Audio Interview: the cast of "Musket and the Rat" at Arena Stage Hollywood

Musket Cherry is a young woman who lives in a gritty, rugged, ungentrified neighborhood in Chicago. Her mom is a deadbeat alcoholic. Musket’s anchors are her beloved brother Weso, her best friend Gay Stevie, and her boyfriend Billy. Times are tough. Musket supports her family by selling heroin and comforts herself with lots of weed.*

Enjoy this interview with the cast of “Musket and the Rat” at Arena Stage Hollywood, running until Jan 18th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: Orson Bean and the cast of "Bad Habits" at Ruskin Group Theatre

The Sisters of St. Cyril’s are on a mission to prevent the closing of their convent and school. Might there be an “Almighty’ intervention to save them, in the form of a miraculous young woman named Maria? Or might God just sit this one out, leaving the Sisters to rely on their annual Christmas pageant fundraiser, which will be featuring a particularly surprising number? High adventure comedy, second to nun!*

Enjoy this interview with Orson Bean and the cast of “Bad Habits” at the Ruskin Group Theatre, running until Jan 26th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Eight Artists Reflect on 2019, Inspired for 2020


Fueled by the force that is the Hollywood Fringe Festival, creatives brought a banquet of quality smaller theatre and performance art to 2019 to Los Angeles, with many projects growing beyond its borders and seeking destinations in other mediums.

From local producers, east coast transplants, and across-the-pond ex-pats; from solo introspective, post-apocalyptic satire, and the cutting edge, to dance, aerial and burlesqueeight artists reflect on their personal accomplishments and challenges in 2019, as well as on the inspired work of their peers, and share their plans and hopes for more to come in 2020.

Interviewed are Creative Director and Executive Producer,  Lea Walker, at Aeriform Arts, Writer and Producer, Jonathan Tipton Meyers, at We Are Traffic: A Rideshare Adventure, Director and Producer, Roe Moore,  at PiePie Productions, Writer and Director, Matt Ritchey, at M3 and Storycrafting, Actress and Executive Producer, Jenelle Lynn Randall, at The Always Working Reading Series, Writer and Producer, Steven Vlasak, Actress and Variety Performer, Cat LaCohie, Vixen DeVille, and Writer and Filmmaker, Matthew Robinson, at Red Flag Media Productions.


What have been some highlights in 2019 for you personally and your career?


L. Walker –“One of the professional highlights for me this past year was producing Aeriform Artists Media Cirque du Giselle. To be able to present a uniquely executed, extremely well-received performance piece in a festival where there are 400 plus shows was an amazing experience. One of Aeriform Arts main values is inclusivity and we've managed to grow our production arm while honoring those values. We are pleased to have worked with Women’s Health Magazine and Hearst Media coaching and coordinating aerial shoots for magazine covers with both Julianne Hough and Para-Olympian Amy Purdy, as well as work with Yvie Oddly, winner of 'Drag Race' Season 11 for RuPaul's World Of Wonder Productions. Personally, my most important accomplishment for the year was being able to create a better work-life balance, allowing me to truly enjoy what I do.”

Jonathan Tipton Meyers - Photo by Cooper Bates

J. T. Meyers – “Personal highlights from this year began with performing a selection from my solo show 'We Are Traffic: A Solo Rideshare Adventure' on KPCC's Unheard LA. Then turning that solo show into a half-hour television pilot alongside a one-hour dramedy, 'BLERD' about a young black engineer who lands his dream job at a private sector Space Company, then discovers a conspiracy that might destroy it. I also co-created alongside fellow storyteller Katya Duft, a live storytelling show about rideshare called 'Ride or Die' to bring together passengers and drivers. I've met some beautiful artists who inspire me and 5,000+ people in this city trying to get from one place to another and they've inspired me to bring their stories to the world.”

