JOAN OF ART: Tarantino, Vice is Nice, and Art Share

I love Quentin Tarantino's films. I've seen every single one of the them more then twice and I know, having seen "Once Upon A Time In Hollywood" at a press screening early this week, I will definitely be seeing it again.

This time Tarantino takes us on a trip back to 1969. The place is Hollywood, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) discover as they make their way around an industry that they hardly recognize anymore.

The ninth film from this writer/director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's Golden Age. The film is touching, funny and knowing what winds up happening...horrifying.

"Once Upon A Time in Hollywood" opens in theatre July 26th. Also in the cast is Al Pacino, Dakota Fanning, Luke Perry in his last role and the wonderful Margot Robbie who plays Sharon Tate capturing her childlike innocence and joy which adds to the audience's pain of knowing her fate.

Compared to all of Quentin's other films, this one is the least violent. It has plenty of humor and insight into a time long gone.

'Once Upon A Time in Hollywood' starts Friday and will be playing in theaters all around town, but get your tickets as soon as possible. I'm sure the film will be selling out quickly.

VICE IS NICE is the next thing on my list and it is not at all what it sounds like. This is an event put on by the Animal Rescue Alliance on Saturday, July 27th from 6:30pm to 11pm. You will have a blast at this event and at the same time make a big difference in the lives of animals are in need of a home.

Last year over 750 animal lovers attended VICE IS NICE and helped raise much needed funds for the Animal Rescue Alliance. This 10th annual event will be the best one ever. Music, dancing, drinks, food, raffle, casino games, tarot card reading and more.

The Animal Rescue Alliance rescues and finds loving homes for abandoned and abused companion and farmed animals. They offer sanctuary to those animals that have special needs and for which it is more difficult to find a good home. The animals come from a variety of backgrounds...from homeless strays and feral animals to rescues from kill shelters and hoarding situations.

Wherever and whenever they see an animal in distress, they help. This is one of my favorite organizations. All an animal wants is to be loved and in return they are forever grateful. I always say, an animal always knows when you save their life. Why not support an organization that does just that?

The Animal Rescue Alliance (TARA) is located at Rancho Providencia, a peaceful four acre ranch in Chatsworth. TARA is a haven for goats, horses, donkeys, parrots, geese, cats and dogs. Their address is 10945 Old Santa Susana Pass Road, Chatsworth, CA 91311.

For tickets and more information go to TheAnimalRescueAlliance.org. or call 818-256-0060.

THE FUTURE IS NOW is a free art show that starts on July 27th and runs through August 11th.

Art Share LA'S 'The Future Is Now" poses the question: What then, does our future look like? Will it be a warning? A call to Action? A celebration of ingenuity? Witness for yourself what the future for you, Los Angeles, and the world may hold. Intriguing? VERY.

Art Share LA is located downtown at 801 East 4th Place, Los Angeles. They are opened Wednesday-Sunday 1-6pm.

For more information call them at 213-687-4278 or email them not only about their upcoming shows, but submitting art work as well at... ArtShareLA.org.

While you are downtown you might want to head over to the REDCAT theatre to check out THE NEW ORIGINAL WORKS FESTIVAL 2019. At REDCAT you will find some of the world's most intriguing envelope-pushing avant-garde theatre, film, music and performance art.

This Annual New Original Works Festival launches nine new works by Los Angeles emerging and mid-career artists who are redefining the boundaries of contemporary performance to invent hybrid artistic disciplines, re-imagine traditions and confront urgent issues. All artistic teams receive free rehearsal space, tech support and artist fees.

The 16th Annual New Original Works Festival kicks off with a program of works by solo artist Sola Bamis; visual and performing artists, Zach Dorn and Danielle Dahl; choreographer Katherine Helen Fisher and Andrew Ondrejcak's THE MUSES renders a suite of lush and riotous dances that conjures a communal space in celebration of the divine feminine.

For more information and for future performances go to RedCat.org.

Whatever you choose to do this weekend, make it a fun one people.


