Review On "The Unseen Hand" and "Killer's Head"

Elaine L. Mura - LA Splash

Registered Critic, Writer

From a historical perspective which honors Sam Shepard’s early work in experimental theater, this double bill was intriguing. At the same time, both plays often prove confusing and difficult to follow. They clearly reflected the ethos of the hippie era – both comic and tragic – but times and styles change. Shepard’s early work might almost be seen as the male version of the feminist movement, in that he studies the world from the perspective of the macho guy and all that viewpoint entails. Aficionados of Shepard’s work, as well as drama history buffs, will clearly enjoy the double bill. However, early Shepard might also be seen as an acquired taste.

Born and raised in New Jersey, Elaine Mura moved to New York City as an adult, where she completed her doctorate in psychology and worked in one of New York’s many State hospitals. Subsequently, she decided to scratch a persistent itch to travel and spent ten years living and working in Denmark, Germany, Portugal, and Iran – with shorter stops in the many scenic spots in between. She aplied her skills all over the world doing research, clinical practice, and academic pursuits. Since relocating to Los Angeles, she taught students in the graduate program at Pepperdine University for many years and spent the last 20 years as a forensic psychologist with the California State prison system. But the writing bug forever lay just beneath the surface, and she is currently writing magazine articles and theater reviews while working on a play, a novel, and a book of short stories.