R. Moore – “2019 has been a true treat. Career-wise, I had the opportunity to direct many great theatrical productions including Los Angeles Brisk Festival's award-winning production of 'RECESS' written by Kara Emily Krantz and starring Kyle Secor and Hailey Winslow. I also got to direct my first musical for the Hollywood Fringe Festival [HFF], 'Jamba Juice: The Musical.' Other productions include 2Cents Theatre INKFest's 'East Stanton Station' and OC-Centric New Plays Festival 'Still Moving' written by Ben Susskind...On the theatre side, I worked as the associate director on many great television shows this year, including my fourth year on CW's Masters of Illusion and the Hollywood Christmas Parade. My favorite shows to work on were the CW variety show 'The Big Stage' and the upcoming Disney+/Jim Henson talk show Earth to Ned, where alien Ned comes to invade Earth but finds himself enamored by human culture [and] abducts various celebrities to understand how Earth and humans operate. For Henson fans, they will be delightfully impressed with this show. Personally, I completed two half marathons this year: New York and Las Vegas. I'm very much looking forward to doing many more in 2020. I had the pleasure of being a Producers Guild of America Mentor in their Power of Diversity Workshop.”

M. Ritchey – “2019 has been one of my favorite years. I’ve had some tragedy and some pitfalls to be sure, but overall, I love the trajectory of this past year. Personally, I started to trust my instincts more and be okay with people not “getting” me or my choices. I’ve been more open to possibility and did a lot of leaping into things that scared me, mostly to very positive results–many of them being in my career. I did a lot of acting this year: I wrote and performed a one-man show (with two people in it) called 'Blackboxing' at the [HFF 2019] where I tried to shove as much of 'me' onto the stage as I could - and it was overwhelmingly accepted. That led to me shooting a music video for the song 'Smellay Lahk A Turkay' with For Love of Parody Productions which was fantastic. (It was written for my aunt Julee back in 1995 who passed away a few weeks after the music video debuted, just after her birthday.) I did a 48-hour project with my company, M3, and stepped into two 'last-minute' shows in October and December, I made big strides with my writing partner on a screenplay, I saw and reviewed a ton of L.A. theater, made some great new friends, and was featured on a playing card and poster thanks to Matt Kamimura and 'Matt: The Gathering.' And I got to work with Sebastian Munoz and Force of Nature Productions directing my play 'Romeo and Juliet In Hell.' Amazing year.”

Jenelle Lynn Randall

J. L. Randall – “Well the past few years have been rough with no rep–my manager died...in the past month I’ve gotten a manager, booked a few voice-over gigs, and met the love of my life so 2019 turned out okay. But I have to say 'the' most important thing I accomplished was my Eartha Kitt show that I wrote, EP'd and starred in this past June at [HFF 2019], 'I Wanna Be Evil: The Eartha Kitt Story.' We opened with three sold-out houses, got rave reviews, and offers to bring the show to other theatres. That was very taxing–as it was my first fringe and I did everything except direct myself–but it was very rewarding. I also did a truncated version of my [HFF 2019] show for Feinstein’s At Vitello's in L.A. in September, where that show also has rave reviews on Broadway World.”

S. Vlasak – “This year started with a bang for me with my 'Nights at the Algonquin Round Table' receiving a run in January at the Carriage House Theatre in Lexington, Kentucky. Every show sold out, and I flew there to be part of the fun–joining in talkbacks after some shows. The director, Bob Singleton, and the entire cast all did a fantastic job with my Dorothy Parker-centered Roaring Twenties comedy. Of course, [also] 'Disrobed: Why So Clothes-Minded?' was the focus and highlight of 2019 for me. This unique 'naked cast and audience' theatrical experience, produced and directed by Brian Knudson, sold out its debut Fringe Festival run and extensions, won some awards, and has now settled into a once a month residency at Matt Quinn’s Studio C Theatre in Hollywood.”

C. LaCohie – “This year has been insane both personally and career-wise. I had premiered my solo show 'Vixen DeVille Revealed' in L.A. back in 2018, and at the beginning of 2019 I set my goal to take the show on the road. I toured the show to four cities in three different states and won three awards, including 'Best One Person Performance,' 'Best Solo Performance,' and 'Best Out Of Town Show.' On returning to L.A. I then entered into a deal to have the show taped as a one hour TV special, which we are working on releasing in [2020.] Finally, I had also set a goal to link the show to a charitable cause and 2019 saw the launch of my book 'Vixen's Unleashed' and later a calendar version of the book, proceeds of which go to support the Vixen's Unleashed Scholarship Program - information on both the book and scholarship are available.”

M. Robinson – “A highlight for my year personally has been learning to play golf. It's fun because every time you play is a chance to get better. With my career winning best comedy for 'Olivia Wilde Does Not Survive the Apocalypse' at [HFF 2019] was such a rewarding experience. I was so proud of the cast and crew and getting recognition like that was unbelievable.”


