Spotlight Series: Meet Monica Ricketts Who Discovered the Magic of Performing Onstage as a Child and Never Looked Back


This Spotlight  focuses on Monica Ricketts who discovered the magic of performing onstage as a child and never looked back or wanted to do anything else. I first asked her what she would like readers to know about her theatrical background.


Monica Ricketts (Monica): As a performing artist, the phrase: “good things take time” is a sentence I’ve heard for many years, but hadn't truly applied to my own life until I became a professional actor. By nature, I am a person who longs for immediate results in a fast-paced and “goal oriented” way. But, as I reflect on my last 7 years here in LA, I can recognize the truth in the statement: PATIENCE IS KEY.

Growing up I had big dreams, but in my mind, they were only that: unattainable DREAMS. From the time I was eleven years old, I was heavily involved in my local children's theater in the small town of Carson City, NV and auditioned regularly to get a taste of performing on that stage. I was shy and quite insincere, but once I had a costume, makeup and a script to recite, I suddenly found my VOICE and was surrounded by people like me, who had strong imaginations and a playfulness that was dying to be released. Being a theater kid, I was finally given the freedom to express this part of myself and let me tell you... it felt MAGICAL. I no longer had to hide or shy away from my passion, but rather, I was encouraged to emote, to sing loudly, to be funny and CONNECT.

This passion of theater carried me through middle school, giving me a safe place to discover different sides of my identity, and later, I found myself in the drama program at Carson High School, where I treated my class like a college program. I knew from day one that I wanted to succeed and learn and grow, and, trust me: it was NOT always easy.  But I learned to not give up, and somehow got back on my own two feet with each challenge that came to me. When senior year arrived, I got an opportunity that began to shift this belief when I auditioned for the lead role of Emily Webb in the play Our Town. This was the most difficult piece of theater that I had ever tackled, and I prepared for it with much determination. And to my great surprise, I got cast! This was my first venture playing a role that was both challenging, and outside of my school or familiar children’s theater, and it proved to me that that THIS was what I wanted to do for the rest of my life: I wanted to pursue an ACTING CAREER.

Shari Barrett (SB): That just proves it doesn’t matter at what age you know. But when you know, there is little else that speaks to your soul as deeply as acting does.

(Monica): Once I graduated high school, I decided to drive down to LA to audition to be a Main Stage Performer for Disney Cruise Line, and at only 18 years old, I got cast as Cinderella and Snow White in the musicals onboard the beautiful Disney Wonder Ship. It was my first professional acting/singing job and I was THRILLED. While onboard, I got to explore the beautiful landscapes of Alaska on the cruise itinerary and live my dream of performing for ten months!  From that moment on, I was even more determined to continue to pursue my acting career.

Shortly after, I got cast in a regional production of “Pinkalicious” at the North Coast Rep Theater in Solana Beach, CA, and then I moved to LA to be a full-time actor. I soon got involved with local theater companies, and got cast as Princess Fiona in Shrek the Musical at the Actors Repertory Theater of Simi Valley, and that role changed my life forever. I learned how to laugh at myself, take risks, and dive deep into the heartfelt story of self-acceptance and appreciation, which taught me so much. After that production, I got cast in Spring Awakening at the NoHo Arts Center as Ilse, Hope Cladwell in Urinetown the Musical at Cupcake Theater), Kate Monster in Avenue Q at Cupcake Theater, and Ado Annie in Oklahoma! at Candlelight Pavilion. Then I began to dip my toes in film and commercials.

It was an exciting time - but I kept on feeling a desire to travel and perform abroad. After three years of auditioning for Universal Studios Japan (a theme park in Osaka, Japan), I finally got cast as a Marilyn Monroe lookalike/actor. I have had the opportunity to professionally portray Marilyn since 2014, and I feel quite blessed to carry on her legacy in such a special way. Working in Osaka also gave me the opportunity to travel and experience such a beautiful country. I hiked Mt. Fuji, I appreciated the history, immersed myself in the culture and broadened my horizons. It was a 10-month contract, and while I was away, I discovered SO much about myself and grew not just as a performer, but as a person as well.

(SB): But of course, the Los Angeles Theatre community soon called you back!

(Monica): When I came back to LA, I decided to change my focus and REALLY put my heart and soul into musical theater, because I realized just how much it meant to me and that it is my true calling. And that’s when a huge transformation took place.

