Audio Interview: The cast of “Hir” at the Odyssey Theatre

Hilarious and terrifying, Hir is a dysfunctional family dramedy for a new era: a highly intelligent, heartfelt and deeply, darkly humorous portrayal of a family in crisis, in which domestic abuse, the trauma of war and the acceptance of gender neutrality are illustrated in a nearly absurd, emotionally gripping, intensely real dynamic.*

Enjoy this interview with the cast of “Hir” at the Odyssey Theatre, playing through Mar 17th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


The Pasadena Playhouse To Host This Year’s Drama Critics Circle Awards

The Los Angeles Drama Critics Circle (LADCC) has begun the celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018). The Awards will take place on Monday, April 8, 2019, at the historic Pasadena Playhouse, in Pasadena’s Playhouse District.

Although the Pasadena Playhouse will be hosting the LADCC Awards for the very first time, returning once again is onstage host Wenzel Jones of IMRU, the LGBTQI Radio News Magazine on KPFK 90.7, as well as local composer-conductor Christopher Raymond as musical director for his second consecutive year. The entire production will be in the hands of stage manager Heatherlynn Gonzalez, veteran of more than a decade’s worth of LADCC service.

One or more plaques will be presented in each of 18 categories and seven special awards will also be presented. Topping the nominations, the Antaeus Theatre Company has a total of 12 in various categories, including for the McCulloh Award for Revival (plays written between 1920 and 1993) for their productions of both “The Hothouse” and “The Little Foxes.”A Noise Within has 10 nominations, including for Production for “A Picture of Dorian Gray.” The Center Theatre Group has a total of nine nominations, including for Production of “Come From Away.” Both the South Coast Repertory and East WestPlayers have seven nominations each. And the Celebration Theatre and the La Mirada Theatre for the Performing Arts, each with seven and six nominations, respectively, are uniquely both up for the McCulloh Award for Revival for their individual productions of “Cabaret.”

Sergio Trujillo, is nominated for Choreography for both “Ain’t Too Proud,” Center Theatre Group, Ahmanson Theatre and “On Your Feet,” Hollywood Pantages Theatre. Allison Dillard, is nominated for her work in Costume Design for both “Bliss, Or Emily Post Is Dead,” Moving Arts and “Priscilla, Queen of the Desert,” Celebration Theatre. Set Designer John Iacovelli, a winner of multiple LADCC awards for Scene Design, is nominated for “The Little Foxes”, Antaeus Theatre Company.

The LADCC special award recipients are as follows:

  • The Polly Warfield Award for an excellent season in a small to mid-size theatre will be awarded to Echo Theater Company.
  • The Ted Schmitt Award for the world premiere of an outstanding new play goes to Lauren Yee for Cambodian Rock Band, originally produced by South Coast Repertory.
  • The Kinetic Lighting Award for distinguished achievement in theatrical design goes to sound designer Robert Oriol.
  • The Milton Katselas Award for distinguished achievement in direction goes to Cameron Watson.
  • The Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community will be presented to Native Voices at the Autry.

More of the complete list of nominees for the Los Angeles Drama Critics Circle Awards for theatrical excellence in 2018 is here.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The Pasadena Playhouse is at 39 S El Molino Ave, in Pasadena. Standard general admission tickets (a small service fee applies) are $40 and are now available. All purchased tickets will be held at Will Call and tickets are also available at the door. The event will begin at 6:30 p.m. with a pre-show reception in the courtyard. The show will commence at 7:30 p.m. and nominees will receive instructions via email regarding how to claim complimentary tickets.

For all other inquiries, email: criticsawards2019@gmail.com.


Audio Interview: Dorian Missick – Dontrell Cockroach Hamilton on Netflix’s “Luke Cage” stars in “Two Trains Running” at the Matrix Theatre

It’s 1969 in Pittsburgh’s Hill District, where the regulars of Memphis Lee’s restaurant struggle to cope with the turbulence of a world that is rapidly changing around them. With compassion, humor and a superb sense of place and time, Wilson paints a vivid portrait of everyday lives in the shadow of great events.*

Enjoy this interview with Dorian Missick – Dontrell Cockroach Hamilton on Netflix’s “Luke Cage” and the cast of “Two Trains Running” at Matrix Theatre, running until Mar 3rd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Audio Interview: The cast of “MAN OF GOD” at the David Henry Hwang Theater

