This week has a diverse amount of activities...even one of the unworldly kind.
I'll start with one that first appeared in Los Angeles in 1987 during the Los Angeles Festival. It was the opening night of the Festival and since that time Cirque Du Soleil has blown the minds of everyone including myself who has had the good fortune of seeing everyone of their incredible shows.
Well good news is that they are back in town with their new show VOLTA at Dodger Stadium. VOLTA is based on extreme sports; the principal character is a game show contestant named Was. It is the company's 41st production since it began and it's the 18th show presented under the Big Top.
VOLTA tells a spellbinding story about the freedom to choose and the thrill of blazing your own trail. It's the story of transformation. It is about being true to oneself, fulfilling one's true potential and the power of the group to make that possible. It celebrates the freedom of movement and creativity. I can promise you that this show will not only be spectacular but as many of their shows do, will tug at your heart strings.
I for one can't wait to see this new production and if you would too then go to CirqueDuSoleil.com/volta for tickets and more information. The Show runs January 18th until March 8th.
Dodger Stadium is located at 1000 Vin Scully Avenue in LA 90012.
Now I absolutely love dance. I've studied modern and jazz for years. The one thing I've never tackled despite my deep admiration of the form is FLAMENCO. Luckily I get to attend The Ultimate Flamenco Dinner Show on Saturday January 18th in Long Beach.
Full of passionate dance and vibrant guitar playing, Andalusia native La Sole-Yvette Garcia's artistically diverse show encompasses the culturally rich, technically intricate art of flamenco.
But that's not all. Along with an evening's worth of exceptional entertainment, you'll enjoy Algeria's delicious Spanish and Latin American cuisine which includes classic dishes and deserts. Food and dance...What could be better?
I've been here before and I can promise the cuisine is delicious and the dancing sensational.
Performances start at 7:30pm and run throughout the year. For tickets and more information go to AlegriaCocinaLatina.com. The restaurant is located at 115 Pine Avenue in Long Beach 90802.
Next the WHITEFIRE THEATRE is presenting SOLOFEST 2020, a celebration of the solo journey. I've been an actress for many years but never even attempted to do a solo show because for me, being alone on the stage, is over the top scary. Having said that, I have incredible admiration for those people that do it and pull it off.
I've seen many one person shows at this theatre and all of them have been excellent. Their first show appropriately entitled LADIES FIRST started on January 4th and will be running on the 18th, 25th, 12th, 19th, 26th and February 1st and 8th.
Ladies First is a one woman musical written by Krisy Dennis and Bob Garret and performed by Krisy Dennis.
The show celebrates 14 amazing women from the original suffragette Emmeline Pankhurst to feminist activists Katharine Hepburn and Nora Ephron. Their monologues are inspired by speeches, quotes and interviews with these great women.
Krisy also sings songs by artists such as Alicia Keys, Kate Bush, and Stephen Sondheim.
The Whiteface Theatre is located at 13500 Ventura Blvd in Sherman Oaks 91423. For tickets and more information go to WhitefireTheatre.com.
Lastly if ghosts are your thing then you must see WHISPERS IN THE DARK where they promise you will find some. This is an Unsolved Murder Séance.
There's a long buried mystery that's been waiting to resurface and they need you to help them solve the crime. This is an immersive experience that will take you on a journey into an unknown world of ghosts and spirits (hopefully friendly ones) that will leave everyone gasping for breath as messages, sights, and sounds emerge from the shadows.
I love to be scared so this sound like the perfect place for me to be this weekend. If you would like a seat at the Séance Table then drive or Uber over to the MAGICOPOLIS located at 1418 4th Street in Santa Monica, where the séance is taking place.
Fueled by the force that is the Hollywood Fringe Festival, creatives brought a banquet of quality smaller theatre and performance art to 2019 to Los Angeles, with many projects growing beyond its borders and seeking destinations in other mediums.
From local producers, east coast transplants, and across-the-pond ex-pats; from solo introspective, post-apocalyptic satire, and the cutting edge, to dance, aerial and burlesque–eight artists reflect on their personal accomplishments and challenges in 2019, as well as on the inspired work of their peers, and share their plans and hopes for more to come in 2020.
What have been some highlights in 2019 for you personally and your career?
L. Walker –“One of the professional highlights for me this past year was producing Aeriform Artists Media Cirque du Giselle. To be able to present a uniquely executed, extremely well-received performance piece in a festival where there are 400 plus shows was an amazing experience. One of Aeriform Arts main values is inclusivity and we've managed to grow our production arm while honoring those values. We are pleased to have worked with Women’s Health Magazine and Hearst Media coaching and coordinating aerial shoots for magazine covers with both Julianne Hough and Para-Olympian Amy Purdy, as well as work with Yvie Oddly, winner of 'Drag Race' Season 11 for RuPaul's World Of Wonder Productions. Personally, my most important accomplishment for the year was being able to create a better work-life balance, allowing me to truly enjoy what I do.”
Jonathan Tipton Meyers - Photo by Cooper Bates
J. T. Meyers – “Personal highlights from this year began with performing a selection from my solo show 'We Are Traffic: A Solo Rideshare Adventure' on KPCC's Unheard LA. Then turning that solo show into a half-hour television pilot alongside a one-hour dramedy, 'BLERD' about a young black engineer who lands his dream job at a private sector Space Company, then discovers a conspiracy that might destroy it. I also co-created alongside fellow storyteller Katya Duft, a live storytelling show about rideshare called 'Ride or Die' to bring together passengers and drivers. I've met some beautiful artists who inspire me and 5,000+ people in this city trying to get from one place to another and they've inspired me to bring their stories to the world.”
