The bottom line: the entire ensemble does extraordinary work with this play.
Director Judith Moreland, with assistance from Justin Lord and contributions from Nina Sallinen and Dolann Adams as well, navigates the rough waters especially inherent in its most raw moments. She doesn’t shirk the opportunities for laughter, though, that are everywhere apparent. The challenge of orchestrating the rhythms of the play in overlapping conversations and pacing in general registers as a commendable achievement in my book. Likewise, the set design of Brian Graves tastefully fulfills the promise of the script. Well done. - Highly recommended