A hidden discovery in a hotel bathroom changes the lives of four Korean American Christian girls on a mission trip to Thailand. Amid the neon lights and go-go bars in Bangkok, the girls plot revenge in this funny, feminist thriller.*

Enjoy this interview with the cast of “MAN OF GOD” at David Henry Hwang Theater, playing through Feb 24th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Now Registered on the Better Lemons Calendar – February 11 – 17, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Accidental Death Of An Anarchist

“In this piece of classic international theatre from 1970, Fo writes of a madman, who invades a police station interrogation room where an anarchist accused of bombing a railway station has recently “accidentally” fallen out of a window. Donning various disguises and voices, the madman manipulates policemen into a truth-inducing hysteria. This world-renowned farce is produced in honor of one of The Actors’ Gang inspirations and mentors, Dario Fo. Famed artist Ralph Steadman, known for his iconic images a lifetime of illustration, magazine and other work, including his longtime collaboration with Hunter S. Thompson, has created a logo that helps to bring this production context. Also, a Dario Fo – Ralph Steadman exhibition will be on view throughout the run of Accidental Death of an Anarchist.”

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Anderson Lena and the Things That Don’t Matter

“In 2012, researchers at Northwestern University concluded that when we recall a memory, we’re not actually the recalling the memory, but rather the memory of the last time we remembered it, thus irreparably distorting our perception of the past. This is a play about that. With an offbeat yet authentic voice (and a structure to match), “Anderson Lena and the Things That Don’t Matter” explores the unsettlingly distinct possibility that objective truth is about as real as a fluffy pink unicorn. It starts off simply enough: a girl dancing alone in her bedroom. But, much like life, this story is nowhere near as simple as it should be. Three characters, two timelines, and one room later, you’ll leave questioning every memory you ever held dear. But, you know, in a cool way.”

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RAGTIME: THE MUSICAL

“The great American musical has returned to LA for its first major production in 20 years. Nominated for 13 Tony Awards including Best Musical, Ragtime tells the story of three families at the turn of the 20th Century in pursuit of the American dream. The award-winning score uses ragtime rhythms to paint a portrait of the people who built this country with the hopes for a brighter tomorrow.”

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Ohad Naharin/Batsheva Dance Company: Venezuela

“Batsheva returns with Venezuela, a new work which explores the dialogue and conflict between movement and the content it represents. Venezuela is a multifaceted piece where the endless possibilities of a choreographer’s craft are at play and compel the audience to challenge their own notion of freedom of choice.”

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Attack of the Second Bananas

“Who killed beloved stage stars Ruby Moss and Andrea Hammond? Find out as the LAPD detective on the case pieces together the clues. Attack of the Second Bananas is a comedy noir about the ultimate price of fame. Running time is 90 minutes with no intermission. WORLD PREMIERE.”

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Fifty Words

“Adam (Eric Larson) and Jan (Olga Konstantulakis) are alone together for the first time in almost 10 years. Without the buffer of their nine-year-old son (who is away at his first-ever sleepover), this smoothly scripted multi-layered play reveals how closely love and hate can be linked in marriage … how with each problem experienced as parents, each subsequent layer that’s revealed shows yet another problem in their marriage. The play is an incisive close-up of the emotional battleground of contemporary relationships and the lengths to which a couple will go to save it.”

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How We’re Different from Animals

“Over three years in the making, ÉLAN Ensemble’s inaugural production is the culmination of the company’s work, adapting Miranda July’s book of short stories No One Belongs Here More Than You. The show breathes life into July’s quirky, lonely, odd, lovable characters in an oddly hilarious tapestry that reflects the complexity, isolation, and unexpected connectivity of life in Los Angeles.”

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Home

“Writer/performer Nancy Ma’s coming-of-age tale about growing up sandwiched between two cultures. Desperately seeking approval from her Chinese Toisan immigrant family, Nancy journeys away from her home in New York City’s Chinatown in search of the American dream — only to learn that you can only find “home” when you accept where you come from. Feb. 28 – March 24 at The Los Angeles Theatre Center, 514 S. Spring St., Los Angeles, CA 90013; $24- $38; For reservations and information, call (866) 811-4111 or go to http://thelatc.org.”

