COVID-19 THEATER SERIES: Kritzerland Goes Virtual - Bruce Kimmel and Hartley Powers Together for Group Rep Fundraisers


Bruce Kimmel and Hartley Powers joined forces to develop May and June Group Rep fundraisers which they are sharing with the world.

Clearly a man for all theatrical seasons, Bruce Kimmel has achieved success in every endeavor which he tried. Bruce wrote, directed, and starred in the cult movie hit, The First Nudie Musical.  He also co-created the story for the hit film, The Faculty, directed by Robert Rodriguez.  As an actor, Bruce has guest starred on most of the long-running television shows of the 1970s.

Hartley Powers - Photo by Russell Baer

Bruce is also a legendary Grammy-nominated producer of theater music on CD and has produced over 180 albums. His song “Simply” won the Mac Award for best song of the year.  Most recently, he’s directed rave-reviewed productions of L.A. Now and Then, Welcome to My World, Li’l Abner, Inside Out, Dial ‘M’ for Murder, and the world premiere of a new Sherman Brothers musical, Levi, the story of Levi Strauss. For the past ten years, he has been producing and hosting a monthly series of live entertainment called Kritzerland, which most recently was seen at Feinstein’s Upstairs at Vitello’s. In his spare time, Mr. Kimmel has also authored twenty books. Bruce took time from his crowded schedule to an interview with me in May 2020.

Hartley Powers started her acting career at the early age of 11 months and continued in the business through college, studying theater at Cal State Northridge and Fullerton. After graduating, she continued her studies and earned a degree in Digital Media from FIDM. She built a career in the post-production industry and is now the President of Pongo - a boutique A/V marketing agency. After taking a break from acting, Hartley decided to return to her love of theater by becoming a member at the Group Rep in North Hollywood. She played Hermia in A Midsummer’s Night Dream, Kate Monster/Lucy the Slut in Avenue Q, the title role of Carol in A Carol Christmas, and Maggie in The Man Who Came to Dinner ; the last two were directed by Bruce Kimmel. Whether on the stage or through the art of editing, she loves being able to share and tell stories with others. Hartley also agreed to an interview in May 2020.


Bruce, your career goes back nearly 50 years as an actor, writer, novelist, blogger, director, composer, and Grammy-nominated CD producer. How did you happen to branch out so extensively? Which of those roles fits you best and gives you the most satisfaction?

Sam Golzari, Esperanza America, Olivia Cristina Delgado, Ella Saldana North, Julio Macias, Kenneth Miles, and Ellington Lopez in "A Mexican Trilogy" - Photo by Grettel Cortes Photography

Bruce Kimmel:  50 YEARS??? Yikes.  I was blessed, I suppose, to be able to do several things well; and I always felt it would be a sin not to nurture anything I did well. It didn’t always serve me well because people in show business - especially when I was coming up - like to put everyone into little boxes. But from the time I was fourteen, I knew I wanted to write - songs, musicals, and plays – as well as direct; back then, I especially wanted to act.  The CD-producing came about in a roundabout way at a time when I had recently emerged from a negative place in my life. I was given the opportunity to be a full-time record producer, and I grabbed it with gusto. In a year, I achieved the kind of success that had eluded me for all those years prior. Not that I didn't have success, mind you, because I did. I was very lucky in that way. But we all have silly places we think we should be and - if you haven't gotten there - then maybe it's time to take the blinders off and look at other avenues. This is what happened to me. But after producing all those albums (over 180 that I personally produced) and releasing over 400 albums on my CD label, Kritzerland, I got back to directing. I absolutely love directing. For the past twenty years, I've written a book a year (seventeen works of fiction and three non-fiction). That has actually been the most satisfying thing of all. I've also written several musicals in the last few years.

Michael Robb and Carrie Schroeder in "Dial 'M' for Murder" - Photo by Doug Engalla

Hartley, I noticed that your bio goes all the way back to 11 months of age “waving baby arms from a Chevy Astro van.” How and when did you first get involved in show business? What are some of the high points in your career thus far?

Hartley Powers:  My parents got me involved in acting when I was just a baby. As a couple that moved to Hollywood to act, they were eager to get me into show business. I was lucky enough to appear on TV shows, movies of the week, some feature films, and the stage - as a child and on to my teen years. A big moment for me was being cast as Billy Crystal’s daughter in Mr. Saturday Night at the age of six. I was lucky enough to work with the likes of Tyne Daly, Melissa Gilbert, Shelley Hack, Richard Crenna, Kay Cole, Jules Aaron, Vincent Dowling, Fred Willard, Marian Seldes, and Cherry Jones.

How did both of you get involved with the Group Rep? What are some of the shows you were involved in, and what was your role in these shows? Any awards?

Bruce Kimmel:  Doug Haverty, a long-time member there (and now the artistic director), and I had been working together for a couple of decades; he designed CD covers for me when I was at both Varese Sarabande and then Fynsworth Alley. He’s also designed all of the Kritzerland releases. Because of our connection, I'd occasionally see a show at the Group Rep. Then I directed a production of Doug and Adryan Russ's musical, Inside Out at the Grove Theater in Burbank. Inside Out actually began life at the Group Rep; it was a big hit award-winning production with a brilliant cast.  Larry Eisenberg, who was then co-artistic director at the Group Rep, came to see it and loved it. He kind of put the word out that he'd be interested in me directing a show for the Group Rep. He asked me what show I'd like to do; and, for reasons I can't really explain, I blurted out, Dial M for Murder.  I don't think he thought it was necessarily a good fit for the theater, but I was passionate about it because it's a real old-fashioned talking play with a great plot and great roles. I convinced Larry; and that production did really well for them - great reviews, and audiences just ate it up.

Then Doug came to me with an idea he had for a musical version of A Christmas Carol, but in a modernized and feminized version, where it takes place in the present and Scrooge is a woman. All the ghosts of the past were also women. We called it A Carol Christmas. I thought it was a clever idea - and so Doug wrote the book; and I wrote the score. The theater had actually committed to do it before we even started writing. I also directed the production, and it happily turned out well. Again, audiences just really took to it. Doug and I were both nominated for Ovation Awards - he for his book and me for the score. I won a Scenie Award for the score, so that was nice. Then last December, I directed The Man Who Came to Dinner. Directly after that, I directed Doug's play, In My Mind's Eye, which was a big change of pace for me and which I loved doing because we had an absolutely perfect cast.

Hartley Powers: The Group Rep has been a part of my life since I was born. My dad has been a member for about as long as I’ve been alive - so that theater has been a huge part of my upbringing. I had never considered becoming a member until I saw my dad really starting to participate in several productions. After going to opening night after opening night I thought, “Wait a second…I wanna jump in and play, too!” It makes for a full schedule to balance a career – but being in a show is always worth it. The Group Rep has given me room to explore roles I would have never thought possible for me - from Hermia in Midsummer Night’s Dream to Kate Monster and Lucy the Slut in Avenue Q. I definitely learned a new appreciation for artist’s when I played the titular role of Carol in A Carol Christmas, a female turn on the Christmas Carol classic where our Carol is the Scrooge of a QVC-style business. Most recently, I was lucky enough to share the stage with Jim Beaver, Barry Pearl, and Kay Cole in The Man Who Came to Dinner.

Bobby Slaski, Kait Haire, Lloyd Pedersen, and Peyton Kirkner in "In My Mind's Eye" - Photo by Doug Engalla

Your Kritzerland concert usually takes place at Feinstein’s at Vitello’s restaurant in Studio City. How was the idea hatched to move the concert onto a virtual platform in support of the Group Rep?

Bruce Kimmel:  We began our monthly Kritzerland shows back in 2010, and Feinstein's Upstairs at Vitello's is our third venue. When this craziness began in mid-March, it became obvious right away that we wouldn't be doing the April show there. So for April, I did a kind of off-the-cuff best-of-show, but I knew so little about Facebook Live and how to do it that it was fun but kind of lame. I would just have to link to videos that were on YouTube, and it was ultimately just irritating to me. Having had that experience, I decided we'd do the May show online as a real Kritzerland show. I contacted Hartley Powers, who's Doug's talented daughter. I had directed her in A Carol Christmas and The Man Who Came to Dinner. Fortunately, she knows from technical stuff - and so we began to figure out how to do it without having any technical issues. We did three or four days of testing on Skype and Zoom and something else, I think; and I just didn't see how we could take the chance of actually doing it live. There were too many variables like the lag time between audio and video. It was just crazy. Then Hartley said, "We should just pre-tape everything, and I'll edit it together."  That's what we ended up doing.  But I have to tell you, everyone thought it was live - we were very clever about it.  We'd done three "tests" prior to the show to make sure what we were doing worked. Everyone thought those tests were live, too; but they weren't.  At the end of the show, I revealed that we'd pre-taped - but that the performances had no editing or fixing. They were shot and sent to us, and those takes were used without trickery. Even after I revealed that, everyone still thought my commentary was live - but it wasn't.  We really couldn't have been happier with the way it turned out.

