Review On THE LOST CHILD


Travis Michael Holder - Ticket Holders LA

Travis Michael Holder - Ticket Holders LA

Writer, Registered Critic


The true elephant in the room chockfull of puzzling and off-the-wall developments is when Angelica admits she is something of a fairy person, living underground with her mystical supernatural guru, if I wasn't too confused and uninterested by then to get it right. There's so much to still explore—and eliminate—here. Rowland's dialogue is beautifully written and the characters are potentially intriguing, but even considering all that and the knockout performance by Addie Daddio that will tear at your heart, little Angelica needs to have Ann sew her shadow back on, put her hands on her hips as she often does and sing a chorus or two of “I Won't Grow Up,” then head back underground just a wee bit longer.

Travis Michael Holder - Ticket Holders LA
TRAVIS MICHAEL HOLDER is Opinionatedasswipe-in-Chief for the new handydandy arts-oriented website TicketHoldersLA.com. He has been a LA theatre critic since 1987 and has taught acting at the New York Film Academy’s west coast campus since 2010. He was Theatre Editor for Entertainment Today for 21 years, reviewed for BackStage for 12 years, and is also currently a contributor to ArtsInLA.com. As a writer, five of his plays have been produced in LA and his first, "Surprise Surprise," became a feature film in 2010, for which Travis wrote the screenplay and appeared in a leading role. An actor since childhood who originally came to LA under contract to Paramount Pictures, he has appeared in six Broadway productions and has traveled extensively in everything from "Bye Bye Birdie," "Hair," and throughout Europe and Asia in "Hello Dolly" to touring as Amos (Mr. Cellophane) Hart in "Chicago." Locally, Travis received the LA Drama Critics’ Circle Award as Kenneth Halliwell in the west coast premiere of "Nasty Little Secrets," a Drama-Logue Award as Lennie in "Of Mice and Men," and he has also received six acting nominations from LA Weekly; a Sage Award; Ovation, GLAAD, NAACP, and five Garland Award nominations. Regionally, he was given the Inland Theatre League Award as Ken Talley in "Fifth of July," three awards for direction and performance as Dr. Dysart in "Equus," and he was up for Washington, DC’s Helen Hayes honors as Oscar Wilde in the premiere of "Oscar & Speranza." His first novel "Waiting for Walk," a memoir of growing up as a child actor, has been sitting in a desk drawer since its completion in 2005, proving there is often a deep divide between talent and functionality. www.travismichaelholder.coms