The year 2019 was a life changing one: it began with playing Martha May Whovier in the wonderful holiday event Grinchmas at Universal Studios Hollywood. The shortly after, I got cast in Musical Theatre Guild’s production of Minnie’s Boys as Miss Taj Mahal, and also got cast in 5 Star Theatricals production of Matilda the Musical as the Acrobat/Ensemble. It was absolutely incredible to suddenly be working at a level I had only imagined before! These experiences truly shaped my career and I’m so thankful for them.

And that summer, I got the biggest opportunity I’ve ever received: I got to play Sleeping Beauty in Into the Woods at the Hollywood Bowl. Suddenly I was performing alongside Sutton Foster, Patina Miller, Gaten Matarazzo, Sierra Boggess and Skylar Astin, all of who I had admired and looked up to for so many years. It was unbelievably rewarding and an experience I’ll never forget and solidified that this is where I BELONGED. I also received my first Playbill Credit, which was a huge step for me.

Later that fall, I performed at A Noise Within in Pasadena, CA in a workshop called A Sad Tale’s Best for Winter which was a feminist take on Shakespeare’s A Winter’s Tale, written by Anna Miles of “A Beating of Wings” an Artist Collective.

And finally, I had the accomplishment of auditioning and getting cast as Evelyn Nesbit (the girl on the Swing) in Ragtime the Musical at one of the highest acclaimed regional theaters in Southern California: Musical Theatre West. This all happened in ONE year - and my goal of focusing whole heartedly on my theater career TRULY paid off.

I am so thankful for the support of my family, friends and representation who always encourage me to never give up. It is where I feel most alive, and feel so blessed to share my passion with the world. I can’t imagine my life without it. So, after these 7 years, I now know for certain that the phrase “good things take time” is true - being persistent, working hard and not giving up is what dreams are made of - and with that, PATIENCE is key.

(SB): That is quite a roster in the musical theatre world! What production(s) were you involved with when word went out it needed to immediately be either postponed or cancelled in March 2020?

(Monica): I was currently involved with a staged reading of an original musical about the Kennedy Family: called Rose Marie: A Kennedy Life Interrupted. It is a show I have been workshopping with James Mellon and Margaret Owens for a few years now and we were about to perform it for the public. I was also in the midst of auditioning for a few productions: including Mamma Mia for McCoy Rigby Entertainment. The shutdown was communicated via email with the production of Rose Marie, and for Mamma Mia, it was also communicated via email as well as on Julia Flores Casting website. And as far as I know, both productions plan on postponing to a later date as I haven’t heard that either of them will be cancelled permanently.

(SB): Now that you have some time off, how are you keeping the Arts alive while at home by using social media or other online sites?

(Monica): I have been very blessed to have such a wonderful and supportive online community that constantly inspire me to be creative. I have an Instagram account (@monicadanae) where I often share performance videos, create costumes/vintage fashion, and share my daily life. It has helped me keep my artistic interests alive and well, and I am grateful to have other people to inspire me.

I have also received a few voiceover opportunities that I can record from home, as well as Disney-inspired collaborations that have been well received. I also write poetry and am in the process of getting my book published (@poetrybymonica), so sharing via social media has been very helpful. And I have been staying busy by creating princess videos for children through Wishing Well Entertainment, where I dress up as their favorite character and either make a pre-recorded video with a message/story/song or we talk via ZOOM or FaceTime.

(SB): And certainly, almost every little girl I have ever known has wanted to be a Disney Princess.  What other thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Monica): This is a time of uncertainty for many of us, and one that I couldn’t have possibly imagined. The world without theatre is much less colorful, and a whole lot lonelier. And I have to be honest; it hasn’t been easy at all. It’s been especially heartbreaking to watch theaters put their productions on hold, have to cancel, or have to close their doors entirely. But we must not lose hope. Seeing this beautiful community come together through social media and other outlets to support each other in any way they can has been inspiring.

What I’ve taken away from this situation is the extreme importance of the performing arts in our world, and I know that I will never take this art form for granted ever again. Theatre is MAGIC and I’m honored to be a part of it. I miss every aspect of it - from the auditions, rehearsals, tech week, performances and backstage memories and laughter. My hope is that we can bounce back with more strength and passion than ever before, because the world will definitely need a couple hours of theatre bliss inside a theater after the Earth heals from this trying time. And I am certain that we will prevail!


This article first appeared on Broadway World.