R. Moore – “2019 has been a true treat. Career-wise, I had the opportunity to direct many great theatrical productions including Los Angeles Brisk Festival's award-winning production of 'RECESS' written by Kara Emily Krantz and starring Kyle Secor and Hailey Winslow. I also got to direct my first musical for the Hollywood Fringe Festival [HFF], 'Jamba Juice: The Musical.' Other productions include 2Cents Theatre INKFest's 'East Stanton Station' and OC-Centric New Plays Festival 'Still Moving' written by Ben Susskind...On the theatre side, I worked as the associate director on many great television shows this year, including my fourth year on CW's Masters of Illusion and the Hollywood Christmas Parade. My favorite shows to work on were the CW variety show 'The Big Stage' and the upcoming Disney+/Jim Henson talk show Earth to Ned, where alien Ned comes to invade Earth but finds himself enamored by human culture [and] abducts various celebrities to understand how Earth and humans operate. For Henson fans, they will be delightfully impressed with this show. Personally, I completed two half marathons this year: New York and Las Vegas. I'm very much looking forward to doing many more in 2020. I had the pleasure of being a Producers Guild of America Mentor in their Power of Diversity Workshop.”
M. Ritchey – “2019 has been one of my favorite years. I’ve had some tragedy and some pitfalls to be sure, but overall, I love the trajectory of this past year. Personally, I started to trust my instincts more and be okay with people not “getting” me or my choices. I’ve been more open to possibility and did a lot of leaping into things that scared me, mostly to very positive results–many of them being in my career. I did a lot of acting this year: I wrote and performed a one-man show (with two people in it) called 'Blackboxing' at the [HFF 2019] where I tried to shove as much of 'me' onto the stage as I could - and it was overwhelmingly accepted. That led to me shooting a music video for the song 'Smellay Lahk A Turkay' with For Love of Parody Productions which was fantastic. (It was written for my aunt Julee back in 1995 who passed away a few weeks after the music video debuted, just after her birthday.) I did a 48-hour project with my company, M3, and stepped into two 'last-minute' shows in October and December, I made big strides with my writing partner on a screenplay, I saw and reviewed a ton of L.A. theater, made some great new friends, and was featured on a playing card and poster thanks to Matt Kamimura and 'Matt: The Gathering.' And I got to work with Sebastian Munoz and Force of Nature Productions directing my play 'Romeo and Juliet In Hell.' Amazing year.”
Jenelle Lynn Randall
J. L. Randall – “Well the past few years have been rough with no rep–my manager died...in the past month I’ve gotten a manager, booked a few voice-over gigs, and met the love of my life so 2019 turned out okay. But I have to say 'the' most important thing I accomplished was my Eartha Kitt show that I wrote, EP'd and starred in this past June at [HFF 2019], 'I Wanna Be Evil: The Eartha Kitt Story.' We opened with three sold-out houses, got rave reviews, and offers to bring the show to other theatres. That was very taxing–as it was my first fringe and I did everything except direct myself–but it was very rewarding. I also did a truncated version of my [HFF 2019] show for Feinstein’s At Vitello's in L.A. in September, where that show also has rave reviews on Broadway World.”
S. Vlasak – “This year started with a bang for me with my 'Nights at the Algonquin Round Table' receiving a run in January at the Carriage House Theatre in Lexington, Kentucky. Every show sold out, and I flew there to be part of the fun–joining in talkbacks after some shows. The director, Bob Singleton, and the entire cast all did a fantastic job with my Dorothy Parker-centered Roaring Twenties comedy. Of course, [also] 'Disrobed: Why So Clothes-Minded?' was the focus and highlight of 2019 for me. This unique 'naked cast and audience' theatrical experience, produced and directed by Brian Knudson, sold out its debut Fringe Festival run and extensions, won some awards, and has now settled into a once a month residency at Matt Quinn’s Studio C Theatre in Hollywood.”
C. LaCohie – “This year has been insane both personally and career-wise. I had premiered my solo show 'Vixen DeVille Revealed' in L.A. back in 2018, and at the beginning of 2019 I set my goal to take the show on the road. I toured the show to four cities in three different states and won three awards, including 'Best One Person Performance,' 'Best Solo Performance,' and 'Best Out Of Town Show.' On returning to L.A. I then entered into a deal to have the show taped as a one hour TV special, which we are working on releasing in [2020.] Finally, I had also set a goal to link the show to a charitable cause and 2019 saw the launch of my book 'Vixen's Unleashed' and later a calendar version of the book, proceeds of which go to support the Vixen's Unleashed Scholarship Program - information on both the book and scholarship are available.”
M. Robinson – “A highlight for my year personally has been learning to play golf. It's fun because every time you play is a chance to get better. With my career winning best comedy for 'Olivia Wilde Does Not Survive the Apocalypse' at [HFF 2019] was such a rewarding experience. I was so proud of the cast and crew and getting recognition like that was unbelievable.”
What were your top five favorite shows, productions, or performances this past year?
L. Walker – “My five favorite productions this year are a hodgepodge of mediums and styles - circus, music, dance, and film are huge parts of my world. In no particular order, my five favorites this year were: Bauhaus at The Palladium, 'Disrobed: Why So Clothes-Minded?' by Steven Vlasak, [documentary] 'Industrial Accident: The Story Of Wax Trax! Records' with concert by Ministry, 'O' Cirque du Soleil, and 'Tarantina.'
J. T. Meyers – “[My] top five favorite shows this year were relatively small in scale, but gigantic in spirit and heart: Kate Radford's glowing multi-media show 'Drought,' Makha Mthembu's powerful time bomb 'No Child Left Behind,' Mitchell Bishop's mind-bending adventurous, gloriously insane 'Pit of Goblins,' John Leguizamo's profound 'Latin History for Morons,' and 'August Wilson's Jitney'–which needs no additional kudos, it was just brilliant.”
R. Moore – “Based off creative approach, there are two [shows] that really come to mind. During the Brisk Festival, Gerald B. Fillmore's play 'Join the Club' was an insanely hilarious view of an immigrant finding their way to America. When it comes to drama, 'Beethoven and Misfortune Cookies' directed by Allison Bergman for the OC-Centric New Plays Festival was not only relevant to the cultural issues where we're seeing inequality but an insightful look at mental health issues. On the East Coast...'Slava's Snowshow' looks like an unassuming clown performance until you find yourself covered in fake snow while clowns climb through the audience. The show ends with ginormous balls for the audience to pass around, as well as more snow! Because of a personal connection, I have to share I enjoyed 'Say Something, Bunny!' The show deciphers wires recorded from the early 1950s of a family and discovers the voices in the recording has to not only New York roots, but has insights to the early days of musicals on Broadway. I say this is a personal connection because one of the characters in the recording was a Moore and a possible relation to my family lineage!...My list wouldn't be complete if I didn't include at least one dance performance. And for that, I have to say 'Matthew Bourne's Swan Lake.' Matthew Bourne's reimagining of the story is very timely and the talent performed is incredible. The production value is extraordinary and the use of lighting, graphics, and production design is great."
M. Ritchey – “I saw a terrific amount of theatre this year, either by personal choice or as a reviewer, and my obvious stand-outs list was 15 strong. But the five that broke convention and were the most intellectually, artistically, and visually stimulating for me were: 'Growing Gills to Drown In The Desert' at Loft Ensemble. A heady, funny, emotional, and existential look into who we are as individuals, a society, and the meanings of theater and life. 'The Magic Flute' at LA Opera. I’ve been wanting to see this show – Mozart’s classic directed as a live 1920’s film with projections and characters pulled from classic silent films – for years. A good friend got me an amazing seat and I was just as blown away as I had hoped to be. 'Butcher Holler Here We Come,' A Economy Production at [HFF 2019]. Not only was this story (based on real events of a coal mine collapsing and burying five men) incredibly well-written, directed, and acted, but it was done in complete darkness in a room at Thymele Arts with only the use of practical headlamps. The action took place all around the audience, making it completely immersive but with no burden on the audience to have to 'do' anything. It was frightening, exciting, engrossing, and other words ending in '-ing.' 'The Death of Sam Mobean,' Orgasmico Theatre Company at [HFF 2019.] Not only did Michael Shaw Fisher’s mind-bender of a play (reminiscent of 'Invitation to a Beheading' and more than one Kafka novel) move me in the brainpan and tickle my funny bone, but it featured Schoen Hodges in what I consider the best male performance at [HFF 2019]. 'Supportive White Parents' at Second City. Centered around an Asian girl who wishes on a shooting star for supportive white parents and 'magically' gets her wish. [The play] features brilliant cross-cultural stereotypes, sharp writing, fantastic music, a talented cast, and the mandatory 'lesson'–Joy Regullano’s show was my favorite new musical of 2019. Immediately following this list is 'Mr. Yunioshi,' my favorite one-man show, and 'Boeing Boeing,' the most sharply directed and acted piece I saw.” – Matt Ritchey
S. Vlasak – “I got to see a lot of live theatre in 2019, but It’s the shows that were somehow next level in structure and style that most stand out. ' Cirque du Giselle' an acrobatic show from Aeriform Arts, as part of [HFF 2019], was every bit as visual and breathtaking as something from Cirque du Soleil. Actually, I liked it better, with its world-class performers, a strong narrative, and fantastic costumes evoking visitors from the afterlife. My other 2019 highlights, all reviewed on Better Lemons, and all with distinctive and innovative staging, were Greg Crafts/Theatre Unleashed’s 'Tattered Capes,' LA Opera’s 'The Magic Flute,' Sacred Fool’s 'Waiting for Waiting for Godot,' and another love letter to actors, Matt Ritchey’s 'Blackboxing.'"
C. LaCohie – “In no particular order. Three of my favorite shows come from [HFF 2019.] 'Yes. No. Maybe.' by Raymond-Kym Suttle, which has some stunning acting talent and beautiful provocative writing. 'Cirque Du Giselle' an exquisitely skilled aerial ballet adaptation presented by circus school Aeriform Arts. 'Crack Whore, Bulimic, Girl-next-door' written by Marnie Olsen and directed by Jennifer Chun (which was, in fact, my second time seeing the show after seeing it at a different venue in 2018) was once again an outstanding roller coaster of a ride through heart-wrenching vulnerable storytelling, expertly peppered with genuine laugh-out-loud moments of light relief. Every cast member took this show to another level and I probably cried even more than the first time around. Honorable mention goes to 'Blue Man Group' which I saw at the Pantages - another second for me this year...I'm going to include 'Foodies and Boobies Burlesque Brunch' in my top five (an ongoing burlesque brunch show at El Cid.) I've been meaning to see this show for a while and then was cast to perform with them in November!!! I couldn't wait to get off the stage to watch the rest of the show. The performers they brought in were some of my favorite burlesquers in town, so prolific, entertaining and oozing charisma. The whole show was just put together so well, the whole cast having such a blast on stage, the audience just can't help but be swept away with the atmosphere. As a burlesque performer of 15 years, YES, I've seen a lot of burlesque. Done badly, you want to kill yourself. Done right, it's like you died and went to heaven. Producer Ginger Lee Belle is doing all kinds of other-worldly brilliance!”
Matthew Robinson - Photo by Matt Kamimura
M. Robinson – "I've seen so many amazing shows, so apologies in advance if you feel I overlooked your show. I will definitely wake up in the dead of night realizing I forgot an awesome production. These are listed in no particular order: 'Lights Out: Nat 'King' Cole,' 'We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915 is a 2012,' 'When Colossus Falls' at Acting Out INKFest, 'Meet me in Mizery,' and 'Pockets.' There are so many I am thinking of but I've written this list 12 different ways.”
