armstrong, John Bobek, Austin Durant, Leo Marks, Ramiz Monsef, Helen Sadler, Alan Tudyk; Mysterious Circumstances, Geffen Playhouse

RUNNERS-UP: John Apicella, Noel Arthur, Paul Baird, Gabriela Bonet, Claudia Elmore, Turner Frankosky, Troy Guthrie, Steve Hofvendahl, Connor Kelly-Eiding, Michael Khachanov, Alex Knox, Mehrnaz Mohammadi, Madalina Nastase, Liza Seneca, Janellen Steininger, George Villas; The Caucasian Chalk Circle, Antaeus Theatre Company

Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, Montae Russell; Between Riverside and Crazy, Fountain Theatre

James A. Alfred, A. Russell Andrews, Francois Battiste, Harvy Blanks, Amari Cheatom, Anthony Chisholm, Brian D. Coats, Steven Anthony Jones, Patrese D. McClain; Nija Okoro, Keith Randolph Smith, Ray Anthony Thomas; Jitney, Center Theatre Group, Mark Taper Forum

Crystal Diaz, Elinor Gunn, Liesel Hanson, Faith Imafidon, Cindy Lin, Nadia Marina, Lynn Odell, Alina Phelan, Briana Price, Nicole Gabriella Scipione, Yolanda Snowball, Jenny Soo, Nancy Stone, Tania Verafield; For The Love Of (or the Roller Derby Play), Theatre of NOTE / Center Theatre Group, Kirk Douglas Theatre

Ian Barford, Tim Hopper, Sally Murphy, Caroline Neff, Chantal Thuy, Cora Vander Broek, Troy West; Linda Vista, Center Theatre Group, Mark Taper Forum

Ro Boddie, Max Casella, Micaela Diamond, Peter Jacobson, Jason Kravits, Nellie McKay, Saul Rubinek, Miriam Silverman, Joey Slotnick, Sam Vartholomeos, CJ Wilson, A Play is a Poem, Center Theatre Group, Mark Taper Forum

Scott Cote, Peyton Crim, Brandon J. Ellis, Angela Grovey, Ned Noyes, Jamie Ann Romero, Evan Alexander Smith, Yaegel T. Welch; The Play That Goes Wrong, Center Theatre Group, Ahmanson Theatre

Sile Bermingham, Reed Michael Campbell, Brian Foyster; The Ruffian on the Stair, Los Angeles LGBT Center

Will Brittain, Eli Gelb, Harry Groener, Kimberly Jurgen, Idina Menzel, Jeff Skowron, Skintight, Geffen Playhouse

BEST ENSEMBLE CAST IN A MUSICAL

Nick Adams, Nick Blaemire, Audrey Cardwell, Eden Espinosa, Thatcher Jacobs, Bryonha Marie Parham, Max von Essen; FalsettosCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Chelle Denton, Beth Kennedy, Janelle Lillian, Luis “L.T.” Martinez, Mike Sulprizio, Cloie Wyatt Taylor, Matt Walker, Dave C Wright, A Christmas Carole King, Troubadour Theater Company

The ensemble of Matthew Bourne’s Cinderella, Center Theatre Group, Ahmanson Theatre

Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi, Dan Weschler; The Old Man and the Old Moon, Wallis Annenberg Center for the Performing Arts

The ensemble of Matthew Bourne’s Swan Lake, Center Theatre Group, Ahmanson Theatre

BEST CABARET / CONCERT PERFORMANCE

DEIDRIE HENRYLady Day at Emerson’s Bar & GrillGarry Marshall Theatre

RUNNERS-UP: Michael Churven and George McGrath, Party of Two, Groundlings Theatre

NEW DISCOVERY 2019

RUNNERS-UP: Reed Michael Campbell, The Ruffian on the Stair, Los Angeles LGBT Center; Olivia Elsease Hardy, Summer, Pantages; Thatcher Jacobs, Falsettos, CTG/Ahmanson; Michael Rishawn, Handjob, Echo; Jarrod Takle, Circa: Humans, Wallis

BEST PLAYWRIGHT

Tracy LettsLinda Vista, Center Theatre Group, Mark Taper Forum

RUNNERS-UP: Sir David Hare, The Judas Kiss, Boston Court; Larissa Fasthorse, The Thanksgiving Play, Geffen; Hershey Felder, A Paris Love Story, Wallis; Stephen Adly Guirgis, Between Riverside and Crazy, Fountain; Dave Hanson, Waiting for Waiting for Godot, Sacred Fools; Joshua Harmon, Skintight, Geffen; E.M. Lewis, Apple Season, Moving Arts; Taylor Mac, Hir, Odyssey; Jennifer Maisel, Eight Nights, Antaeus; Michael McKeever, Daniel’s Husband, Fountain; Vince Melocchi, Andy Warhol’s Tomato, PRT; Gregory S. Moss, punkplay, Circle X; Erik Patterson, Handjob, Echo; Vanessa Claire Stewart, Deadly, Sacred Fools; Paula Vogel, Indecent, CTG/Ahmanson; Gay Walch, The End of Sex, Victory; Stephanie Alison Walker, The Abuelas, Antaeus

BEST ADAPTATION OR TRANSLATION

Michael MitnickMysterious Circumstances, Geffen Playhouse

RUNNERS-UP: Alistair Beaton, The Caucasian Chalk Circle, Antaeus; Nick Blaemire, Anne, a New Play, Museum of Tolerance; Matthew Bourne, Cinderella, CTG/Ahmanson; Nick Dear, Frankenstein, ANW; Jeffrey Hatcher and Andy Garcia, Key Largo, Geffen; Lucas Hnath, Dana H., CTG/Douglas; Jon Laskin and Michael Aquilante, Accidental Death of an Anarchist, Actors’ Gang; Jennifer Lee, Frozen, Pantages; Jonathan Shapiro, Sisters in Law, Wallis; Jen Silverman, Witch, Geffen Playhouse; Michael Gene Sullivan, 1984, Actors’ Gang; Matt Walker, A Christmas Carole King, Troubadour; Matt Walker, Julius Weezer, Troubadour; Jacqueline Wright, Driving Wilde, Theatre of NOTE