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The Joy Wheel

“Life is changing for Frank and Stella. On the day of Frank’s retirement party, this once loving and simple couple find themselves pulled in different directions as the winds of change blow through Joy, Illinois. The world is not what it was. Joy is not what it was. Stella is shaken, but inspired, by her best friend becoming a liberated, sexualized, independent woman, while Frank decides to emulate his doomsday prepper friend by building an underground bunker that once was the family swimming pool. It’s as if all of them are riding the Joy Wheel, hanging on to someone else so they can stay their ground.”

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Church Basement Ladies

“The Glendale Centre Theatre is America’s longest-running continuously family-owned theatre in the round. Now in its 72nd year, GCT has just opened its second show of the 2019 season: Church Basement Ladies!”

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The Pack at The Pico

“The Pico will be presenting a monthly reading series of original short comedies by Emmy® nominated and Drama Desk Award-winning writer Eugene Pack. Every month, The Pack at the Pico will feature a new evening of material and a revolving noteworthy cast.”

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Geronimo: Life on the Reservation

“Return engagement of the critically acclaimed seldom told story of Geronimo’s life as a POW on the Fort Sill Indian Reservation. Starring veteran performer Rudy Ramos (Yellowstone, Ironsides, The High Chaparral, Dr. Quinn, Medicine Woman: The Movie, The Enforcer, Defiance, Colors), helmed by respected actor/director Steve Railsback (The Visitors – dir. Elia Kazan; Helter Skelter, From Here to Eternity, The X-Files), and written by award-winning novelist Janelle Meraz Hooper (As Brown As I Want: The Indianhead Diaries, Custer and His Naked Ladies), GERONIMO focuses on the resiliency, humor, and genius of the great Apache leader, bringing his final years to life on the stage in a dramatic recounting of a fascinating, largely forgotten chapter in American history. Two shows only!”

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Pirates of Penzance

“The Gilbert and Sullivan classic Pirates of Penzance sails into Glendale Centre Theatre March 15!”

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Rex & Bob’s Excellent Misadventure

“Rex & Bob’s Excellent Misadventure is the story of The Music Man’s and My Fair Lady’s two leading men. What happens when they switch lives?”

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Nunsence

“The mega musical returns to the Glendale Centre Theatre! Pure nunsense!”

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Four Weddings and an Elvis

“Come enjoy four weddings in Las Vegas with the King himself! This musical comedy is a treat for the whole family.”

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More Guns! A Musical Comedy about the NRA s

“The National Rifle Association is here to save the day – through song and dance! Praise the lord and NRA-men! Ron Barkley is the head lobbyist for the NRA, and his life is real tough — his daughter is a liberal socialist with a penchant for protests, and for some reason, the entire country is up in arms about gun control. But when Ron prays to God for divine intervention, he receives a magical gun that turns people – into guns. Because after all, if you’ve got problems, the solution is always More Guns! With songs like “Semi-Automatically”, “Everybody Do The Lobby!” and “Liberal Love”, MORE GUNS! is a satire of the NRA, the “woke” left, and all those boring moderates in between. This is a show for the whole family, and by whole family we mean adults only (16+)”

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Birdland Blue

“At Broadway and 52nd Street in New York City, the nightclub Birdland was the legendary center of the jazz world, where the glitterati of Broadway, Hollywood and the sports world regularly filled its 500 seats. In August, 1959, the biggest star in jazz was Miles Davis, who earlier that year recorded Kind of Blue, regarded then and now as the most innovative and best jazz album of all time. The Miles Davis Sextet, as constituted that summer, was regarded as the best jazz combo ever. Birdland Blue is a behind-the-scenes look at Miles on one evening that August. He flirts with a beautiful reporter for a jazz magazine. He copes with division within his ranks, as two of his musicians (Julius “Cannonball” Adderley and John Coltrane) are on the verge of leaving the Sextet to start their own groups. He deals with substance abuse problems, his own and that of one of his musicians. He argues with the club owner/manager over proper compensation. His biggest challenge may be coming from a violent, crooked, racist cop.”

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Julius Caesar

“From the presenters of the Griffith Park Free Shakespeare Festival, join us indoors at the ISC Studio at Atwater Crossing.
Beware the Ides of March! Rome teeters on the brink of civil war as Caesar’s ambition for a crown threatens the stability of the Republic. Part ghost story, part political murder thriller, ancient Rome comes to vivid life in ISC’s first ever mounting of one of the greatest hits of the Elizabethan stage. Inspired by Orson Welles’s 1937 Mercury Theater production, this pared down version of the text immerses the audience in the multiplicities of the conspiracy to save Rome and even gives the spectators a voice in the action. Audience participation encouraged (but not enforced!)”