Audio Interview: The cast of “Another Roll of the Dice” at North Coast Rep

Audiences who may be familiar with Nathan Detroit and Miss Adelaide from "Guys and Dolls" will delight in meeting some of their colleagues-in-crime from Runyonland: Joey Uptown, Baseball Hattie, Tobias the Terrible, nightclub song bird Georgia St George and the much-in-demand safecracker, Touch Feely. Don’t take a gamble – get your winning ticket now and be among the first to witness the birth of a sure-fire classic.*

Enjoy this interview with the cast of “Another Roll of the Dice” at North Coast Rep, playing through Aug 11th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Audio Interview: The cast of “Gunshot Medley: Part I” at The Electric Lodge

A lyrical and mystical play with live music, about the struggle against systemic racism. Set in a haunted North Carolina graveyard this intricately crafted work brings past and present together in a soulful tale of lives destroyed by deep-seated tensions and conflicts that have marred America's history from antebellum south to the present day.*

Enjoy this interview with the cast of “Gunshot Medley: Part I” at The Electric Lodge, playing through Aug 11th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Now Registered on the Better Lemons Calendar – July 3 - 21, 2019

Theatrical shows, Film Festivals, Cabaret, and Music Programs  NOW registered on the Better Lemons calendar, including Hollywood Fringe Festival Encore! Producers and Best of Broadwater Award recipients.

For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

MEN ON BOATS

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Towne Street Theatre's "Push the Culture" Nights of Sum Poetry!

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Tartuffe

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The One-Man Improvised Musical

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She LA Arts Summer Theater Festival

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Fefu and Her Friends

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West Side Story

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It Happened in L.A

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OTHERWISE ENGAGED

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LOOSE KNIT

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The Last PowerPoint

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Boeing Boeing

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Dope Queens

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Musical Theatre West presents "Disney's The Little Mermaid"

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Ryan Raftery's "The Rise and Fall (and Rise) of Martha Stewart"

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Adam Pascal: So Far ..,

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Embrace Love Free

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Under Milk Wood

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Beasts from the Sea!

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Enerjoyce...Evolution of a Pisces Baby Boomer

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Camp Fangoria

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Early Birds

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THE SPANISH PRAYER BOOK

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Miss America's Ugly Daughter: Bess Myerson & Me

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The 'Brisk Festival' at The Broadwater is Underway

The Brisk Theatre Festival is underway at The Broadwater, featuring short plays, in English and in Spanish, up to 10 minutes in length and running through August 11, 2019, with eight programs consisting of six to seven plays each, several of which were created by Hollywood Fringe Festival veteran producers and other participants.

The festival opened on July 11, 2019, and two of the eight programs have been presented with six programs remaining, with several of the shows created by Hollywood Fringe Festival veteran producers and participants.

There were 350 plays submitted for consideration and of those selected for performance, 34 are in English and 20 are in Spanish. Most of the productions are produced by local theatre companies in Los Angeles, but there are also artists heralding from Mexico, Florida, and Australia in this first edition of the festival.

The best plays are to be chosen by a jury of professionals including casting directors, producers, directors, actors, writers, managers, and agents. Those chosen go on to compete in a finals weekend on Saturday, August 10, and Sunday, August 11, 2019. The best play in English and the best play in Spanish are to receive an award of $500 each.

The festival was founded by Christian Rodrigo, a Spanish producer, director, and member of The Actors Gang. Rodrigo and Mexican producer and actor Ramon Valdez will be taking the Brisk Theatre Festival to Mexico, Barcelona, and Madrid later this year and in 2020, partnering with Full Emotion, a production company that has been producing films, television, and theater for more than 12-years.

Here is a list of the remaining performances:

From Salvador Casados' "Shakespeare Love" at the 2019 Brisk Festival, at The Broadwater, Los Angeles. Photo courtesy of The Brisk Festival.

The Orange Program, with shows in English. from July 18 - 21, 2018:

"Interventions," written by Greg Lam, and directed by Hollywood Fringe veteran Megan Frances who brought "Hott Line" (2016) to Fringe, tells of a couple on a hike who find that their "special plans" are interrupted by a succession of Time Travelers.

"Grown," written and directed by Soda Persi, features Corey Lynn Howe and Adam Briggs–all Fringe veterans and of Theatre Unleashed–who together bring to Brisk a piece about the nuances of love.

