About 10 years ago when I was an intern-turned-associate literary manager at Ensemble Studio Theatre/Los Angeles, I encountered the brilliant dramaturgical mind of Jacqueline Wright. What excites me about her work is that she is a writer and performer who constantly expands our minds as witnesses of the art-making experience. For her, like me, audiences are not just passive consumers of creative work - they are collaborators and, as collaborators, we writers make them work: we don't always tell stories that are linear, cause and effect, character psychology driven, - you name the normative convention often on view in the mainstream. Jacqueline's background in experimentalism makes her a nimble dramatist who weaves into and out of narrative structures, point of views, modalities of storytelling, and genres.
This is no exception in her provocative work Driving Wilde, currently playing at Theatre of NOTE in Hollywood. I caught the piece and engaged in a hearty conversation with Jacqueline afterwards amongst the seats which were just filled with enthusiastic patrons of the show. If you listen closely, you'll hear and feel the verve of the audience that exited the theatre a few moments prior, indubitably changed, challenged, and expanded by the experience they just received during Driving Wilde.
I would be remiss not to give you the tools to see this show yourself, for it is a must see. More information is available at TheatreOfNote.com
And now, Lights Change with my buddy Jacqueline and me: