Review On Lord of the Underworld's Home for Unwed Mothers


Travis Michael Holder

Travis Michael Holder

Writer, Registered Critic


Louisa Hill's dialogue is gritty and often incredibly raw, especially when spouted by the world-weary Corie, yet her subject matter this time out does have the dreaded ring of soapy chick-flick-ery about it that is thankfully skillfully overcome by the production. In the hands of wunderkind director Tony Abatemarco, who stages his players on Cindy Lin's wildly abstract set to wander seamlessly—and sometimes whimsically—from time zone to time zone, Hill's script blossoms like a spring flower. Thanks to this slickly mounted and performed introduction to the work of an obviously gifted new playwright, we can all expect a great future.