Review On Earthquakes in London


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Willard Manus

Non-Registered Critics


Hats off to Rogue Machine for taking on such an ambitious and costly project—and for succeeding so impressively with it...

Bartlett uses every weapon in his theatrical arsenal to dramatize his story: agit-prop, bawdy humor, satire, realism, fanciful touches, snatches of song, etc. The result is a work of boldness and originality, a one-of-a-kind drama that challenges us to rethink the way we live.

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WILLARD MANUS has been a Los Angeles-based theater reviewer since 1980, writing for such publications as L.A. Weekly, The Outlook, Northeast Newspapers and Pasadena Star-News. He also served as West Coast correspondent for Playbill.com. For the past ten years he has covered southern California theatre for Total Theatre.com. Manus is also a much-produced playwright whose recent credits include FRANK AND AVA (winner of a best-play prize at the 2014 Hollywood Fringe Festival); JOE AND MARILYN: A LOVE STORY; BIRD LIVES!; and PREZ–THE LESTER YOUNG STORY. Manus writes novels as well, the best-known of which is MOTT THE HOOPLE, thanks to the British rock band which took its name from his book. A member of Los Angeles Film Critics Association (LAFCA), his film reviews are carried in lively-arts.com.