Spotlight Series: Meet Cate Caplin, A Multiple Award-Winning Producer, Director and Choreographer


This Spotlight focuses on Cate Caplin, a multiple award-winning producer, director and choreographer whose talents have ignited productions on television, in films, music videos, commercials, and in theatrical venues worldwide. But of course, her busy schedule was put on hold with the rest of the world, just as she was beginning to direct and choreograph a musical very close to her heart.

While I assume almost everyone in the LA Theatre community knows of Cate and her contributions to the Arts, for those not lucky enough to have worked with her before, I am first sharing a bit of her theatrical background.

Cate Caplin has been devoted to the Arts all of her life, having started her dance training at age 5. She trained with many inspirational teachers and coaches over the years including summers at Interlochen Center for the Arts while continuing at the Washington School of Ballet, the Royal Academy in London, and the Metropolitan Ballet where she was a principal dancer.


Cate went on to dance with two more professional ballet companies before moving to NYC to continue her training, performing career dancing with the American Dance Machine, doing summer stock, performing internationally with the Broadway revival of West Side Story, and regionally with Disney's Symphonic Fantasy featured as Princess Jasmine for which she enjoyed a 22 city tour starting at the Hollywood Bowl and ending back in New York City at the Metropolitan Opera House. Her amazing talent and charisma on the dance floor led Cate to become a 34-time Regional and International Theatrical Ballroom Dance Champion.

To this date, Cate has produced, directed and choreographed over 200 productions with her work seen on television, in films, music videos, commercials, and in theatrical venues worldwide from the Paris Opera House to the Broadway Stage. She wrote and directed her first feature film Mating Dance, which won an Accolade Award and can be found on Amazon.com. Her production company, Night & Day Entertainment, co-founded with her creative partner Vernon Willet, custom designs entertainment for private parties, corporate events and industrial trade shows.

 

For her work in theatre, Cate has been the recipient of a Garland Award, a Women in Theatre Red Carpet Award, multiple LA Stage Alliance Ovation, Eddon and Scenie Awards, and was honored to receive an Award of Excellence from the LA Film Commission for her work as a Writer, Director, Choreographer and Producer. Last year, Playwright's Arena presented Cate with the Lee Melville Award for Outstanding Contribution to the Los Angeles Theatre Community.

So how has such a talented and totally creative person been able to deal with the Coronavirus pandemic which has sidelined theatre worldwide?  I spoke with Cate to find out.

Shari Barrett (SB): What production were you involved with when word went out it needed to immediately be either postponed or cancelled due to the COVID-19 outbreak? 

Cat Caplin (Cate): We had just cast 32 actors for a production of West Side Story that I was going to direct and choreograph for Inland Valley Repertory Theatre (IVRT) presented at Candlelight Pavilion. The show was officially canceled one day before our first day of rehearsal, same day that Broadway announced it was closing.

(SB): How was the shutdown communicated with the cast and production team? 

(Cate): The producer, Frank Minano, emailed me and then the entire creative team and cast. Hearts were broken, of course, as we were very excited to begin. I had been so looking forward to creating the production since I was cast in the revival of the show when it was finishing its run on Broadway back in the 80's, and went on a six-month International Tour throughout Italy and at the Paris Opera House for three months. Our production was directed by Jerome Robbins and conducted by Leonard Bernstein! Needless to say, it was a thrill of a lifetime working on that classic show with the original creators.

(SB): Let me know when you write a book about that tour! Are plans in place to present the IVRT production at a future date, or is the cancellation permanent? 

(Cate): I believe the production is canceled completely because IVRT selects their shows based on what Candlelight is producing since they share the backdrop and primary set of what's being presented in their season. I'm not sure how that will play out, especially since no one really knows when theatre will be officially back in full form anywhere, and West Side Story is a big show with lots of physical contact and bodies interacting and dancing in close quarters. The nature of theatre as we knew it is changing dramatically and only time will tell how and what sort of creative work will be presented over the next few months and years. Many companies are canceling seasons completely and postponing productions into 2021, and even that is an unknown entity at this point.

(SB): What future productions on your schedule are also affected by the shutdown?  

(Cate): I have a production I am scheduled to direct in the fall and we are continuing with pre-production conversations sensitive to health and safety elements that are now part of the overall discussion and approach to creating live theatre. I hope we go forward with the show, but like everyone else, we just have to take it one day at a time...

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?  

(Cate): It's been interesting.... even though in theory I have more time each day without my usual classes, appointments, rehearsals and run around activities, my days continue to be quite full. I am reading lots of wonderful books, watching movies and some television series and specials I wouldn't ordinarily take the time to experience.

I have been taking some online classes offered by Yale University, and also tuning in to theatrical podcasts, seminars, and industry panel discussions since our theatrical community is intensely fertile at this time! I decided to jump into the electronic "pool" with everyone else and just signed on to direct my first Zoom staged reading of a new play later in July.

(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Cate): It's important to keep open to learning, stretching and growing, mentally, emotionally and spiritually during tough times. And now that there's time for more channels of inspiration, embrace those opportunities. Trust the "bigger plan" and try to navigate these uncharted waters with hope and faith in a most positive outcome: a renaissance of heightened compassion, empathy, inclusiveness, humanity and peace.

(SB): For more information about Cate including future updates about her theatrical schedule, please visit CateCaplin.com, www.MatingDanceTheMovie.com, DanceInFlight.com


This article first appeared on Broadway World.