What were your top five favorite shows, productions, or performances this past year?


L. Walker – “My five favorite productions this year are a hodgepodge of mediums and styles - circus, music, dance, and film are huge parts of my world. In no particular order, my five favorites this year were: Bauhaus at The Palladium, 'Disrobed: Why So Clothes-Minded?' by Steven Vlasak, [documentary] 'Industrial Accident: The Story Of Wax Trax! Records' with concert by Ministry, 'O' Cirque du Soleil, and 'Tarantina.'

J. T. Meyers – “[My] top five favorite shows this year were relatively small in scale, but gigantic in spirit and heart: Kate Radford's glowing multi-media show 'Drought,' Makha Mthembu's powerful time bomb 'No Child Left Behind,' Mitchell Bishop's mind-bending adventurous, gloriously insane 'Pit of Goblins,' John Leguizamo's profound 'Latin History for Morons,' and 'August Wilson's Jitney'–which needs no additional kudos, it was just brilliant.”

R. Moore – “Based off creative approach, there are two [shows] that really come to mind. During the Brisk Festival, Gerald B. Fillmore's play 'Join the Club' was an insanely hilarious view of an immigrant finding their way to America. When it comes to drama, 'Beethoven and Misfortune Cookies' directed by Allison Bergman for the OC-Centric New Plays Festival was not only relevant to the cultural issues where we're seeing inequality but an insightful look at mental health issues. On the East Coast...'Slava's Snowshow' looks like an unassuming clown performance until you find yourself covered in fake snow while clowns climb through the audience. The show ends with ginormous balls for the audience to pass around, as well as more snow! Because of a personal connection, I have to share I enjoyed 'Say Something, Bunny!' The show deciphers wires recorded from the early 1950s of a family and discovers the voices in the recording has to not only New York roots, but has insights to the early days of musicals on Broadway. I say this is a personal connection because one of the characters in the recording was a Moore and a possible relation to my family lineage!...My list wouldn't be complete if I didn't include at least one dance performance. And for that, I have to say 'Matthew Bourne's Swan Lake.' Matthew Bourne's reimagining of the story is very timely and the talent performed is incredible. The production value is extraordinary and the use of lighting, graphics, and production design is great."

Matt Ritchey

M. Ritchey – “I saw a terrific amount of theatre this year, either by personal choice or as a reviewer, and my obvious stand-outs list was 15 strong. But the five that broke convention and were the most intellectually, artistically, and visually stimulating for me were: 'Growing Gills to Drown In The Desert' at Loft Ensemble. A heady, funny, emotional, and existential look into who we are as individuals, a society, and the meanings of theater and life. 'The Magic Flute' at LA Opera. I’ve been wanting to see this show – Mozart’s classic directed as a live 1920’s film with projections and characters pulled from classic silent films – for years. A good friend got me an amazing seat and I was just as blown away as I had hoped to be. 'Butcher Holler Here We Come,' A Economy Production at [HFF 2019]. Not only was this story (based on real events of a coal mine collapsing and burying five men) incredibly well-written, directed, and acted, but it was done in complete darkness in a room at Thymele Arts with only the use of practical headlamps. The action took place all around the audience, making it completely immersive but with no burden on the audience to have to 'do' anything. It was frightening, exciting, engrossing, and other words ending in '-ing.' 'The Death of Sam Mobean,' Orgasmico Theatre Company at [HFF 2019.] Not only did Michael Shaw Fisher’s mind-bender of a play (reminiscent of 'Invitation to a Beheading' and more than one Kafka novel) move me in the brainpan and tickle my funny bone, but it featured Schoen Hodges in what I consider the best male performance at [HFF 2019]. 'Supportive White Parents' at Second City. Centered around an Asian girl who wishes on a shooting star for supportive white parents and 'magically' gets her wish. [The play] features brilliant cross-cultural stereotypes, sharp writing, fantastic music, a talented cast, and the mandatory 'lesson'–Joy Regullano’s show was my favorite new musical of 2019. Immediately following this list is 'Mr. Yunioshi,' my favorite one-man show, and 'Boeing Boeing,' the most sharply directed and acted piece I saw.” – Matt Ritchey

J. L. Randall – “Well I saw three August Wilson shows - one produced by a friend at the Matrix Theatre in West Hollywood, 'August Wilson's Two Trains Running,' 'August Wilson's Jitney' at the Mark Taper Forum, and 'August Wilson's Gem of the Ocean' directed by a good friend, Gregg Daniel at A Noise Within in Pasadena. I saw an outstanding production of 'Lady Day at Emerson’s Bar and Grill' starring dear friend Deidrie Henry at the Garry Marshall Theatre. I also saw 'Lights Out: Nat 'King' Cole' at the Geffen."

