Non-Registered Critics: Marie J. Kilker - Total Theater

Jan

UNTIL THE FLOOD

Orlandersmith uses body language and vocal inflection to excellent effect. Whether white or black, male or female, young or old, all of her characters come alive before our eyes, give voice to their pent-up, heart-felt emotions (some of which, it must be said, are racist to the core). In short, Orlandersmith delivers a stunning, tour de force performance, one which must be rated as memorable.

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