What is your favorite food and/or holiday tradition for the New Year?
L. Walker – “I've given up on 'resolutions.' As I’ve grown older and wiser I’ve realized that looking backward isn't the best way to live your life–I like to look forward. I like to start the New Year out at the beach surfing and setting my intentions for the year, the beach is one of the places I feel the calmest at.”
J. T. Meyers – “I have no New Year's traditions, but it's such a good idea that I will start one: A Hollywood Hike to humble myself under the big blue sky.”
R. Moore – “When it comes to New Year's traditions, there are two musts: watching 'New Years Eve Rockin' Party' (with that Ryan Seacrest guy) and an overflowing cup of Welch's sparkling cider. Watching the ball drop in NYC is something I always make sure I do. Goal making is a big part of what I do not just at New Year's but throughout the year. My approach has morphed over the years as I've gone from aspiring to now being in the thick of my career journey. I now look at goal setting as a course correction and aligning my energy with opportunities and networking to continue in the direction I've started. What is different at New Year's is I look at any unfinished business I may have on my plate, critically look at what did work and didn't work in the past year, and examine what will be best for the new year. I don't quite do dream boards, but I do post my goals around my bedroom as reminders. There's a lot that can pull your focus in Los Angeles, so it's key for me to say, 'Is this going to be helpful for me or is there something better for me to use my time?'"
M. Ritchey – "I had two holiday traditions at Christmas with my family, one of which has sadly gone away – the annual Snakespoon. (I won’t go into it, but if you’re interested, check it out here.) But through the year, members of my family keep an eye out online or in stores for entries into the Ugly Ornament Contest. It’s exactly what it sounds like: we buy the ugliest ornaments we find during the year and then present them on Christmas Day to one another. We vote as a family and one ornament reigns victorious. Check ‘em out.”
J. L. Randall – “I make sure I go back east, Maryland, to visit my mother for the holidays...on December 30, 2019, she turned 80, so I’m very excited for her party.”
S. Vlasak – “Holiday traditions? I come from a big family, and we do tend to round everyone up, so I do enjoy those Christmas cookies and Italian food! And it’s LA, so…Tamales! Family and friends are the best! As for New Year’s, I just dust off last year’s resolutions and determine to do them again. No, really.”
C. LaCohie – “Food! I go home to the UK every year for the holidays and I can't get enough of that black pudding! Nom Nom...Every new year I come up with a word for the new year, rather than resolutions. I stole this from Bonnie Gillespie–who I'm sure stole it from someone else–but it's something I encourage my students to do also. The way I use it is it's a word that you will filter all your decision making through for the rest of the year. In 2016 my word was 'go' as in 'go to things'–make a conscious effort to accept invitations. If I was tired at night. and not sure whether to attend, I would 'go.' 2017, the word was 'create,' which meant whenever I was given the opportunity to create something, I would. I would choose that option over making money, overspending time doing general upkeep–unlike the previous year, if it was a toss-up between going to some event and finishing up some costume–I would stay at home and create. 2018 was 'finish,' as in finish off unfinished projects, but also put a 'finish' a polish or embellish already completed things. I finished creating my solo show, I finished a lot of unfinished burlesque act ideas. I painted my grotty looking living room. Last year was 'risk.' If making a decision, the only reason against it was it was too risky– risky financially, risky that I might fail–well, I went and did it!! I really think this is why I've actually accomplished so much this year, I just kept taking the risks. I haven't figured out my word for 2020 but I will meditate on it on New Year's Day and put it first and foremost in my Freedom Mastery Calendar–another other of my New Year traditions. I go through the whole process of goal setting as set out in the front of the calendar. If you haven't heard of Freedom Mastery check it out."
M. Robinson – “For New Year's Eve, my family loves to make black-eyed peas usually in a stew.”
What can we expect in the New Year from you personally? What creative endeavors or projects are coming up?
L. Walker – “This year my company Aeriform Artists Media is in the design stage of a Social Circus production. These traveling performances will utilize circus as a medium for exploring, exchanging ideas, championing and bringing awareness to the societal experiences of various marginalized groups. Our goal this year is to find ways to expand creatively and grow organically.”
J. T. Meyers – “In this new year, you can expect a full production mounting of 'We Are Traffic,' hopefully, followed by a trip to the Edinburgh Fringe. In addition, I'll be pitching both TV pilots and finishing a screenplay, 'All My Friends,' about the 2003 blackout in NYC.”
R. Moore – "In the new year, I am partnering with playwright Kara Emily Krantz to bring her play 'inValidated' to the 2020 [HFF.] 'inValidated' is a two-time O'Neill semi-finalist and currently a 2020 National Playwrights Conference semi-finalist. I am also looking forward to see what the seeds I planted in 2019 may create, including shadowing fantastic directors on network shows. Who knows...there may also be a resurgence of the 2018 [HFF] favorite 'Buzz'd Out!' finally making it to a television near you! No matter what happens, I am looking forward to creative and 'awespiring' 2020!”
M. Ritchey – “I just began my Storycrafting service where I work with actors, writers, or anyone with a story to tell and help guide the process – theater, film, novel, short story, etc. Deadlines are always important so I have some people working toward [HFF] shows in June. Storycrafting: I’m working with a friend to create a Summer Theater Program, continuing to work with Director’s Lab West, and looking for a company to produce my sure-fire hit comedy 'Shpider.' Guaranteed hit. Seriously. Call me. Happy Holidays.”
J. L. Randall – "I am entering National Alliance for Musical Theatre in NYC, so I’m excited, and anticipating my Eartha show 'I Wanna Be Evil: The Eartha Kitt Story' being accepted into that festival. I'm also looking for a producing theatre that will help me develop my show further for the NY market. The plan is Off-Broadway, then Broadway. I’m ambitious and hopeful, but anything is possible.”
