Review On "The Unseen Hand" and "Killer's Head"

Stephen Fife

Writer, Non-Registered Critics

With its improvisatory energy and unpredictable shifts, Shepard’s play depends on the performers being on the same wavelength, and this error in casting throws it off balance, bringing in questions of sexual identity that don’t arise from anything in the script. The play also depends on a sense of danger to be effective, and there isn’t much of that here. This makes it feel like Shepard-Lite — amusing, entertaining, but not as consequential as it could be. Certainly not as much as I remember it being many years ago in Downtown NYC.

Steve is a 5-tool writer (plays, screenplays, novels, poetry, journalism) who has had 11 books published, 10 plays produced, and has written for the New York Times “Arts & Leisure”, Village Voice, New Republic, and many others. He is one of the few people on the planet who can lay claim to spending time with Lee Strasberg, Stella Adler, Sandy Meisner, Allen Ginsberg, Andy Warhol, and Rubin “Hurricane” Carter, as well as so many other extraordinary people who refused to color inside the lines. He is always on the lookout for the original and the incisive.