S. Vlasak – “I got to see a lot of live theatre in 2019, but It’s the shows that were somehow next level in structure and style that most stand out. ' Cirque du Giselle' an acrobatic show from Aeriform Arts, as part of [HFF 2019], was every bit as visual and breathtaking as something from Cirque du Soleil. Actually, I liked it better, with its world-class performers, a strong narrative, and fantastic costumes evoking visitors from the afterlife. My other 2019 highlights, all reviewed on Better Lemons, and all with distinctive and innovative staging, were Greg Crafts/Theatre Unleashed’s 'Tattered Capes,' LA Opera’s 'The Magic Flute,' Sacred Fool’s 'Waiting for Waiting for Godot,' and another love letter to actors, Matt Ritchey’s 'Blackboxing.'"

C. LaCohie – “In no particular order. Three of my favorite shows come from [HFF 2019.] 'Yes. No. Maybe.' by Raymond-Kym Suttle, which has some stunning acting talent and beautiful provocative writing. 'Cirque Du Giselle' an exquisitely skilled aerial ballet adaptation presented by circus school Aeriform Arts. 'Crack Whore, Bulimic, Girl-next-door' written by Marnie Olsen and directed by Jennifer Chun (which was, in fact, my second time seeing the show after seeing it at a different venue in 2018) was once again an outstanding roller coaster of a ride through heart-wrenching vulnerable storytelling, expertly peppered with genuine laugh-out-loud moments of light relief. Every cast member took this show to another level and I probably cried even more than the first time around. Honorable mention goes to 'Blue Man Group' which I saw at the Pantages - another second for me this year...I'm going to include 'Foodies and Boobies Burlesque Brunch' in my top five (an ongoing burlesque brunch show at El Cid.) I've been meaning to see this show for a while and then was cast to perform with them in November!!! I couldn't wait to get off the stage to watch the rest of the show. The performers they brought in were some of my favorite burlesquers in town, so prolific, entertaining and oozing charisma. The whole show was just put together so well, the whole cast having such a blast on stage, the audience just can't help but be swept away with the atmosphere. As a burlesque performer of 15 years, YES, I've seen a lot of burlesque. Done badly, you want to kill yourself. Done right, it's like you died and went to heaven. Producer Ginger Lee Belle is doing all kinds of other-worldly brilliance!”

Matthew Robinson - Photo by Matt Kamimura

M. Robinson – "I've seen so many amazing shows, so apologies in advance if you feel I overlooked your show. I will definitely wake up in the dead of night realizing I forgot an awesome production. These are listed in no particular order: 'Lights Out: Nat 'King' Cole,' 'We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915 is a 2012,' 'When Colossus Falls' at Acting Out INKFest, 'Meet me in Mizery,' and 'Pockets.' There are so many I am thinking of but I've written this list 12 different ways.”


What is your favorite food and/or holiday tradition for the New Year?


L. Walker – “I've given up on 'resolutions.' As I’ve grown older and wiser I’ve realized that looking backward isn't the best way to live your life–I like to look forward. I like to start the New Year out at the beach surfing and setting my intentions for the year, the beach is one of the places I feel the calmest at.”

J. T. Meyers – “I have no New Year's traditions, but it's such a good idea that I will start one: A Hollywood Hike to humble myself under the big blue sky.”

Roe Moore

R. Moore – “When it comes to New Year's traditions, there are two musts: watching 'New Years Eve Rockin' Party' (with that Ryan Seacrest guy) and an overflowing cup of Welch's sparkling cider. Watching the ball drop in NYC is something I always make sure I do. Goal making is a big part of what I do not just at New Year's but throughout the year. My approach has morphed over the years as I've gone from aspiring to now being in the thick of my career journey. I now look at goal setting as a course correction and aligning my energy with opportunities and networking to continue in the direction I've started. What is different at New Year's is I look at any unfinished business I may have on my plate, critically look at what did work and didn't work in the past year, and examine what will be best for the new year. I don't quite do dream boards, but I do post my goals around my bedroom as reminders. There's a lot that can pull your focus in Los Angeles, so it's key for me to say, 'Is this going to be helpful for me or is there something better for me to use my time?'"