BEST DIRECTION OF A PLAY

Matt Shakman, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: Darin Anthony, Apple Season, Moving Arts; Daniel Aukin, Skintight, Geffen; Matt Bretz and Lisa Sanaye Dring, punkplay, Circle X; Dexter Bullard, Linda Vista, CTG/Taper; Emily Chase, Eight Nights, Antaeus; Guillermo Cienfuegos, Between Riverside and Crazy, Fountain; Gregg T. Daniel, The Mountaintop, Marshall; Michael John Garces, The Thanksgiving Play, Geffen; Maria Gobetti, The End of Sex, Victory; Doug Hughes, Key Largo, Geffen; Rhonda Kohl, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Simon Levy, Daniel’s Husband, Fountain; Marti Lyons, Witch, Geffen Playhouse; Matthew McCray, 4.48 Psychosis, Son of Semele; Will Thomas McFadden, Accidental Death of an Anarchist, Actors’ Gang; Michael Michetti, The Judas Kiss, Boston Court; Michael Michetti, Frankenstein, ANW; Tim Robbins, 1984, Actors’ Gang; Ruben Santiago-Hudson, Jitney, CTG/Taper; Stephanie Shroyer, The Caucasian Chalk Circle, Antaeus; Jacob Sidney, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Les Waters, Dana H., CTG/Douglas

BEST DIRECTION OF A MUSICAL

Rebecca Taichman, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Matthew Bourne, Cinderella, CTG/Ahmanson; Matthew Bourne, Swan Lake, CTG/Ahmanson; Stuart Carden with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Michael Grandage, Frozen, Pantages; Michael Matthews, The Producers, Celebration; Des McAnuff, Summer, Pantages; Jamie Robledo, Deadly, Sacred Fools; David Schweizer, In Circles, Odyssey; Timothy Sheader, Jesus Christ Superstar, Pantages; Matt Walker, A Christmas Carole King, Troubadour

BEST MUSICAL SCORE

Lisa Gutkin and Aaron Halva, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Falconer, The Play That Goes Wrong, CTG/Ahmanson; Ryan Thomas Johnson, Deadly, Sacred Fools; Robert Oriol, Frankenstein, ANW; Nellie McKay, A Play is a Poem, CTG/Taper; Members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Arturo Sandoval, Key Largo, Geffen; Stephanie Shroyer with the members of the cast, The Caucasian Chalk Circle, Antaeus

BEST MUSICAL DIRECTION

Kenneth J. Grimes, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Derick Finley, A Christmas Carole King, Troubadour; Shawn Gough, Jesus Christ Superstar, Pantages; Ryan Thomas Johnson, Deadly, Sacred Fools; Amanda Morton, Summer, Pantages; Abdul Hamid Royal, Lady Day at Emerson’s Bar & Grill, Marshall; Anthony Zediker, The Producers, Celebration

BEST CHOREOGRAPHY

Matthew Bourne, Swan LakeCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Ashford, Frozen, Pantages; Matthew Bourne, Cinderella, CTG/Ahmanson; Kate Coleman, In Circles, Odyssey; David Dorfman, Indecent, CTG/Ahmanson; Nadine Ellis, Janet Roston, The Producers, Celebration; Drew McOnie, Jesus Christ Superstar, Pantages; Sergio Trujillo, Summer, Pantages; Matt Walker, and Suzanne Julie Narbonne, Julius Weezer, Troubadour

BEST SET DESIGN (TIE)

Brett J. Banakis, Mysterious Circumstances, Geffen Playhouse

John Lee BeattyKey Largo, Geffen Playhouse

RUNNERS UP: Andrew Boyce, Dana H., CTG/Douglas; Lez Brotherston, Cinderella, CTG/Ahmanson; Alex Calle, The Mountaintop, Marshall; Francois-Pierre Couture, Frankenstein, ANW; Joel Daavid, A Streetcar Named Desire, Odyssey; Alexander Dodge, Anastasia, Pantages; Hershey Felder, A Paris Love Story, Wallis; Lydia Fine with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; David Gallo, Jitney, CTG/Taper; Stephen Gifford, The Producers, Celebration; Lauren Helpern, Skintight, Geffen; Nigel Hook, The Play That Goes Wrong, CTG/Ahmanson; Christopher Oram, Frozen, Pantages; Stephanie Kerley Schwartz, Apple Season, Moving Arts; Sibyl Wickersheimer, punkplay, Circle X

BEST COSTUME DESIGN

E.B. Brooks, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: E. B. Brooks, The Producers, Celebration; Lez Brotherston, Cinderella, CTG/Ahmanson; Lez Brotherston, Swan Lake, CTG/Ahmanson; Angela Calin, The Caucasian Chalk Circle, Antaeus; Wendell C. Carmichael, The Abuelas, Antaeus; Linda Cho, Anastasia, Pantages; Linda Cho, Key Largo, Geffen; Ann Closs-Farley, Driving Wilde, Theatre of NOTE; Ann Closs-Farley, In Circles, Odyssey; Ann Closs-Farley, punkplay, Circle X; Diane Graebner, The Judas Kiss, Boston Court; Alex Jaeger, Eight Nights, Antaeus; Diane Laffrey, Witch, Geffen Playhouse; Shon LeBlanc, A Streetcar Named Desire, Odyssey; Garry Lennon, Frankenstein, ANW; Linda Muggeridge, Deadly, Sacred Fools; Christopher Oram, Frozen, Pantages; Emily Rebholz, Indecent, CTG/Ahmanson; Roberto Surace, The Play That Goes Wrong, CTG/Ahmanson

BEST LIGHTING DESIGN

Jared A. SayegFrankenstein, A Noise Within

RUNNERS-UP: Christopher Akerlind, Indecent, CTG/Ahmanson; Christopher Ash, A Paris Love Story, Wallis; Neil Austin, Cinderella, CTG/Ahmanson; Howard Binkley, Summer, Pantages; Martha Carter, Apple Season, Moving Arts; Paule Constable, Swan Lake, CTG/Ahmanson; Bart Cortright with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Lee Curran, Jesus Christ Superstar, Pantages; Rick Fisher, An Inspector Calls, Wallis; Elizabeth Harper, Mysterious Circumstances, Geffen; David Hernandez, The Judas Kiss, Boston Court; Donald Holder, Anastasia, Pantages; Peter Kaczorowski, Key Largo, Geffen; Natasha Katz, Frozen, Pantages; Karyn D. Lawrence, Eight Nights, Antaeus; Rose Malone, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Tom Ontiveros, Lady Day at Emerson’s Bar & Grill, Marshall; Andrew Schmedake, Native Son, Antaeus/CTG at the Douglas; Paul Toben, Dana H., CTG/Douglas

BEST SOUND DESIGN (TIE)

