Now Registered on the Better Lemons Calendar – December 2 - 9, 2019


Theatrical shows, Musicals, Holiday Shows, and MORE, now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


Plaid Tidings

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Leslie Jordan: Deck Them Halls, Y'All

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The San Fernando Valley Master Chorale

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Crimson Cabaret

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Numi Opera Presents Der Ring Des Polykrates

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Mistakes Were Made coulda-woulda-shoulda

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Sam Harris: Unwrapped!

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SCISSORHANDS: A Musical Inspired By The Film

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CHRISTMAS WITH A Z!

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Sugar Plum Fairy

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JOAN OF ART: An Immersive Nutcracker, Bob's Annual Holiday Office Party, and Santasia - A Holiday Comedy

It's that time of month where most of the events coming up have a holiday theme that has absolutely nothing at all to do with shopping which for me is a good thing. I am so burnt out from hearing about all the sales going on. So if you would like another way to spend your money, here are some suggestions that might add some magic to this holiday season.

First up is an enchanting Immersive Nutcracker Cocktail Fete. Even though the show doesn't start until next Thursday, December 12th, tickets are going fast so I'm adding it to my column now.

It's midnight on Christmas - the most magical hour. The Stahibaum family are fast asleep, all except for Clara, whose waking dream leads her on an adventure alongside mischievous mice, candied royalty and a heroic nutcracker.

Travel back in time to experience the classic story of The Nutcracker like never before as actors, music and creative cocktails transform a 19th century parlor into an enchanting winter wonderland. Join your favorite characters as they use everything in the room including you, to create a comical and intimate take on this timeless tale.

This show is part immersive theatre and part cabaret. Guests will also have the option of choosing three tasteful spiked beverages and themed drinks. You will witness first hand the story coming to life all around you with the help of a selection of costumes to dress up in, parlor games and a cheeky remote controlled mouse. You will also get to waltz with the Sugar Plum Fairy, fence alongside the Nutcracker and find yourself cast in some of the lead roles.

THE IMMERSIVE NUTCRACKER COCKTAIL FETE is the perfect way to celebrate the holiday season and indulge in true holiday spirit. This is a 21+ event.

The show will take place from 12/12/2019 to 01/19/2020 and is located at 1039 Olive Street, Los Angeles CA 90015. Tickets are $65.00. To purchase tickets and for more information go to fever.com or NutcrackerCocktailFete.com.

On December 5th through the 22nd, BOB'S ANNUAL HOLIDAY OFFICE PARTY is returning to the Atwater Village Theatre and having seen this show in the past, I promise you a really over the top fun time.

The show has earned a solid cult following with audiences and critics alike. Playwright Joe Keyes and Rob Elk are proud to bring back the longest running Holiday hit. Now in their 24th year, this hilarious and irreverent comedy has become a vital part of every Christmas season in Los Angeles since 1995.

Briefly, every year insurance agent Bob Finhead's whacked out friends and clients stop by his small town Iowa office for their annual holiday bash. The town Mayor, the Sheriff, the twin Farmer sisters, the stoner, the town floozy and the pastor's wife have already RSVP'd for this year's event, but Bob has dreams of a bigger life and wants to escape their narrow minded thinking.

Will Bob be able to fulfill his dream of becoming a professional inventor and move to the big city or will he come to realize how much he is the heart and soul of the town? Will any of this matter once the party starts, the bickering and fighting begins and the drinks hit the floor?

Well you're just going to have to travel to The Atwater Village Theatre located at 3269 Casitas Avenue to find out.

For more information including cast schedule go to BobsOfficeParty.com or call 1-800-838-3006.

Finally a different kind of comedy show... SANTASIA which is now in its 19th year at the Whitefire Theatre. The show includes an extremely creative and dedicated group of actors who take us on yet another journey through their own very unique Christmas imagination.

They will once again entertain us with their delightfully warped and seasonally fueled stories, songs and glorious dance extravaganzas. At its heart, it's a sketch show with claymation and live action films created by brothers Shan and Brandon Loeser which are liberally sprinkled through the evening and some very elaborate dance numbers choreographed by Tania Pearson-Loeser.

But in the end, this show is really all about love - their love for Christmas, their love for each other and their love for giving us their own very hysterically funny version of what Christmas really means to them all. One moment you will be laughing and the next, you will be wiping a tear from your eye from remembering those who will be missed around the tree this year.