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The Apple Tree

“When the Winslow sisters are forced to return home to confront their past, they must choose either to hold tight to anger or open their arms to change. ‘In the process of letting go you will lose many things from the past, but you will find yourself.’-Deepak Chopra. This is the world premiere of The Apple Tree and the inaugural production of Firefly Theatre Group.”

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🍋


Audio Interview: The cast of “Last Call” at Atwater Village Theatre

In Kenney’s semi-autobiographical dramedy, the Vaughn family’s go-to defense mechanism of sarcasm and mordant humor falls short when the aging parents hatch a not-so-funny way to avoid the retirement home.*

Enjoy this interview with the cast of “Last Call” at Atwater Village Theatre, extended through Mar 2nd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Audio Interview: The cast of “Rod Serling’s Stories from the Zone” at Theatre 40

Rod Serling’s Stories from the Zone. Two classic tales from a master storyteller.*

Enjoy this interview with the cast of “Rod Serling’s Stories from the Zone” at Theatre 40, running until Feb 17th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Audio Interview: Medalion Rahimi – Princess Isabella on the 2017 ABC show “Still Star-Crossed” stars in “Paradise” at the Odyssey Theatre

What does science have to tell us about love? Viola Davis and Julius Tennon’s JuVee Productions and American Oasis present a moving, funny and thought-provoking drama about science, culture, religion and more.*

Enjoy this interview with Medalion Rahimi – Princess Isabella on the 2017 ABC show “Still Star-Crossed” and the cast of “Paradise” at Odyssey Theatre, running until Feb 17th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Now Registered on the Better Lemons Calendar – February 3 – 10, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Two Trains Running at Matrix

The team behind last year’s acclaimed Ovation, LADCC, and Stage Raw award-nominated production of August Wilson’s “King Hedley II” returns to the Matrix with another installment of the Pulitzer Prize-winning playwright’s “American Century Cycle” the playwright’s decade-by-decade exploration of the black experience in 20th century America. It’s 1969 in Pittsburgh’s Hill District, where the regulars of Memphis Lee’s restaurant struggle to cope with the turbulence of a world that is rapidly changing around them.

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USC School of Dramatic Arts presents: CHILDREN OF THE SUN

Maxim Gorky’s darkly comic play is set in Russia on the eve of the revolution. The country’s new middle class flounders about, philosophizing and flirting, blind to their impending annihilation. Protasov wants only to immerse himself in his experiments and is oblivious to the advances of the half-crazed widow and his best friend’s pursuit of his wife, let alone the cholera epidemic and the starving mob.

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USC School of Dramatic Arts presents: GNIT

Meet Peter Gnit, a recklessly aspiring, self-deluded anti-hero. This twisted adaption of Henrik Ibsen’s Peer Gynt is a rollicking and cautionary tale that challenges what we think we know about this classic character. At this unique moment in U.S. history, the questions and problems raised are alive with relevance.

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USC School of Dramatic Arts presents: SWIMMERS

Coyotes evading police. Billboards predicting the end of the world. It’s been a strange day at the office, and it’s only 9 a.m. Moving floor by floor from the basement to the roof, scenes between employees in a corporate office explore the angst-ridden relationships between those that people often take most advantage of: their coworkers.

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USC School of Dramatic Arts presents: THE TWO GENTLEMEN OF VERONA

Young Proteus only has eyes for his hometown sweetheart, Julia. But one look at the beautiful Silvia on a trip to Milan changes everything. Now he’s smitten with his best friend’s lover and his sweetheart has no intention of going away quietly. Events spin out of control as romantic rivals face off in this wild comic tale.

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USC School of Dramatic Arts presents: HOLY GHOSTS

Coleman Shedman arrives at the rural meeting house of a southern Pentecostal sect with a lawyer in tow, seeking to retrieve his runaway wife (and the possessions she has taken with her). But his wife, Nancy, is unwilling to forsake the love and protection of her new “husband,” the Reverend Obediah Buckhorn, and return to the brutal, hard-drinking Coleman. Rich with atmosphere and the feel of Southern rural life, the play blends humor and poignancy as it probes into the circumstances and stories of the various cult members.