S. Vlasak – "For 2020–Yes, the Roaring Twenties are back! There are additional productions brewing around the country for 'Nights at the Algonquin Round Table.’ And although it’s too soon to make any announcements, the premise is also being developed as a TV series. 'Disrobed' may be found on the first Saturday of every month [starting March 2020] for those whose bucket list includes 'attending the theatre in my birthday suit.' And I’ve written a darkly humorous and (not very) naked look at the culture of celebrity, 'Beautiful Monsterz,' which I hope to present this June for the [HFF.] And, of course, I’m looking forward to attending and being transported by all the new works from L.A.'s innovative writers, actors and directors, and to logging in a few more hours hanging out with them at the Broadwater Plunge.”
C. LaCohie – “Other than getting the solo show turned into a TV show (which, as I pass it over to the producers is now out of my hands) I will be looking to take the show out of town again towards the end of the new year coupled with showcases of the scholarship winners. Plans for that are on hold the next couple of months as I'm planning my wedding taking place in May (Eeek!) In March, I'll be going out of my comfort zone with the Vixen DeVille Coaching as I'm exhibiting and speaking at this year's 'The Best You Expo,' the largest personal development gathering on the planet. I'm currently writing my 20-minute TEDTalk-style speech and all of the self-doubt is, of course, creeping in! Come check out the Best You Expo March 20 and 21, 2020 at LA Convention Center."
M. Robinson – “I am working on a new play, 'Glamour,' for the [HFF.] And have a few more plays in development–one about paramedics, and another about astronauts in deep space. I am hoping that I can continue to create interesting stories, and I am super excited for the projects my friends are working on. I feel 2020 is going to be a strong year for a ton of folks!”
Rest your feet after all that shopping, get out of that L.A. holiday traffic for a few hours, and slip into a cozy theatre or concert venue during the Holidays!
Los Angeles theatre is alight with dozens of musicals, comedy, cabaret, magic, live radio plays, film and live mash-up productions, classic Dickens, music, dance, variety, and family-friendly shows themed to get you into the spirit of the season.
Here's is a healthy collection of shows available now and until you are just about ready to ring in the New Year.
ENSEMBLE THEATRE COMPANY (ETC) presents the second show of its 2019-20 Season, the can’t-miss, holiday event of the season, IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY, adapted by Joe Landry, from the screenplay by Frances Goodrich, Albert Hackett, Frank Capra & Jo Swerling and directed by ETC’s Director of Education and Outreach, Brian McDonald.
Actors Co-op Theatre Company is proud to present the Los Angeles premiere of a new adaptation of Miracle on 34th Street: A Live Musical Radio Play, based on the 1947 Lux Radio Hour, adapted by Lance Arthur Smith, original songs and arrangements by Jon Lorenz, directed by Joseph Leo Bwarie.
"Miracle on 34th Street" brings a heartwarming and classic tale of faith, love, and the gift of miracles to the holiday season, featuring live Foley effects and a score of holiday carols this beautiful story is sure to ring in Christmas for all. OVATION RECOMMENDED PRODUCTION!!! At the Actors Co-op David Schall Theatre.
A Christmas Carol: The One-Man Play - The Porters of Hellsgate Theatre Company presents Charles Dickens' A Christmas Carol: The One-Man Play, directed by frequent Porters collaborator Drina Durazo. "Charles Dickens was known for being a performer of his own works; his novels were written with such vivid theatricality that they were almost like plays," says Durazo. "We're aiming to recreate the experience of Dickens' public recitals with a A Christmas Carol, The One-Man Play, and it's been a great joy exploring this beloved classic by way of Krieger's dynamic performance."
Having most recently taken on the roles of Theseus in The Two Noble Kinsmen and director of Romeo and Juliet, Associate Artistic Director Gus Krieger portrays over thirty characters in this telling of Dickens' classic tale. Having assumed iconic roles for the company including Richard III, Shylock, Benedick, and King John, Krieger is thrilled to return to the boards of North Hollywood.
A Los Angeles holiday tradition is back with some show veterans for just a few dates in a special engagement! It’s a Wonderful Life: The Radio Play takes place at KAWL, a struggling 1940s radio station that good-hearted owner Michael Anderson is barely keeping alive. He calls on some old friends (with big personalities) and some less-than-professional station employees to offer up a live radio version of Frank Capra’s touching masterpiece It’s a Wonderful Life in what might sadly be the station’s last live show. But it’s the holidays, a time when miracles can happen…
TROUBADOUR THEATER COMPANY continues its 25th SILVER ANNIVERSARY SEASON with "A CHRISTMAS CAROLE KING." Musical Direction by Derrick Finely, Directed and Adapted by Matt Walker, in a limited Engagement opening Friday, December 13, 2019, at The El Portal Theatre in North Hollywood!
For their 18th annual holiday offering, The Troubies have combined the soulful sounds of songstress Carole King with one of the most enduring stories of our time – Charles Dickens’ “A Christmas Carol” – and the result is SO FAR AWAY from what you'd expect!
Charles Dickens' classic Christmas tale, A Christmas Carol, at A Noise Within, Directed by Geoff Elliott & Julia Rodriguez-Elliott.
ANW’s delightfully festive, musically merry holiday tradition returns! Families love the inspirational story of Bob Cratchit, Tiny Tim, and Scrooge—the perfect burst of boundless good cheer for the season, and beyond!
“Only a die-hard humbug could remain unmoved by so charming a yuletide treat.” – Los Angeles Times
A Christmas Carol at South Coast Repertory. This is the 40th year for the beloved Orange County holiday classic—and marks the final time that Hal Landon Jr. will portray everyone’s favorite curmudgeon, Ebenezer Scrooge. Nineteenth-century London comes to life when your family joins the SCR family for the holidays. Recapture the spirit of an old-fashioned Christmas with this timeless Dickens classic and all your favorite characters—Tiny Tim and the Cratchit family, the Fezziwigs, the Ghosts of Christmas past, present and yet-to-come. No children under the age of 6, please.
Instead of performing Charles Dickens' beloved holiday classic for the umpteenth time, actors decide to perform every Christmas story ever told -- plus Christmas traditions from around the world, seasonal icons from ancient times to topical pop-culture, and every carol ever sung. A madcap romp through the holiday season! An outrageous holiday romp for the whole family (except those who still believe in Santa!) Written by Michael Carleton, James FitzGerald and John K. Alvarez. Music by Will Knapp. Directed by Gary Lamb. Musical director: Sean Paxton.
Yippie ki yay, theatre goers! We're settling the debate, once and for all. Yes, "Die Hard" is a Christmas movie. But when John McClane meets Ralphie from "A Christmas Story," let's just say more than just your eye might get shot out! What better way to end the year than by mashing up classic Christmas movies like "It's a Wonderful Life" with characters from some of your favorite "Not A Christmas Movie" movies like "Batman Returns?" Mix in a few iconic movie props, a team of talented writers, directors and actors and let the holiday drama and hi-jinks ensue! The way only our RUSH play festival can! Great for the whole family!
Written by Tyler Bianchi, Evan Baughfman, Jeff Folschinsky, Holly Sidell, Samantha Grace, Adam Neubauer, Samantha & Lilia Marquis, Directed by Jonathan Fahn, Jennifer Novak Chun, Holly Witham, Corey Chappell,
Randy Marquis, Tom Jones & Stacy Ann Raposa. At the Actors Workout Studio.
Developed in the Antaeus Playwrights Lab, Eight Nights is the heartfelt, lyrical portrait of a German Jewish refugee haunted by her past...witnessed over the course of generations of the same family that inhabits a single apartment from 1949 to 2016. Set during the eight nights of Chanukah, and spanning eight decades of the protagonist’s life, Eight Nights weaves together heart-aching moments with life-affirming humor to call out the trauma experienced not only by concentration camp survivors, but by African American descendants of slavery, by interned Japanese Americans, and by current victims of war in Africa and the Middle East.
Dysfunctional Family Christmas - Misunderstandings, Mistaken Identities, and Holiday Chaos create a fun-filled Christmas Morning at the Logan Home.
Before they sell the family home, Dean and Joanne Logan want one perfect final Christmas with their adult children. Although, once Grandpa is found dead, their plans go haywire as they attempt to hide the body from the family.
"A sardonic, merrily subversive tale—just the antidote to bright-eyed joy before too many shopping days have passed. Worth more than a photo album full of Santas!" NY Newsday. When it was first broadcast on National Public Radio, The SantaLand Diaries generated more requests for tapes than any story in This American Life’s history except the death of Red Barber. Timothy Olyphant brought the story to life on stage off-Broadway, and for the fourth year in a row Patrick Censoplano dons the candy-cane tights for a Santa Monica Playhouse holiday celebration in this outrageously funny one-man play from NPR’s well-loved humorist David Sedaris about the author’s experiences as an unemployed writer taking a job as an elf at Macy’s department store in New York City, taking a wry look at how the holiday season brings out the best – and the worst – in us all. Toast the Holidays! Your ticket includes a pre-show glass of champagne or non-alcoholic eggnog.
The story of Sugar Plum Fairy, based on Loh’s original tale on This American Life, follows a 12-year-old Sandra and her over-the-top dream of landing the lead in the inevitable dance school production of The Nutcracker. Loh and friends are pitted against the vicious hierarchy of desirable roles in this well-weathered ballet, while she desperately yearns to be recognized as a pre-teen queen in her own right. The play features Shannon Holt and Tony Abatemarco in a rotation of quirky characters from her misfit friends to a rigid Russian ballet instructor, as well as being co-conspirators in spreading some literal holiday cheer around the theater. Wittily set to a classical music score (a la Disney’s Fantasia’s hippopotamus ballerinas), Sugar Plum Fairy is knitted together with moments of audience participation, and attendees are encouraged to dress in their most festive outfits, prepare for sugary showers of candy, and get photos for the ‘gram with Yuletide-themed set designs that include reindeer, an animatronic Santa, and even, if you’re lucky, Frosty the Snowman.
Sixteen actors play nearly 30 characters in a holiday spectacular that will put you in a festive mood! A play-within-a-play, this fast-paced comedy follows a small, LGBTQ+ community theatre as it struggles to pull together its annual holiday pageant.
Written by Joe Marshall, directed by Bree Pavey. The cast will feature (in alphabetical order) Cassandra Carmona, Matt Caudel, Noah Copfer, Andrew Cottrell, Madylin Sweeten Durrie, Dan Ellis, Javier Flores, Barbera Ann Howard, Sean James, Corey Klemow, Katy Laughlin, Ignacio Navarro, Alejandro Baquero Sanchez, Scottie Smith, Luke Sookdeo, and Bart Tangredi.
Rubicon Theatre audiences are invited to “rejoice and be plaid” this holiday season as Ventura’s non-profit professional theatre company presents the hilarious and heartwarming musical comedy PLAID TIDINGS in Ventura’s Downtown Cultural District. The production is directed by the original creator STUART ROSS, and the cast for PLAID TIDINGS includes SEAN BELL, ADOLPHO BLAIRE, JOSHUA DAVID CAVANAUGH and ZACHARY EDWARDS, all making their Rubicon Theatre debuts. The show includes holiday favorites such as “Cool Yule,” “Let it Snow,” and “Joy to the World”; a hysterically funny speed-date version of “The Ed Sullivan Show” featuring the Rockettes, the Chipmunks and The Vienna Boys Choir; and other memorable hits from the era, like “Sh-Boom,” “Fever” and “Hey There.”