Warren DavisApple Season, Moving Arts

Alex HawthornKey Largo, Geffen Playhouse

RUNNERS-UP: Eric Carstensen, A Paris Love Story, Wallis; Mikhail Fiksel, Dana H., CTG/Douglas; Mikhail Fiksel with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Jeff Gardner, The Abuelas, Antaeus; Jeff Gardner, Eight Nights, Antaeus; Jeff Gardner, Native Son, Antaeus/CTG at the Douglas; Paul Groothuis, Cinderella, CTG/Ahmanson; Matt Hubbs, Indecent, CTG/Ahmanson; Peter Hylenski, Frozen, Pantages; Cricket S. Myers, The Producers, Celebration; Robert Oriol, Frankenstein, ANW; Gareth Owen, Summer, Pantages; Robert Arturo Ramirez, The Mountaintop, Marshall; Jonathan Snipes, Mysterious Circumstances, Geffen; Daniel S. Tator, A Christmas Carole King, Troubadour

BEST STUNT / FIGHT CHOREOGRAPHY

Edgar Landapunkplay, Circle X Theatre Company

RUNNERS-UP: Ronnie Clark, Apple Season, Moving Arts; Dane Oliver, Hir, Odyssey; Steve Rankin, Witch, Geffen Playhouse; Steven Simon and Edgar Landa, Waiting for Waiting for Godot, Sacred Fools

BEST CGI / VIDEO DESIGN

Christopher AshA Paris Love StoryWallis Annenberg Center for the Performing Arts

RUNNERS-UP: Adam R. Macias, The Arbuelas, Antaeus; Adam R. Macias, Native Son, Antaeus/CTG at the Douglas; Duncan McLean, Cinderella, CTG/Ahmanson; Kaitlyn Pietras and Jason H. Thompson, Mysterious Circumstances, Geffen; Kaitlyn Pietras and Jason H. Thompson, Key Largo, Geffen; Aaron Rhyne, Anastasia, Pantages

SPECIAL EVENTS and PERFORMANCES

Nellie McKay, performing her original music in the otherwise dastardly A Play is a Poem, Center Theatre Group, Mark Taper Forum 

SPECIAL ACHIEVEMENTS

Michael Curry, Puppet Design, Frozen, Pantages Theatre
Ann Closs-Farley, Hair Design, punkplay, Circle X Theatre Company
Charles G. LaPointe, Wig and Hair Design, Summer, Pantages Theatre

BEST SCENE-STEALING DERRIERE OF 2019

Will BrittainSkintight, Geffen Playhouse


TICKETHOLDER AWARDS 2019 PART I

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read it below and click here for photos.

Choosing my honorees this year is a real bitch. Almost as many tears shed as Carrie Ann Inaba eliminating a sports figure she finds hot. Yet there’s not much else good to write home about in 2019 besides theatre in El Lay. Between the mess we’re making of our planet and the eye-opening disintegration of everything I’ve championed and held dear all my life, thank Terpsichore it’s been a spectacular year for the creation of theatrical art to help ease the pain and frustration of living in our Trumpian nightmare. And even though I have a whole heap of productions to honor this year, with part of my time spent in New Orleans hosting an exhibit of my paintings and medical issues to tackle that seem to come with the territory at age 348, there were also a lot of noteworthy productions I sadly missed. In my world, it’s definitely been a year to praise some monumental directorial work and a plethora of spectacular ensemble casts; choosing winners in both categories has not been an easy task. And what do you think of the Geffen Playhouse? After too long a period of less-than exciting fare, the announcement in 2017 that Matt Shakman had been hired as the complex’s artistic director guaranteed a positive change and without a doubt, the turn around has been staggering. Two of the company’s casts are tied here for Best Ensemble, two of its masterful set designs are as well, and five of my top production choices for 2019 were presented at the Geffen, including my second, third, ninth, and tenth pick for Best Play and second choice of Best Revival. If I gave an annual award for Best Season, surely the Geffen Playhouse would win this year. As a matter of fact, maybe I should initiate such a thing. As a matter of fact, I think I will. 

THE 2019 TICKETHOLDER AWARD
FOR BEST SEASON

Geffen Playhouse; Matt Shakman, resident puppetmaster

BEST PRODUCTION OF 2019

Linda Vista, Center Theatre Group, Mark Taper Forum
The Thanksgiving Play, Geffen Playhouse
RUNNERS-UP: The Abuelas, Antaeus; Andy Warhol’s Tomato, Pacific Resident Theatre; Apple Season, Moving Arts; Dana H., CTG/Douglas; The End of Sex, Victory Theatre Center; For The Love Of (or the Roller Derby Play), Theatre of NOTE/CTG at the Douglas; 4.48 Psychosis, Son of Semele; Frankenstein, A Noise Within; Handjob, Echo Theatre Company; The Mountaintop, Garry Marshall Theatre; On Beckett, CTG/Douglas; The Play That Goes Wrong, CTG/, Ahmanson; Sisters in Law, Wallis Annenberg Center

BEST REVIVAL PRODUCTION

JitneyCenter Theatre Group, Mark Taper Forum 
FalsettosCenter Theatre Group, Ahmanson Theatre
RUNNERS-UP: The Caucasian Chalk Circle, Antaeus Theatre Company; Cats, Pantages; The Cripple of Inishmaan, Anteaus Theatre Company; Happy Days, CTG/Mark Taper Forum; Hello, Dolly!, Pantages; Jesus Christ Superstar, Pantages; Loot, Odyssey Theatre Ensemble; The Ruffian on the Stairs, Los Angeles LGBT Center; Lady Day at Emerson’s Bar & Grill, Garry Marshall Theatre

BEST MUSICAL PRODUCTION

Indecent, Center Theatre Group, Ahmanson Theatre

The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


Now Registered on the Better Lemons Calendar – September 9 - 15, 2019

Theatrical shows and Staged Readings NOW registered on the Better Lemons calendar!

For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Through A Magicians Eyes: Starring Blaise
Serra

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House Of Me

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The Music Of Brian Gallagher

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Thelma Houston: From Sunshower To Motown

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In Trousers

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Sight Unseen

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Aleichem Sholom! The wit and wisdom of Sholom Aleichem

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The Pack

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The Three Musketeers At North Coast Rep Theater School

Sh

More Guns!

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Opening Night: The Improvised Musical

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The Really Awesome Improv Show

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Canuck As F*ck

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Life In Boobs

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All My Sons

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Omniscope: Dance And Architecture Show

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Supportive White Parents

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To T, Or Not To T

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Steve Grand: The Pink Champagne Tour

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The Nosotros 49th Annual Golden Eagle Awards at The Montalbán Theatre

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Female Fusion Spotlight on Arianne MacBean

Arianne MacBean is a writer, educator and Artistic Director of The Big Show Co., a LA-based interdisciplinary performance group. Although when asked how she would describe herself she leads with choreographer, her biography on her company page does not list that among her many titles. In contrast, her Instagram profile defines her as “Choreographer, Writer, Educator, Girl Gang Boss.” She dances and performs with her company, but specifically says that she is no longer a dancer. This enigmatic question of self categorization set off a conversation full of layered responses and complex ideas related to identity, process and creation. Her journey to become the artistic force that she is today was and continues to be long, winding and constantly evolving.