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USC School of Dramatic Arts presents: THE BUSYBODY

First performed in 1709, this brilliantly witty and fast-paced comedy follows the characters Miranda and Isabinda as they attempt to arrange marriages to the men they love. Meanwhile, the hapless “busy body” Marplot tries to help his friends, but his valiant efforts only succeed in leading them closer towards disaster.

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USC School of Dramatic Arts presents: SUNDAY IN THE PARK WITH GEORGE

Inspired by the painting “A Sunday Afternoon on the Island of La Grande Jatte” by Georges Seurat, Stephen Sondheim and James Lapine’s stunning musical masterpiece, merges past and present into beautiful, poignant truths about life, love and the creation of art. One of the most acclaimed musicals of our time, this moving study of the enigmatic painter, Georges Seurat, won a Pulitzer Prize and was nominated for an astounding 10 Tony Awards, including best musical.

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USC School of Dramatic Arts presents: ROUGH MAGIC

Roberto Aguirre-Sacasa’s action-adventure-fantasy conjures a mythical, magical meta-universe in which evil sorcerer Prospero steps out of the pages of Shakespeare’s The Tempest and threatens death and destruction in modern-day Manhattan. To combat this supernatural foe, a quartet of unlikely heroes (including a dramaturg with magical powers) will emerge from the ashes to save the city and its citizens from complete and utter destruction.

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USC School of Dramatic Arts presents: QUEEN MARGARET

Margaret of Anjou becomes the central character of her own story in this edit of William Shakespeare’s first tetralogy of history plays (Henry VI, Parts 1 -3; and Richard III). Intrigue, betrayal, romance and revenge play out as Margaret evolves from daughter to bride to queen to avenging warrior and grieving widow. Our BFA sophomores tell her tale of resilience, resolve and charisma.

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James and the Giant Peach

Roald Dahl’s James and the Giant Peach features a wickedly tuneful score by the Tony & Academy Award-winning team of Benj Pasek and Justin Paul (Dear Evan Hansen, La La Land, The Greatest Showman)and a curiously quirky book by Timothy Allen McDonald…When James is sent by his conniving aunts to chop down their old fruit tree, he discovers a magic potion that results in a tremendous peach and launches a journey of enormous proportions.

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Ada and the Engine

As the British Industrial Revolution dawns, young Ada Byron Lovelace (daughter of the flamboyant and notorious Lord Byron) sees the boundless creative potential in the “analytic engines” of her friend and soul-mate, Charles Babbage, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge – a world she might not live to see. A music-laced story of love, friendship, and the edgiest dreams of the future. Jane Austen meets Steve Jobs in this poignant pre-tech romance heralding the computer age.

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Man Of God

A hidden discovery in a hotel bathroom changes the lives of four Korean American Christian girls on a mission trip to Thailand. Samantha is hurt that someone she trusted could betray her. Jen is worried about how this might affect her college applications. Kyung-Hwa thinks everyone should adjust their expectations. Mimi’s out for blood. Amid the neon lights and go-go bars in Bangkok, the girls plot revenge in this funny, feminist thriller.

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Venus in Fur

Thomas Novachek is a playwright/director looking for the perfect actress to play the lead in his adaptation of Leopold Sacher Mashoch’s novella, Venus in Furs. He hasn’t had much luck and is ready to call it a day when a very late arrival bursts into the room in a wave of chaos. This actress appears to be the worst of a bad lot. Despite his protestations, she manages to cajole him into letting her read and from that point on the night veers into titillating and uncharted territory where Thomas’ biases and desires are laid bare. Venus in Fur is about human relationships, gender power dynamics and the matrix of stereotypes and assumptions that root seeming subversions. Its dark comedy and sexually charged scenarios provide fertile soil for exploration of subconscious and culturally mired desires, motivations, and expectations.

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Othello

The Bard’s most intimate of family tragedies about the terrible force of love and the breakdown of a man who has everything—power, position, and passion—only to find his world decimated through intense mind games with his ensign. Prescient in its searing social commentary of prejudice, betrayal, and thwarted ambition, Shakespeare’s thunderous drama examines who we trust and the price we pay for choosing wrong.