For tickets and more information go to Santasia.com. The Whitefire theatre is located at 13500 Ventura Blvd. in Sherman Oaks.

Whatever you choose to do this week, make it a fun one.


La Virgen in Los Angeles - 17 Years And Counting- A Conversation with Playwright Evelina Fernandez

Lauded playwright Evelina Fernandez's gorgeous and long-running annual play pageant La Virgen de Guadalupe, Dio Inantzin (Our Lady of Guadalupe, the Mother of God), will perform at Our Lady of the Angels Cathedral in Downtown Los Angeles for the 17th year on December 6 & 7, at 7:30pm. As she and the team prepare to present the show again this year, I had to find out more about the production, its history, and a few tid bits on this year's presentation.

RQM: This is your 17th year - congratulations on such a long-running and successful run of this special event. Let's go back to the beginning - how did La Virgen get started?

EF: Thanks so much! We, the Latino Theater Company, first produced La Virgen at the Million Dollar Theater in 1991 right after the closing of the original LATC where we were in residence as the Latino Theater Lab and we later performed it at St. Alphonsus Church in East L.A. For those early productions we used El Teatro Campesino's version "La Virgen del Tepeyac" by Luis Valdez. Fast forward to 2002 when Our Lady of the Angels Cathedral was almost completed and our Artistic Director, Jose Luis Valenzuela, thought it would be wonderful to perform "La Virgen" there. The first response from the Cathedral staff was a "no." But, in November they changed their mind and we scrambled to make it happen, not wanting to pass up the opportunity. Campesino's script wasn't available so we decided to write our own adaptation with our own original music and we called it, La Virgen de Guadalupe, Dios Inantzin (Our Lady of Guadalupe, the Mother of God) and we've been doing it ever since.

RQM: One of the things that excites me about the show is that it gives voice to indigenous peoples and celebrates their role in the mythos and ethos of the Virgen story. What research was involved with developing that aspect of the show?

EF: There are many versions of this story. But, the genesis of all of them is the Nican Mopohua, the Nahuatl narrative of the four apparitions of La Virgen de Guadalupe to Saint Juan Diego in 1531. I chose to embrace a new translation, "Tonantzin Guadalupe," by Miguel Leon Portilla (2000) which is a secular recounting of the Nican Mopohua that emphasizes Nahua culture and spirituality, unlike previous translations. I also read any and all scripts of the story that I could get my hands on, from the very religious to the very comical.

RQM: Has the show changed and evolved over the years? If so, how?

EF: Absolutely! The first year we performed at the Cathedral we had hand-held microphones and hand-held lights that began to lose power in the middle of the show. We have added new elements over the years like handmade indigenous costumes and music and dance solos that have grown organically from the participants. The story is the story, but the telling of it has grown and developed into the beautiful production you see today. Several years ago we added english supertitles to make the show more accessible for non-Spanish speakers and, most recently, we've added video projections and new sets that are designed as Mexican folk shadow boxes for the Virgin's apparitions. In addition, the script has changed over the years as I include new rhythms, suggestions and improvisations by the actors, many of whom have performed in the show for 17 years.

RQM: Theatre and religion have long lived hand in hand - back to the Egyptians, the Greeks, and later the Catholic mystery plays. What is the collaborative relationship like with the Cathedral?

EF: From the beginning the collaboration with the Cathedral has been one of mutual respect and support. The first years we performed, Cardinal Mahoney played a key role in introducing the play and the relationship between theater, music and cathedrals throughout history as gathering places to enjoy the arts. The new and open attitude of the Cathedral, the access to all to be on the altar and even sit in the Cardinal's chair made it easy for us to put up the play there. Even now, audiences are surprised that the Aztec dances take place on the altar and even consider it subversive (in the positive sense). After 17 years of working together, we have developed a "system", per se, of offering this holiday gift to all Angelenos and especially to poor and working people who cannot afford to take their families to other holiday offerings in the City.

RQM: I imagine this show attracts both traditional theatre goers as well as those who don't normally attend traditional theatre productions. What's the take away for you as a playwright to write a piece that speaks so broadly and widely to people?

