Audience: Bailey Walker
An intriguing concept smartly delivered. Basically a fractured man's debate with his forsaken faith, as the clock ticks down to a life changing act. The taut writing crackles with emotional intelligence and, given the concept, surprisingly organic comedy. Those with some scriptural familiarity will undoubtedly nod along with the inherent contradictions that are raised and debated, while those less scripturally inclined (like myself) need not worry. The play does all the work for you. It is not interested in delivering winners and losers, or even a faith-based message per se. It simply asks you to take the journey with these two characters who are impossible not to root for. Gosnell and Floren (who are also the playwrights) display razor sharp timing and, given how familiar they must be with the material, remarkably urgent, just-now deliveries. Floren's cheerfully overeager, Mormon-on-the-doorstep enthusiasm brings levity at first, then a forceful flaws-and-all testament of faith as the ultimate healer, then finally pleaful desperation as the proverbial clock is about to run out. As the man with a dark plan, Gosnell does the emotional heavy lifting with nuance and humanity, wisely resisting the urge to play things too wrought or twitchy. It's a performance that allows the audience to see the decent guy he must have been, punctuated by sudden outbursts of raw anger, betrayal, and self-reflective emotional reckoning. It all happens so seamlessly, it's easy to lose sight of the high wire act these actor / playwrights have pulled off. LaBlanc makes the most of a spare, one room set. No movement wasted. Nothing false or forced. Never too little or too much. Tech work is solid. At a brisk 50 minutes, this one act journey is the best hour I can recall spending away from the smart phone in a long time.