"People Will Talk," directed by Todd Felderstein, and written by Scott Mullen–who brought his play "Piñata" (2017) to Fringe–, is about a surprising connection between two people, challenged by life's obstacles, who meet one night on the ledge of a 12-story office building. A story of "life, the art of listening, and everyday miracles."

Additional shows are "Anything For My Mother," "Noir Man," and "Evidences of a Contemporary Love."

The Yellow Program, with shows in English, from July 18 - 21, 2018:

"Recess," written by Cara Emily Krantz, and directed by Roe Moore who co-produced "Buzz'd Out! LIVE" at last year's Hollywood Fringe, is a tale of two children on a playground who imagine what life would be like as adults, perhaps even together.

"Jill Takes A Leap," directed by Frida De Lackner and written by Mullen, also features multi-Fringe show veteran Asia Lynn Pitts from "Mouthy Bitch" (2016), "Blackballed: The Rise and Fall of Negro League Baseball," (2018) and this year's "Olivia Wilde Does Not Survive the Apocalypse," and is about a woman trying to figure out if she's living her best life.

Additional shows are "You me. Me you," "A Streetcar Derailed," "The Heart to Heart," and "Vote for Me."

The Green Program, with shows in English, from July 25 - 28, 2018:

"To The Roof," written by Cynthia Faith Arsenault, also directed by Frances, and is about elevator riders who become more than passing strangers.

"Captive Audience," written and directed by Raymond-Kym Suttle and hot off his Fringe show this year "Yes. No. Maybe" with actress Dee Dee Stevens, together along with actor Kevin Alain bring to Brisk a piece on how "being a stand-up comedian can bring out the worst in some people. So, be careful who you captivate."

"The Landing," written and directed by Fringe veteran Prakriti Maduro, who brought "Frida Kahlo: Viva La Vida" from Venezuela to the Hollywood Fringe in 2019, brings to Brisk her show "The Landing." brings a story about a woman who appears in the middle of an empty plane, midair, and the sudden arrival of her husband.

"RIP I.N.C.," written and directed by Harim Sanchez–a Sacred Fools member and a four-show Fringe veteran who brought his show "Pagliaccis" to the Hollywood Fringe in 2017--, "follows a world where grim reapers are just cubicle workers sent out to harvest souls, and it's not as 'grim' as one would make it out to be."

Additional shows are "The Gringos are Coming," "Creeper Sunrise," and "Dog Barks, Bodybuilder Slaps."

From Ken Levine's "The Hookup," a finalist at the 2019 Brisk Festival, at The Broadwater, Los Angeles. Photo courtesy of The Brisk Festival.

The Brown Program, with shows in Spanish, from July 25 - 28, 2018:

Shows are "Pastel de Naranja," "El Asunto del Chocolate,"  "La Razon," "Somos Super Fans," "La Gran Familia," and "Cuatro."

In the Pink Program, with shows in English, from August 1 - 4, 2019:

"Fandango,"  written by Karissa Montaner, and directed by Guy Picot who brought "Cookie and the Monster" (2015), "Disasteroid!" (2018), and "Earth to Karen" this year to Fringe tells of "two estranged sisters, forced to unite and discuss the fate of their deceased father's Tapas restaurant, become heels deep in one hell of a flamenco reckoning!"

Additional shows are "Performance Review," "Dead Man's Curve," "The Next Ivan Sharanski," "Spoiler," "Doctor's Orders," and "The Silent Woman."

In the Red Program, with shows in Spanish, from August 1 - 4, 2019:

"A Dos Tumbas de Ti," written by Nancho Novo and directed by Marcel Rasquin, also features Maduro, along with Karla Solarte, about two sisters wake up in their own funeral, having died on the same night but in different accidents. They discover the bizarre circumstances of their untimely death and unveil a secret that might take them straight to the grave for a second time."

Additional shows are "Sexoral," "After Life Vacation," "Crash ¿Quien Tiene La Culpa?" "La Taza que me Mira desde la Meza," and "Mrs. Fox' Zoo."


The Brisk International Theatre Festival is underway at The Broadwater, 1078 Lillian Way, Hollywood, 90038. Tickets for program blocks are $15 - $22. For showtimes visit their website.