EF: I always say that this is my favorite show because of the community in the play and the people who attend. Many of the participants, actors and community, have been part of the show since the beginning and doing the play is part of their holiday tradition. Yes, it's a play, but for our community, it is so much more. La Virgen de Guadalupe has long been a symbol of social justice for our community because she is the Virgin that looks like us. It's a story of hope and perseverance, but it is also story about racism, classism and the abuse of the indigenous people in Mexico after the conquest. It represents triumph for the underdog and the eventual reconciliation of the indigenous and European which represents who we are now as Mestizos. It's also wonderful to have this pageant attended and lauded by traditional theatre goers because I believe it promotes dignity and understanding of Mexican indigenous culture.

RQM: I've been told we have a new Virgin this year. Tell us a little about her and her work.

EF: Esperanza America has covered for Suzanna Guzman in the past. She's been in many of the Latino Theater Company productions at our theater, the LATC ; "A Mexican Trilogy" and, most recently, she played La Virgen in "The Mother of Henry." She's been in our productions of La Virgen since she was 5 years old. This year Suzanna had a conflict with the dates and so Esperanza is going on for her again. She has a beautiful voice and is a lovely actor. Oh, and she happens to be my and Jose Luis's daughter!


JOAN OF ART - A Musical About Love, Winter Fun in Downtown LA, A Thousand Lights at Union Station and A Poignant, Raw, Beautifully Written, Directed, and Acted Film

After you have stuffed yourselves with delicious food, and visited friends and family, here are some fun things you might want to do that does not include eating or shopping.

First up is the return of LOVE ACTUALLY LIVE at the Wallis Annenberg Center for the Performing Arts. This is their biggest, record-breaking hit of the holiday season. The multimedia concert celebration of one of the most beloved holiday films of all time is back by popular demand, now as a not-to-be missed Los Angeles tradition.

The team behind LA's award winning series For the Record transforms the theatre into an immersive cinema, where the modern classic written by Richard Curtis is reborn as a revolutionary stage and screen event.

To tell the story, the film and live action seamlessly intertwine throughout the London setting. Iconic scenes on screen share the stage with an all star cast of singers and a 15-piece orchestra as they reimagine the film's hit soundtrack including 'Christmas is All Around' and 'Trouble With Love.'

'Love Actually Live' is a first-of-its-kind theatrical cinema experience. The show runs from November 27th - December 29th. To purchase tickets and for more information visit TheWallis.org/Love or call 310-745-4000.

The Wallis-Annenberg Center for the Performing Arts is located at 9390 North Santa Monica Blvd. in Beverly Hills, 90210.

Next up is something fun for the whole family and one of my favorite things to do...ICE SKATING...Growing up in New York City once the winter was upon us, you could find me with my white skates with pink pom poms ice skating at New York's famed Rockefeller Center. It was always a magical, super fun experience even when I'd fall on my butt which I did more times than not.

Now you can lace up your skates and have the same experience as I did at PERSHING SQUARE HOLIDAY ICE SKATING RINK.

Open daily as of November 14th 2019 until January 20, 2020, you won't want to miss this magical winter wonderland that promises to delight all people of all ages. So grab your family, friends, co-workers or a date and visit The Bai Holiday Ice Rink at Pershing Square for festive fun and unforgettable memories.

The is their 22nd Anniversary Season so you know they're doing something right. Also every Tuesday throughout the rink, the season will be dedicated to FROZEN. Ice rink lights will be predominantly blue and every third song played will be from the FROZEN'S original Broadway Cast Recording at 7pm, 8:30pm and 10pm.

For more information go to HolidayIceRinkDowntownLA.com. or call 313-624-4289.

 

Speaking of Downtown, at Union Station THOUSANDS OF LUMINOUS LIGHTS are setting the stage for a month long holiday celebration which started on Thursday November 21st.

The holiday season Union Station's historic south patio will be transformed into a hub of holiday entertainment with a Luminous Holiday Light Display, a Tree Lighting Ceremony, illuminating a towering tree with thousands of glistening lights as snowdrifts from the sky fall to welcome the holiday season.

Additionally, the station's iconic clock tower will be adorned with a massive 20 foot wide wreath. There will be a month-long series of eclectic Cocoa Concerts and a Holiday Festival and Artisan Market featuring a distinctive diverse performers, artists and artisans from across Los Angeles.