Hartley, how did you get involved on the technical end of the May and June Kritzerland Fundraisers for the Group Rep?

Hartley Powers:  My career is based in post-production, so Bruce knew that I had tech savvy. When he approached me about doing a fundraiser show for Facebook and YouTube, I knew I might have a learning curve as far as live broadcasting goes - but I knew I would definitely be able to figure out the editorial side of things. And, with our current state of the arts, I knew I was happy to do anything to help my home theater.

In executing a show that features this many performers, a host, and an accompanist, we have to make sure people are set up to film and/or record in their homes (something everyone is facing as we keep moving through this time). I made myself available to make sure performers were set up correctly and submitting video files we could work with. From there, I pieced together Bruce’s hosting segments along with the songs, finessing timing of fades in and out of songs as well as audio levels. From there, we created a 90-minute video file that we needed to “crunch” or make small enough for an upload to a streaming website. With this, I was able to learn about live broadcasting software as well as scheduled live broadcasts. It’s the new world we’re moving into so I’m glad to have knowledge of it.

Bruce, what goes into gathering the songs and creating the patter you developed as host?

Bruce Kimmel:  I choose the theme of the show and the songs, and then I cast it from our incredibly talented LA talent pool. Once I have the theme, I just listen to a lot of songs and pick the ones that seem to make a good show. I'm a stickler for the show structure and order; and, from the very start, I insisted on two rehearsals and a stumble-through so that no one was reading lyrics on a stand and everyone was super prepared. To that end, I was the first person in cabaret to ever pay the performers a fee for doing a multi-singer cabaret show. It was unheard of; but I thought it was only fair since the rehearsals were key. It's not a lot of money, but I know our performers have appreciated it. At least in LA, it set a precedent - so that at least one of the shows that copied our format had to start paying. I'd never intended to do anything but introduce the show; but, when we did our first show based on a series of albums I produced called Lost in Boston - cut songs from hit Broadway shows - I realized the songs wouldn't make any sense without some context. That’s why I wrote a commentary; people liked it and then expected it - so I was stuck. Now I've had to do it for 106 shows. Even so, I really enjoy writing it, and it's given me back all my performer confidence, a nice and unexpected benefit.

Hartley, was there anything that came up that surprised you (in a good way or not so good way) while working on the May fundraiser online?

Hartley Powers:  I was surprised as to how much work it actually was! As someone who tackles production schedules, I thought this would be a breeze. But between creating teasers before the show in order to build momentum, and creating the graphics to help us start and bookend the show, it turned into a pretty big task. And Bruce was wrangling talent as well as directing the performers. We both dedicated a lot of time to this and are really proud of the outcome.

Based on your experience with the May Kritzerland Fundraiser for the GRT and the upcoming June Kritzerland concert, do you think that you might again serve as a technical advisor for any upcoming events?

Hartley Powers:  Considering that we don’t know what the future holds and how our entertainment platforms are going to continue to evolve, I think that many events are going to turn to more of a pre-recorded live type of broadcast. At this point, I think it’s the only hope that is available to live performers. So I hope that I get to participate in more of these.

Bruce, have you made any modifications as a producer and director in order to plan a concert using a virtual format, rather than onstage before a live audience? What differences are entailed in performing in this virtual world? Is technology your friend or your enemy?

Bruce Kimmel:  We haven't made any changes to the format of the show, and we still rehearse - just via Zoom. I hear what everyone is doing and give any little notes I may have. We miss the laughs and applause, of course, which is the downside of doing it online; but it works pretty well. The singers who would be normally playing to the audience have to adjust to playing to the camera, and we do have to get the balances right between voice and track. That’s why I have everyone send a test video to make those adjustments prior to taping the number. Richard Allen, our musical director, has the daunting task of making all the tracks; but it's been pretty smooth. Technology is my half-friend; but technology, thankfully, is Hartley's really good friend.

Hartley, you are an actress/singer who will also be performing in the June concert.  What song or songs will you be singing? Did you have to make any changes in your usual performing style to accommodate the virtual format?

Hartley Powers:  I believe Bruce would prefer I keep my song a secret, but I think I can say that it will help spread a little cheer. Once I went to record myself, I realized just how strange it is to just sing to a camera with no audience to react to you, no mic to help reverb your sound. It’s an odd setting, for sure. I am equipped to film but I’m used to just worrying about being on one side of the camera - not both!

The Kritzerland concert is a fundraiser for the Group Rep. What do you hope to accomplish with your virtual June concert? 

Bruce Kimmel:  What we always hope to accomplish: To give a good show that makes people happy. That's all we can hope for - and bringing people happiness, especially now, is important. I decided to make our online shows benefits for the Group Rep because - like all small theaters right now - they are struggling to pay the rent without having shows running. It's really daunting. Over the years, I've directed a couple of benefits for the Group Rep; and this just seemed like a natural to me. We raised over $1,000 for them with the May show, and I'm hoping June will do well, too.

This question is for both of you. What are some of your plans during and after COVID-19?

Bruce Kimmel:  Right now, I should be in rehearsals at the Group Rep for the fiftieth anniversary production of the musical Applause - but who knows when that will happen. I am ever hopeful that it will be sooner rather than later, but I tend to always accentuate the positive rather than the negative. Other than that, we'll continue doing our Kritzerland shows online until we can get back to Vitello's. I have a new book that just came out, and so I will be doing some press for that.  Otherwise, I'm just trying to stay productive here at home, writing and stuff, and staying safe and out of harm's way.

Hartley Powers:  I wish I could say I had plans for after COVID-19, but I think I’m taking it one day at a time. If we do return to “normal,” I look forward to taking dance classes, browsing the aisles of Target, getting a massage, and visiting with my family. My husband and I have been very fortunate to work from home at this time.


This article first appeared in LA Splash Worldwide.



Female Fusion: Siobhan Dillon

Siobhan Dillon is an astonishing vocal talent. She was “discovered” when she participated in the British Televised Talent Show, How Do You Solve a Problem Like Maria? Though she finished third, she had made her mark, attracting the attention of Andrew Lloyd Webber, one of the judges of the show and one of the most prolific composers of modern musical theater.  She made her West End debut in 2007 playing Patty Simcox in Grease and has gone on to star as Molly in Ghost, Ellen in Miss Saigon, Sandy in Grease, Vivienne Kensington in Legally Blonde and Betty in Sunset Boulevard. When the British production of that show moved to Broadway in 2017, Ms. Dillon made her Broadway debut. A move to Los Angeles followed to explore television, film, and to fulfill her dream of living in sunny California. In addition to performing, she has gradually expanded the scope of her voice, both literally and figuratively, to help others through meditation, sound baths and yoga nidra (yoga sleep),which she teaches with her husband Adam Korson.

Luckily for those of us who were not able to catch her on the West End or Broadway, Ms. Dillon just released her first pop album, a stunning collection of covers entitled One Voice. This is not an album review, though I highly encourage you to check it out. It is gorgeous. What is extraordinary about the album, aside from the glorious vocals, is the journey that led to it. While taking British musical theatre by storm, Ms. Dillon fought cancer. She was diagnosed with breast cancer at the age of 30 in 2015, while performing Ellen in Miss Saigon. While healing, she worked with Breast Cancer Haven, an amazing organization in the UK that supports those fighting the disease. All proceeds from the album benefit the organization. According to Ms. Dillon, “what makes Haven so wonderful is that they are equipped with health care professionals in so many different areas of expertise that they can provide comfort and support for anyone going through the breast cancer struggle. I just felt so strongly about them and the comfort that their charity had brought me that I wanted to say thank you. I didn’t give them a penny during that time, and I think in moments of need, the charities that offer everything for free are the ones who should be celebrated. The tricky thing at this moment is that they can’t continue with their fundraising events as the world is going through this pandemic. I was originally going to continue to support the charity by encouraging people to visit their site and hopefully encourage donations but with everything going on it just felt like the right thing to do to donate all monies to them.”

I asked Ms. Dillon to share her journey, her experience in creating the album and her focus moving forward with life in Los Angeles.

In 2015, Ms. Dillon was just about to open in the West End production of Miss Saigon as Ellen, a role she had long coveted. Just before opening, she discovered a lump during a self examination and her life turned upside down. The lump was malignant. After a few performances, she left the show for treatment. She endured a brutal regime which included surgery, radiation and hormone therapy. During the time between surgery and radiation, she visited California, staying with a friend in Malibu and setting the stage for her future. She did return to the show, but as a changed person. “I had started hormone treatment which effectively switched off my ovaries because the type of cancer I had was all due to hormones - specifically estrogen. So, the doc wanted me to stop producing it which would effectively leave the cancer cells without anything to ‘feed’ on. For anyone who has been through the menopause, you will know all about this. The side effects of reducing that hormone are quite brutal. Panic attacks, depression, hair loss, weight gain, hot sweats... to name a few. It was a challenging time, but while I was sitting on that beautiful California beach, I made a decision that I wanted to push hard to spend time in the US.” She started the process to obtain a green card to work in the US before she returned to London to continue treatment. She found that when she returned to the show, she struggled. “I returned to Miss Saigon to perform and was struggling with being back on stage. I’m not sure what it was exactly but I didn’t have as much fight in me so the nerves returned and it left me wondering if performing on stage was the right thing for me to be doing moving forward….I had always joked as I lifted my eyes to the sky that when the universe took me to perform on Broadway - at that point that I would have just left musical theatre! (It really was as simple as that!) Within weeks I auditioned for Sunset Boulevard and was cast as Betty in the UK production and yep!... we then transferred to New York. I made it to Broadway!” After the show closed that June, she traveled for a few months then made the move to Los Angeles.

Ms. Dillon recorded the first single, She Used to Be Mine, shortly after her recovery process. It seemed to stand in for her entire journey. “I was kind of done with the treatment but was still feeling the waves of what had happened a year earlier. I was petrified that the experience had changed me in a negative way. I was scared of losing something. My fearlessness? Maybe. My naiveté? Probably. I was so scared that people saw me differently. I was scared that my energy had changed, and my light had dimmed.” The song has even more resonance with the current world situation. “This idea of “life slips in through a back door” just really takes the wind out of me every time I hear or sing it, as we get on with living our lives, day to day and suddenly there we are. We find ourselves in places we would never have imagined without noticing it happening.”

One Voice is curated with and produced by Steve Anderson, who has produced the work of more recognizable names that you can count, including 20 years as producer for Kylie Minogue.  The entire album took four years to record. Ms. Dillon says, “both myself and Steve really took our time with this album. We had no idea what it would be or when it would all be complete, but we started anyway. What a wonderfully rare position to be in. It started with Steve asking me to send him a list of ‘Desert Island’ songs, which progressed into ‘the songs that I had always wanted to sing’ which very quickly progressed into ‘the stories that my heart wanted to tell through song.”

Although all of the tracks are gorgeous, Everyone’s Waiting is a standout, both vocally and in what it meant to Dillon to record. “I’d been performing on London stages for almost a decade when I was diagnosed with cancer. I was a few weeks into my contract at The Prince of Wales in Miss Saigon, playing Ellen. I decided to get through my treatment as quickly as possible to get back to the stage and play this iconic role. But when I got back there, I froze. Everything felt different.”  She continues, “I remember stepping onto that stage and it feeling completely different to any other time I had stood on stage before. I was fragile. More sensitive. Things felt different, but I couldn’t work out exactly how. It felt empty and pointless. Nothing about being on the stage excited me. In fact, I just felt uncomfortable.”

This onstage experience led Ms. Dillon to rethink her entire approach to her art and life. “When I stepped back on stage after the treatment, I was quite shocked at how fragile I felt. I took it for granted that I would just walk out there and be focused and hard as nails again. But my hard exterior had really been chipped away and that only really hit me in that moment. My nerves in auditions were through the roof- more so than normal... I think I just wanted to relax! I didn’t like the adrenaline anymore. I think the main reason for this was numerous conversations with my doctor about limiting stressors in my life. He once asked me if I had a stressful life. I said “No! I perform on stage for a living! It’s fun!” He asked me if I ever got butterflies or moments of adrenaline surges... I thought about it for a while and as we talked, I realized that I was constantly feeling these things.”

“The way I live my life has definitely changed. I removed things that were causing me stress. I don’t do things that cause me stress and most importantly I take relaxation incredibly seriously because if the body can't rest, it’s struggling to heal and if the body can’t heal, disease will have a much easier time thriving. So my work in theatre hasn’t stopped- far from it. But my work in meditation and crafting healing sound baths for others has increased. Whenever I can help someone relax to enable them to reach the parasympathetic state, allowing their body to begin to restore and heal itself - I am a happy woman!”

I wanted to take us back to the album for just a moment. The tone of the album is very specific, and though not all of the music is calming or meditative, there is a balance to it that when listened to straight through is very soothing and restorative. Was the idea of sonic healing a part of the process? Was this life path already in motion as she recorded this album? My impression is that it was there, but maybe not intentional. I asked Ms. Dillon directly.  “I think probably you just hit the nail on the head. I think it was subconscious. Steve (Anderson, the producer) is so open himself to artists just going with their flow and he is really a phenomenal support that what actually happened when we started working together that he let me just relax….I heard somewhere a rider who was just told to relax into the saddle like butter…..I love that…... It is kind of like how this process happened. It was kind of a seamless and pain free experience for me, which I can’t say about previous recordings. With Steve, he just allowed me all of the space and time and energy to do what I felt was right and I was able to tap into a part of me that I didn’t even know I had.”

So life in Los Angeles is different, but not entirely divorced from performing. There is a continuity in music, sharing and song. Ms. Dillon was on the Amazon hit show Frankie and Grace this past season. She is absolutely open to the right theatre project or role sweeping her into its fold, but is currently focused on a life of healing, meditation and love. She is deep in study and with her partner Adam, she runs Salus, “a sanctuary space dedicated to creating peace, tranquility and healing.” They are building a new space, using this time to embrace the unknown. She integrates her healing work with her performance and art and is focused on the spiritual rather than commercial side of sound, embodying a Southern California lifestyle. “I am working on meditation music as well as guided meditations specifically designed for self-healing. This, over acting and singing, I have to admit is the thing - at this moment in time - that is getting me out of bed in the morning! That, and the California sunshine of course!!!!!”


Featured photo credit: Adam Korson



Save Your Local Arts District - NoHo Arts District


This is a guest post by Lisa Bianconi


I was born and raised in the Valley and have seen North Hollywood transform from a bit scary (but always fun) to an eclectic, vibrant, creative neighborhood - a real one where folks actually know each other. Back in 2000, my mother and I joined forces to run NoHoArtsDistrict.com, and over the years the theatre owners, visiting companies, acting classes and everyone who uses our theatres have become our friends. When we saw the 18 NoHo Theatres struggling to save their creative homes due to the pandemic shut down, we had to figure out some ways to help.

Together we’ve created “Save NoHo Theatres from COVID-19” Go Fund Me campaign. We are going to do whatever is in our power to keep the NoHo Theatres alive.

As with most LA theatres, the NoHo theatres survive month to month in order to create their shows because they’re not government supported and cannot sustain even a short-term shut down. Without shows, classes, rentals and ticket sales theatres cannot survive. This has an effect on the entire community because without the theatre patrons, actors and crew, restaurants, bars, apartments and other local businesses lose revenue. Without NoHo theatres, there will be no NoHo Arts District.

“Why did residents and businesses move into the area? Because it’s an arts district,” says Nancy Bianconi, publisher of NoHoArtsDisrict.com. “If 18 out of 22 theatres close, this area will have to be called North Hollywood again. Theatres have a huge economic impact on restaurants, bars, apartments, hotels, other creative industries, local businesses, etc.”

Here are the owners of Brews Brothers, one of NoHo’s beloved craft beer bars, who chose their location because of the artsy neighborhood vibe.

But what makes NoHo theatres important to the neighborhood is:

  • NoHo has 22 theatres in one square mile.
  • NoHo had the highest concentration of theatres outside of New York City.
  • NoHo theatres present more than 500 shows per year, including world premieres.
  • NoHo has 35 acting classes held any given night.
  • More than 20,000 people enjoy NoHo's shows throughout the year.
  • NoHo theatres are an economic multiplier for local restaurants, bars, local businesses, etc.

Theatre goers spend on average of extra $32 above the theatre ticket price for dinner, drinks, and retail purchases.

But NoHo wasn’t always how it is today. In the 90s, it was the theatres who helped rebuild the blighted and crime-ridden North Hollywood neighborhood that we now call NoHo. Theatres were the impetus for the creation of the NoHo Arts District and attracted other theatres and creative industry folks as well as new developments, restaurants, bars, apartments, and hotels.

Meet The Group Rep at the Lonny Chapman Theatre. They are one of the founding members and longest-running theatre company in the NoHo Arts District.

“As one of the founders of the NoHo Theatre District, I have witnessed the most incredible blossoming of the entire neighborhood,” said Ed Gaynes, owner of three NoHo theatres. “When a few of us began opening theatres in the many empty storefronts, the area was a wasteland. No foot traffic, no shops, practically no restaurants even. The theatres attracted the people, the crowds flowing into our theatres attracted the restaurants, art galleries and shops. Ultimately, it all attracted the flood of new residents who poured into the district.”

But NoHo theatres are more than a place for shows. It is a place to practice your craft and make friends in a city of 10+ million people.

THE BOTTOM LINE
The goal of raising $108,194 will allow theatres to survive into the summer when the productions and audiences return, and NoHo’s entertainment and nightlife scene will be booming again.