M. Ritchey – "I had two holiday traditions at Christmas with my family, one of which has sadly gone away – the annual Snakespoon. (I won’t go into it, but if you’re interested, check it out here.) But through the year, members of my family keep an eye out online or in stores for entries into the Ugly Ornament Contest. It’s exactly what it sounds like: we buy the ugliest ornaments we find during the year and then present them on Christmas Day to one another. We vote as a family and one ornament reigns victorious. Check ‘em out.”

J. L. Randall – “I make sure I go back east, Maryland, to visit my mother for the holidays...on December 30, 2019, she turned 80, so I’m very excited for her party.”

Steven Vlasak

S. Vlasak – “Holiday traditions? I come from a big family, and we do tend to round everyone up, so I do enjoy those Christmas cookies and Italian food! And it’s LA, so…Tamales! Family and friends are the best! As for New Year’s, I just dust off last year’s resolutions and determine to do them again. No, really.”

C. LaCohie – “Food! I go home to the UK every year for the holidays and I can't get enough of that black pudding! Nom Nom...Every new year I come up with a word for the new year, rather than resolutions. I stole this from Bonnie Gillespie–who I'm sure stole it from someone else–but it's something I encourage my students to do also. The way I use it is it's a word that you will filter all your decision making through for the rest of the year. In 2016 my word was 'go' as in 'go to things'–make a conscious effort to accept invitations. If I was tired at night. and not sure whether to attend, I would 'go.' 2017, the word was 'create,' which meant whenever I was given the opportunity to create something, I would. I would choose that option over making money, overspending time doing general upkeep–unlike the previous year, if it was a toss-up between going to some event and finishing up some costume–I would stay at home and create. 2018 was 'finish,' as in finish off unfinished projects, but also put a 'finish' a polish or embellish already completed things. I finished creating my solo show, I finished a lot of unfinished burlesque act ideas. I painted my grotty looking living room. Last year was 'risk.' If making a decision, the only reason against it was it was too risky– risky financially, risky that I might fail–well, I went and did it!! I really think this is why I've actually accomplished so much this year, I just kept taking the risks. I haven't figured out my word for 2020 but I will meditate on it on New Year's Day and put it first and foremost in my Freedom Mastery Calendar–another other of my New Year traditions. I go through the whole process of goal setting as set out in the front of the calendar. If you haven't heard of Freedom Mastery check it out."

M. Robinson – “For New Year's Eve, my family loves to make black-eyed peas usually in a stew.”


What can we expect in the New Year from you personally? What creative endeavors or projects are coming up?


Lea Walker

L. Walker – “This year my company Aeriform Artists Media is in the design stage of a Social Circus production. These traveling performances will utilize circus as a medium for exploring, exchanging ideas, championing and bringing awareness to the societal experiences of various marginalized groups. Our goal this year is to find ways to expand creatively and grow organically.”

J. T. Meyers – “In this new year, you can expect a full production mounting of 'We Are Traffic,' hopefully, followed by a trip to the Edinburgh Fringe. In addition, I'll be pitching both TV pilots and finishing a screenplay, 'All My Friends,' about the 2003 blackout in NYC.”

R. Moore – "In the new year, I am partnering with playwright Kara Emily Krantz to bring her play 'inValidated' to the 2020 [HFF.] 'inValidated' is a two-time O'Neill semi-finalist and currently a 2020 National Playwrights Conference semi-finalist. I am also looking forward to see what the seeds I planted in 2019 may create, including shadowing fantastic directors on network shows. Who knows...there may also be a resurgence of the 2018 [HFF] favorite 'Buzz'd Out!' finally making it to a television near you! No matter what happens, I am looking forward to creative and 'awespiring' 2020!”

M. Ritchey – “I just began my Storycrafting service where I work with actors, writers, or anyone with a story to tell and help guide the process – theater, film, novel, short story, etc. Deadlines are always important so I have some people working toward [HFF] shows in June. Storycrafting: I’m working with a friend to create a Summer Theater Program, continuing to work with Director’s Lab West, and looking for a company to produce my sure-fire hit comedy 'Shpider.' Guaranteed hit. Seriously. Call me. Happy Holidays.”

