Eric A Gordon

Registered Critic

Wilson’s great gift is the juicy pungency of language, and it’s in full flower here. It is simply a joy to bask in the streetwise vernacular that suffuses his plays. We know that some of these characters will not respond well to change, but others show promise that they will rise creatively above circumstance and make the best of it. In the end, it’s the humanity that Wilson lifts up in all its complexity, musicality and vivid diversity.
Ruben Santiago-Hudson and his entire cast merit a well-deserved Bravo for a joyous and revelatory couple of hours of fine-tuned stage work. A more authentic production cannot be imagined.

Eric A. Gordon, writes for People's World ( He has written for dozens of local, national, and international publications, mostly about art, music, culture, religion and politics. His undergraduate degree is from Yale and his doctorate in history is from Tulane. He was director of the Workmen's Circle/Arbeter Ring in Southern California from 1995 to 2010. Eric is the author of "Mark the Music: The Life and Work of Marc Blitzstein," and co-author of "Ballad of an American: The Autobiography of Earl Robinson." A book he translated from Portuguese ("Waving to the Train and Other Stories," by Hadasa Cytrynowicz) appeared in 2013. In 2015 he executive produced "City of the Future," a CD of Soviet Yiddish music from the 1930s. He is the former Southern California Chapter Chair of the National Writers Union (Local 1981 UAW/AFL-CIO).