WHERE CONTRIBUTIONS GO:
ACME Comedy Theatre, ACME Comedy Club
Actors Workout Studio, Actors Workout Theater B
Avery Schreiber Playhouse
Brick House Theatre
Group Rep Theatre Main Stage, Group Rep Theatre Upstairs
Loft Ensemble Mainstage, Loft Ensemble Sawyer’s Playhouse
Secret Rose Theatre
Theatre 68 Flex, Theatre 68 Main Stage
The Sherry Theater
Theatre Unlimited (T.U. Studios)
The Whitmore-Lindley Theater Center Theatre #1, Whitmore Lindley Theater Center Theatre #2
Zombie Joe's Underground Theatre

ABOUT THE NOHO ARTS DISTRICT
The NoHo Arts District is one of Los Angeles' eclectic and walkable neighborhoods - an enclave of all things artistic. This one-square-mile performing arts community is filled with 20+ live, professional theaters, which is the highest concentration outside of New York City. NoHo is also the hip hop dance capital with studios and choreographers that create the moves we see on TV and in film and all over Instagram. NoHo makes a lot of music and boasts the largest amount of recording studios west of the Mississippi with musicians from all genres having recorded in the district. NoHo was the first neighborhood in the Valley, it has become a Metro hub, and attracts new talent, creative businesses and visitors alike. Visit NoHoArtsDistrict.com for more information.



CONNECT THRU CREATIVITY MAY 8 - 15

Solo artist Diana Varco led an art therapy exercise - Connect Thru Creativity - daily on IG Live @dianavarco during COVID-19 stay-at-home-orders from March 18th to May 15th.

Thank you to everyone who has joined Diana along the way for Connect Thru Creativity - wow, it’s been quite a journey both personally and artistically!

If you missed the journey, feel free to do the exercise on your own or with loved ones!

Just…

Grab a piece of paper and some coloring utensils.

Draw your current thoughts and emotions as if they’re a ‘Weather Report’ (ie: is it sunny in your inner world or cloudy with a chance of rainbows? Are there green tornadoes?)

Draw for as long as you’d like or are able to, then write down the narrative of the picture after.

**No need to stick to just weather, anything goes in your weather report - so draw away! **

Like weather - emotions can change minute by minute or stay for much longer than we'd prefer. They can also be complex and varied. Follow your intuition and draw truthfully from your heart, you might be surprised at what comes out!

Catch up on the final days of Connect Thru Creativity using the links below:

May 14th:

May 15th:

Here are a few of Diana’s favorite pictures from the journey:

April 9th:

April 18th:

April 28th:


OC Theatre Guild establishes new relief fund for theatre artists


The OC Theatre Guild is one of Orange County's newest non-profit arts service organizations. They are now taking on the admirable task of raising funds for Orange County theatre artists who have been significantly financially impacted by the recent closures of theatres and performing arts venues across the county.

In mid-March, a small committee under the OC Theatre Guild set about the task of seeing what could be done to help raise money for local theatre artists. The guild drew inspiration from similar relief funds established by writer and activist Ijeoma Oluo and her Seattle Artists Relief Fund, and the Chicago Artist Relief Fund. Remarkably, by the end of the month, the OCTG rolled out the OC Theatre Artist Relief Fund, specifically designed for theatre artists affected by venue closures due to the government mandated quarantine for COVID-19.

Amanda DeMaio, OC Theatre Guild President, shared “while the virus caused the theatres to close, it also forced closures of many other venues where our artists work. Many of these artists have multiple jobs which normally afford them the flexibility they need to continue to be able to perform in smaller theatres and other non-union theatre jobs, and almost overnight all of that was shut down. While some businesses may be able to re-open soon, many of the jobs that artists rely on are in the entertainment and hospitality arena, and they are still closed."

The fund was thoughtfully constructed to be available to all those theater artists who had to stop work and are not getting paid, including those who were on contract, part time employees and those working on a stipend which was not paid.

"As part of the theatre community, and as an individual member of the OC Theatre Guild, I'm excited to play a role in this kind of fund raising. The OC theatre Guild serves such a vital part of the arts community, and I'm seeing first-hand the difference we're making with the funds we're raising," says Katie Chidester. "Everytime we're able to send out a relief check, we see the difference it makes to those who we're helping."

"When they get a check, they (relief fund recipients) reach back to us with such gratitude and humility. They are so grateful for getting the financial help, and even more grateful that in many cases, we've been able to get the funds to them just in time" says DeMaio.

Angela Griswold, one of the recipients in the first round of disbursements shared on social media “I received an unexpected and incredibly generous donation from [OCTG] just yesterday, that’s going to help more than they know until unemployment clears and we can receive additional government stimulus, etc. I’ve worked with many of their board members throughout the years, from community theatre productions outside of high school when I was just 18 to professional contracts and gigs. They are an assemblage of some of the best, kindest artists out there, and in this time of job uncertainty/hold for performers, I simply can’t thank them enough.”

Jazmin Pollinger, a relief fund recipient and stage manager who has worked at many OC theaters, reached out to the Guild to say “This money will help me pay my bills and make my rent this month! Thank you for starting this fund and helping as many artists as you can. I hope one day to be able to help people, like you all are.”

Hoping to get additional exposure for the relief fund, a number of OC Theatre Guild members have supported the OCTG by participating in a promotional video to share online. Local actress and donor, Michelle Miller-Day who urged for donations by reminding people of the stakes, “I think it’s really important to give back, when I can. I’m looking forward to going to the next show, to feed my soul again. Because I think we all need it now.”

Donor April Skinner shared "I don’t join groups, and I'm not a member of the OC Theatre Guild - but I don’t have to be a member to know what they are doing is important. These people need help, and I'm lucky enough to be in a position to help - so that’s what I do. I help."

Right now, the Guild has more applications for need than available funds, which is why the Guild is continuing to reach out to the greater Orange County community to ask for donations of any amount. "Our goal is to continue to help as many theatre artists as possible" shared DeMaio, "The assistance we can provide is based solely on the amount of donations we receive. This is why we are asking for help! Help us get the word out to the community, not only for artists but for donors too. The more donors we get, the more artists we can help, and we already have a waiting list of artists that have applied for assistance."

As donations come in from individuals, matching corporate gifts, and local
businesses, the Relief Fund Committee for OCTG meets weekly to make
disbursements to artists. Applications are reviewed objectively by a panel of volunteer board members from OC Theatre Guild. 100% of contributions will be allocated in support of the artists who apply to the fund. No volunteer receives any percentage. Although priority will be given to artists who reside in Orange County, artists in the surrounding areas are welcome to apply as well. Currently relief checks are being granted with a minimum of $100 and a maximum of $1000 to each individual artist.

Donations to the OC Theatre Guild Relief Fund are tax deductible to the extent permitted by law (EIN #83-3995441) and as mentioned on their website, the Guild is committed to keeping this relief fund open as long as artists have financial needs related to the outbreak of COVID-19 and as long as donations are being
received.

To donate, please visit OCTheatreGuild.org or directly to their secure donations page HERE.

For more information please contact Jeff Lowe, OC Theatre Guild Council member
via email at council [at] OCTheatreGuild [dot] org or by phone at (657) 549-4707.



CONNECT THRU CREATIVITY - MAY 7 - MAY 13, 2020

Join solo artist Diana Varco (IG @dianavarco) as she leads a daily art therapy exercise to Connect Thru Creativity and draw your feelings into the language of weather!

LIVE at 11am PST on IG @dianavarco

In this 10-15 min experience, you’ll create a snap-shot sketch of your current inner world and also have the freedom to use art to articulate anxiety, frustration, joy, etc - really any emotion under the sun. This exercise is also great to do with loved ones and children to open up dialogue on our own unique and collective experiences during this unprecedented time. Mental health experts agree that being able to label our emotions, helps to support managing mental health.

No need to stick to just weather. Anything goes in your 'Weather Report' - so draw away!

Like weather - emotions can change minute by minute or stay for much longer than we'd prefer. Track your journey by joining Diana daily and writing down the description of your picture afterwards - at the end of stay at home orders, we will have a story of our experience!

This past week for Diana saw complex clouds, the sun and moon acting as stabilizing factors, and the present suspended between a difficult past and hopeful future.

Catch up on the past week of Connect Thru Creativity using the links below:

May 7:

May 8:

May 9:

May 10:

May 11:

May 12:

May 13:

 

This art therapy exercise was first taught to Diana at the The Actors Fund - a vital support network for individuals in entertainment. Though Diana is not affiliated with Actors Fund, she remains an ardent supporter of their work. If you’d like to learn more or donate please visit: ActorsFund.org

Mental health matters and you do too! If you need immediate mental health support, contact Crisis Text Line by texting HOME to 741741 (US/Canada) or 85258 (UK) - visit CrisisTextLine.org to learn more.


Diana Varco is an LA based actress, comedian, and storyteller.