Spotlight Series: Meet Elizabeth Adabale Who Studied Pre-Med at USC Before The Stage Called Her Elsewhere


This Spotlight focuses on Elizabeth Adabale, a dedicated musical theatre entertainer who studied public health and theatre at the University of Southern California and taught high school biology with Teach for America, until the stage pulled her elsewhere. I first met her in 2013 when she began to audition for productions in Los Angeles and knew with her talent and stage presence, Elizabeth was destined to “hit it big” on stages across the country! I reached out to her to find out how is she dealing with the cancellation of her national tour in The Color Purple after 111 performances.


Shari Barrett (SB): What would you like readers to know about your own theatrical background?

Elizabeth Adabale (EA): My musical theatre career has been a windy road, beginning with my claim to fame, "starring" as Passenger #3 in my middle school's production of Anything Goes. From the age of 11, I realized that my happy place was on stage singing and dancing in front of an audience. So much so, I begged my parents to let me go to a performing arts high school, but instead went to a medical magnet school that would prepare me to study medicine at the collegiate level. I was still able to participate in some children's theatre in high school, and went on to study public health and theatre at the University of Southern California.

During my time at USC, I realized that there were a lot of opportunities I missed out on because I wasn't a theatre major. I was able to perform in a few shows, but felt I didn't have the training to pursue a career right out of college. Though I was pre-med throughout my time there, I decided at the last minute to pursue another career and joined Teach For America as a high school biology teacher. During the day, I would teach 11th graders about photosynthesis and eventually helped found the theatre program at my school. At night, I would audition and pursue regional theatre in the greater Los Angeles area.

 

(SB): I do remember you were teaching during the day and doing theater at night when I first met you when you walked into the Westchester Playhouse to audition for Little Shop of Horrors in 2013 and blew us away with your voice and stage presence. As I recall, it was one of your first community theatre shows in Los Angeles.

(EA): And my first paid performance was in the ensemble of Queenie Pie, a Duke Ellington opera, with the Long Beach Opera. Realizing I could get paid for my passion lit a fire in me to take things to the next level. My turning point was participating in a musical theatre competition called LA's Next Great Stage Star. It was a 6-week process where 19 contestants and I sang audition cuts to a panel of judges (think American Idol) that included casting directors, agents, and directors.

I signed with Across the Board Talent Agency in 2015, and went on to book shows at various regional theatres in LA such as 3D Theatricals (Parade and Oklahoma), 5-Star Theatricals (Evita, Children of Eden, and Hunchback of Notre Dame), Performance Riverside (Sister Act), The Cupcake Theatre (Little Shop of Horrors, Hairspray, and Urinetown) and the Taylor Performing Arts Center (Sister Act and Joseph...Dreamcoat).

In January of 2019, I took the big leap and moved to New York City to further pursue my career, and waking up at 5am to stand in mile-long lines in 30-degree weather paid off! Within 9 months in the city, I made my Off-Broadway debut in Revelation The Musical, played Jan in Grease at the Fingerlakes Musical Theatre Festival and played a Dynamite in Hairspray at Beef and Boards Dinner Theatre. I also made my national tour debut as a Church Lady and Sofia in The Color Purple. It was a dream job, working with Tony Award-winning director John Doyle and the original set and costumes from the Broadway revival.

(SB): What production(s) were you involved with when word went out it needed to immediately be postponed or cancelled?

(EA): I was on the beautiful island of Key West, Florida and had just completed my 111th performance of The Color Purple. We were making the drive to Cutler Bay, our next tour stop, when our company manager notified us, first by email and then later in person, that we would be laid off for a month. Our tour bus was pretty silent as the weight of the situation dawned on all of us.

Truth be told, we hadn't felt the effects of COVID-19 yet because Key West was such an isolated place that hadn't put any stay-at-home measures in place as yet. It wasn't until we stopped at a Walmart on our way into Miami that we realized the severity of the virus, amazed that lines were irrationally long and it was impossible to purchase simple things like toilet paper, hand sanitizer, and gloves.

Our company of over 35 people were on planes home 2 days later. Originally, we were to resume performances in mid-April and finish the rest of our tour, which was due to run until the end of May. But 2 weeks later, we were informed that Key West was indeed our final performance and the rest of our tour dates had been cancelled. It was devastating to say the least. But while I am unaware of any plans to pick the tour back up in the future, I would love the opportunity to continue telling this story across the country as part of a future touring company.

(SB): What future productions on your schedule are also affected by the shutdown?

(EA): I was in the audition process for a lot of projects that would have started after my tour ended in May. It's so difficult to be unsure of when I'll be able to perform again, but know that everything will work out exactly the way it's supposed to!