The Union Station Holiday Festival, a pop-up artisan market, rolls into the station's south patio on Saturday December 7th from 10am to 6pm with more than 40 of L.A.'S most sought after artists and artisans, live entertainment, a Beer Garden, food truck favorites and fun, free activities for the kids.

The Cocoa Concert series continues on Friday, December 6 at 6:40pm (Latin beats from the Congas ), Friday, December 13th, 6:30pm (The singing sounds of the HI-FI HONEYDROPS AND Friday, December 20th, 6:30pm (Special Guests to be announced).

There will also be Santa selfies, a Candy Cane Lane where custom neon photo-op will make your season bright alongside a soaring Candy Cane Queen and holiday-themed arts, crafts and interactive games and entertainment.

I'm taking my eleven year old niece there next weekend and I'm probably going to have just as much fun as she will. For additional information on holiday events at Union Station, check out 'happenings' at UnionStationLA.com.

Lastly I high recommend one of my favorite films of the year MARRIAGE STORY, written and directed by NOAH BAUMBACH, who is also one of my favorite screenwriters. This 2019 films stars the fantastic Scarlett Johansson and the equally fantastic Adam Driver along with the wonderful Laura Dern, Alan Alda, Ray Liotta and Julie Hagerty.

The film follows a married couple going through a coast to coast divorce. You can see it in theaters around town and it will also be streaming on NETFLIX starting on December 6th. The film received widespread critical acclaim particularly for Baumbach's screenplay and direction as well as the acting of Johansson, Driver and Dern.

MARRIAGE STORY is at times funny, extremely raw and deeply emotional. Driver plays a successful theatre director in New York City. His theatre company is currently producing a play that stars his wife Nicole (Johansson) a former teen film actress. That's all I really want to say about it except that I promise, you will be thinking about this film long after the credits end. I know I was.

I wish you all a very Happy Thanksgiving. It's one of my favorite holidays even though I'm a staunch vegetarian. For me it's all about getting together with people that I love and sharing what we are all thankful for. I hope that you all besides having fun and experiencing delicious food, take a moment and reflect on all the things in your life that you are grateful for.


Now Registered on the Better Lemons Calendar – November 18 - 24, 2019


Theatrical shows, Musicals, Holiday Shows, Comedy, LGBTQ Theatre, Politics, Fundraiser Cabaret, and MORE, now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


Department of Dreams

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Out of the Eclipse

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Twas the Night Before Christms

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The Great Leap

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Nick Rubando's Hollywood Return - Fundraiser Cabaret

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Fifteen Men in a Smoke Filled Room

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Sweeney Todd

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Julius Caesar

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See You at the Funeral

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Dysfunctional Family Christmas

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This Side of Crazy

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It's a Wonderful Life

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The Skivvies: I Touch My Elf

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The Tony Martini Variety Hour

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Bill Morrison's Dawson City: Frozen Time Live!

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Bad Habits

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An Ocean in my Soul

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Justin-Sayre-Photo-Credit-Matthew-Dean-Stewart

Dedicated to Camp: A Conversation with Justin Sayre about Ravenswood Manor and Much More

Writer, producer, performer Justin Sayre's episodic camp extravaganza Ravenswood Manor closes this coming weekend after a very successful run at Celebration Theatre. Between episode rehearsals, I buzzed with Justin to spill some tea on the show, it's origins, the production process, and more. Catch the last week of Ravenswood because they are ending with a BANG, honey!

For tickets, go to CelebrationTheatre.com/ravenswood

Roger Q. Mason (RQM): Justin, you are a riot! What you've done beautifully is successfully shown audiences the breadth and depth of authentic camp (in the best way). Tell me about the origins of Ravenswood Manor.

Justin Sayre (JS): I wanted to write a long-form play for a while, and I was  searching for something Camp. I'm very dedicated to Camp. I think it's the cornerstone of Queer art, and I really thought it was time to take the leap. For a long time, my best friend, whom I've pitched every project I've ever written, had always told me of my similarity in thought and practice to Charles Ludlam. It took me a little while to catch up. I thought doing something episodically would be helpful since I had been writing for Television for a couple of years. I loved Dark Shadows, and thought a gothic setting would be perfect for Camp. Then the ideas just started flowing. I did a first reading of the first six episodes at Joe's Pub at the Public Theatre with an incredible cast that included Jeff Hiller, Nathan Lee Graham, Jenn Harris and many more. It was so fun, I just wanted to keep doing it. Now I've had another chance. I'm already looking forward to the next.