Diana is the writer/performer of Shattered - a dark comedy solo show that explores dating, dysfunction, and sexual devastation, as well as the complex path of trauma recovery. Fresh off a 25 show run of Shattered at Edinburgh Fringe, Diana is excited to share her use of the arts to support conversations on mental health! Directed by Jessica Lynn Johnson, Shattered premiered at the 2017 Whitefire Theatre SoloFest and went on to the Hollywood Fringe Festival, Outdoor Voices Festival, United Solo off-Broadway, and LA Women’s Theatre Festival.

Learn more about Diana at DianaVarco.com.
Learn more about Jessica Lynn Johnson and her free solo show class: JessicaLynnJohnson.com.



Connect Thru Creativity - April 22 - April 29, 2020

Join solo artist Diana Varco (IG @dianavarco) as she leads a daily art therapy exercise to Connect Thru Creativity and draw your feelings into the language of weather!

LIVE at 11am PST on IG @dianavarco

In this 10-15 min experience, you’ll create a snap-shot sketch of your current inner world and also have the freedom to use art to articulate anxiety, frustration, joy, etc - really any emotion under the sun. This exercise is also great to do with loved ones and children to open up dialogue on our own unique and collective experiences during this unprecedented time. Mental health experts agree that being able to label our emotions, helps to support managing mental health.

No need to stick to just weather. Anything goes in your 'Weather Report' - so draw away!

Like weather - emotions can change minute by minute or stay for much longer than we'd prefer. Track your journey by joining Diana daily and writing down the description of your picture afterwards - at the end of stay at home orders, we will have a story of our experience!

This past week for Diana saw complex clouds, the sun and moon acting as stabilizing factors, and the present suspended between a difficult past and hopeful future.

Catch up on the past week of Connect Thru Creativity using the links below:

April 22nd:

April 23rd:

April 24th:

April 25th:

April 26th:

April 27th:

April 28th:

April 29th:

This art therapy exercise was first taught to Diana at the The Actors Fund - a vital support network for individuals in entertainment. Though Diana is not affiliated with Actors Fund, she remains an ardent supporter of their work. If you’d like to learn more or donate please visit: ActorsFund.org

Mental health matters and you do too! If you need immediate mental health support, contact Crisis Text Line by texting HOME to 741741 (US/Canada) or 85258 (UK) - visit CrisisTextLine.org to learn more.


Diana Varco is an LA based actress, comedian, and storyteller.

Diana is the writer/performer of Shattered - a dark comedy solo show that explores dating, dysfunction, and sexual devastation, as well as the complex path of trauma recovery. Fresh off a 25 show run of Shattered at Edinburgh Fringe, Diana is excited to share her use of the arts to support conversations on mental health! Directed by Jessica Lynn Johnson, Shattered premiered at the 2017 Whitefire Theatre SoloFest and went on to the Hollywood Fringe Festival, Outdoor Voices Festival, United Solo off-Broadway, and LA Women’s Theatre Festival.

Learn more about Diana at DianaVarco.com.
Learn more about Jessica Lynn Johnson and her free solo show class: JessicaLynnJohnson.com.


Connect Thru Creativity - a Daily Art Therapy Exercise

Join solo artist Diana Varco (IG @dianavarco) as she leads a daily art therapy exercise to Connect Thru Creativity and draw your feelings into the language of weather!

LIVE at 11am PST on IG @dianavarco

In this 10-15 min experience, you’ll create a snap-shot sketch of your current inner world and also have the freedom to use art to articulate anxiety, frustration, joy, etc - really any emotion under the sun. This exercise is also great to do with loved ones and children to open up dialogue on our own unique and collective experiences during this unprecedented time. Mental health experts agree that being able to label our emotions, helps to support managing mental health.

No need to stick to just weather. Anything goes in your 'Weather Report' - so draw away!

Like weather - emotions can change minute by minute or stay for much longer than we'd prefer. Track your journey by joining Diana daily and writing down the description of your picture afterwards - at the end of stay at home orders, we will have a story of our experience!

This past week for Diana saw complex clouds, the sun and moon acting as stabilizing factors, and the present suspended between a difficult past and hopeful future. Catch up on the past week of Connect Thru Creativity using the links below:

April 15th:

April 16th:

April 17th:

April 18th:

April 19th:

April 20th:

April 21st:

April 22nd:

This art therapy exercise was first taught to Diana at the The Actors Fund - a vital support network for individuals in entertainment. Though Diana is not affiliated with Actors Fund, she remains an ardent supporter of their work. If you’d like to learn more or donate please visit: ActorsFund.org

Mental health matters and you do too! If you need immediate mental health support, contact Crisis Text Line by texting HOME to 741741 (US/Canada) or 85258 (UK) - visit CrisisTextLine.org to learn more.


Diana Varco is an LA based actress, comedian, and storyteller.

Diana is the writer/performer of Shattered - a dark comedy solo show that explores dating, dysfunction, and sexual devastation, as well as the complex path of trauma recovery. Fresh off a 25 show run of Shattered at Edinburgh Fringe, Diana is excited to share her use of the arts to support conversations on mental health! Directed by Jessica Lynn Johnson, Shattered premiered at the 2017 Whitefire Theatre SoloFest and went on to the Hollywood Fringe Festival, Outdoor Voices Festival, United Solo off-Broadway, and LA Women’s Theatre Festival.

Learn more about Diana at DianaVarco.com.
Learn more about Jessica Lynn Johnson and her free solo show class: JessicaLynnJohnson.com.



Connect Thru Creativity - a Daily Art Therapy Exercise

Join solo artist Diana Varco (IG @dianavarco) as she leads a daily art therapy exercise to draw your feelings into the language of weather!

In this 10-15 min experience, you’ll create a snap-shot sketch of your current inner world and also have the freedom to use art to articulate anxiety, frustration, joy, etc - really any emotion under the sun. This exercise you can do with loved ones and children to open up dialogue on your own unique and collective experiences during this unprecedented time. Mental health experts agree that being able to label our emotions, helps support managing mental health.

No need to stick to just weather. Anything goes in your 'Weather Report' - so draw away!

Join Diana daily LIVE at 11am PST on IG @dianavarco to draw your emotions into art.
Here’s Diana's 'weather' for today, April 15th:

Like weather - daily emotions are different and, at times, also somewhat the same. They can change minute by minute or stay for much longer than we'd prefer.

For Diana, the past week of this daily art exercise has seen a journey of frustration and acceptance - as well as the reliance on (and gratitude for) creativity.

Track your journey by joining Diana daily and writing down the description of your picture afterwards - at the end of stay at home orders, we will have a story of our experience!

Catch up on the past week of Connecting Thru Creativity using the links below:

April 8th:

April 9th:

April 10th:

April 11th:

April 12th:

April 13th:

April 14th:


This art therapy exercise was first taught to Diana at the The Actors Fund - a vital support network for individuals in entertainment. Though Diana is not affiliated with Actors Fund, she remains an ardent supporter of their work. If you’d like to learn more or donate please visit: ActorsFund.org

Mental health matters and you do too! If you need immediate mental health support, contact Crisis Text Line by texting HOME to 741741 (US/Canada) or 85258 (UK) - visit CrisisTextLine.org to learn more.


Diana Varco is an LA based actress, comedian, and storyteller.

Diana is the writer/performer of Shattered - a dark comedy solo show that explores dating, dysfunction, and sexual devastation, as well as the complex path of trauma recovery. Fresh off a 25 show run of Shattered at Edinburgh Fringe, Diana is excited to share her use of the arts to support conversations on mental health! Directed by Jessica Lynn Johnson, Shattered premiered at the 2017 Whitefire Theatre SoloFest and went on to the Hollywood Fringe Festival, Outdoor Voices Festival, United Solo off-Broadway, and LA Women’s Theatre Festival.

Learn more about Diana at DianaVarco.com.
Learn more about Jessica Lynn Johnson and her free solo show class: JessicaLynnJohnson.com.



The Show Must Go Online: Registered this week NEW Online Virtual and Future Shows on Better Lemons Calendar!


Calling all Artists


Better Lemons will now include all Online Live Events and Online Pre-recorded Events in our Calendar!

The first virtual event has registered on the Better Lemons! Be sure to register your virtual theater or performance events that are streaming at a specific time and date on our Event Registration page.

Better Lemons has over 75 shows NOW registered! If you have pre-recorded art since practicing social distancing, please send us the link and we will add your show to our Video page.

For shows with a LemonMeter rating, visit our LemonMeter page!


Online Live


Victoria Gordon

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Future Upcoming Live


Hearts for the Arts

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A Chorus Line

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Always...Patsy Cline

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The Holiday Gem

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THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED)

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Now Registered on the Better Lemons Calendar – February 10 - 16, 2020


Musicals, Comedy, Cabaret, Variety shows, and more now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


For The Love of the Glove

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Hot Tragic Dead Thing

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FERTILE

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Law & Order: The Musical!