J. L. Randall – "I am entering National Alliance for Musical Theatre in NYC, so I’m excited, and anticipating my Eartha show 'I Wanna Be Evil: The Eartha Kitt Story' being accepted into that festival. I'm also looking for a producing theatre that will help me develop my show further for the NY market. The plan is Off-Broadway, then Broadway. I’m ambitious and hopeful, but anything is possible.”

S. Vlasak – "For 2020–Yes, the Roaring Twenties are back! There are additional productions brewing around the country for 'Nights at the Algonquin Round Table.’ And although it’s too soon to make any announcements, the premise is also being developed as a TV series. 'Disrobed' may be found on the first Saturday of every month [starting March 2020] for those whose bucket list includes 'attending the theatre in my birthday suit.' And I’ve written a darkly humorous and (not very) naked look at the culture of celebrity, 'Beautiful Monsterz,' which I hope to present this June for the [HFF.] And, of course, I’m looking forward to attending and being transported by all the new works from L.A.'s innovative writers, actors and directors, and to logging in a few more hours hanging out with them at the Broadwater Plunge.”

Cat LaCohie

C. LaCohie – “Other than getting the solo show turned into a TV show (which, as I pass it over to the producers is now out of my hands) I will be looking to take the show out of town again towards the end of the new year coupled with showcases of the scholarship winners. Plans for that are on hold the next couple of months as I'm planning my wedding taking place in May (Eeek!) In March, I'll be going out of my comfort zone with the Vixen DeVille Coaching as I'm exhibiting and speaking at this year's 'The Best You Expo,' the largest personal development gathering on the planet. I'm currently writing my 20-minute TEDTalk-style speech and all of the self-doubt is, of course, creeping in! Come check out the Best You Expo March 20 and 21, 2020 at LA Convention Center."

M. Robinson – “I am working on a new play, 'Glamour,' for the [HFF.] And have a few more plays in development–one about paramedics, and another about astronauts in deep space. I am hoping that I can continue to create interesting stories, and I am super excited for the projects my friends are working on. I feel 2020 is going to be a strong year for a ton of folks!”


Audio Interview: Alley Mills (Norma Arnold on The Wonder Years) stars in "Bad Habits" at Ruskin Group Theatre

The Sisters of St. Cyril’s are on a mission to prevent the closing of their convent and school. Might there be an “Almighty’ intervention to save them, in the form of a miraculous young woman named Maria? Or might God just sit this one out, leaving the Sisters to rely on their annual Christmas pageant fundraiser, which will be featuring a particularly surprising number? High adventure comedy, second to nun!*

Enjoy this interview with Alley Mills starring in “Bad Habits” at the Ruskin Group Theatre, running until Jan 26th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: the cast of "Between Riverside and Crazy" at Fountain Theatre

Former beat cop and recent widower Walter “Pops” Washington has made a home for his newly paroled son, Junior, in his sprawling, rent-controlled New York City apartment on Riverside Drive. But now the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed, and the church is on his back — leaving Pops somewhere between Riverside… and crazy.*

Enjoy this interview with the cast of “Between Riverside and Crazy” at the Fountain Theatre, running until Jan 26th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: Lesley Fera (Veronica Hastings: Pretty Little Liars) stars in "Between Riverside and Crazy" at The Fountain Theatre

Former beat cop and recent widower Walter “Pops” Washington has made a home for his newly paroled son, Junior, in his sprawling, rent-controlled New York City apartment on Riverside Drive. But now the NYPD is demanding his signature to close an outstanding lawsuit, the landlord wants him out, the liquor store is closed, and the church is on his back — leaving Pops somewhere between Riverside… and crazy.*

Enjoy this interview with Lesley Fera starring in “Between Riverside and Crazy” at The Fountain Theatre, running until Jan 26th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: the cast of "Eight Nights" at Antaeus

Set during eight different nights of Chanukah over the course of eight decades, Eight Nights tells the story of Holocaust survivor Rebecca Blum, who arrives in America at age 19 to forge a new life. As Rebecca moves through time, the play explores the lives that come and go in her New York apartment, where ghosts of the past both haunt and guide her. Maisel lyrically weaves together heart-aching moments with life-affirming humor to call out the trauma experienced not only by concentration camp survivors, but by African American descendants of slavery, by interned Japanese Americans, and by current victims of war in Africa and the Middle East.