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The Twins of GillyGate

We find our twins on the eve of their 18th birthday in the kingdom of GillyGate. One is set to take the throne while the other sits in her tower with only a dragon to keep her company. Unbeknownst to both, a prophecy is about to unfold much to the dismay of their uncle, Lord Grimbert, who will do anything to stop a woman from taking the throne with the help of his trusty talking high horse. A musical tale woven together by a misfit traveling ensemble, this show will take you back to the Ren Faire. Full of bawdy, drunken fun mixed with some good ol’ audience interaction, this show is fun for your whole family!…well maybe not your kids.

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The Chekhov Comedies

See Chekhov as you have never seen him before! Combine 5 short comedies, 25 characters, and 4 female actors, and you get 1 night of hilarity!

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Little Shop of Horror

For the misfits of Skid Row, life is full of broken dreams and dead ends. Seymour Krelborn is a meek and dejected assistant at a floral shop who happens upon a strange plant, which he affectionately names “Audrey II” after his crush at the shop. Little does he know that this strange and unusual plant will develop a soulful R&B voice, a potty mouth, and an unquenchable thirst for human blood. As Audrey II grows bigger and meaner, the carnivorous plant promises limitless fame and fortune to Seymour, as long as he continues providing a fresh supply of blood … Featuring an electrifying early 1960s-style score from Alan Menken and book and lyrics by Howard Ashman.

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Canyon

In a backyard deep within a canyon during Labor Day weekend 2016 — before everything in America changed — we meet a newlywed couple and a Mexican father and son as they all try their best to find a better view. IAMA Theatre Company partners with the Latino Theater Company to present an immersive staging of this driving new play that takes a look at what happens when two families are rocked by an unpredictable accident that changes their lives forever. A look at gender, citizenship, and the costs of trying to live a conventional American life

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Too Much Sun

The West Coast premiere of the acclaimed off-Broadway hit by Nicky Silver (Broadway’s The Lyons). Celebrated actress Audrey Langham reaches her breaking point while rehearsing Medea in Chicago — walking off the stage, out of the production and into her married daughter’s summer house in Cape Cod, where her unexpected and unwelcome arrival sets off a chain of events alternately hilarious and harrowing.

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Phalaris’s Bull: Solving the Riddle of the Great Big World

Harvard-educated molecular biologist, visual artist and provocative visionary philosopher, Steven Friedman has the answers to life’s big questions. Using personal narrative, poetry, art, and science, he delivers a spell-binding performance reflecting his prismatic, transformative and deeply consoling vision of the world. Friedman offers a solution to the worlds pain based not on belief or faith but on logical rigor a philosophy starting from Kierkegaards story of an ancient torture device, Phalariss bull, that turns the terrible sounds of pain into music. To create is to enter Phalariss bull, and our pain becomes beauty.

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🍋


Steven Sabel’s Twist on the Trade: Content Equals Character

We were all recently reminded that it was Martin Luther King Jr. who famously dreamed of a world where we would all be judged by the content of our character, but in our industry, artists are judged rather by the amount and quality of their generated content. Content equals character in a world where online presence is often the key to getting the job.

Whether we like it or not, the norm of the modern age of entertainment is to judge an artist by the amount and quality of the online content they can continue to generate. Relevant content equals relevance in the industry and viability as a marketable commodity. As an entertainment industry professional, you are a commodity. Or, you are not. We have all heard the stories about people getting work because of their large social media followings, YouTube subscriber base, or viral content. Go viral, or go extinct. Create a high profile, build an online presence, generate constant content, or slide into the oblivion of just another fantasy hobbyist. Get serious, or seriously reconsider your choice of profession.

Think about it. You are a business. Your commodity is you. You are your product and you are selling a service. In order to succeed in business, you must build your marketing machine, and your marketing machine must include an online presence filled with relevant content for prospective customers to seek, find, and assess before they will purchase. In today’s age, nobody purchases anything or uses any service without first researching the company or the product – even if all that entails is posting to the “hive mind” for recommendations of where to eat, what to buy, or who to use for a needed service. I won’t eat at a new restaurant, if they don’t have a website with a menu, photos, and reviews. Would you?