(SB): In the meantime, how are you keeping the Arts alive while at home by using social media or other online sites?

(EA): I am so grateful for the wealth of resources that have been available to artists during this difficult time. I am in a Facebook group called No Marking which is led by casting director Kate Lumpkin. From Tuesday-Friday, the group provides various Zoom calls on topics ranging from audition tips to meditation to financial literacy. 3D Theatricals also has a similar program called 3D+U that provides virtual classes geared at supporting the artistic community. I've also been a part of a few virtual cabarets and readings that have helped raise money for The Actor's Fund. But then sometimes, I need to just unplug and take the time to rest. But I am grateful that I know where to go and get resources should I need it.

(SB) Any other thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(EA): Stay strong! These are unprecedented times and it's easy to find the bad in all this, but focus on the good. I am using this time as an opportunity for self-reflection and preparation. I've been ruminating on why I've chosen this profession, and what I want to accomplish. I've also been taking the time to update my resume, fine-tune my self-tape skills, read, and network. We will get through this, and can't wait to see how our industry evolves once this is over.

Let's stay in touch! Follow me on Instagram and Twitter or check out my website at ElizabethAdabale.com


This article first appeared on Broadway World.



Spotlight Series: Meet Multi-Talented Triple-Threat Actor John Devereaux from Hamilton Touring Company


This Spotlight focuses on John Devereaux, a multi-talented triple-threat actor who I shared the stage with in Little Shop of Horrors at the Westchester Playhouse after he arrived in Los Angeles from Houston, and who has gone on to charm audiences across the country in touring productions of Rent and Hamilton. John also appeared locally in Dreamgirls at the Pasadena Playhouse, Spamilton at the Kirk Douglas Theatre, and during the Hollywood Fringe Festival in the world premiere of Recorded in Hollywood, among many other productions.

I was so looking forward to seeing him take the stage in Hamilton at the Hollywood Pantages Theatre soon, but unfortunately the national tour in which he was appearing had to shut down along with the rest of the world’s theaters. So what’s he up to now?


Shari Barrett (SB): What would you like readers to know about your theatrical background?

John Devereaux as Collins in "Rent"

John Devereaux (John): I grew up in Houston, Texas and moved to LA in 2012 to continue my career in performance, beginning with studying Improv at The Groundlings. I’ve been fortunate enough to be a part of a number of professional productions working with some of the best in the area, including McCoy/Rigby Entertainment, Center Theatre Group, and 5-Star Theatricals. I’ve also toured with the 20th Anniversary Tour of Rent and currently with the Angelica Tour of Hamilton.

John Devereaux on the Angelica Tour of "Hamilton"

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(John): I was in Miami with the Angelica Tour of Hamilton when we got word that our shows would be postponed/cancelled 

(SB): How was the shutdown communicated with the cast and production team?

(John): I do believe our company managers did the best they could in the moment with everything going on and there is probably nothing more challenging than managing a touring theatre company. After we had two meetings after two of our evening shows, we were implementing new procedures to keep the company safe (not doing backstage tours, not signing at the stage door, etc.), which left us wondering what was going to happen to the rest of our tour schedule. Then the cancellation of our next city, Jacksonville, was announced publicly on the Hamilton Instagram story before we found out ourselves. Knowing there was work to be done during that time, including the spread of information, I can see why we might have been the last to know. It was just a sad moment personally for me.

John Devereaux backstage in "Dreamgirls" at the Village Theatre

(SB):  Are plans in place to present that production at a future date, or is the cancellation permanent?

(John): Dates are being rescheduled as word comes in. It may not be the company/tour that was originally supposed to do the engagement, but Hamilton will still happen in those cities at a later time.

(SB): That’s great to know that I may get the chance to see you in the show then! Were there other future productions on your schedule also affected by the shutdown?

(John): None as of yet. As of March, I’m scheduled to stay on the Hamilton tour at least through June 2021. But for now, I am coping with all of this by creating bits of humor online. Funny videos mostly on Instagram.

John Devereaux in"Spamilton" at the Kirk Douglas Theatre

(SB): I have been enjoying many of them on your Facebook page! It’s great to see so many creative people bringing humor to the forefront during this pandemic.  

(John): To members of the Los Angeles Theatre community and those across the country, please remember our industry will bounce back. Ours is a business of escapism, people are going to need something else than a screen to entertain them once this is all done. We’re going to get through this.