Steven Sabel's Twist on the Trade: Too Many Hats...

So many of us in this industry wear a lot of hats. Most of us have multiple descriptors after our names in our email signatures, social media bios, and website home page descriptions. “Steven Sabel, producer, director, designer, actor, writer, podcaster, and publicist.” Sheesh! Pick one already!

The truth is, many of us wear many hats in order to keep our options open and appear more desirable to potential employers. We say, “I can do that too!” with each of our descriptors. We are all trying to make it in the industry, and many of us do not really care which of our many talents gets us in the door: actor, singer, dancer, writer, director, stage manager, whatever it takes. The other side of that is we have to make a living. Many of us wear multiple hats because that is the only way we can pay the bills – picking up whatever gigs we can to add to the proverbial piggy bank however we are able.

There is also a risk to this. If your focus is spread too thin, you cannot apply yourself and talents fully to succeeding at any one thing. You’re an actor. You want to make big block buster movies someday. But you’re also a comedian. You love improv, you take your improv classes, you work on your stand-up routine, because you want to be on a popular sitcom someday. You’re also a writer. You love sketch comedy, and you write your own comic material because you want to be on “Saturday Night Live” someday. You’re also a burlesque dancer. You take your pole dancing classes, perfect your music choices, rehearse your routines, and spend your late nights titillating people into humorous desire. You’re busy! You’re doing all you can to make it. You’re wearing every hat you can think of – including that restaurant server hat you have to wear 20 hours a week to add to that piggy bank.

Here are the hats you are not wearing: business manager, publicist, webmaster, social media marketer, and overall executive director of your potential career. If you aren’t spending that 20 hours per week on these facets of your success, the only thing you will succeed at is being a good hat rack for your many choices of head wear.

As a producing artistic director, I know this far too well. My fellow producers, producing artistic directors, executive directors, managing artistic directors, artistic managing producer directors, and the like, will raise their voices in a silent cheer here as I write this self-aggrandizing truth: Nobody wears more hats than we do. While you are studying your lines, we are studying the bottom line, serving as accountants to our respective theatre organizations. While you are at improv class, we are improvising with available materials to design a set that will work for the show. While you are writing your sketch comedy, we are writing press releases to send to media outlets. While you are rehearsing your next dance routine, we are dancing around questions of financial viability, potential liability, and actors’ reliability.

Man of Many Hats

In addition to being an artistic leader, the producer/director must also often times just be a boss. On our minds at any given time are not just the artistic aspects of the project we are working on, but the business semantics of every decision involved. Our brains are constantly crowded with issues of finances, venue constraints, insurance policies, website updates, social media content, publicity, ticket sales, missing props, washing costumes, developing patrons, juggling schedules, coordinating designers, and a plethora of other responsibilities, including selecting the next project to do it all, all over again.

The producer/director/actor is an absolute crazy person. If you still have your wits about you, adding the actor hat to the mix will definitely drive you over the edge of sanity. It is also a risk that wearing the actor hat on top of the multitudinous head wear of the producer/director will foster a deep seeded resentment toward those who only have to learn their lines, show up to rehearsal, and “play” their parts. Producer/director/actor types would welcome the luxury of delving into their creative process as only an actor, without the weighty heaviness of their positions of leadership. Most of us can’t even remember what it is like to be at a rehearsal with only one task ahead of us – act your part.

Producing/directing isn’t for everyone. I have tremendous respect for those who have tried it and walked away (in some cases run away…screaming), and never looked back at the prospect of ever doing it again. I secretly chuckle at those who say they want to try it – many of them with what business leaders call the “field of dreams” model in their minds, or what marketers refer to (ironically) as the “black box” of their consumerism – but I always encourage them to go forward with their plans. One more producer/director, no matter how short-lived, is one more person who understands how difficult it is to do the job, let alone to do it successfully.