Spotlight Series: Meet Elizabeth Adabale Who Studied Pre-Med at USC Before The Stage Called Her Elsewhere


This Spotlight focuses on Elizabeth Adabale, a dedicated musical theatre entertainer who studied public health and theatre at the University of Southern California and taught high school biology with Teach for America, until the stage pulled her elsewhere. I first met her in 2013 when she began to audition for productions in Los Angeles and knew with her talent and stage presence, Elizabeth was destined to “hit it big” on stages across the country! I reached out to her to find out how is she dealing with the cancellation of her national tour in The Color Purple after 111 performances.


Shari Barrett (SB): What would you like readers to know about your own theatrical background?

Elizabeth Adabale (EA): My musical theatre career has been a windy road, beginning with my claim to fame, "starring" as Passenger #3 in my middle school's production of Anything Goes. From the age of 11, I realized that my happy place was on stage singing and dancing in front of an audience. So much so, I begged my parents to let me go to a performing arts high school, but instead went to a medical magnet school that would prepare me to study medicine at the collegiate level. I was still able to participate in some children's theatre in high school, and went on to study public health and theatre at the University of Southern California.

During my time at USC, I realized that there were a lot of opportunities I missed out on because I wasn't a theatre major. I was able to perform in a few shows, but felt I didn't have the training to pursue a career right out of college. Though I was pre-med throughout my time there, I decided at the last minute to pursue another career and joined Teach For America as a high school biology teacher. During the day, I would teach 11th graders about photosynthesis and eventually helped found the theatre program at my school. At night, I would audition and pursue regional theatre in the greater Los Angeles area.

 

(SB): I do remember you were teaching during the day and doing theater at night when I first met you when you walked into the Westchester Playhouse to audition for Little Shop of Horrors in 2013 and blew us away with your voice and stage presence. As I recall, it was one of your first community theatre shows in Los Angeles.

(EA): And my first paid performance was in the ensemble of Queenie Pie, a Duke Ellington opera, with the Long Beach Opera. Realizing I could get paid for my passion lit a fire in me to take things to the next level. My turning point was participating in a musical theatre competition called LA's Next Great Stage Star. It was a 6-week process where 19 contestants and I sang audition cuts to a panel of judges (think American Idol) that included casting directors, agents, and directors.

I signed with Across the Board Talent Agency in 2015, and went on to book shows at various regional theatres in LA such as 3D Theatricals (Parade and Oklahoma), 5-Star Theatricals (Evita, Children of Eden, and Hunchback of Notre Dame), Performance Riverside (Sister Act), The Cupcake Theatre (Little Shop of Horrors, Hairspray, and Urinetown) and the Taylor Performing Arts Center (Sister Act and Joseph...Dreamcoat).

In January of 2019, I took the big leap and moved to New York City to further pursue my career, and waking up at 5am to stand in mile-long lines in 30-degree weather paid off! Within 9 months in the city, I made my Off-Broadway debut in Revelation The Musical, played Jan in Grease at the Fingerlakes Musical Theatre Festival and played a Dynamite in Hairspray at Beef and Boards Dinner Theatre. I also made my national tour debut as a Church Lady and Sofia in The Color Purple. It was a dream job, working with Tony Award-winning director John Doyle and the original set and costumes from the Broadway revival.

(SB): What production(s) were you involved with when word went out it needed to immediately be postponed or cancelled?

(EA): I was on the beautiful island of Key West, Florida and had just completed my 111th performance of The Color Purple. We were making the drive to Cutler Bay, our next tour stop, when our company manager notified us, first by email and then later in person, that we would be laid off for a month. Our tour bus was pretty silent as the weight of the situation dawned on all of us.

Truth be told, we hadn't felt the effects of COVID-19 yet because Key West was such an isolated place that hadn't put any stay-at-home measures in place as yet. It wasn't until we stopped at a Walmart on our way into Miami that we realized the severity of the virus, amazed that lines were irrationally long and it was impossible to purchase simple things like toilet paper, hand sanitizer, and gloves.

Our company of over 35 people were on planes home 2 days later. Originally, we were to resume performances in mid-April and finish the rest of our tour, which was due to run until the end of May. But 2 weeks later, we were informed that Key West was indeed our final performance and the rest of our tour dates had been cancelled. It was devastating to say the least. But while I am unaware of any plans to pick the tour back up in the future, I would love the opportunity to continue telling this story across the country as part of a future touring company.

(SB): What future productions on your schedule are also affected by the shutdown?

(EA): I was in the audition process for a lot of projects that would have started after my tour ended in May. It's so difficult to be unsure of when I'll be able to perform again, but know that everything will work out exactly the way it's supposed to!

(SB): In the meantime, how are you keeping the Arts alive while at home by using social media or other online sites?

(EA): I am so grateful for the wealth of resources that have been available to artists during this difficult time. I am in a Facebook group called No Marking which is led by casting director Kate Lumpkin. From Tuesday-Friday, the group provides various Zoom calls on topics ranging from audition tips to meditation to financial literacy. 3D Theatricals also has a similar program called 3D+U that provides virtual classes geared at supporting the artistic community. I've also been a part of a few virtual cabarets and readings that have helped raise money for The Actor's Fund. But then sometimes, I need to just unplug and take the time to rest. But I am grateful that I know where to go and get resources should I need it.

(SB) Any other thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(EA): Stay strong! These are unprecedented times and it's easy to find the bad in all this, but focus on the good. I am using this time as an opportunity for self-reflection and preparation. I've been ruminating on why I've chosen this profession, and what I want to accomplish. I've also been taking the time to update my resume, fine-tune my self-tape skills, read, and network. We will get through this, and can't wait to see how our industry evolves once this is over.

Let's stay in touch! Follow me on Instagram and Twitter or check out my website at ElizabethAdabale.com


This article first appeared on Broadway World.