(RQM): You are writer, performer, and producer on this project. As a fellow multi-disciplinary artist, I'd love to learn more about your process from page to stage.

(JS): Well, that's very broad! I started as an actor, so I have to see it. I don't write a lot of stage directions in my plays unless the lines need it to make sense. I like to find rhythms and space in the room. The stuff I know and want, I write in. But I love problem-solving. So much of my creation is about problem-solving. I also like using the theatre for what it is. You can't do CGI or crazy special effects in the theatre, or at least it's very hard to do them well. I like to create theatre magic, which is more about imagination and human stagecraft. I like making things in front of people and making the audience an active participant in the process of making the show, even if it's just imagining the scenery. I like the collaboration of making in the room. So I always want to work with the best. That's why the actors I strive for are always so brilliant. I don't like to micromanage. I like to facilitate flight.

(RQM): Serialized theatre is an exciting and rigorous beast. It relies on the magic of a killer script, fantastic, adventuresome actors, and grounded, inspired directors. What's it been like building this piece in the room with your team? On the afternoon I saw the show, you were readying for rehearsal of the next episode right after taking well-deserved bows from the work just presented.

(JS): I should say, that we go in with the script, and I would say 98% is on the page. I am a firm believer in doing my work. But I've also been trained not to be precious about a joke. If one doesn't work, we'll find another. What I'm always first listening for is, does the story track and does it all make good dramatic sense. I would be disingenuous to say that the show lives all on the page. I'm working with some of the most brilliant and insightful comedic actors in the country, to not let them form a joke to themselves or to add a little aside, that comes from their character, would be folly. But we all begin with the page, and then it's play. We've often said backstage that we're working so terribly hard, a new play each week for 6 weeks, but we're all so happy doing it. We all have our bits, we all have our weeks to shine and we all generally and genuinely like each other. It's a brilliant process.

Angela Cristantello as Claire the witch and Leslie-Ann Huff as Debbie the witch in Ravenswood Manor

Angela Cristantello as Claire the witch and Leslie-Ann Huff as Debbie the witch in Ravenswood Manor. Photo by Bryan Carpender.

(RQM): This show feels very much like work I've seen in New York. I love that it is happening and being received well here in LA. How do we continue challenging and engaging our Angeleno theatre audiences?

(JS): I think there is great theatre going on out here, and I think LA is only ready for more. Ravenswood feels like New York because I still feel like I'm in New York and come out of that sensibility. I think the thing that needs to happen in LA, is that we all, artists and audiences, need to create a culture of going to the theatre. Of making things the MUST SEE event in LA. We need to make the reality of the theatre here a bigger deal, simply because there's already great work going on.

(RQM): After the final episode of Ravenwood, what's next for you?

(JS): I am working on a few TV projects, but I am headed out of LA for a bit to go and work on my newest book. My show The GAyBC's has been turned into a book that will be released by Chronicle Books in 2020. I'm also going to New York next week to do a show at Joe's Pub and celebrate my 10 years in Cabaret. After that, two new plays this year and the second season of Ravenswood Manor. You know a few things, just to keep me off the street.

Featured photo: Justin-Sayre - Photo by Matthew Dean Stewart


Alta Abbott Reflects on Directing Ruthless! The Musical for Theatre Palisades (Now Playing), and the Complexity of Doing a Genre Piece

“I’m very new at this,” director Alta Abbott jokes, noting that she’s been “in theater” in one way or another since childhood (she’s now 55).

“I started ushering with Long Beach Civic Light Opera at age 11! They took me under their wing and taught me everything, from rails to costuming. One day, the conductor came to me, and said ‘Come on you’re coming into the pit with me’ — in the middle of West Side Story, he hands me the baton! I was scared to death! But of course the orchestra knew what they were doing. That was the beginning of my education in theater.”

Like any good ingenue, Abbott did do some acting earlier in her career. She recalls, “I was always terrified at auditions. I’d be fine by opening night, but I thought, ‘Why am I doing this to myself? I can do other things in the theater.'"

“So, I started directing.”