In the meantime, take a breath. Spend time with the people you love or doing the other things you love or finding new things to love! To those for whom performance was their escape, it’s okay to feel that emptiness. It’s okay if there’s nothing there to replace it right now because this is a time to focus on the other parts of our lives that inform our performances; our art. Life is but an opportunity to be and as long as there is breath in our lungs, we can breathe life into anything.


This article first appeared on Broadway World.



THE BEST OF SHOWS ON BETTER LEMONS IN 2019

Better Lemons had a fantastic year and we couldn't have done it without the fantastic critics, publicists, and audience members who share their love of Los Angeles theater, by posting on Better Lemons and sharing their favorite shows and their reviews on social media.

We are especially grateful for all the Registered Critics who took their time this past year to rate shows they have reviewed to be included in our LemonMeter.

There were 1200 productions registered on Better Lemons in 2019! Out of those registered shows, over 600 received at least one review from a Critic and 201 were reviewed by Audience members. Out of these shows, we selected the winners that were most favored by Critics and/or Audiences.

Here is a list with all the Better Lemons SWEET productions of 2019:

The Better Lemons DoubleSWEET #LemonMeter Choice Awards for 2019
are going to the following productions:

(33 shows out of 1200 productions received
a DoubleSWEET #LemonMeter rating
from audience and critics)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet
14 Critics reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet
9 Critics reviews - 94% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet
4 Critics reviews - 75% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet
7 Critics reviews - 93% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR at the Complex Theatre
14 Audience reviews - 96% Sweet
3 Critics reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

BLACKBOXING at the Complex Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

TRANSFERENCE at The Broadwater
9 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

SCRAPS at the Matrix Theatre
8 Audience reviews - 100% Sweet
15 Critics reviews - 87% Sweet

SUPPORTIVE WHITE PARENTS at The Broadwater
8 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
7 Audience reviews - 100% Sweet
13 Critics reviews - 92% Sweet

ROMEO AND JULIET IN HELL at the Actors Workout Studio
7 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

FALLEN SAINTS: SALEM at the Actors Workout Studio
7 Audience reviews - 100% Sweet
7 Critics reviews - 100% Sweet

SAVING CAIN at the Hudson Theatres
6 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

THE LAST CROISSANT at The Broadwater
5 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
4 Audience reviews - 100% Sweet
10 Critics reviews - 95% Sweet

OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE at the Complex Theatre
4 Audience reviews - 100% Sweet
6 Critics reviews - 92% Sweet

CLARISSANT at the Atwater Village Theatre
4 Audience reviews - 88% Sweet
4 Critics reviews - 100% Sweet

CIRQUE DU GISELLE at the Assistance League Theater
4 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BATTER UP: MY BRAIN ON BASEBALL at studio/stage
4 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

JOAN AND WHAT DID THEY SAY - AN EVENING OF ONE ACTS at Theatre Unlimited (T.U. Studios)
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TREASON at the Stephanie Feury Studio Theatre
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

45 MILLIGRAMS at The Broadwater
3 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

The Better Lemons Audience #LemonMeter Choice Awards for 2019
are going to the following productions:

(32 shows out of 1200 productions received
a minimum of 10 audience reviews
and have received a SWEET #LemonMeter rating by the Audience)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet

AN EXCUSE TO BEHAVE BADLY at the Lounge Theatre
22 Audience reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet

TELENOVELA at the Actors Workout Studio
16 Audience reviews - 100% Sweet

AMERICAN STRANGER THE MUSICAL at Studio C
16 Audience reviews - 100% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR Complex Theatre
14 Audience reviews - 96% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet

MANDY PICKS A HUSBAND at the Actors Company
13 Audience reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet

ASK A BLACK WOMAN at Studio C
12 Audience reviews - 100% Sweet

THANK YOU FOR LOVING ME at the Stephanie Feury Studio Theatre
12 Audience reviews - 100% Sweet

BIRTHDAY at the Actors Company
12 Audience reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

LEAVING PRINCE CHARMING at the Lounge Theatre
11 Audience reviews - 100% Sweet

ENERJOYCE...EVOLUTION OF A PISCES BABY BOOMER at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

YES. NO. MAYBE. at the Complex Theatre
11 Audience reviews - 100% Sweet

BECOMING PEACE: A ONE WOMAN DRAMEDY ABOUT POWER, CULTURE, VIOLENCE AND NONVIOLENCE at the Lounge Theatre
10 Audience reviews - 100% Sweet