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Old Jews Telling Jokes

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The Wild Party

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Richard Lederer's Presidents Tonight! at North Coast Repertory Theatre

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Matty: An Evening with Christy Mathewson

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Pan Am Returns

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The Swords of Sorrow- BURAI II

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Death and Other Girly Things

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AFTERGLOW

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Ain't All So Grimm

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Jelly Beans

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Deconstructing Holly

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Show Me A Hero

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Dance to 'Dickens': Variety and Holiday Shows Around Greater L.A.


Rest your feet after all that shopping, get out of that L.A. holiday traffic for a few hours, and slip into a cozy theatre or concert venue during the Holidays!

Los Angeles theatre is alight with dozens of musicals, comedy, cabaret, magic, live radio plays, film and live mash-up productions, classic Dickens, music, dance, variety, and family-friendly shows themed to get you into the spirit of the season.

Here's is a healthy collection of shows available now and until you are just about ready to ring in the New Year.


It's A Wonderful Life: A Live Radio Play - Now through December 15, 2019

ENSEMBLE THEATRE COMPANY (ETC) presents the second show of its 2019-20 Season, the can’t-miss, holiday event of the season, IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY, adapted by Joe Landry, from the screenplay by Frances Goodrich, Albert Hackett, Frank Capra & Jo Swerling and directed by ETC’s Director of Education and Outreach, Brian McDonald.

The New Vic in Santa Barbara

 

Tickets and more information


Miracle on 34th Street Now through December 15, 2019

Actors Co-op Theatre Company is proud to present the Los Angeles premiere of a new adaptation of Miracle on 34th Street: A Live Musical Radio Play, based on the 1947 Lux Radio Hour, adapted by Lance Arthur Smith, original songs and arrangements by Jon Lorenz, directed by Joseph Leo Bwarie.

"Miracle on 34th Street" brings a heartwarming and classic tale of faith, love, and the gift of miracles to the holiday season, featuring live Foley effects and a score of holiday carols this beautiful story is sure to ring in Christmas for all. OVATION RECOMMENDED PRODUCTION!!! At the Actors Co-op David Schall Theatre.

Tickets and more information


A Christmas Carol - Now through December 15, 2019

A Christmas Carol: The One-Man Play - The Porters of Hellsgate Theatre Company presents Charles Dickens' A Christmas Carol: The One-Man Play, directed by frequent Porters collaborator Drina Durazo. "Charles Dickens was known for being a performer of his own works; his novels were written with such vivid theatricality that they were almost like plays," says Durazo. "We're aiming to recreate the experience of Dickens' public recitals with a A Christmas Carol, The One-Man Play, and it's been a great joy exploring this beloved classic by way of Krieger's dynamic performance."

Having most recently taken on the roles of Theseus in The Two Noble Kinsmen and director of Romeo and Juliet, Associate Artistic Director Gus Krieger portrays over thirty characters in this telling of Dickens' classic tale. Having assumed iconic roles for the company including Richard III, Shylock, Benedick, and King John, Krieger is thrilled to return to the boards of North Hollywood.

Presented at the Whitmore-Lindley Theatre Center

Tickets and more information


It's A Wonderful Life: The Radio Play - Now through December 23, 2019

A Los Angeles holiday tradition is back with some show veterans for just a few dates in a special engagement! It’s a Wonderful Life: The Radio Play takes place at KAWL, a struggling 1940s radio station that good-hearted owner Michael Anderson is barely keeping alive. He calls on some old friends (with big personalities) and some less-than-professional station employees to offer up a live radio version of Frank Capra’s touching masterpiece It’s a Wonderful Life in what might sadly be the station’s last live show. But it’s the holidays, a time when miracles can happen…

Theatre Unleashed at Studio/Stage.

Tickets and more information.


A Christmas Carole King -  Now through December 22, 2019

It’s the most “Beautiful” time of the year!

TROUBADOUR THEATER COMPANY continues its 25th SILVER ANNIVERSARY SEASON with "A CHRISTMAS CAROLE KING." Musical Direction by Derrick Finely, Directed and Adapted by Matt Walker, in a limited Engagement opening Friday, December 13, 2019, at The El Portal Theatre in North Hollywood!

For their 18th annual holiday offering, The Troubies have combined the soulful sounds of songstress Carole King with one of the most enduring stories of our time – Charles Dickens’ “A Christmas Carol” – and the result is SO FAR AWAY from what you'd expect!

 

Tickets and more information.


A Christmas Carol - Now through December 23, 2019

Charles Dickens' classic Christmas tale, A Christmas Carol, at A Noise Within, Directed by Geoff Elliott & Julia Rodriguez-Elliott.

ANW’s delightfully festive, musically merry holiday tradition returns! Families love the inspirational story of Bob Cratchit, Tiny Tim, and Scrooge—the perfect burst of boundless good cheer for the season, and beyond!

“Only a die-hard humbug could remain unmoved by so charming a yuletide treat.” – Los Angeles Times

Tickets and more information.

 

 


A Christmas Carol - Now through December 24, 2019

A Christmas Carol at South Coast Repertory. This is the 40th year for the beloved Orange County holiday classic—and marks the final time that Hal Landon Jr. will portray everyone’s favorite curmudgeon, Ebenezer Scrooge. Nineteenth-century London comes to life when your family joins the SCR family for the holidays. Recapture the spirit of an old-fashioned Christmas with this timeless Dickens classic and all your favorite characters—Tiny Tim and the Cratchit family, the Fezziwigs, the Ghosts of Christmas past, present and yet-to-come. No children under the age of 6, please.

 

Tickets and more information


Every Christmas Story Ever Told (and Then Some!) - Now through December 29, 2019

Instead of performing Charles Dickens' beloved holiday classic for the umpteenth time, actors decide to perform every Christmas story ever told -- plus Christmas traditions from around the world, seasonal icons from ancient times to topical pop-culture, and every carol ever sung. A madcap romp through the holiday season! An outrageous holiday romp for the whole family (except those who still believe in Santa!) Written by Michael Carleton, James FitzGerald and John K. Alvarez. Music by Will Knapp. Directed by Gary Lamb. Musical director: Sean Paxton.

At the Sierra Madre Playhouse.

Tickets and more information.


A Christmas RUSH at the Movies - December 13 - 15, 2019

Yippie ki yay, theatre goers! We're settling the debate, once and for all. Yes, "Die Hard" is a Christmas movie. But when John McClane meets Ralphie from "A Christmas Story," let's just say more than just your eye might get shot out! What better way to end the year than by mashing up classic Christmas movies like "It's a Wonderful Life" with characters from some of your favorite "Not A Christmas Movie" movies like "Batman Returns?" Mix in a few iconic movie props, a team of talented writers, directors and actors and let the holiday drama and hi-jinks ensue! The way only our RUSH play festival can!  Great for the whole family!

Written by Tyler Bianchi, Evan Baughfman, Jeff Folschinsky, Holly Sidell, Samantha Grace, Adam Neubauer, Samantha & Lilia Marquis, Directed by Jonathan Fahn, Jennifer Novak Chun, Holly Witham, Corey Chappell,
Randy Marquis, Tom Jones & Stacy Ann Raposa. At the Actors Workout Studio.

Tickets and more information.


Eight Nights - December 13 - 16, 2019

Developed in the Antaeus Playwrights Lab, Eight Nights is the heartfelt, lyrical portrait of a German Jewish refugee haunted by her past...witnessed over the course of generations of the same family that inhabits a single apartment from 1949 to 2016. Set during the eight nights of Chanukah, and spanning eight decades of the protagonist’s life, Eight Nights weaves together heart-aching moments with life-affirming humor to call out the trauma experienced not only by concentration camp survivors, but by African American descendants of slavery, by interned Japanese Americans, and by current victims of war in Africa and the Middle East.

Written by Jennifer Maisel, at the Kiki & David Gindler Performing Arts Center.

Tickets and more information


Dysfunctional Family Christmas - December 13 - 16, 2019

Dysfunctional Family Christmas - Misunderstandings, Mistaken Identities, and Holiday Chaos create a fun-filled Christmas Morning at the Logan Home.

Before they sell the family home, Dean and Joanne Logan want one perfect final Christmas with their adult children. Although, once Grandpa is found dead, their plans go haywire as they attempt to hide the body from the family.

Defiance Theatre Company, at The Sherry Theatre.

Tickets and more information


The Santaland Diaries - December 13 - 20, 2019

"A sardonic, merrily subversive tale—just the antidote to bright-eyed joy before too many shopping days have passed. Worth more than a photo album full of Santas!" NY Newsday. When it was first broadcast on National Public Radio, The SantaLand Diaries generated more requests for tapes than any story in This American Life’s history except the death of Red Barber. Timothy Olyphant brought the story to life on stage off-Broadway, and for the fourth year in a row Patrick Censoplano dons the candy-cane tights for a Santa Monica Playhouse holiday celebration in this outrageously funny one-man play from NPR’s well-loved humorist David Sedaris about the author’s experiences as an unemployed writer taking a job as an elf at Macy’s department store in New York City, taking a wry look at how the holiday season brings out the best – and the worst – in us all. Toast the Holidays! Your ticket includes a pre-show glass of champagne or non-alcoholic eggnog.