Like most creatives in Los Angeles, MacBean wears many hats, has numerous titles and shoulders many responsibilities. In addition to being the director and force behind the Big Show Co., she was the Director of the Dance Program at Oakwood Secondary School for eighteen years, and is now adjunct faculty at Cal State University Long Beach, Pasadena City College, and Glendale Community College. Her classes include graduate seminars in Dance Management, graduate level Modern Technique and Composition, Beginning and Intermediate Hip Hop, Modern Technique and Dance History. She is a regular facilitator of professional development workshops for LAUSD teachers on how to promote diversity in the classroom through movement. Through the Big Show Company, she leads Memory Writing Workshops at Casa Treatment Center in Pasadena, for women in recovery from drug and alcohol abuse, and she has spent many years working with U.S. military veterans leading free Memory Writing & Movement Workshops. She is a published author. Her academic dance works include Dancing into Diversity – a curriculum for self-discovery, empathy and creative leadership, which was published in the 2014 special teacher edition of The Journal of Dance Education and Scripting the Body, an essay and curriculum which was published in 2001 and which continues to guide her work today. She also wrote a charming children’s book, Backyard Fairies. In 2012, she was awarded the year-long CHIME Mentorship Grant, produced by the Margaret Jenkins Dance Company in San Francisco, which is a mentorship program for professional choreographers. Other recent awards include the 2018-19 Cultural Trailblazer Award and 2016-17 Artist-in-Residence Grant from the City of Los Angeles' Department of Cultural Affairs, as well as the 2016-17 & 2017-18 California Arts Council Veterans Initiative in the Arts Grant.

The Big Show Co. was founded in 1998 and has five core members. In addition to MacBean, the company includes Angelina Attwell, Genevieve Carson, Brad Culver, and Max Eugene.

left to right: Max Eugene, Arianne MacBean, Genevieve Carson, Brad Culver, and Angelina Attwell. Photo: Dyanne Cano

Both men began as actors and have become movers. The women are all technical dancers, but as they have worked together for over a decade, those lines have become blurred. What you see in The Big Show Co.’s work is the result of literal years of breaking down then rebuilding creativity.

“When that core group came together, we started to develop this creative process. It was unlike anything we had ever done before and we started making work that was unlike anything we had ever seen before and we called it dance theatre. We generated the text and the movement simultaneously and we started to refine and then I started to think about the creative problem solving…..to codify it, to think of it not just as creating material for performance but as a way of processing information that feels to me a little bit more authentic to life.”

“I grew up, even in grad school with this idea of the integrity of the art. There was a lot of judgement…that these ideas need to be completed. I still feel all of those things and bring all of that but I wanted process to reflect what I wanted to show up on the stage which was much more dynamic and not tied up or wrapped up in a string, which is much more reflective of the way I live; I have ideas, they come, they melt away, I’m laughing, then I’m crying because I am so sad at what I’m laughing at and then I’m pissed and I love this person then I hate them all in the same minute. We called it the creative problem solving method.” She jokes that naming the process was mostly for grant writing purposes.

Once they had solidified and codified this method, they looked out, away from the core group of dancers/performers and sought to apply it to more diverse communities. At the suggestion of a friend’s husband, himself a veteran, she started working with groups of veterans in free workshops and began to develop the idea of memory making as a performative act. A result of that undertaking was The Collective Memory Project, a show that was developed and performed at The Ford Theatres in June of 2018. Creating the show was a three year long process.

The Collective Memory Project at The Ford Theatres, June 2018 Photo: Timothy Norris

Joining the core company members for the Collective Memory Project in June were Heraclio Aguilar, Edem Atsu-Swanzy, Armen Babasoloukisn, and Priscilla Songsanand. It is impossible to write about all of the elements of this incredible performance so I have linked to two reviews, The Berkeley Daily Telegraph and Broadway World. I would also urge you to check out the Work in Progress video: The Collective Memory Project, and both the Collective Memory Project Promotional Video and The Collective Memory Project Reel. I saw both the developmental workshop and the performance. It was astounding and glorious and emotional. As MacBean says so eloquently, “Every veteran wears their service differently.” The journeys taken throughout the evening were both immense and minute and all of it was intensely moving.

When asked about her work as an activist, the issue of self identity was once again raised. “I don’t really see myself as an activist. The work that I do is creative work and I think it is activism, but it is a collaborative community process and its this really intuitive listening and pushing and guiding and listening and pushing and guiding. And re-visioning with the material that comes in front of me, we start with text and start mining human experience. Then you have to guide these non-performers into thinking performatively and thinking about storytelling, but there is the goal of art, but that separates from the trauma of it...”

That stated, there are multiple avenues that Arianne pursues with the creative memory writing process; Memory Writing Workshops, Memory Movement Workshops and Creative problem solving. For example, in addition to veterans, she works with women in recovery from addiction. These workshops are mainly writing, though as with everything that Arianne is associated with, movement finds a way in. In contrast to the work that led to the Collective Memory Project, the workshops are not performative. They are about personal growth and the journey that each individual takes.

All of this creativity, whether focused on a performative or personal goal is intense and can be triggering for both the participants and MacBean. The related issues of balance and care came up in our conversation in numerous ways: in regards to being a mom and teacher, as a guide and therapeutic leader, and in her family life. MacBean has a husband and two tween daughters. She is close to her parents, who live in Berkeley, where she grew up. Her mom has stage four breast cancer and was just diagnosed with Dementia and Alzheimers. There is a lot to juggle and she is open about having her own therapist to help deal with it all. Even with the stress, MacBean expresses gratitude and excitement for her complicated family and life, and for how she has grown artistically with and as a result of it. Once she had kids, she found that she had to start integrating more of the sides of herself, moving on from the heady space of academia into a softer, more accepting place. Her motherhood and teaching is intertwined with her creative output. “It’s all part of the process...with my family, we have always danced." She found that there was a stripping down of self restriction and self judgement both in her own work and in the work she of others she watched. She had to let go of the pretentiousness of it all, the academic certainty of right and wrong when it came to art and open up to much more fun. “I had to start to watch musical theater, and LOVE it!” She shares a family tradition; the Backyard Big Show. Friends and family who love to dance but may not be dancers themselves come together to create once a year. Everyone brings a dish to share and a dance for the show. The Backyard Big Show echos the work she does with her company. It is an organic process of working with communities and creating art while not taking yourself seriously. There really is a lot of play, both in the family celebration and in the creation of ultimately serious but still entertaining and joyous dance theatre.