Nonetheless, each and every artist must learn to wear some of these hats concurrently for the advancement of their own careers. I’ve said it before. I’ll say it again: You have to do the work to get the work! If you find that you just cannot juggle your actor/comedian/writer/burlesque interests while also fulfilling the aspects of business manager and promoter for all four pursuits, then you have to pick and choose which hats you can successfully wear.

tam o'shanter

The truth of the matter is that most people just don’t have heads large enough to wear that many hats. A recent stint on stage in a production of “Henry IV,” served as a great reminder to me that even my head is a poor hat rack for too many chapeaus, and I suffered to find the level of concentration I needed to focus on the hat (crown) worn by my character. It was profoundly frustrating. Thankfully I had a director for the project who understood my plight, and did his best to take some of my hats off of my head so I could play my part.

Even still, you learn you can put the hats on. It is difficult to take them off when you want to. You can’t help but worry about how actors are handling their props, keeping actors from eating in costume, making sure ticket sales are up to par, facilitating house management, negotiating details with the venue, promoting the show, and a myriad of other producer duties that just don’t go away because you got the itch to get back on stage and want to be just an actor for a while. It’s tough.

So to all of those out there who are juggling their millinery, especially my fellow producer/director/actor friends: My hat’s off to you! To the rest: time to choose the correct tam o'shanter for your noggin…


JOAN OF ART: An Outdoor Concert, An Indoor Concert, A Musical Parody of a Hit TV Comedy and A Great Musical From Broadway

One thing that I love about the summer is an outdoor concert and this Saturday evening the always fabulous RICKIE LEE JONES will be performing live at Burton Chace Park, 13650 Mindanao Way, Marina del Rey. Tickets are free and the concert starts at 7:00pm and runs till 8:30.

Now in its 19th year, the Marina del Rey Summer Concerts present exciting symphonic and pop concerts. Enjoy a serene sunset by the water while listening to great music. Bring some food along in case you get the munches.

For a full list of their concerts go to EventBrite.com/o/marina-del-rey-summer-concerts-19961789196. No tickets are required for these concerts.

Now if you’d rather be indoors, then head on out to the Forum in Inglewood to either Friday or Saturday night to see ADAM LAMBERT with QUEEN. I’ve seen this concert and it is fantastic. Adam has the same charisma that Freddie Mercury had and the dude can sing.

The Forum is located at 3900 West Manchester Blvd, Inglewood CA To purchase tickets and for more information. go to MSG.com.

If you’d like theatre of a different kind then I’m happy to report that one of my favorite musicals has returned to Los Angeles. The powerful, beautifully written musical MISS SAIGON starting this Thursday, July 18th will be playing at the Hollywood Pantages Theatre, 6233 Hollywood Blvd, Los Angeles.

MISS SAIGON is based on Puccini’s opera Madame Butterfly and similarly tells the tragic tale of a doomed romance involving an Asian woman abandoned by her American lover. The setting of the plot is relocated to 1970’s Saigon during the Vietnam War and Madam Butterfly’s story of marriage between an American lieutenant and a geisha i replaced by a romance between a United States Marine and a 17 year old South Vietnamese bargirl.

The music is absolutely haunting.

For tickets and information go to HollywoodPantages.com

Finally for some lighter fare then i recommend you head over to the Kirk Douglas Theatre to see FRIENDS! THE MUSICAL PARODY. This is the comedic musical that lovingly pokes fun at TV’S Friends, celebrating the adventures of your favorite group of 20 something friends as they navigate the pitfalls of work, life and love in 1990’s Manhattan.

The show has gotten rave review from all over the country.

To purchase tickets and for more information go to CenterTheatreGroup.org The Kirk Douglas Theatre is located in Culver City at 9820 Washington Blvd. This 317 Theatre is absolutely beautiful and a great place to experience theatre.

Whatever you choose to do this summer weekend, make it a great one.


Audio Interview: Ben Ahlers - Liam in NBC’s The Village stars in "Good Boys" at Pasadena Playhouse

As a senior at St. Joseph’s Prep, Brandon Hardy has the world at his feet. He is handsome, athletic, smart, and a shining example of the perfect private school student, just like his father was. But when a sex tape becomes the talk of the locker room, the comfortable lives of the Hardy family threaten to shatter.*

Enjoy this interview with Ben Ahlers - Liam in NBC’s The Village staring in “Good Boys” at The Pasadena Playhouse, running until Jul 21st. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Better Lemons Fringe 2019 Certified Audience LemonMeter Rated Shows

How does a show receive an Audience LemonMeter rated certificate? With 10 audience reviews!