Enjoy this interview with the cast of “Eight Nights” at Antaeus, running until Dec 16th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: The Cast of Sugar Plum Fairy at East West Players

The story of Sugar Plum Fairy, based on Loh’s original offering on This American Life, follows a 12 year-old Sandra and her over-the-top dream of landing the lead in the inevitable dance school production of The Nutcracker. Loh and friends are pitted against the vicious hierarchy of desirable roles in this well-weathered ballet, while she desperately yearns to be recognized as a pre-teen queen in her own right. The play features Shannon Holt and Tony Abatemarco in a rotation of quirky characters from her misfit friends to a rigid Russian ballet instructor, as well as being co-conspirators in spreading some literal holiday cheer around the theater. Wittily set to a classical music score (a la Disney’s Fantasia’s hippopotamus ballerinas), Sugar Plum Fairy is knitted together with moments of audience participation, and attendees are encouraged to dress in their most festive outfits, prepare for sugary showers of candy, and get photos for the ‘gram with Yuletide-themed set designs that include reindeer, an animatronic Santa, and even, if you’re lucky, Frosty the Snowman.*

Enjoy this interview with the cast of "Sugar Plum Fairy" at East West Players, playing through Dec 22nd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: Karen Malina White (Charmaine Brown: The Cosby Show/A Different World) stars in "Eight Nights" at Antaeus

Set during eight different nights of Chanukah over the course of eight decades, Eight Nights tells the story of Holocaust survivor Rebecca Blum, who arrives in America at age 19 to forge a new life. As Rebecca moves through time, the play explores the lives that come and go in her New York apartment, where ghosts of the past both haunt and guide her. Maisel lyrically weaves together heart-aching moments with life-affirming humor to call out the trauma experienced not only by concentration camp survivors, but by African American descendants of slavery, by interned Japanese Americans, and by current victims of war in Africa and the Middle East.

Enjoy this interview with Karen Malina White starring in “Eight Nights” at Antaeus, running until Dec 16th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: Kathryn Farren stars in Embridge at Little Fish Theatre

In Victorian-era England, love cynic Mabel Martin moves to an enchanting country estate with her eccentric family and meddling servants. But her doubts about love become tested when a charming man offers to help save her sister from a disastrous arranged marriage. This delightful story will captivate theatregoers of all ages.*

Enjoy this interview with Kathryn Farren staring in “Embridge at the Little Fish Theatre, playing through Dec 15th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: Haile D'Alan stars in THE ART OF DINING at the Gloria Gifford Conservatory

The play takes place in the late 70s in upscale New Jersey at the shore. Ellen and Cal have opened a restaurant, The Golden Carrousel, and after four weeks, the place is taking off with the dinner crowd. Ellen is the passionate gourmet chef, and Cal is the passionate Maitre’D, host, waiter and bartender. They have been married for eight years and this restaurant is their baby. Tonight, we join them and their very eccentric guests as Cal worries about paying off their $75,000 business loan, impressing the diners for future reservations, and Ellen lovingly and sensually creates gourmet meals. Tonight’s guests are the married people who are gourmands and cannot control any of their appetites; the women who show up to eat and diet at the same time; the shy, neurotic, romantic female writer hoping for everything who is meeting the charming, debonair publisher who has an appetite for life. Everyone craves and eats and laughs, and the audience will smell the food, join in the laughter, and feel the passion, and eat.*

Enjoy this interview with Haile D'Alan staring in “THE ART OF DINING at the Gloria Gifford Conservatory, playing through Dec 8th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website

Justin-Sayre-Photo-Credit-Matthew-Dean-Stewart

Dedicated to Camp: A Conversation with Justin Sayre about Ravenswood Manor and Much More

Writer, producer, performer Justin Sayre's episodic camp extravaganza Ravenswood Manor closes this coming weekend after a very successful run at Celebration Theatre. Between episode rehearsals, I buzzed with Justin to spill some tea on the show, it's origins, the production process, and more. Catch the last week of Ravenswood because they are ending with a BANG, honey!

For tickets, go to CelebrationTheatre.com/ravenswood

Roger Q. Mason (RQM): Justin, you are a riot! What you've done beautifully is successfully shown audiences the breadth and depth of authentic camp (in the best way). Tell me about the origins of Ravenswood Manor.