CAT SH!T CRAZY...FROM HOT MESS TO HOT MAMA IN FOUR SIMPLE CATS at the Whitefire Theatre
10 Audience reviews - 100% Sweet

OCTOPI WALL STREET at the New American Theatre
10 Audience reviews - 100% Sweet

EMBRACE LOVE FREE at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

BLACKBOXING at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet

The Better Lemons Critics #LemonMeter Choice Awards for 2019
are going to the following productions:

(92 shows out of 1200 productions received
a minimum of 10 critic reviews
and have received a SWEET #LemonMeter rating by the Critics)

DANIEL'S HUSBAND at The Fountain Theatre
26 Critics reviews - 96% Sweet

WITCH at the Geffen Playhouse
21 Critics reviews - 93% Sweet

HANDJOB by the Echo Theater Company
21 Critics reviews - 79% Sweet

THE PLAY THAT GOES WRONG at the Ahmanson Theatre
21 Critics reviews - 76% Sweet

THE CRIPPLE OF INISHMAAN by the Antaeus Theatre Company
20 Critics reviews - 90% Sweet

SKINTIGHT at the Geffen Playhouse
19 Critics reviews - 100% Sweet

THE CAUCASIAN CHALK CIRCLE by the Antaeus Theatre Company
19 Critics reviews - 97% Sweet

BETWEEN RIVERSIDE AND CRAZY at The Fountain Theatre
19 Critics reviews - 79% Sweet

LATIN HISTORY FOR MORONS at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

MATTHEW BOURNE'S SWAN LAKE at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

1776 THE MUSICAL at the La Mirada Theatre for the Performing Arts
18 Critics reviews - 94% Sweet

BRONCO BILLY - THE MUSICAL at the Skylight Theatre Company
18 Critics reviews - 92% Sweet

AN INSPECTOR CALLS at The Wallis Annenberg Center for the Performing Arts
18 Critics reviews - 81% Sweet

DEADLY at the Sacred Fools Theater Company
18 Critics reviews - 75% Sweet

ON BECKETT at the Kirk Douglas Theatre
17 Critics reviews - 100% Sweet

HELLO DOLLY at the Pantages Theatre
17 Critics reviews - 97% Sweet

READY STEADY YETI GO at the Rogue Machine Theatre
17 Critics reviews - 82% Sweet

TOO MUCH SUN at the Odyssey Theatre
17 Critics reviews - 82% Sweet

SALVAGE at the Lounge Theatre
16 Critics reviews - 100% Sweet

LOOT at the Odyssey Theatre
16 Critics reviews - 91% Sweet

ANNE, A NEW PLAY at the Museum of Tolerance
16 Critics reviews - 88% Sweet

MYSTERIOUS CIRCUMSTANCES at the Geffen Playhouse
16 Critics reviews - 84% Sweet

NICK DEAR'S FRANKENSTEIN at A Noise Within
16 Critics reviews - 78% Sweet

RAGTIME: THE MUSICAL at the Pasadena Playhouse
15 Critics reviews - 100% Sweet

INDECENT at the Ahmanson Theatre
15 Critics reviews - 100% Sweet

LOVE ACTUALLY LIVE at The Wallis Annenberg Center for the Performing Arts
15 Critics reviews - 97% Sweet

DANA H. at the Kirk Douglas Theatre
15 Critics reviews - 97% Sweet

EIGHT NIGHTS by the Antaeus Theatre Company
15 Critics reviews - 93% Sweet

FALSETTOS at the Ahmanson Theatre
15 Critics reviews - 90% Sweet

A KID LIKE JAKE by the IAMA Theatre Company
15 Critics reviews - 90% Sweet

LACKAWANNA BLUES at the Mark Taper Forum
15 Critics reviews - 90% Sweet

HYPE MAN at The Fountain Theatre
15 Critics reviews - 90% Sweet

SCRAPS at the Matrix Theatre
15 critics reviews - 87% Sweet

OTHELLO at A Noise Within
15 Critics reviews - 80% Sweet

PARADISE at the Matrix Theatre
15 Critics reviews - 77% Sweet

LINDA VISTA at the Mark Taper Forum
15 Critics reviews - 77% Sweet

AUGUST WILSON'S JITNEY at the Mark Taper Forum
14 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
14 Critics reviews - 100% Sweet

THE SKIN OF OUR TEETH at Will Geer's Theatricum Botanicum
14 Critics reviews - 100% Sweet