A show receives a LemonMeter rating with 3 reviews but only gets certified after 10 reviews. Why? Because it takes a lot more reviews then just your friends or family to make a show Sweet. We want producers and production participants to encourage audience reviews, so they can get an honest feedback, which would help their show grow. And when a show receives 10+ audience reviews, we reward those productions with a certificate because they encouraged their audiences to get involved, regardless of the outcome of the LemonMeter rating.

So we celebrate these shows and we want to give them recognition and hopefully get more audiences into their seats.

CONGRATULATIONS TO THESE 2019 FRINGE PRODUCTIONS, THAT RECEIVED 10+ AUDIENCE REVIEWS:

TALES FROM THE POWDER ROOM (1st Place Audience Choice Award)
RAISED BY WOLVES (2nd Place Audience Choice Award)
IF WE RUN (2nd Place Audience Choice Award)
HOLLYWOODN'T (3rd Place Audience Choice Award)
THE BULLY PROBLEM
AMERICAN STRANGER THE MUSICAL
AN EXCUSE TO BEHAVE BADLY
FERTILE: A Conversation About the Expectation of Procreation
THE NARCISSIST NEXT DOOR
BUNNY THE ELF LIVE!
MANDY PICKS A HUSBAND
CRACK WHORE, BULIMIC GIRL-NEXT-DOOR
A BIT MUCH
BIRTHDAY
YES. NO. MAYBE.
THANK YOU FOR LOVING ME
(IM)PERFEKT
TRANSFERENCE
LEAVING PRINCE CHARMING
BECOMING PEACE: A One Woman Dramedy about Power, Culture, Violence and Nonviolence
ASK A BLACK WOMAN
OCTOPI WALL STREET
MIL GRUS

To receive a certificate for Audience SWEET LemonMeter rated show, ask audience members to leave a review of your show. They have 30 days after the show closes to leave a review.


JOAN OF ART: A Musical Satire, A Musical Fantasy, Art Universe and an UnCabaret

I love Broadway musicals and this weekend there are two I'm going to see starting with the wonderfully outrageous satire THE BOOK OF MORMON. First staged in 2011 in New York, the play is a satirical examination of Mormon beliefs and practices that ultimately endorses the positive power of love and service.

The script, lyrics and music were written by Trey Parker, Robert Lopez and Matt Stone. Trey and Matt are best known for creating the animated comedy South Park. Lopez co-wrote the music for the musical Avenue Q. 'The Book of Mormon' won the ten Tony Awards including one for Best Musical, Best Book of a Musical and Best Original Score.

I've seen it in New York City on Broadway and almost fell out of my chair laughing. It's that good. They go out of their way to break every boundary in the most unexpected ways.

The musical is playing at the Fred Kavli Theatre located at the Thousand Oaks Civic Plaza, 2100 East Thousand Oaks Blvd, Thousand Oaks, CA. The show plays July 10th and 11th at 7:30, Friday July 12th at 8:00pm, Saturday July 13th at 2:00pm and 8:00pm, Sunday July 14th at 1:00pm and 6:30pm.

To buy tickets or for more information go to CivicArtsPlaza.com or call 805-449-2787.

Now for a very different kind of musical...The Musical Theatre West Production of Disney's THE LITTLE MERMAID at Carpenter Performing Arts Center located at 4350 East 7th Street in Long Beach.

The musical is based on one of Hans Christian Andersen's most beloved stories and the classic animated film of the same name.

This is a hauntingly beautiful love story for all ages. With music by eight-time Academy Award winner, Alan Menken, lyrics by Howard Ashman and Glenn Slater and a compelling book by Doug Wright, this fishy fable will definitely capture your heart with its irresistible songs, including Under the Sea, Kiss The Girl and Part of Your World.

I loved the film so I know I'm definitely going to love this stage production. I've seen many productions by Musical Theatre West and they do great work.