At the Santa Monica Playhouse.

Tickets and more information.


Sugar Plum Fairy - December 13 - 22, 2019

The story of Sugar Plum Fairy, based on Loh’s original tale on This American Life, follows a 12-year-old Sandra and her over-the-top dream of landing the lead in the inevitable dance school production of The Nutcracker. Loh and friends are pitted against the vicious hierarchy of desirable roles in this well-weathered ballet, while she desperately yearns to be recognized as a pre-teen queen in her own right. The play features Shannon Holt and Tony Abatemarco in a rotation of quirky characters from her misfit friends to a rigid Russian ballet instructor, as well as being co-conspirators in spreading some literal holiday cheer around the theater. Wittily set to a classical music score (a la Disney’s Fantasia’s hippopotamus ballerinas), Sugar Plum Fairy is knitted together with moments of audience participation, and attendees are encouraged to dress in their most festive outfits, prepare for sugary showers of candy, and get photos for the ‘gram with Yuletide-themed set designs that include reindeer, an animatronic Santa, and even, if you’re lucky, Frosty the Snowman.

At the East West Players.

Use code "Jingle10" at checkout for 10% off tickets valid Thursday evenings, Friday evenings, and Saturday matinees on all 3 seating sections. Cannot be combined with any other discounts.

Tickets and more information.


The Gayest Christmas Pageant Ever! - December 13 - 22, 2019

Sixteen actors play nearly 30 characters in a holiday spectacular that will put you in a festive mood! A play-within-a-play, this fast-paced comedy follows a small, LGBTQ+ community theatre as it struggles to pull together its annual holiday pageant.

Written by Joe Marshall, directed by Bree Pavey. The cast will feature (in alphabetical order) Cassandra Carmona, Matt Caudel, Noah Copfer, Andrew Cottrell, Madylin Sweeten Durrie, Dan Ellis, Javier Flores, Barbera Ann Howard, Sean James, Corey Klemow, Katy Laughlin, Ignacio Navarro, Alejandro Baquero Sanchez, Scottie Smith, Luke Sookdeo, and Bart Tangredi.

At Loft Ensemble.

Tickets and more information


The Christmas Present - December 13 -22, 2019

Colin can't bear the thought of another Christmas alone so he hires some company. Unfortunately, the girl who turns up is not the goddess he was hoping for.

Can this mismatched couple make it to Boxing Day without killing each other?

Back in LA for the fourth time, "The Christmas Present" is the heart-warming story of a hooker, a hotel room, and some holiday magic.

At The Broadwater.

Tickets and more information

 


Plaid Tidings - December 13 - 28, 2019

Rubicon Theatre audiences are invited to “rejoice and be plaid” this holiday season as Ventura’s non-profit professional theatre company presents the hilarious and heartwarming musical comedy PLAID TIDINGS in Ventura’s Downtown Cultural District. The production is directed by the original creator STUART ROSS, and the cast for PLAID TIDINGS includes SEAN BELL, ADOLPHO BLAIRE, JOSHUA DAVID CAVANAUGH and ZACHARY EDWARDS, all making their Rubicon Theatre debuts.  The show includes holiday favorites such as “Cool Yule,” “Let it Snow,” and “Joy to the World”; a hysterically funny speed-date version of “The Ed Sullivan Show” featuring the Rockettes, the Chipmunks and The Vienna Boys Choir; and other memorable hits from the era, like “Sh-Boom,” “Fever” and “Hey There.”

The Los Angeles Times called PLAID TIDINGS “a many splendored thing.” Variety described the show as Musical utopia…the perfect show. And the Daily News called the show “heaven-sent holiday fare.”

Tickets and more information.


Santasia: A Holiday Comedy - December 13 - 28, 2019

“SANTASIA - A Holiday Comedy” created by Shaun and Brandon Loeser, directed by Shaun Loeser, is celebrating its 20th year. At the Whitefire Theatre, this Off-Broadway Hit and Critics’s Pick laugh out loud annual holiday romp, is the perfect blend of Yuletide snark and sentiment, and has been compared to "The Carol Burnett Show", "The Kids in the Hall", "In Living Color", "Saturday Night Live" and Vaudeville. This multi-media holiday special has it all including classic Rankin and Bass Claymation inspired movies, musical parodies, and heartfelt holiday moments.

At the Whitefire Theatre.

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Love Actually Live - December 13 - 29, 2019

The Wallis & For The Record’s biggest, record-breaking hit returns this holiday season! The multimedia concert celebration of one of the most beloved holiday films of all time is back by popular demand, now as a not-to-be-missed Los Angeles tradition. The team behind LA’s award-winning series For The Record transforms The Wallis’ Bram Goldsmith Theater into an immersive cinema, where the modern classic written by Richard Curtis is reborn as a revolutionary stage and screen event. To tell the story, the film and live action seamlessly intertwine throughout the London setting. Iconic scenes on screen share the stage with an all-star cast of singers and a 15-piece orchestra, as they reimagine the film’s hit soundtrack including “Christmas is All Around” and “Trouble With Love." Love Actually Live is a first-of-its-kind, theatrical cinema experience.

WARNING: This production features theatrical haze effects, adult content, and brief nudity. It is recommended for ages 13+.

At the Wallis Annenberg Center for the Performing Arts.

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Holidays in the Valley - December 14, 2019

The San Fernando Valley Master Chorale is excited to bring back one of the most anticipated concerts of the season, our annual holiday sing-along concert! Joining us on stage this year will be the delightful San Fernando Valley Youth Chorus, under the direction of Sean Carney.

Led by Artistic Director Charlie Kim and accompanied by Bob Remstein, expect to hear your favorite holiday classics along with John Rutter's "Gloria" accompanied by a brass quartet. And lots of audience participation! Join us for a night filled with fun, music, and holiday cheer for the whole family. All ages are welcome.

Ugly Sweater Contest: Oh, and don't forget to bring your ugly sweater! This year SFVMC will give away free tickets for a future concert to the audience member who brings the ugliest holiday sweater.

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The Merry Little Christmas Show - TWO SHOWS on December 15, 2019

The Merry Little Christmas Show - BroadwayWorld Critics’ Pick and StageSceneLA Award-winner Scott Dreier, star of last season’s acclaimed hit "Doris and Me," returns to The Colony Theatre with his holiday concert. Featuring special guest Kurtis Simmons and music director Andy Langham. Dreier will take audiences back to the feel of cherished, classic, holiday TV specials hosted by Perry Como, Andy Williams, Bing Crosby, Dean Martin, and others — paying homage while also providing his modern take with pop and jazz interpretations of holiday treasures. The performance will include holiday classics including "Sleigh Ride," "Have Yourself a Merry Little Christmas," "O Holy Night," "I’ve Got Your Love to Keep Me Warm," "Merry Christmas Darling," and many more. This show will transport you back to your living room sitting around the fireplace telling stories and sharing songs of the season.

At the Colony Theatre.

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A Very Happy Goyisha Hannukah - December 15 and 17, 2019

 

How did a nice Evangelical Christian girl from Arizona wind up doing a one-woman comical cabaret show at Jewish Women’s Theatre (JWT) in Santa Monica? Audiences will laugh and maybe even sing along, as they learn the secrets of Anna Abbott’s dual life in her new solo show, "A Very Goyisha Hanukkah," playing two performances only at The Braid, JWT’s art and performance space.

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A Twisted Christmas Carol - December 15, 2019 - January 12, 2020

The Group Rep presents A Twisted Christmas Carol, a world premiere comedy written by Phil Olson, directed by Doug Engalla, produced by Alyson York, a Texas-style spoof of Charles Dickens’ “A Christmas Carol.”

Talk-backs are after Sunday shows 12/21 and 01/04.  Upstairs at the Group Rep on the second floor of the Lonny Chapman Theatre, 10900 Burbank Boulevard, North Hollywood 91601. The Upstairs venue is not handicapped accessible.

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The Eight: Reindeer Monologues - Through December 14, 2019

The Eight: Reindeer Monologues by Jeff Goode, Directed by Jerry Pilato & Erica Livingstone
Santa's Reindeer Tells All! With each deer's confession, the truth behind the shocking allegations becomes clearer and clearer and seems to implicate everyone from the littlest elf to the tainted Saint himself. Don't miss this expose of North Pole Naughtiness.

Starring David Janisch as Dasher, Eric Trigg as Comet, Christine McCoy as Dancer, Andrew Walters as Hollywood (Prancer), Mclain Parker as Cupid, Melanie Mino as Blitzen, Michael Adler as Donner and Kellen Gold as Vixen.