At at time in her career when Abbott was working as an executive assistant to a Vice President in reality TV, she asked her boss, “‘What makes you see in someone that ‘thing’ you think is going to pop on TV?’”

Abbott realized she could ask the same for the stage and pay attention to that special
something she herself can “just see” in people.

“I call it ‘pixie dust,’” she says. “I see this pixie dust, and it clicks; let’s pull him out and see where we can go from here.”

Ruthless! The Musical is Abbott’s first time directing with Theatre Palisades, but not her first experience with the script.

She recalls, “I saw Ruthless! at The Canon in 1994. That was the only time it was produced here in Los Angeles, professionally. The show never got to Broadway, it was an Off-Broadway show. And after it ran here, it kind-of disappeared. But I saw it then, and I fell in love with it and it has been a show that has stuck in my mind ever since. So when I saw that Theatre Palisades was planning to produce it for their 2019 season, I jumped at the chance to direct it.”

Abbott is thoughtful about any criticism her production might receive. “I think this type of comedy is not everyone’s cup of tea. Ruthless! is — you think at first it’s a very simple musical, and it’s not. It’s very complicated. It’s a spoof and a farce referencing so many different movies and theatrical shows. If you don’t know them, you won’t get some of the references."

“We showed the cast The Bad Seed, and All About Eve, and that helped them understand the script. Most of them were too young, had never seen these great old movies!”

Because of the specificity of the genres referenced, and the humor, Abbott notes, “This is a show that you can’t just cast anybody. They have to be suited for very specific roles, to behave in very specific ways."

“I really enjoyed casting this show!” she adds. “And of course, getting a child who could not only act and sing but also tap dance at a young age to play the 8-year-old lead character was an accomplishment! I was so blessed to get Benni Rose. She is amazing. She is so talented and mature, I forget sometimes that she’s actually only 14 years old. And John Sparks, when he turns into Sylvia, he embodies her so completely, we all use the feminine pronouns without even thinking. Every one of the actors in this show, I just love and adore; they are a joy to work with!”

About casting Sparks, she adds, “I’ve known John for years. In the back of your mind, you are always casting... I had cast him in my head, but I’m not a director who just casts my friends; I cast what is best for the show. Another friend of mine also auditioned for Sylvia, and we had to say ‘No’ to him. But he agreed with our choice. He said, ‘I would have picked John, too.’”

Abbott’s history with Theatre Palisades before this came mostly through her husband, Greg Abbott, an actor who has performed in several of the community theater’s shows over the years (The Fantasticks, Lend Me a Tenor, Bark! The Musical).

She says, “I would always drive my husband to rehearsals, and depending on the director, they’d let me sit in. Sherman Wayne would let me sit next to him, and he would teach me about what he was doing. And when I had ideas, I would tell him, ‘...there’s this… Do you see? ...that actor’s pants aren’t looking right…” little details like that."

Her attention to detail and ability to see the pixie dust are just two of the many reasons Theatre Palisades reached out to Abbott to direct one of the company’s shows.

She recalls, “The Theatre Palisades Board first approached about directing Mousetrap, and I said, ‘Agatha Christie isn’t my type of thing.’ When I told them I’d like to direct Ruthless! — they hadn’t found a director for that yet. They had already decided to produce that show for the season, but I could tell that some of them were worried; like, ‘I don’t know… there’s a lot of killing in this....’”

She laughs. “I said, ‘But you guys are doing Mousetrap! There’s lots of murder in that, too. In Ruthless!, I’m murdering people with a pink sparkly gun!’ — and then they said, ‘Okay, that’s funny!’”

Ruthless! The Musical runs Friday-Saturday at 8pm and Sunday at 2pm, through December 8th, at Theatre Palisades. For Information and Reservations call 310-454-1970 or click here to purchase tickets online.


Now Registered on the Better Lemons Calendar – November 11 - 17, 2019


Theatrical shows, Musicals, Holiday Shows, Magic, LGBTQ Theatre, and MORE, now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


Chico's Angels: Chica's in Space

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Dory Phantasmagory

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Arcadia

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I Get Restless

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The Scarlet Letter

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Outside Mullingar

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Where the Mountain Meets the Moon

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Fireflies

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She Loves Me

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A Christmas Carol

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Aubergine

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Fertile

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The Gayest Christmas Pageant Ever

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A Very Happy Goyisha Hannukah

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Three Jews and a Blonde Walk Into The Braid

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Taboo II

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Max and Willy's Last Laugh

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A Christmas Rush at the Movies

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Pockets

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Embridge

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Bucket List Cabaret: Dark & Dirty

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The Christmas Present

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Dear Yoko

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Salvage

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Every Christmas Story Ever Told (And Then Some!)