The show runs Friday, July 12th at 8pm, Saturday, July 13th at 2pm and 8pm, Sunday, July 14th at 1pm and 6pm and the following two weekends. The last show is Sunday, July 28th at 6pm. For tickets or more information go to Musical.org or call 562-985-7000.

A different kind of art entitled ART UNIVERSE can be found at Westfield Century City starting on July 12th and ending on July 21st. This is an original production by Likuid Art and 360Art, inspired by paintings and photographs which will take you on a visual journey that transports each viewer to a series of artistic worlds - bringing each piece to life through this animated, virtual spectacle.

Guests will enter a fully immersive, 360 dome theater, outfitted with surround sound where they can lay back and enjoy an experience that combines the future of art, entertainment and technology.

Art Universe features original score and sound design by Dynamite Laser Bean, showcases work by various artists including Android Jones, Greg 'Craola' Simkins, Karen Bystedt, Risk and Chris Saunders.

Their work has been reimagined using 3D modeling, animation and compositing to bring still images to life putting the audience inside of the art. How cool is that?

For more information including ticket prices, dates and time and tickets click HERE. The Westfield Century City is located at 10250 Santa Monica Boulevard in Los Angeles.

Finally the best way to end any weekend is by laughing and the best place to go for that is Beth LaPides UNCABARET. This Sunday, July 14th Beth will host comedians Julia Sweeney, Moon Zappa, Moses Storm, Byron Bowers, Debra DiGiovanni, Jamie Bridgers and Terra Naomi.

UnCabaret takes place the second Sunday of every month, 7:30 at the Rockwell.

The original 'alt-comedy show is now celebrating it's 25th year. Beth invites the most original voices in comedy to share the stories ripped from the headlines of their own lives for one-time-only nights, orchestrated to uplift and inspire. it's intimate, conversational and funny.

The Rockwell Table and Stage is located at 1714 North Vermont in Los Angeles. For tickets go to UnCabaret.com. I guarantee you'll have a great time.

Whatever you do this weekend, make it a fun one.


The Better Lemons 2019 Fringe Audience and Critics Choice Awards

As of this post, the critics and the audiences have spoken, resulting in almost 99 Hollywood Fringe productions receiving a SWEET #LemonMeter rating and 19 Fringe productions receiving #DoubleSWEET ratings (both critics and audience members agreeing on a sweet production).

It takes three reviews from critics or three reviews from the audience to generate a #LemonMeter rating.

The Better Lemons Fringe Audience and Critics Choice Awards, as well as the DoubleSweet Awards are based on the number of reviews submitted before the time of publication.

The shows with the most reviews receive the Audience and the Critics Choice Awards. The Awards are based on the number of reviews, regardless of the #LemonMeter rating of Sweet, Sweet and Sour, or Sour.

CONGRATULATIONS TO ALL THESE WINNERS who have registered their shows on Better Lemons and encouraged audiences and critics to voice their opinion about their show, regardless of the outcome!

Audience Choice Awards:

1st Place
TALES FROM THE POWDER ROOM

2nd Place
RAISED BY WOLVES
IF WE RUN

3rd Place
HOLLYWOODN'T

Critics Choice Awards:

1st Place
BOXING LESSONS
THE BULLY PROBLEM

2nd Place
POCKETS
SCARLETT FEVER
FERTILE: A Conversation About the Expectation of Procreation
THE SAME ROOM

3rd Place
(IM)PERFEKT
TRANSFERENCE
MIL GRUS
TATTERED CAPES
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
WIGFIELD
SON OF A BITCH
THE SCORPION AND THE FROG: A TIME-KILLER

The DoubleSweet Awards are based on the SWEET #LemonMeter rating by both Critics AND Audience members as of Friday noon, June 5th.