The Los Angeles Times called PLAID TIDINGS “a many splendored thing.” Variety described the show as Musical utopia…the perfect show. And the Daily News called the show “heaven-sent holiday fare.”
“SANTASIA - A Holiday Comedy” created by Shaun and Brandon Loeser, directed by Shaun Loeser, is celebrating its 20th year. At the Whitefire Theatre, this Off-Broadway Hit and Critics’s Pick laugh out loud annual holiday romp, is the perfect blend of Yuletide snark and sentiment, and has been compared to "The Carol Burnett Show", "The Kids in the Hall", "In Living Color", "Saturday Night Live" and Vaudeville. This multi-media holiday special has it all including classic Rankin and Bass Claymation inspired movies, musical parodies, and heartfelt holiday moments.
The Wallis & For The Record’s biggest, record-breaking hit returns this holiday season! The multimedia concert celebration of one of the most beloved holiday films of all time is back by popular demand, now as a not-to-be-missed Los Angeles tradition. The team behind LA’s award-winning series For The Record transforms The Wallis’ Bram Goldsmith Theater into an immersive cinema, where the modern classic written by Richard Curtis is reborn as a revolutionary stage and screen event. To tell the story, the film and live action seamlessly intertwine throughout the London setting. Iconic scenes on screen share the stage with an all-star cast of singers and a 15-piece orchestra, as they reimagine the film’s hit soundtrack including “Christmas is All Around” and “Trouble With Love." Love Actually Live is a first-of-its-kind, theatrical cinema experience.
WARNING: This production features theatrical haze effects, adult content, and brief nudity. It is recommended for ages 13+.
The San Fernando Valley Master Chorale is excited to bring back one of the most anticipated concerts of the season, our annual holiday sing-along concert! Joining us on stage this year will be the delightful San Fernando Valley Youth Chorus, under the direction of Sean Carney.
Led by Artistic Director Charlie Kim and accompanied by Bob Remstein, expect to hear your favorite holiday classics along with John Rutter's "Gloria" accompanied by a brass quartet. And lots of audience participation! Join us for a night filled with fun, music, and holiday cheer for the whole family. All ages are welcome.
Ugly Sweater Contest: Oh, and don't forget to bring your ugly sweater! This year SFVMC will give away free tickets for a future concert to the audience member who brings the ugliest holiday sweater.
The Merry Little Christmas Show - BroadwayWorld Critics’ Pick and StageSceneLA Award-winner Scott Dreier, star of last season’s acclaimed hit "Doris and Me," returns to The Colony Theatre with his holiday concert. Featuring special guest Kurtis Simmons and music director Andy Langham. Dreier will take audiences back to the feel of cherished, classic, holiday TV specials hosted by Perry Como, Andy Williams, Bing Crosby, Dean Martin, and others — paying homage while also providing his modern take with pop and jazz interpretations of holiday treasures. The performance will include holiday classics including "Sleigh Ride," "Have Yourself a Merry Little Christmas," "O Holy Night," "I’ve Got Your Love to Keep Me Warm," "Merry Christmas Darling," and many more. This show will transport you back to your living room sitting around the fireplace telling stories and sharing songs of the season.
How did a nice Evangelical Christian girl from Arizona wind up doing a one-woman comical cabaret show at Jewish Women’s Theatre (JWT) in Santa Monica? Audiences will laugh and maybe even sing along, as they learn the secrets of Anna Abbott’s dual life in her new solo show, "A Very Goyisha Hanukkah," playing two performances only at The Braid, JWT’s art and performance space.
The Group Rep presents A Twisted Christmas Carol, a world premiere comedy written by Phil Olson, directed by Doug Engalla, produced by Alyson York, a Texas-style spoof of Charles Dickens’ “A Christmas Carol.”
Talk-backs are after Sunday shows 12/21 and 01/04. Upstairs at the Group Rep on the second floor of the Lonny Chapman Theatre, 10900 Burbank Boulevard, North Hollywood 91601. The Upstairs venue is not handicapped accessible.
The Eight: Reindeer Monologues by Jeff Goode, Directed by Jerry Pilato & Erica Livingstone
Santa's Reindeer Tells All! With each deer's confession, the truth behind the shocking allegations becomes clearer and clearer and seems to implicate everyone from the littlest elf to the tainted Saint himself. Don't miss this expose of North Pole Naughtiness.
Starring David Janisch as Dasher, Eric Trigg as Comet, Christine McCoy as Dancer, Andrew Walters as Hollywood (Prancer), Mclain Parker as Cupid, Melanie Mino as Blitzen, Michael Adler as Donner and Kellen Gold as Vixen.
Emmy Award-winner Leslie Jordan returns to Catalina Jazz Club with his hilarious holiday show "Deck Them Halls, Y’All" for one performance only. Best known for his stand-out roles in "Sordid Lives," "American Horror Story," "The Help," as the beloved Beverley Leslie on "Will & Grace" (for which he is currently shooting the final season), and most recently as Sid on the Fox series "The Cool Kids," Leslie Jordan has charmed fans for over four decades.
His hilarious holiday tales are not to be missed. Jordan’s special guest will be country-pop singer Brandon Stansell.
Los Angeles Times calls Impro Theatre “Amazing!” One of the funniest evenings as the troupe spins an entire play into comedy gold right before your eyes. Starting with an audience suggestion, the troupe creates completely improvised, full-length plays in the styles of the world’s greatest writers. Join us this holiday season for a hilarious comedy inspired by the works of Charles Dickens. Comic portrayals, cruel melodrama and heartbreaking tenderness explode onto the teeming streets of Victorian London. A fun and festive evening of comedy.