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It's A Wonderful Life - Charity Screening

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Charley's Aunt

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Marvels of Magic

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JOAN OF ART: A Film About Two Great Men With a Dream, A Rocking Rocker From The Past, A Beautiful Garden of Lights, and A Night of Comedy

As everyone gets ready for Thanksgiving (my favorite holiday) and shops for sales online and the old fashion way (in retail stores), there are many fun things to do this upcoming weekend to relieve the stress of it all.

First, one of my favorite films of the year (yes I've said that before, but the list keeps growing) is about to open this Friday at theatres around town.

The film is FORD v FERRARI starring Matt Damon as American automotive designer Carroll Shelby and Christian Bale as the fearless British race car drive Ken Miles.

This is the true story of how the two men battle corporate interference, the laws of physics and their own personal demons to build a revolutionary vehicle for the Ford Motor Company. Together they plan to compete against the race cars of Enzo Ferrari at the 24 hours of Le Mans in France in 1966.

Directed by James Mangold this film will have you sitting on the edge of your seat. The car races are amazing and Matt Damon and Christian Bale do an incredible job of acting. The film, besides being extremely entertaining, is also a fascinating glimpse into history.

It's definitely a 'must see' on the big screen.

Remember the song HOUSE OF THE RISING SUN? How could you not? There has been countless renditions of it by more singers than I could possibly name in this space. Well Eric Burdon, the English singer-songwriter and vocalist of the rock band The Animals and funk band War who made this traditional folk song famous in 1964 will be appearing Friday, November 18th at the Fred Kavli Theatre in Thousand Oaks and I will definitely be there.

He will be appearing of course with his group The Animals and this promises to be one electrifying concert. Eric has been a member of the Rock and Roll Hall of Fame since 1994 and named one of the 100 Greatest Voices of All Time by Rolling Stone Magazine. He has one of the most distinctive and soulful voices in rock.

This is one show you don't want to miss. The Fred Kavli Theatre is located at the Thousand Oaks Civic Arts Plaza, 2100 Thousand Oaks Blvd in Thousand Oaks, CA. For tickets and more information go to BAPacThousandOaks.com or call the box office at (805) 449-2787.

Now if you're craving something a bit more mellow this weekend, head for The Descanso Gardens to see their Enchanted Forest of Light starting this Sunday, November 17th and playing through January 5th 2020.

Enchanted Forest of Light is an interactive nighttime experience unlike anything else in Los Angeles featuring a one mile walk through unique lighting experiences in some of the most beloved areas of Descanso Gardens.

There are a variety of large scale light displays, many of which are interactive, allowing visitors to manipulate the lights and sounds. If you've never been to Descanso Gardens just know that you are in for something very special. They are renowned for their botanical collections and spectacular seasonal horticultural display.

Descanso founder, E. Manchester Boddy preserved these 150 acres of gardens, woodlands and chaparral for future generations to experience the natural heritage and beauty of Southern California.

For tickets and more information go to DescansoGardens.org. They are located at 1418 Descanso Drive, LaCanada, Flintridge 91011.

Lastly I plan on ending the weekend this Sunday laughing and what better place to do it then at The Hudson Theatre where their all new TMI Hollywood Thanksgiving Show, featuring music and stand-up by Luke Null from Saturday Night Live and the new album 'Guitar Comic'. will be playing.

If you love SNL and love to hate TMZ then TMI HOLLYWOOD, LA'S longest running comedy show is a hilarious night out for you.

Every Sunday night TMI presents an all new 90 minutes of sketch comedy based on the stories of the week in entertainment, celebrity and pop culture. It's hosted each week by a celebrity guest and featuring live performances by some of Los Angeles' best up and coming musicians and stand-up comics.

Nothing is off limits. Nothing is too silly or trivial and nothing is too controversial. TMI with its own unique and hilarious take on a story will have you laughing so hard you may fall out of your chair.