At the Point Loma Playhouse.

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'Twas the Flight Before Christmas - ONE NIGHT ONLY, December 14, 2019

A Workshop Production of a new TST Christmas comedy with music, written by Glen Philip and Alisa Murray, and Directed by Nancy Cheryll Davis, ast the Stella Adler Theatre.

Travelers get stranded on Christmas Eve at Angel Airlines where nothing is free, even a picture with Santa. Hilarious and fun, it's the perfect show for the holidays. One Night ONLY!

At the Stella Adler Theatre. Admission is Pay What You Will, which includes TST Christmas Party immediately following the show. Bring an unwrapped toy for the Children's Toy Drive.

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Leslie Jordan: Deck The Halls, Y'all! - ONE NIGHT ONLY, December 16, 2019

Emmy Award-winner Leslie Jordan returns to Catalina Jazz Club with his hilarious holiday show "Deck Them Halls, Y’All" for one performance only. Best known for his stand-out roles in "Sordid Lives," "American Horror Story," "The Help," as the beloved Beverley Leslie on "Will & Grace" (for which he is currently shooting the final season), and most recently as Sid on the Fox series "The Cool Kids," Leslie Jordan has charmed fans for over four decades.

His hilarious holiday tales are not to be missed. Jordan’s special guest will be country-pop singer Brandon Stansell.

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DICKENS UNSCRIPTED - TWO NIGHTS ONLY, December 16 - 17, 2019

Los Angeles Times calls Impro Theatre “Amazing!” One of the funniest evenings as the troupe spins an entire play into comedy gold right before your eyes. Starting with an audience suggestion, the troupe creates completely improvised, full-length plays in the styles of the world’s greatest writers. Join us this holiday season for a hilarious comedy inspired by the works of Charles Dickens. Comic portrayals, cruel melodrama and heartbreaking tenderness explode onto the teeming streets of Victorian London. A fun and festive evening of comedy.

North Coast Repertory Theatre in Solana Beach.

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The Skivvies: I Touch My Elf - TWO NIGHTS ONLY, December 16 & 17, 2019

Laguna Playhouse brings back its holiday tradition! A Special, Stripped Down to the Abs, Musical Event! "The Skivvies: I Touch My Elf" at Laguna Playhouse in Laguna Beach!

With Special Guest Appearances by Broadway’s Nick Adams,  jackbenny and more! Ho, Ho, Ho, you don’t want to miss this show!

Broadway stars Lauren Molina (Rock of Ages, Sweeney Todd) and Nick Cearley (A Midsummer Night’s Dream, All Shook Up) return to the Laguna Playhouse for two nights of the most outrageous holiday show of the season. This undie-rock, comedy pop, award-winning duo perform stripped-down, mashed-up versions of holiday favorites and more. Expect to see ukulele, electric cello and an array of zany instruments.

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Bendelacreme and Jinkx Monsoon: All I Want for Christmas is Attention - ONE NIGHT ONLY, December 19, 2019

BenDeLaCreme and Jinkx Monsoon are back in an all-new two-queen holiday extravaganza at The Montalbán!

After last year’s wildly successful "To Jesus, Thanks for Everything," Jinkx and DeLa return to the stage this holiday season in a high-spirited scramble to maintain your interest! DeLa is all sugar and Jinkx is all spice — but how do these two very different gals deal with the stress of the holidays? A little song, a lot of eggnog, and theatres full of people looking at them. Yup ... all they want for Christmas is attention!

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Sam Harris: Unwrapped! - ONE NIGHT ONLY, December 19, 2019

Returning to Hollywood by popular demand, platinum-selling recording artist and Tony Award-nominated actor Sam Harris brings his new holiday show to Catalina Jazz Club for one performance only. Led by his longtime musical director Todd Schroeder, Harris will perform Broadway, pop, and holiday fare.

 

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A Charlie Brown Christmas - December 19 - 22, 2019

The Theatre School @ North Coast Rep presents "A Charlie Brown Christmas" by Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson Stage Adaptation by Eric Schaeffer, and by Special Arrangement with Arthur Whitelaw and Ruby Persson.

When Charlie Brown complains about the overwhelming materialism he sees among everyone during the Christmas season, Lucy suggests that he become director of the school Christmas pageant. Charlie Brown accepts, but this proves to be a frustrating endeavor. When an attempt to restore the proper holiday spirit with a forlorn little Christmas tree fails, he needs Linus’ help to discover the real meaning of Christmas.

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Theater 40 Holiday Show - ONE NIGHT ONLY, December 21, 2019

Theatre Forty will present its Holiday Show at the Los Angeles Public Library, Westwood.

Professional actors will read seasonal poems, stories and essays from such authors as Ray Bradbury, F. Scott Fitzgerald, E.B. White and many others.

Our readers include Katherine Henryk, Daniel Leslie, Melanie MacQueen, LeeAnne Rowe, and Gloria Stroock. Christmas candy will be served.

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Nutcracker - December 21 (two shows), & 22, 2019

The Nutcracker from critically acclaimed Inland Pacific Ballet,celebrating 25 years. The Nutcracker comes to life with this magnificent ballet comprised of beautiful sets, dazzling costumes, and more than 80 dancers on stage. The Nutcracker tells the story of a young girl who receives a magical nutcracker doll on Christmas Eve and sets out on a wondrous journey to the Land of the Snow and the Kingdom of Sweets. Toy soldiers, life-sized dancing dolls, and a fantastic dream with battling mice, dancing snowflakes, waltzing flowers, and the delightful Sugar Plum Fairy stir the imagination. Meet the cast after the performance for photos and autographs. This is family entertainment at its best.

At the Bridges Auditorium, Pomona College.

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GMCLA Holiday Spectacular - December 21 (two shows), & 22, 2019

Gay Men's Chorus of Los Angeles Presents Holiday Spectacular at the Alex Theatre in Glendale.

Experience the joy of the season as Jenny Wong, GMCLA’s interim Artistic Director and Associate Conductor of the LA Master Chorale, leads GMCLA in choral classics, timeless Christmas carols, a medley of hits from the beloved film Love Actually, Broadway bonanzas, and Mariah Carey’s anthem – it’s all you’ll want for Christmas. A Los Angeles tradition for the entire family, this concert will be truly Spectacular!

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Carols of the Belles - ONE NIGHT ONLY, December 22, 2019

Curated by Performances à la Carte, Jazz ‘n Paz continues with its’ seasonal intimate jazz series showcasing some of Los Angeles’ finest jazz musicians. To ring in the holidays, the December concert, Carols of the Belles, features the vocals of the iconic Barbara Morrison, Jamie Perez, and Renee Myara,  at Pasadena’s Neighborhood UU Church. In a jazzy program of standards and holiday favorites, the musicians behind the angelic voices feature Michael Ragonese on piano, James Yoshizawa on drums, Danny Janklow on sax and flute, and Luca Alemmano on bass...A Holiday Champagne Party will follow the concert and may be added to any concert ticket purchase online for an additional $12. The party will feature appetizers, desserts, champagne and non-alcoholic punch along with music, dancing, comedic holiday improv antics and capped off with a Holiday Sing-A-Long.

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60th Annual L.A. County Holiday Celebration - ONE NIGHT ONLY, December 24, 2019

L.A.’s largest holiday spectacular celebrates its 60th anniversary in 2019 is at The Music Center, Dorothy Chandler Pavilion. Join this year’s co-hosts, internationally acclaimed mezzo-soprano Suzanna Guzmán and actress Marissa Ramirez (Blue Bloods), for this free, three-hour holiday show featuring 25 music ensembles, choirs and dance companies from the many neighborhoods and cultures that make up L.A. Once again, PBS SoCal will host a live broadcast of the event that has been a Los Angeles holiday tradition since 1959, while KCET will air the program twice on Christmas Day.

Legendary Cuban jazz trumpet player Arturo Sandoval, accompanied by his world-renowned band, will kick off this year’s celebration with a medley of holiday songs. Returning favorites include Hālau Keali’i o Nālani & the Daniel Ho Trio, the Gay Men's Chorus of Los Angeles, gospel choir Greater LA Cathedral Choir, Jung Im Lee Korean Dance Academy and folklorico troupe Pacifico Dance Company. Some of this year’s newcomers include Latin folk band Cuñao, the dancers and drummers of African Soul International and a cappella group Street Corner Renaissance.

All-female, two-time GRAMMY award-winning Mariachi Divas de Cindy Shea will team up with their “brother” band Mariachi Espectacular, and Jewish cultural revival band Mostly Kosher will share the stage with Urban Voices Project, a choir made up of men and women surviving homelessness on Skid Row. Those who can't make it to The Music Center on Dec. 24 can watch the live broadcast on PBS SoCal starting at 3 p.m., with the rebroadcast on KCET on Christmas Day from 12 p.m. – 3 p.m. and 7 p.m. – 10 p.m., or online at pbssocal.org/holidaycelebration.

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