Review On "The Unseen Hand" and "Killer's Head"


Paul Myrvold - Theatre Notes

Paul Myrvold - Theatre Notes

Registered Critic


The Killer’s Head (1975) is a curtain raiser, running about ten minutes or so. A condemned man (Steve Howie, on the evening I saw it) is blind-folded and strapped in an electric chair of the “Old Sparky” design. In a sort of faux calmness, he talks about horses and trucks as the end grows nearer. The affect on this audience member was profound and gripping. The tension ratchets up, increasing when he goes silent. Director Darrell Larson is content to have an audience sit and absorb the minutes. When the inevitable occurs, the slowest light fade I have ever seen gives a release that is perfect.

Paul Myrvold - Theatre Notes
Paul Myrvold has been writing theatre commentary for over thirty years, first in the Bay Area covering every kind of performance including plays, musicals, ballet, opera, circus and even a Portuguese-style bull fight. He has written about theatrical performances at all levels in all kinds of venues from the premiere theatres, such as A.C.T., Berkeley Rep and TheatreWorks, to smaller, high quality venues such as San Jose Stage Company, City Lights Theatre Company and Pacific Repertory Theatre in Carmel. He has also covered community theatre productions, college and university productions and, on occasion, high school productions. Now residing in Southern California, Paul has been commenting on shows throughout Los Angeles County and has stretched his beat to Orange County and South Coast Repertory.

An Equity actor for over forty years, Paul played Jonathan Jeremiah Peachum in San Jose Stage Company’s award winning production of The Three Penny Opera and the dual roles of Sir Walter Elliot and Admiral Croft in the world premiere of Jane Austen’s Persuasion also at San Jose Stage Company. He earned a Bay Area Theatre Critics Circle Award for “Outstanding Performance” in the supporting roles of J. V. “Major” Bouvier and Dr. Norman Vincent Peale in the musical Grey Gardens at TheatreWorks (2008). In the summer of 2018, he appeared in the highly acclaimed Open Fist Theatre production of Dylan Thomas’ Under Milk Wood as Reverend Jenkins and Narrator.

Paul has performed on Broadway (most notably in the hit show Shenandoah with John Cullum), off Broadway, off-off Broadway, in regional theatres, summer stock and as a Guest Artist at colleges and universities from coast to coast. He has performed his signature role Cervantes/Quixote in Man of La Mancha eight times over four decades, the latest of which was an intimate, theatre-in-the round production at Pacific Repertory Theatre. Some other favorite roles include King Lear, Fred Graham/ Petruchio in Kiss Me, Kate, Trigorin in The Sea Gull, Fredrik Egerman in A Little Night Music and Caldwell B. Cladwell in Urinetown.

Paul is never happier than when he is in the theatre, either on stage or in the audience, and he hopes to see you at intermission or after the show.