The Hudson Theatre is located at 6539 Santa Monica Blvd in Hollywood. For tickets and more information go to TMIHollywood.com or call 323-856-4249.

Whatever you choose to do this weekend, make it a fun one.


'Patrick Cassidy' Leaves '5-Star Theatricals' as Artistic Director

Patrick Cassidy has resigned as Artistic Director, according to a statement released by 5-Star Theatricals.

As Artistic Director, Cassidy oversaw two seasons of successful productions such as "Beauty and the Beast," "Shrek," "Roald Dahl's Matilda The Musical," and, most recently, "West Side Story" at 5-Star Theatricals' Thousand Oaks theatre venue.

5-Star Theatricals (formerly Cabrillo Music Theatre) is an Ovation Award-winning resident musical theatre production company of the Thousand Oaks Civic Arts Plaza, and a non-profit theatre organization, producing live performing arts experiences and musical theatre productions for over three decades to the Ventura and Los Angeles Counties and the surrounding area patrons.

“We are so grateful to Patrick for the time he spent as Artistic Director of our company," said Executive Director Cindy Murray in a statement. "His talent and expertise continued the excellence that our subscribers and audiences expect from our productions. He will be greatly missed and we wish him nothing but the best as he moves forward on his artistic journey.”

As an actor, on Broadway Cassidy performed as Frederic in “The Pirates Of Penzance” opposite Kevin Kline in 1982, played Jeff Barry in the Tony-nominated “Leader Of The Pack,” and the Balladeer in Stephen Sondheim’s “Assassins.”

A theatrical director and producer as well, Cassidy is the son of Oscar-winning Shirley Jones and the late Jack Cassidy, and his past directing credits include “The Music Man” at the Kennedy Center, “Oklahoma!” at the Pittsburgh Playhouse, “Jesus Christ Superstar” at Western Michigan University, and “Showstoppers” at the Wynn Hotel in Las Vegas as resident director, to name a few.

“I have nothing but respect and admiration for the board and staff and everyone at 5-Star Theatricals," said Cassidy in the statement. "This experience has been a gift that I will never forget, and [I] am so grateful to have had the opportunity to serve my community and my Los Angeles theatrical family in this role.”

According to Tennessee publication, the Williamson Source, Cassidy, as Artistic Director, will be joining Studio Tenn,  a 501(c)3 nonprofit organization in Franklin, Tennessee.

5-Star Theatricals is to announce a new Artistic Director soon.


Now Registered on the Better Lemons Calendar – November 4 - 10, 2019


Theatrical shows, Musicals, Staged Readings, Solo Shows, LGBTQ Theatre, and MORE, now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


Saint Joan

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For The Loyal

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The Manor

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Seven

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Wild at Hart

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Niki Haris and Donna De Lory

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Santasia: A Holiday Comedy

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The Legend of Georgia McBride

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The World is My Home: The Life of Paul Robison

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Big Queer Convo: 50 Years of Queer Theatre

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A Night in _____ Shorts

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Hot Tragic Dead Thing

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Enerjoyce: Evolution of a Pisces Baby Boomer

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Hot off the Press: Staged Readings at the Los Angeles Women's Theatre Festival

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Bunny the Elf LIVE!

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The Man Who Came to Dinner

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A Twisted Christmas Carol

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Little Black Dress: The Musical

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Growing Gills to Drown in the Desert

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The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


Now Registered on the Better Lemons Calendar – October 28 - November 3, 2019

Theatrical shows, Musicals, Solo Shows, Panto, Live Radio Shows, Improv Sketch, and MORE, now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.

Legally Blonde

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THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

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Nothing Ever Goes On Here

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Mamma Mia

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A Charlie Brown Christmas

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Waiting for Waiting for Godot

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Eight Nights

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Uncle Vanya

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MIRACLE ON 34TH STREET: A Live Musical Radio Show

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Chris Mann: From Gershwin to Gaga – A Holiday Special Celebrating the Legendary Tony Bennett

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A Christmas Carole King

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PETER PAN AND TINKER BELL: A PIRATES’ CHRISTMAS

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Saint Joan: Fundraiser celebrating the Downtown Women’s Center

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Mental Hell Sketch Show

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Musket and the Rat

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My Name is Mommy

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A Twisted Christmas Carol

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Anita Berber is dead

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StoryTime

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HOLLYWOODN'T

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