From The Big Show Co Instagram

MacBean and The Big Show Co. will be in residence at the Ford Theatres in the Fall 2019 with a new project entitled, She/Her: Memory Trace - dance theatre exploring femininity and the military veteran experience. The project was inspired partially from a memory that was explored in the first show; attending San Francisco Ballet performances at the Opera House with her mom. She was already thinking about the influences of mothers, women and feminine energy on memory when one of the veterans contacted her about writing about his mom. This desire was partially inspired by the journey that MacBean is going through with her own. “I started to think about the military and men and this really male dominated space and how do they feel about the women in their lives, and how the women in their lives have affected how they think of themselves as men in relation to the military. Then I thought about the very few women who did come to our writing workshops and how they had extremely different experiences than the men, which then made me wonder about my own relationship with ‘femaleness’. I have always been more of a masculine woman. I have never been much of a girly girl. Nathan Clum, The Dramaturg and Co-Facilitator for all Collective Memory Project Writing Workshops, is gay and he is always thinking about his femaleness and we are in this new culture with gender fluidity being so much more accepted than before. The show will jump from this perspective to further explore the idea of durable memory and seek to discover at a deeper level why and how “memory and identity is a creative act.”

The Big Show Co. is still seeking veterans to work on this new project.

Paid Workshops and Performance!
Male & Female Veterans Wanted!
Must be available on the following dates/times:

- Workshops: Sundays, September 8, 15, 22, 29, October 6, 13, 27; 10am - 1pm at the Ford’s Community Room
- Project Launch Showing on the Terrace at the Ford Theatre, Saturday, November 2, 10-4pm. OPEN TO THE PUBLIC
- Wrap-Up Workshop: Sunday, November 17; 10-1pm

Project Launch Showing at the Ford Theatres:
Saturday, November 2, 2019
10am-4pm

If you are interested, please send a resume via their website contact form at TheBigShowCo.com/contact.

There is so much more to Arianne MacBean than is possible to share in this article; her love for Hip Hop, her passion for teaching, the joy that talking about her children brings to her face. I would encourage you to check out her irreverent Instagram account, her amazing performances, and maybe take part in one of the workshops. The possibilities that are opened up by her work and collaborations are infinite.


Announcing the Hollywood Fringe Festival 'Sponsored,' 'Runway,' 'Encore! Producers,' and 'Best of Broadwater' Awards

The following are more winners of the Hollywood Fringe Festival, including the Sponsored Awards and Fringe Runway.

Now that the Hollywood Fringe Festival has technically come to a close, here are awards that provide additional opportunities through the Encore! Producers Awards and the Best of Broadwater Award which provide an avenue for shows to extend through July, August, and beyond, to see the shows you might have missed.

Sponsored Award Winners

2019 Unleashed Awards

The Mayor’s Debate Of Tranquillity Nebraska

The Unleashed Award is given to the ensemble production who unleashes their production with a strong focus on telling the story and the winner receives a certificate, a dog collar and tag engraved with the name of the show, the award and the year, award laurels for social media use, and shout outs on the Theatre Unleashed social media sites.

2cents Theatre Distinctive Voices Award

The Institute For The Opposite Of Longing

The 2Cents Distinctive Voices Award recognizes an artist/team of artists who prove themselves as a true auteur. The winning production will demonstrate unique perspective, fresh interpretation and defined approach, providing a one of a kind experience of unexpected storytelling. The winner will receive a coveted engraved 2Cents Piggy.

Aunt Lyla’s Fave Fringe Flyer

Matt: The Gathering

Aunt Lyla’s Fave Fringe Flyer recognizes superb flyer design and the winner(s) receive an award plague showcasing the winning flyer.

Fight the Power Award

Start Swimming

Fight The Power Award is granted for performance, writing, direction combined "to create a powerful piece that moves the needle in social justice, inclusiveness, normalization of reality, and forward-thinking art." Winners receive a custom ‘Fight the Power’ trophy.

No Room In The Green Room Award

Borracho: Spanish For Drunken Bum

MB Stage Productions No Room In The Green Room Award "goes to those who like to challenge themselves to have a full audience and an even fuller stage."  Winner(s) are awarded a trophy and recognition on MB Stage Productions, LLC’s website, social media and digital laurels.

O Face Award For Orgasmic Achievement In Theatre: “Most Orgasmic Performance”

Macy Idzakovich – Flower Society

The O Face Award For Orgasmic Achievement In Theatre: 'Most Orgasmic Performance' Award singles out one production "for forging a connection between artist, audience and the divine, bringing all three together in an explosive theatrical experience that transcends convention and can only be regarded as 'Orgasmic.'" A 7th Annual O Face Award statuette is presented to the winner.

Showorks Don’t Wait. Create! Award

The Duchess & The Stripper

The ShoWorks Don’t Wait. Create! Award is awarded to "writers and creators who develop their own opportunities by producing original content and pushing the creative envelope from 'page to stage.'” The winner receives this 3rd Annual award statuette.

Soaring Solo Artist Award

Dear Jeff by Callie Ott

The 3rd Annual Soaring Solo Artist Award is presented by Soaring Solo LLC, Jessica Lynn Johnson & the Whitefire Theatre recognizes and celebrates "excellence in solo theatre within the Hollywood Fringe Community." The winner receives an award plaque, along with a spot to perform their winning solo show at the Whitefire Theatre’s SOLOFEST 2020.

Standout Song Award

“Smellay Lahk A Turkay (She Was)” Blackboxing

Standout Song Award honors "the song at Fringe that we feel represents the 'number one hit' of the festival. The song that we remember as we leave their show and keep thinking about as the festival goes on." The award involves "a fully funded/produced music video of the original song that will be published online."

Steve Kent Award

Earth Stories: Our Climate And Our Future

Steve Kent Award, named after co-founder of the legendary Company Theatre, the late Steve Kent,  "is given a piece of theatre that uses their art for to create political or social change within an individual and their community." and a trophy is awarded to the winner.

The Diverse Diva Award

Squeeze My Cans by Cathy Schenkelberg

The Diverse Diva Award is presented by the Los Angeles Women’s Theatre Festival, co-sponsored by City National Bank, and is awarded to a solo female identified artist performing  "cabaret, poetry, dance, as a singer-songwriter, vocalist, musician [or]  storyteller" selecting one "engaging and unique female identified artist who exemplifies what it means to be a 'Diverse Diva.'" The winner receives a framed award certificate, a performance spot in the LAWTF Wine Down Wednesday event, and a week-long stay at the Writer’s Well International Literary Retreat in Sharpsburg Georgia (including lodging.)

The Golden Key

The Pod

The show with the highest score will receive The Golden Key, a symbol of the production’s ability to unlock a new world for guests.

The Encore Award

The Encore! Producers Award represents the best of the Hollywood Fringe selected by venue producers, based on artistic merit and commercial potential. The extensions immediately follow the HFF2019 and run through July in participating fringe venues. Shows selected receive extensions "giving them the opportunity for additional audience, press, awards and extensions. Shows receive "at least one performance," following the Hollywood Fringe Festival, in July. Typically extensions are one to two performances, but longer runs are possible and are negotiated between venue and show producer.

The Inkwell Theater Playwright’s Promise Award

Butcher Holler Here We Come” By Casey Wimpee

The Inkwell Theater Playwright’s Promise Award, presented by the Inkwell Theater Development LAB, recognizes a writer of a Fringe production. The criteria for this fifth annual award is based on the play itself, not necessarily the production. The playwright of the winning production is invited to "participate in a number of special events and reading opportunities throughout our 2019-20 season" and receive a “Golden Pen” statuette.

The Outdoor Voices Festival “conversation Creation” Award

Dear Jeff: A Musical Comedy About Suicide & Domestic Abuse

The Outdoor Voices Festival “conversation Creation” Award honors the show that "encompasses all of the qualifications that make up a brilliant piece of socially relevant theater." The winner of the award receives a statuette and is invited to perform in the "Outdoor Voices Festival, Winter 2019" where a limited number shows are selected each year.

The Paul Koslo Memorial/Met theatre Award

A Time Traveler’s Guide To The Present

Sponsored by MET Theatre (MET Foundation) The Paul Koslo Memorial/Met theatre Award, in honor of the late MET Theatre founding member Paul Koslo, is given to "outstanding theatre makers who reflect that same bold, creative, and inspirational spirit as was possessed by our beloved Mr. Koslo." The winner receives a statuette, plaque, or "the like" along with "20 Free Rehearsal Hours (a $500 value) at the MET Theatre on the Paul Koslo Stage in the Great Scott space."

TPP’s Trope Buster!

Blackboxing

Sponsored by They Played Productions, LLC., TPP’s Trope Buster! is awarded to shows that "break the mold," disrupt the medium, and take the "expected roles or stories or themes or tropes of theatre and spin them off the axis into unknown territory."  Winners will receive an award created by producer and artist Thea Rivera specifically for this year’s TPP Trope Buster as well as a digital file listing your winning award.

LAFPI's Most Wanted Award

LAFPI's Most Wanted Award is granted in "recognition of the gender parity efforts and achievements by LA Theaters and Fringe Venues, focusing on female-identifying playwrights" and receive a certificate.

The LAFPI Most Wanted Awards:

Actors Company
Assistance League Theatre
Hudson Theatres
Lounge Theatres
Asylum @ McCadden Theatre
Asylum @ Studio C
The Hobgoblin Playhouse at The Arena Stage, Theatre of Arts
The New American Theatre
The New Collective

Fringe Runway Winners: 

1st Place- ANGELBIRD
2nd Place- THE HUMAN[OID] EXPERIENCE
3rd Place- Start Swimming
Honorable Mention – Mil Grus

Audience Winners:

1st Place – Squeeze My Cabaret
2nd Place – HAMILKONG

Best of Broadwater Award

The Best of Broadwater Award is awarded to a select few Hollywood Fringe productions that have performed at The Broadwater based on "their high level of artistry and excellence." Winners receive a statuette and certificate for their production during the Hollywood Fringe Festival Closing Night Ceremony and are offered an extension at one of The Broadwater’s four stages on Best of Broadwater Weekend July 5th-7th.

SCARLETT FEVER
LEAR / LOMAN – THE BEST OF INK @FRINGE
COME BACK!
THE LAST CROISSANT
GRAIL PROJECT
POCKETS
JOURNEY
LINCOLN 2020
SUPPORTIVE WHITE PARENTS
EARTH STORIES: OUR CLIMATE AND OUR FUTURE
RIDE OR DIE: THE HIP-HOP MUSICAL
JORDAN MAVERICK HISTORY TEACHER
TEMPLE TANTRUM
NORMALER THAN EVERYONE
45 MILLIGRAMS
EARTH TO KAREN
THE FLOWER SOCIETY
SON OF A BITCH
ORANGUTAN
FOUR CLOWNS PRESENTS: SHAKEDOWN AT THE DUSTY SPUR!
COME ON DOWN
MR. YUNIOSHI
THE SAME ROOM
GHOST TOWN
RED, WHITE, BLACK & BLUE
DEAR JEFF: A MUSICAL COMEDY ABOUT SUICIDE & DOMESTIC ABUSE
THE DEATH OF SAM MOBEAN
MEET ME IN MIZZERY
ALIVE-ISH
IF TRUTH BE TOLD

Encore Extensions:

The Actors Company
#CANCELLED
BIRTHDAY
HAPPY HOUR
HUMAN FOUNTAINS
MANDY PICKS A HUSBAND
ORACLES AND MIRACLES
PUBLIC DOMAIN: THE MUSICAL
REWIND – A NEW 80’S POP MUSICAL
THE LONDON ROSE
[TITLE OF SHOW]

New American Theater
THE SCORPION AND THE FROG: A TIME-KILLER
LOOSE UNDERWEAR

Hudson Theater
COMEDY HOE
THE RIDE
GOLDFISH
EVA PERON BY COPI EN ESPAÑOL
AN YET ANOTHER EVENING WITH THE SISTAHS- UNSUNG SHEROES
LOVE, MADNESS, AND SOMEWHERE IN BETWEEN
IT TAKES TWO: MUSICAL IMPROV WITH PEARCY & BYRNES
SWIPED

The New Collective
YOU TOO
YOU, AGAIN

The Complex Hollywood
2 FOR 1
ACID WASH LOVE
BLACKBOXING
CAVE GIRL THE MUSICAL
THE COLOR COLLECTIVE
CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR
DEATH AND THE FOOL
FIVE
IF IT GOES THERE
KLINGON TAMBURLAINE
MY TRANS WIFE
THE NARCISSIST NEXT DOOR
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
PIT OF GOBLINS
POCKETMON! A PARODY MUSICAL
PRINCESS MAGIC’S TRASH TIME REVUE
PRODIGY
SEXUALMISADVENTURESOFASTRAIGHTWHITEMALE: APRIVILEGESTORY
SHIVA FOR ANNE FRANK
TALES FROM THE POWDER ROOM
THE MAYOR’S DEBATE OF TRANQUILITY, NEBRASKA
THIS WAY YONDER
VERY GOOD ACTOR: AN ACTING SEMINAR
WHAT I NEVER TOLD YOU
WHY DID THE CHICKEN CROSS THE ROAD?
YES. NO. MAYBE.