Laguna Playhouse brings back its holiday tradition! A Special, Stripped Down to the Abs, Musical Event! "The Skivvies: I Touch My Elf" at Laguna Playhouse in Laguna Beach!
With Special Guest Appearances by Broadway’s Nick Adams, jackbenny and more! Ho, Ho, Ho, you don’t want to miss this show!
Broadway stars Lauren Molina (Rock of Ages, Sweeney Todd) and Nick Cearley (A Midsummer Night’s Dream, All Shook Up) return to the Laguna Playhouse for two nights of the most outrageous holiday show of the season. This undie-rock, comedy pop, award-winning duo perform stripped-down, mashed-up versions of holiday favorites and more. Expect to see ukulele, electric cello and an array of zany instruments.
BenDeLaCreme and Jinkx Monsoon are back in an all-new two-queen holiday extravaganza at The Montalbán!
After last year’s wildly successful "To Jesus, Thanks for Everything," Jinkx and DeLa return to the stage this holiday season in a high-spirited scramble to maintain your interest! DeLa is all sugar and Jinkx is all spice — but how do these two very different gals deal with the stress of the holidays? A little song, a lot of eggnog, and theatres full of people looking at them. Yup ... all they want for Christmas is attention!
Returning to Hollywood by popular demand, platinum-selling recording artist and Tony Award-nominated actor Sam Harris brings his new holiday show to Catalina Jazz Club for one performance only. Led by his longtime musical director Todd Schroeder, Harris will perform Broadway, pop, and holiday fare.
The Theatre School @ North Coast Rep presents "A Charlie Brown Christmas" by Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson Stage Adaptation by Eric Schaeffer, and by Special Arrangement with Arthur Whitelaw and Ruby Persson.
When Charlie Brown complains about the overwhelming materialism he sees among everyone during the Christmas season, Lucy suggests that he become director of the school Christmas pageant. Charlie Brown accepts, but this proves to be a frustrating endeavor. When an attempt to restore the proper holiday spirit with a forlorn little Christmas tree fails, he needs Linus’ help to discover the real meaning of Christmas.
The Nutcracker from critically acclaimed Inland Pacific Ballet,celebrating 25 years. The Nutcracker comes to life with this magnificent ballet comprised of beautiful sets, dazzling costumes, and more than 80 dancers on stage. The Nutcracker tells the story of a young girl who receives a magical nutcracker doll on Christmas Eve and sets out on a wondrous journey to the Land of the Snow and the Kingdom of Sweets. Toy soldiers, life-sized dancing dolls, and a fantastic dream with battling mice, dancing snowflakes, waltzing flowers, and the delightful Sugar Plum Fairy stir the imagination. Meet the cast after the performance for photos and autographs. This is family entertainment at its best.
Experience the joy of the season as Jenny Wong, GMCLA’s interim Artistic Director and Associate Conductor of the LA Master Chorale, leads GMCLA in choral classics, timeless Christmas carols, a medley of hits from the beloved film Love Actually, Broadway bonanzas, and Mariah Carey’s anthem – it’s all you’ll want for Christmas. A Los Angeles tradition for the entire family, this concert will be truly Spectacular!
Curated by Performances à la Carte, Jazz ‘n Paz continues with its’ seasonal intimate jazz series showcasing some of Los Angeles’ finest jazz musicians. To ring in the holidays, the December concert, Carols of the Belles, features the vocals of the iconic Barbara Morrison, Jamie Perez, and Renee Myara, at Pasadena’s Neighborhood UU Church. In a jazzy program of standards and holiday favorites, the musicians behind the angelic voices feature Michael Ragonese on piano, James Yoshizawa on drums, Danny Janklow on sax and flute, and Luca Alemmano on bass...A Holiday Champagne Party will follow the concert and may be added to any concert ticket purchase online for an additional $12. The party will feature appetizers, desserts, champagne and non-alcoholic punch along with music, dancing, comedic holiday improv antics and capped off with a Holiday Sing-A-Long.
L.A.’s largest holiday spectacular celebrates its 60th anniversary in 2019 is at The Music Center, Dorothy Chandler Pavilion. Join this year’s co-hosts, internationally acclaimed mezzo-soprano Suzanna Guzmán and actress Marissa Ramirez (Blue Bloods), for this free, three-hour holiday show featuring 25 music ensembles, choirs and dance companies from the many neighborhoods and cultures that make up L.A. Once again, PBS SoCal will host a live broadcast of the event that has been a Los Angeles holiday tradition since 1959, while KCET will air the program twice on Christmas Day.
Legendary Cuban jazz trumpet player Arturo Sandoval, accompanied by his world-renowned band, will kick off this year’s celebration with a medley of holiday songs. Returning favorites include Hālau Keali’i o Nālani & the Daniel Ho Trio, the Gay Men's Chorus of Los Angeles, gospel choir Greater LA Cathedral Choir, Jung Im Lee Korean Dance Academy and folklorico troupe Pacifico Dance Company. Some of this year’s newcomers include Latin folk band Cuñao, the dancers and drummers of African Soul International and a cappella group Street Corner Renaissance.
All-female, two-time GRAMMY award-winning Mariachi Divas de Cindy Shea will team up with their “brother” band Mariachi Espectacular, and Jewish cultural revival band Mostly Kosher will share the stage with Urban Voices Project, a choir made up of men and women surviving homelessness on Skid Row. Those who can't make it to The Music Center on Dec. 24 can watch the live broadcast on PBS SoCal starting at 3 p.m., with the rebroadcast on KCET on Christmas Day from 12 p.m. – 3 p.m. and 7 p.m. – 10 p.m., or online at pbssocal.org/holidaycelebration.