Paul Myrvold - Theatre Notes

Paul Myrvold - Theatre Notes

Registered Critic

A middle aged couple played by Bruce Ladd and Treva Tegtmeier enter into a nicely appointed living room set configured with the audience on all four sides of the square room. They are in their morning robes. They comment on how the house seems to be surrounded by water, a sight they find pleasing. The problem is they have no memories. They don’t know each other, they don’t know their own names. They seem pleasant and intelligent, but bewildered. They woke up in bed naked with the man’s hand on the woman’s breast. This leads him to believe they could be married. The woman is not so sure. They discretely open their robes to each other to check if that rings a bell. It doesn’t, and it wasn’t long before I scribbled the note, No Exit, referring to Jean-Paul Sartre’s existentialist play in which three people find themselves stuck in a room in Hell. This play is not that easy to pigeonhole.

Paul Myrvold - Theatre Notes
Paul Myrvold has been writing theatre commentary for over thirty years, first in the Bay Area covering every kind of performance including plays, musicals, ballet, opera, circus and even a Portuguese-style bull fight. He has written about theatrical performances at all levels in all kinds of venues from the premiere theatres, such as A.C.T., Berkeley Rep and TheatreWorks, to smaller, high quality venues such as San Jose Stage Company, City Lights Theatre Company and Pacific Repertory Theatre in Carmel. He has also covered community theatre productions, college and university productions and, on occasion, high school productions. Now residing in Southern California, Paul has been commenting on shows throughout Los Angeles County and has stretched his beat to Orange County and South Coast Repertory.

An Equity actor for over forty years, Paul played Jonathan Jeremiah Peachum in San Jose Stage Company’s award winning production of The Three Penny Opera and the dual roles of Sir Walter Elliot and Admiral Croft in the world premiere of Jane Austen’s Persuasion also at San Jose Stage Company. He earned a Bay Area Theatre Critics Circle Award for “Outstanding Performance” in the supporting roles of J. V. “Major” Bouvier and Dr. Norman Vincent Peale in the musical Grey Gardens at TheatreWorks (2008). In the summer of 2018, he appeared in the highly acclaimed Open Fist Theatre production of Dylan Thomas’ Under Milk Wood as Reverend Jenkins and Narrator.

Paul has performed on Broadway (most notably in the hit show Shenandoah with John Cullum), off Broadway, off-off Broadway, in regional theatres, summer stock and as a Guest Artist at colleges and universities from coast to coast. He has performed his signature role Cervantes/Quixote in Man of La Mancha eight times over four decades, the latest of which was an intimate, theatre-in-the round production at Pacific Repertory Theatre. Some other favorite roles include King Lear, Fred Graham/ Petruchio in Kiss Me, Kate, Trigorin in The Sea Gull, Fredrik Egerman in A Little Night Music and Caldwell B. Cladwell in Urinetown.

Paul is never happier than when he is in the theatre, either on stage or in the audience, and he hopes to see you at intermission or after the show.