Hard to watch this psychologically traumatizing journey unfold twice in two months but ironically, this second time out proved a fascinating and interesting homage to just how beautifully David Harrower's troubled characters are written. I want to do anything but compare the two productions or two casts but, suffice to say, if you're a student of theatre, the comparison between the two BLACKBIRDs is almost instantly apparent. Even the direction shows two totally different approaches to the same subject. Where Anna Stromberg's kinetic staging had her performers constantly circling each other ominously like caged animals, here Jeremy Ardianne Lelliott takes a far simpler, far more cerebral approach to the material, a choice which makes the ending even more devastating than the other. Both directions, amazingly, work beautifully.