Lounge Theatre
AN EXCUSE TO BEHAVE BADLY
CHRISSY METH – A DANCE WITH THE DEVIL AND THE JOURNEY BACK
CORINA, FROM LAP DANCE TO SUNDANCE
HIDE YOUR FIRES: BUTOH LADY MACBETH
HOLLYWOODN’T
(IM)PERFEKT
TO RICHARD!
A BIT MUCH
CLEMENTINE
FERTILE.
IF WE RUN
LEAVING PRINCE CHARMING

Studio/Stage
BAT KNIGHT!
BATTER UP! MY BRAIN ON BASEBALL
CRABBE AND GOYLE ARE DEAD
DISROBED
LIFE PLAN, OR LIVING YOUR BEST LIFE IN A COLLAPSING WORLD
THE JOURNEY OF THE LITTLE PRINCE
PHO GIRL
TATTERED CAPES
SILENT JOY, A NEW PLAY
SUGARFREE: FOSTER CARE COGNITIVE DISSONANCE

The Hobgoblin Playhouse at the Arena Stage
EARTH & FIRE WALKING (TIERRA Y FUEGO QUE CAMINA)
SHE KILLS MONSTERS
RADICALS
TABLETOP (THE MUSICAL)
THE BULLY PROBLEM

McCadden Theater
GUNFIGHT AT THE NOT-SO-OK SALOON
LET’S WRITE A MUSICAL
MIL GRUS
MONKEY MIND
NO MORE TOYS
SIREN CALL
STRAIGHT WHITE MEN TRYING TO WOKE
Thymele Arts
NO CHILD LEFT BEHIND.

Stephanie Feury Studio Theatre
BUNNY THE ELF LIVE!
GEORGE.
GREENWOOD 1964
OUT OF THE BLUE
RAISED BY WOLVES
SORRY ABOUT MY FRIEND
SWIPE RIGHT: THE MUSICAL
THANK YOU FOR LOVING ME
THE HUMAN[OID] EXPERIENCE
TOBINCON

Studio C
AMERICAN STRANGER
ASK A BLACK WOMAN
DANDY DARKLY’S ALL ABOARD!
DEAR JEFF: A MUSICAL COMEDY ABOUT SUICIDE & DOMESTIC ABUSE
DOUBLE FEATURE: THE ORIGINAL ENGLISH & MURDERFUCK
I AM NOT A MAN
JAMBA JUICE: THE MUSICAL
MORAL FIXATION (ORIGINALLY TITLED BOYS
WILL BE BOYS)
MR. YUNIOSHI
ONE HUMP HEART
PAPER TRAILS
SPEAK I WILL: A FRACTURED SHAKESPEARE
SUPPORTIVE WHITE PARENTS
TEMPLE TANTRUM
THE LAST POWERPOINT
THE MASHER
THE ONE-MAN IMPROVISED MUSICAL
SEVEN
ALL OUR PRETTY SONGS


The Winners at the 10th Annual Hollywood Fringe Festival Awards 2019

The 10th Annual Hollywood Fringe Festival Awards Ceremony was presented Sunday, June 30, 2019, at the Montalbán Theatre. Here are all of the winners of the Community Awards.

Top Of The Fringe

The Last Croissant

International

Hide Your Fires: Butoh Lady Macbeth

Fringe First (World Premiere)

Pockets

Cabaret & Variety

Blackboxing

Comedy

Olivia Wilde Does Not Survive The Apocalypse

Dance & Physical Theatre

Tattered Capes

Ensemble Theatre

The Last Croissant

Immersive Theatre

Vote For Murder!

Musicals And Operas

Pockets

Solo Performance

Mr. Yunioshi


The 10th Annual Hollywood Fringe Festival Awards 2019 Have Been Announced, Awards Ceremony Tonight!

The 10th Annual Hollywood Fringe Festival Awards Ceremony is tonight, Sunday, June 30, 2019, at 6 p.m. at the Montalbán Theatre!

Here are all the nominees for the community and sponsored awards.

Fringe Freaks (community-voted awards) Nominees

Top Of The Fringe
Klingon Tamburlaine
Mr. Yunioshi
Pockets
The Bully Problem
The Last Croissant

International
Hide Your Fires: Butoh Lady Macbeth
Pretty, Witty Nell
Start Swimming
What Am I Even Doing?
What I Never Told You

Fringe First (World Premiere)
45 Milligrams
Blackboxing
Pockets
Son of A Bitch
The Bully Problem

Cabaret & Variety
Batter Up! My Brain On Baseball
Blackboxing
Pick Of The Fringe – Cabaret Show
Squeeze My Cabaret
The Color Collective

Comedy
Come Back!
Crabbe And Goyle Are Dead
Olivia Wilde Does Not Survive The Apocalypse
The Mayor’s Debate Of Tranquillity Nebraska
Stuff I Think Is Funny And Good

Dance & Physical Theatre
Cirque Du Giselle
Four Clowns Presents: Shakedown At The Dusty Spur!
Mil Grus
Scarlett Fever
Tattered Capes

Ensemble Theatre
Grail Project
Saving Cain
Son of A Bitch
The Last Croissant
The Death of Sam Mobean

Immersive Theatre
Disrobed
Life Plan, Or Living Your Best Life In A Collapsing World
Matt: The Gathering
The Pod
Vote For Murder!