DIANA OF DOBSON'S by the Antaeus Theatre Company
14 Critics reviews - 93% Sweet

MOBY DICK - REHEARSED at Will Geer's Theatricum Botanicum
14 Critics reviews - 89% Sweet

THE SOLID LIFE OF SUGAR WATER by Deaf West Theatre
14 Critics reviews - 89% Sweet

LITTLE SHOP OF HORRORS at the Pasadena Playhouse
14 Critics reviews - 75% Sweet

TWO TRAINS RUNNING AT MATRIX at the Matrix Theatre
13 Critics reviews - 100% Sweet

IN CIRCLES at the Odyssey Theatre
13 Critics reviews - 100% Sweet

TWELFTH NIGHT at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 100% Sweet

RAGTIME at the Chance Theater
13 Critics reviews - 96% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
13 Critics reviews - 92% Sweet

WITNESS UGANDA at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 92% Sweet

THE JOY WHEEL at the Ruskin Group Theatre
13 Critics reviews - 88% Sweet

THE WOLVES by the Echo Theater Company
13 Critics reviews - 88% Sweet

FAITH HEALER at the Odyssey Theatre
13 Critics reviews - 88% Sweet

THE NICETIES at the Geffen Playhouse
13 Critics reviews - 88% Sweet

ARGONAUTIKA at A Noise Within
13 Critics reviews - 88% Sweet

THE PRODUCERS at the Celebration Theatre @ The Lex
13 Critics reviews - 88% Sweet

FEFU AND HER FRIENDS at the Odyssey Theatre
13 Critics reviews - 88% Sweet

LIGHTS OUT: NAT "KING" COLE at the Geffen Playhouse
13 Critics reviews - 85% Sweet

GRUMPY OLD MEN: THE MUSICAL at the La Mirada Theatre for the Performing Arts
13 Critics reviews - 77% Sweet

HAPPY DAYS at the Mark Taper Forum
12 Critics reviews - 100% Sweet

CANYON at theLos Angeles Theatre Center
12 Critics reviews - 100% Sweet

THE VANDAL at the Chance Theater
12 Critics reviews - 100% Sweet

DEATH OF A SALESMAN at the Ruskin Group Theatre
12 Critics reviews - 96% Sweet

NANCY F***ING REAGAN at the Secret Rose Theatre
12 Critics reviews - 88% Sweet

AMERICA ADJACENT at theSkylight Theatre Company
12 Critics reviews - 83% Sweet

DEFENDERS at The Broadwater
12 Critics reviews - 79% Sweet

ANASTASIA at the Pantages Theatre
12 Critics reviews - 75% Sweet

JULIUS WEEZER at the El Portal Theatre
11 Critics reviews - 100% Sweet

ANDY WARHOL’S TOMATO at the Pacific Resident Theatre
11 Critics reviews - 100% Sweet

BURIED CHILD at A Noise Within
11 Critics reviews - 100% Sweet

SINGIN' IN THE RAIN at the La Mirada Theatre for the Performing Arts
11 Critics reviews - 100% Sweet

HERSHEY FELDER: A PARIS LOVE STORY at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 100% Sweet

ANNA IN THE TROPICS by the Open Fist Theatre Company
11 Critics reviews - 95% Sweet

THE GLASS MENAGERIE at A Noise Within
11 Critics reviews - 95% Sweet

AT THE TABLE at The Road Theatre Company
11 Critics reviews - 91% Sweet

MISS LILLY GETS BONED at the Rogue Machine Theatre
11 Critics reviews - 91% Sweet

SISTERS IN LAW at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 91% Sweet

THE GREAT LEAP at the Pasadena Playhouse
11 Critics reviews - 91% Sweet

A STREETCAR NAMED DESIRE at the Odyssey Theatre
11 Critics reviews - 86% Sweet

M. BUTTERFLY at the South Coast Repertory
11 Critics reviews - 77% Sweet

THE MAN WHO CAME TO DINNER by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
10 Critics reviews - 95% Sweet

DAMES AT SEA by the Sierra Madre Playhouse
10 Critics reviews - 95% Sweet

NEVER IS NOW at the Skylight Theatre Company
10 Critics reviews - 95% Sweet

THE NEW ONE at the Ahmanson Theatre
10 Critics reviews - 95% Sweet

FRIENDS WITH GUNS at The Road Theatre Company
10 Critics reviews - 90% Sweet

ROALD DAHL'S MATILDA THE MUSICAL by 5 Star Theatricals
10 Critics reviews - 90% Sweet