DoubleSweet Awards:

(in order of most audience reviews)

RAISED BY WOLVES
IF WE RUN
HOLLYWOODN'T
THE BULLY PROBLEM
FERTILE: A Conversation About the Expectation of Procreation
THE NARCISSIST NEXT DOOR
BUNNY THE ELF LIVE!
A BIT MUCH
CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR
(IM)PERFEKT
TRANSFERENCE
MIL GRUS
START SWIMMING
SUPPORTIVE WHITE PARENTS
SAVING CAIN
BATTER UP: MY BRAIN ON BASEBALL
CIRQUE DU GISELLE
THE LAST CROISSANT
PIT OF GOBLINS
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
TATTERED CAPES
45 MILLIGRAMS
HOW I BECAME A SUPERHERO


Audio Interview: The cast of “Ibsen’s An Enemy of the People” at Theatricum Botanicum

When the water in a popular tourist spa at the heart of a local town’s economy is discovered to be contaminated, powerful people have to decide whether to put the health of visitors above the town's commercial interests. Geer’s adaptation resets the play in the small town of South Fork, South Carolina in the 1980s, where issues of race serve to further compound the economic concerns at stake.*

Enjoy this interview with the cast of “Ibsen’s An Enemy of the People” at Will Geer’s Theatricum Botanicum, playing through Sep 28th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Now Registered on the Better Lemons Calendar – June 26 - July 2, 2019

Theatrical shows registered on the Better Lemons calendar, including Hollywood Fringe Festival Encore! Producers and Best of Broadwater Award recipients.
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Dancing at Lughnasa

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A Wrinkle in Time

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Diary of Anne Frank

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The Center of the Universe

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The Young Artist Project

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The Nerd, by Larry Shue

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Goldfish

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The Direction Home

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King Lear

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DIRTY TRICKS w/ The New Bad Boys of Magic

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The Ruffian on the Stair

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Bakersfield Mist

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Billie Holiday: Front and Center

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Renovations for Six

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URBAN DEATH for kidz

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Naked Came the Neighbor

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Good Boys

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An American Saga Revival - Gunshot Medley: Part I

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The Same Room

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Yes. No. Maybe

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Raised by Wolves

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Stitching Stardust

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FERTILE: A Conversation About the Expectation of Procreation

"WINNER Producers' Encore Award & NOMINEE Best Solo Performance 2019 Hollywood Fringe Festival!

Jenny has a plan. A plan to get pregnant. Everyone says, time is running out - she just turned 35, after all. So, when those pesky urine tests keep coming back negative, Jenny decides to take action to fix the problem. That's when she runs into real problems - and real questions about fertility AND motherhood. As Jenny faces the world of “mom options” – egg freezing, in-vitro, adoption, and more – the conversation about the expectation heats up. Taking into account a whirlwind of outside opinions from her friends, her doctors, a beloved neighbor – and even God – Jenny must ultimately look within to discover what motherhood means to her, what it means to be Fertile."

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Siren Call

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Jamba Juice: The Musical

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LOVE, MADNESS, AND SOMEWHERE IN BETWEEN

"'Love, Madness and Somewhere in Between' is a no holds barred glimpse into a mystical journey filled with love, pain, insanity, and redemption. Scattered along the way is a sprinkling of ironic comic commentary that can only come from a true survivor. “Jimmy” is not so much a hero but more a human being traversing an abusive childhood, a descent into alcoholism and finally plunging into a world of fantastical personifications which dwell amidst humanity's darkest sins. Will closure, forgiveness, and healing come in the unlikely form of the “angel warriors” – patients on the pediatric cancer ward of Children's Hospital? Does Pure Love, in fact, transform and redeem, or are some lives beyond salvation? The show had its world premiere at Theatre West on January 27th, 2019. It ran 6 performances at Hollywood Fringe 2019 and won the Encore! Producers' Award. The show has been extended for three more performances."

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday, February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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Mandy Picks A Husband

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Blackboxing

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A Bit Much

"While on a first date, Stacy's date innocently asks her if she wants red or white wine. This “trick” question immediately sets off a tsunami of Stacy's insecurities, fueled by a history of being shot down after speaking her mind. In the instant it takes to answer that “red or white?” question, Stacy takes us on a hilarious journey of her failed relationships with men, starting in the fifth grade, when she beat her first boyfriend at wall ball during recess. After that he broke up with her. So begins an unintentionally competitive pattern with men that whenever Stacy wins at life, she loses at love. With both sides of Stacy's psyche weighing in like a comical Greek chorus, Stacy tries to figure out what men really want in a women before she answers that all important first date question, 'Would you like red or white wine?'"

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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