As entertainment professionals, we cannot expect that anyone will hire us if we are a complete unknown without a relevant online presence. If you don’t have a website, you don’t exist. If all you are is a collection of personal social media accounts, you are no different than your cousin, Cecil, who works at the canning factory back home in Wisconsin. Get real. Google yourself. I guarantee that casting directors will before they offer you a job. What will they find? Your personal Facebook page? Your Instagram account?

If you don’t have a fan page and a website associated with you as a commodity, then you are not a commodity. How serious can you really be about your professional career if you can’t take the time to register a domain name and build a simple website? Or if you’re completely tech illiterate – get a friend, bribe a friend, or pay a friend to build a site for you. Look at the major professionals whose careers you wish you could have. Assess what they all have in common when it comes to their online presence and generating relevant content. Most of them have people who do it for them, but until you are able to hire a marketing team – you are your marketing team.

If you don’t have available content associated with your career – you don’t have a career.

What you have is a fantasy life – no different than your best hometown friend, Sallie Mae, who you left behind back in Nebraska to become the manager of the local mini mart. If you happen to be the manager of a mini mart here in LA, but you’re not using every spare hour striving to demonstrate that you are something more than a fresh-off-the-bus fantasy player – then Sallie Mae has it all over you, because she isn’t paying $800 per month to rent a room with five other people in a three bedroom apartment in Koreatown with one bathroom. In fact, Sally Mae is laughing at you from her three bedroom, two bath house in Omaha, that (according to a Zillow search) she can get for $1,000 per month.

Get real. Get serious, or you might as well move back to Nebraska. If your only online presence is your personal social media accounts, you are not a professional business person – you’re a hobbyist. In this world, you are what you do. If all you do is post about drinking at local bars with friends – your social media presence says you are a bar fly, not an industry professional. If all you do is post about political issues that interest you – you are a gadfly, not an industry professional. If all you do is post about that great restaurant you ate at last night – you are a wanna-be food critic. You are not an entertainment industry professional.

Entertainment industry professionals post about the work they are doing – even when they do not currently have any employment in the industry. Remember my favorite Sabelism: you have to do the work to get the work. True professionals will post about anything and everything they are doing to better their career. They post about acting classes they are taking, auditions they are preparing for, new physical workouts and diet regimens they are committing to in order to enhance their physical viability for the roles they wish to play. At the very minimum, true professionals are posting about new scripts they are perusing, monologues they are learning, accents they are perfecting, skills they are acquiring, or industry books they are reading to learn more about their craft.

When they do have work, true professionals are generating content about that work. They are posting about learning their lines, studying their scenes, doing their research on their project’s time era, setting, hairstyles, clothing, manners, and any other thing that can assist their backstory and the creation of a viable character. They post about rehearsals. They post from the set while on break from filming. They post behind-the-scenes looks into their processes. They provide hints about their costuming or props, and they sell themselves as professionals on the job. Even when they are not on the job of fulfilling a role or a contract, they are on the job of getting more jobs by constantly generating content to demonstrate that they are true serious professionals.

True professionals post about the projects they are working on – promoting themselves and whatever it is they are doing day and night. The best way to market your product and services to new potential customers, is to promote the work you are currently doing for existing customers. It is far easier to generate relevant content when you are working, and far more important too, if you want to keep the string of work flowing. When you book a gig, it isn’t an excuse to take a break from doing the work, but should rather serve as the impetus for doing even more work to line up the next project.

Build and fill your website. Create a public fan page. Flood your sites with relevant content. Do your best to be the only Joanie Jones or Sam Smith on the first page of a Google search. Content is character, and if your dream is to make a living in this industry, you must know that you will be judged by your content, or lack of it….


Audio Interview: The cast of “The Marriage Zone” at The Santa Monica Playhouse

One day, while selling their house, a younger and an older couple unexpectedly show up at the door. It seems innocent at first, but after a little while, it becomes apparent that they have way too much in common. They have crossed over into “The Marriage Zone”. Discoveries are made, secrets are revealed, and the result is a hilarious and poignant look at the life of a marriage.*

Enjoy this interview with the cast of “The Marriage Zone ” at The Santa Monica Playhouse, running until Mar 31st. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Audio Interview: The cast of “The Cripple of Inishmaan” at The Antaeus Theatre Company

Dreams are in short supply on Inishmaan, especially for Billy Claven. So when a Hollywood filmmaker arrives on the neighboring island to make a movie, Billy goes after a part in the film, hoping to escape from the cruelty and bleakness of his life in master storyteller Martin McDonagh’s darkly comic Irish yarn.*

Enjoy this interview with the cast of “The Cripple of Inishmaan ” at The Antaeus Theatre Company, running until Mar 11th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.