Justin Sayre (JS): I wanted to write a long-form play for a while, and I was  searching for something Camp. I'm very dedicated to Camp. I think it's the cornerstone of Queer art, and I really thought it was time to take the leap. For a long time, my best friend, whom I've pitched every project I've ever written, had always told me of my similarity in thought and practice to Charles Ludlam. It took me a little while to catch up. I thought doing something episodically would be helpful since I had been writing for Television for a couple of years. I loved Dark Shadows, and thought a gothic setting would be perfect for Camp. Then the ideas just started flowing. I did a first reading of the first six episodes at Joe's Pub at the Public Theatre with an incredible cast that included Jeff Hiller, Nathan Lee Graham, Jenn Harris and many more. It was so fun, I just wanted to keep doing it. Now I've had another chance. I'm already looking forward to the next.

(RQM): You are writer, performer, and producer on this project. As a fellow multi-disciplinary artist, I'd love to learn more about your process from page to stage.

(JS): Well, that's very broad! I started as an actor, so I have to see it. I don't write a lot of stage directions in my plays unless the lines need it to make sense. I like to find rhythms and space in the room. The stuff I know and want, I write in. But I love problem-solving. So much of my creation is about problem-solving. I also like using the theatre for what it is. You can't do CGI or crazy special effects in the theatre, or at least it's very hard to do them well. I like to create theatre magic, which is more about imagination and human stagecraft. I like making things in front of people and making the audience an active participant in the process of making the show, even if it's just imagining the scenery. I like the collaboration of making in the room. So I always want to work with the best. That's why the actors I strive for are always so brilliant. I don't like to micromanage. I like to facilitate flight.

(RQM): Serialized theatre is an exciting and rigorous beast. It relies on the magic of a killer script, fantastic, adventuresome actors, and grounded, inspired directors. What's it been like building this piece in the room with your team? On the afternoon I saw the show, you were readying for rehearsal of the next episode right after taking well-deserved bows from the work just presented.

(JS): I should say, that we go in with the script, and I would say 98% is on the page. I am a firm believer in doing my work. But I've also been trained not to be precious about a joke. If one doesn't work, we'll find another. What I'm always first listening for is, does the story track and does it all make good dramatic sense. I would be disingenuous to say that the show lives all on the page. I'm working with some of the most brilliant and insightful comedic actors in the country, to not let them form a joke to themselves or to add a little aside, that comes from their character, would be folly. But we all begin with the page, and then it's play. We've often said backstage that we're working so terribly hard, a new play each week for 6 weeks, but we're all so happy doing it. We all have our bits, we all have our weeks to shine and we all generally and genuinely like each other. It's a brilliant process.

Angela Cristantello as Claire the witch and Leslie-Ann Huff as Debbie the witch in Ravenswood Manor

Angela Cristantello as Claire the witch and Leslie-Ann Huff as Debbie the witch in Ravenswood Manor. Photo by Bryan Carpender.

(RQM): This show feels very much like work I've seen in New York. I love that it is happening and being received well here in LA. How do we continue challenging and engaging our Angeleno theatre audiences?

(JS): I think there is great theatre going on out here, and I think LA is only ready for more. Ravenswood feels like New York because I still feel like I'm in New York and come out of that sensibility. I think the thing that needs to happen in LA, is that we all, artists and audiences, need to create a culture of going to the theatre. Of making things the MUST SEE event in LA. We need to make the reality of the theatre here a bigger deal, simply because there's already great work going on.

(RQM): After the final episode of Ravenwood, what's next for you?

(JS): I am working on a few TV projects, but I am headed out of LA for a bit to go and work on my newest book. My show The GAyBC's has been turned into a book that will be released by Chronicle Books in 2020. I'm also going to New York next week to do a show at Joe's Pub and celebrate my 10 years in Cabaret. After that, two new plays this year and the second season of Ravenswood Manor. You know a few things, just to keep me off the street.

Featured photo: Justin-Sayre - Photo by Matthew Dean Stewart


Audio Interview: The Cast of MATILDA, THE MUSICAL at LA MIRADA THEATRE

From the genius of Roald Dahl comes the Tony Award-winning MATILDA, the story of an extraordinary girl who — armed with a vivid imagination, a sharp mind and a love for books — dares to take a stand to stand against the tyranny of adults who seek to crush her imagination. Watch how she and her classmates save the day!*

Enjoy this interview with the cast of “MATILDA, THE MUSICAL at the La Mirada Theatre for the Performing Arts, playing through Nov 17th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website