Musicals And Operas
Earth To Karen
Pockets
Public Domain: The Musical
Supportive White Parents
The Bully Problem

Solo Performance
Fertile
Meet Me In Mizzery
Mr. Yunioshi
Pit Of Goblins
Temple Tantrum

Sponsored Awards Nominees

2019 Unleashed Awards
Scarlet Fever
Meg Jo, Beth Amy & Louisa
Haddon Park
Sorry About My Friend
The Mayor’s Debate Of Tranquillity Nebraska

2cents Theatre Distinctive Voices Award
The Death Of Sam Mobean
Dear Jeff
Butcher Holler Here We Come
The Institute For The Opposite Of Longing
Scarlett Fever

Aunt Lyla’s Fave Fringe Flyer
Winner announced tonight! Honorable Mentions:

No More Toys
The Mayors Debate Of Tranquility, Nebraska
Cave Girl: The Musical
If We Run
Start Swimming

Fight The Power Award
Greenwood 1964
Start Swimming
No Child Left Behind
Falling On Deaf Eyes
The Bully Problem

No Room In The Green Room Award
Silent Joy
Borracho: Spanish For Drunken Bum
Tattered Capes
The Bully Problem
The Circle Table

O Face Award For Orgasmic Achievement In Theatre: “Most Orgasmic Performance”
Blaire Chandler – The Duchess & The Stripper
Yokko – Hide Your Fires: Butoh Lady Macbeth
Jim Hanna –The Mayor’s Debate Of Tranquillity Nebraska
Elisabeth Hower –Four Clowns Presents: Shakedown At The Dusty Spur!
Macy Idzakovich – Flower Society

Showorks Don’t Wait. Create! Award
Oracles & Miracles
Supportive White Parents
The Duchess & The Stripper
Earth To Karen
The Bully Problem

Soaring Solo Artist Award
Squeeze My Cans by Cathy Schenkelberg
Dear Jeff by Callie Ott
Mr. Yunioshi by Jonathan Cho
Mandy Picks A Husband by Amanda Broomell
The One-Man Improvised Musical by Conor Hanney

Standout Song Award
“Smellay Lahk A Turkay” Blackboxing
“Wanted” Pockets
“Love Triangles” Pocketmon
“The Futures Lit” One Hump Heart
“Slapfoc” The Bully Problem

Steve Kent Award
Earth Stories: Our Climate And Our Future
In Conclusion
Ghost Town
Mr Yunioshi
The Last Croissant

The Diverse Diva Award
Squeeze My Cans by Cathy Schenkelberg
(IM)PERFEKT by Jannica Olin
Chrissy Meth by Crystal Bush
Loose Underwear by Dagmar Stansova
Corina: From Lapdance to Sundance by Corina Calderon

The Golden Key
The Pod
Tales By Candlelight
Best Night Ever
Internal
Vote For Murder!

The Inkwell Theater Playwright’s Promise Award
The Institute For The Opposite Of Longing” By Lindsay Beamish and Vanessa Peters
Butcher Holler Here We Come” By Casey Wimpee
To Richard!” By Jessica Durdock Moreno
The Circle Table” By Eric Moore

The Outdoor Voices Festival “conversation Creation” Award
Cave Girl: The Musical
Blackboxing
Silent Joy
Crack Whore, Bulimic, Girl Next Door
TBD Fifth Nominee

The Paul Koslo Memorial/Met theatre Award
A Time Traveler’s Guide To The Present
Mr. Yunioshi
The Grail Project
Scarlet Fever
Pho Girl

TPP’s Trope Buster!
Batter Up! My Brain On Baseball
Blackboxing
Butcher Holler Here We Come
Mr. Yunioshi
Sins
-----------------------------------------------------------------------------------------------
The Montalbán Theatre is at 1615 Vine St, Los Angeles, CA 90028. The Hollywood Fringe Festival Closing Night Party after the awards ceremony at St. Felix, 1602 N Cahuenga Blvd, Los Angeles, CA 90028.


2020 Sherwood Award now accepting applications!

Center Theatre Group's $10,000 Dorothy and Richard E. Sherwood Award for theatre artists is given annually to nurture innovative and adventurous theatre artists working in Los Angeles. Two additional finalists will each receive a $1,000 honorarium.

The Sherwood Award nurtures selected artists and invites them to engage in a professional relationship with Center Theatre Group. Competitive candidates demonstrate leadership qualities, push existing boundaries, and are dedicated to improving the future of their respective artistic fields. Artists are not limited by title, role, or genre, but they must have a relationship to contemporary performance rooted in theatre.

The deadline for the initial application consisting of an artist's statement and resume is June 10, 2019 at 11:59 PM.

Apply here!

After the first round, select candidates will be invited to submit full applications. Full applications, along with letters of recommendation and work sample material will be due no later than July 19, 2019 at 11:59 PM. The winner will be announced at the LA STAGE Alliance Ovation Awards.

The application and more information about the Sherwood Award can be found here.

If you have any additional questions about the Sherwood Award, please contact Sherwood@CTGLA.org


The Winners at the 50th Annual 'LA Drama Critics Circle' Awards Ceremony Held at the Pasadena Playhouse

The 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019. (Photo by Better Lemons)

The LA Drama Critics Circle (LADCC) held their 50th Annual Awards ceremony at the landmark Pasadena Playhouse where Better Lemons was in attendance to live tweet the evening's festivities and entertainment, Monday, April 8, 2019.

Wenzel Jones presided over the festivities, and Christopher Raymond served as music director with musical performances by Kristin Towers Rowles, Constance Jewell Lopez, and Zachary Ford.

There were four recipients of the 2018 Production award: Cambodian Rock Band (South Coast Repertory), Come From Away (Center Theatre Group/Ahmanson Theatre), Cry It Out (Echo Theater Company), and Sell/Buy/Date (Geffen Playhouse / Los Angeles LGBT Center).

Better Lemons' Chief Operating Officer Stephen Box (Left,) Publisher Enci Box, and Playwright & Screenwriter Steven Vlasak at the 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019.

The Antaeus Theatre Company received the most awards, with three of its productions winning a combined seven trophies. Celebration Theatre's Cabaret took home six awards, the most awards for a single production, including one for Revival. Tom Hanks received a lead actor award for his performance as Falstaff in The Shakespeare Center of Los Angeles production of Henry IV in a competitive category. 17 awards were presented in other categories with 17 productions taking home the honors.

In its inaugural this year, the Theater Angel award was presented to Yvonne Bell in recognition of her "long career devoted to fostering theater in Los Angeles ... [and] successful fundraising campaigns" to help open several cultural institutions, such as The Museum of Contemporary Art and the California Science Center.

Eight previously announced special awards were presented, including the Margaret Harford Award for sustained excellence in theater to Sacred Fools Theater Company and the Ted Schmitt Award for the world premiere of an outstanding new play to Lauren Yee for Cambodian Rock Band.

The LADCC was established in 1969  “to foster and reward merit in the American Theater and encourage theater in Los Angeles,” the LADCC site quotes from an announcement in the L.A. Times of that year.

Here is the list of award recipients as announced during Better Lemons' live coverage on Twitter:

Featured photo by Enci Box - Theatre patrons in the courtyard of the Pasadena Playhouse for the 50th Annual LA Drama Critics Circle Awards, Pasadena, California, Monday, April 8, 2019. Enci Box contributed to this story and photos.