*taken from the website


Now Registered on the Better Lemons Calendar – January 28 – February 3, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

The Mountaintop

Garry Marshall Theatre presents the West End and Broadway play The Mountaintop by Katori Hall. The Mountaintop is directed by Gregg T. Daniel, who recently staged A Raisin in the Sun at A Noise Within (Ovation Award nomination for Best Director) and Her Portmanteau at Boston Court.

Visit their Better Lemons Registered Calendar Page for ticket and show information.

HEISENBERG

Rubicon Theatre Company opens the 2019 season with HEISENBERG by playwright SIMON STEPHENS, a quirky romance starring Ovation Award-winner FALINE ENGLAND and Emmy and L.A. Drama Critics Circle Award-winner JOE SPANO. Sweet, sexy and full of surprises, the story follows two strangers whose lives intersect in a bustling London train station.

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Life Could Be A Dream

SH-BOOM! Meet fledgling doo-wop singing group Denny and the Dreamers as they prepare to enter the Big Whopper Radio contest and realize their dreams of making it to the big time. The ’60s doo-wop songs in this award-winning jukebox musical say it all: “Fools Fall in Love,” “Tears on My Pillow,” “Runaround Sue,” “Earth Angel,” “Stay,” “Unchained Melody,” “Lonely Teardrops” and “The Glory of Love.

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THE ELEPHANT MAN

Thursday Night Theater Club Presents A Classic True-life Tale in THE ELEPHANT MAN By Bernard Pomerance -LOS ANGELES (January 28, 2019) – Thursday Night Theatre Club is proud to present a classic true-life tale and heart wrenching story that depicts the best and the worst of humanity.

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Rabbit Hole

Becca and Howie Corbett have everything a family could want until a life-shattering accident turns their world upside down and leaves the couple drifting perilously drifting apart. 2Cents Theatre Group begins its 2019 site-specific season with David Lindsay-Abaire’s stunning journey through grief, the search for comfort, and the rebirth of hope.

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Hype Man

A hip-hop trio – frontman, hype man and beat maker – is on the verge of making it big on national TV when a police shooting of a black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use artistic expression as an act of social protest. Winner, 2018 Elliot Norton Award. Feb. 23 – April 14; Fridays @ 8 p.m. / Saturdays @ 2 p.m. & 8 p.m.

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S.O.S.

The Wallis Studio Ensemble presents S.O.S., an original multi-media physical theatre work about love and resilience in times of crisis, directed by Madeleine Dahm, from Thursday, January 31 through Sunday, February 10, 2019 at the Circle X Theatre (Please note: S.O.S. is not being performed at the Wallis Annenberg Center for the Performing Arts, but at the Circle X Theatre in Atwater Village).

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THE POW AND THE GIRL

A new play based in part on true and personal experiences of writer Katrina Wood and her father British character actor Percy Herbert who was both in the Japanese POW camp and built the Bridge on the River Kwai and then went on to be cast in the movie with Alec Guinness at the start of his extensive film career.

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SWEENEY TODD – THE DEMON BARBER OF FLEET STREET

In a barber shop above Mrs. Lovett’s struggling pie shop, Sweeney Todd plots revenge on the lecherous judge who wronged him and his family. In the seedy underbelly of 19th-century London, desperate times lead to diabolical schemes—and strange alliances.

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HELLO DOLLY

Tony Award®-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” and the Los Angeles Times says “distills the mood-elevating properties of the American musical at its giddy best.

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Love is Another Country

Gonee (Dee Dee Stephens), a highly educated African American woman, is driven to the edge of sanity by the death of her brother, left lying on the ground for hours by the police who apparently killed him. When Gonee shoots a policeman in a maddened rage, she is imprisoned with no hope of release.

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Fighting Shadows with Richard Cabral – Special Engagement

The Rosenthal Theater at Inner-City Arts and Lineage Entertainment Group in association with Jami Gertz presents Fighting Shadows Written by Richard Cabral with Robert Egan Directed by Diane Rodriguez. Fighting Shadows is a passionate and poignant one-man show celebrating the power of human redemption and transformation.

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🍋