DISNEY'S FROZEN at the Pantages Theatre
10 Critics reviews - 90% Sweet

THE MIRACULOUS JOURNEY OF EDWARD TULANE by the 24th STreet Theatre
10 Critics reviews - 85% Sweet

SPECIAL at the Theatre of Note
10 Critics reviews - 85% Sweet

SWEENEY TODD - THE DEMON BARBER OF FLEET STREET at the South Coast Repertory
10 Critics reviews - 85% Sweet

FIFTEEN MEN IN A SMOKE-FILLED ROOM at Theatre 40
10 Critics reviews - 85% Sweet

LOOSE KNIT by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 80% Sweet


'Patrick Cassidy' Leaves '5-Star Theatricals' as Artistic Director

Patrick Cassidy has resigned as Artistic Director, according to a statement released by 5-Star Theatricals.

As Artistic Director, Cassidy oversaw two seasons of successful productions such as "Beauty and the Beast," "Shrek," "Roald Dahl's Matilda The Musical," and, most recently, "West Side Story" at 5-Star Theatricals' Thousand Oaks theatre venue.

5-Star Theatricals (formerly Cabrillo Music Theatre) is an Ovation Award-winning resident musical theatre production company of the Thousand Oaks Civic Arts Plaza, and a non-profit theatre organization, producing live performing arts experiences and musical theatre productions for over three decades to the Ventura and Los Angeles Counties and the surrounding area patrons.

“We are so grateful to Patrick for the time he spent as Artistic Director of our company," said Executive Director Cindy Murray in a statement. "His talent and expertise continued the excellence that our subscribers and audiences expect from our productions. He will be greatly missed and we wish him nothing but the best as he moves forward on his artistic journey.”

As an actor, on Broadway Cassidy performed as Frederic in “The Pirates Of Penzance” opposite Kevin Kline in 1982, played Jeff Barry in the Tony-nominated “Leader Of The Pack,” and the Balladeer in Stephen Sondheim’s “Assassins.”

A theatrical director and producer as well, Cassidy is the son of Oscar-winning Shirley Jones and the late Jack Cassidy, and his past directing credits include “The Music Man” at the Kennedy Center, “Oklahoma!” at the Pittsburgh Playhouse, “Jesus Christ Superstar” at Western Michigan University, and “Showstoppers” at the Wynn Hotel in Las Vegas as resident director, to name a few.

“I have nothing but respect and admiration for the board and staff and everyone at 5-Star Theatricals," said Cassidy in the statement. "This experience has been a gift that I will never forget, and [I] am so grateful to have had the opportunity to serve my community and my Los Angeles theatrical family in this role.”

According to Tennessee publication, the Williamson Source, Cassidy, as Artistic Director, will be joining Studio Tenn,  a 501(c)3 nonprofit organization in Franklin, Tennessee.

5-Star Theatricals is to announce a new Artistic Director soon.


Ashton's Audio Interview: The cast of “WEST SIDE STORY” at 5-STAR THEATRICALS

Set on the streets of 1950s New York City, WEST SIDE STORY is a gripping, modern rendition of Shakespeare’s classic Romeo and Juliet. Tony and Maria are young lovers in a forbidden relationship, caught in a web of intolerance and vengeance that threatens to tear them apart. Since debuting on Broadway in 1957, WEST SIDE STORY has become one of the most beloved and riveting musicals in theater history.*

Enjoy this interview with the cast of “West Side Story” at 5-STAR THEATRICALS, playing through Aug 4th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


PODCASTS - The Belle's of 'Disney's Beauty and the Beast': Interviews with Susan Egan and Yvette Lawrence

5-STAR THEATRICALS production of “BEAUTY AND THE BEAST" (Courtesy of 5 Star Theatricals)

5 Star Theatrical's production of Disney's Beauty and the Beast is playing at the Thousand Oaks Civic Arts Plaza until July 29, 2018 and Better Lemons recorded two podcasts, one with Susan Egan and one with Yvette Lawrence-Bishop.

In the first podcast Egan talks about the joys of returning to the role of “Belle” while embracing the new elements brought to the production by director Yvette Lawrence-Bishop. She also discusses the similarities and differences from the original Broadway touring production.

Anime, Comic-Con, and cosplay fans will enjoy hearing Egan chat about her voice acting characters, including her work at The Broadway Princess Party with Club Kraftland at That's From Disneyland.

Egan is a BTVA (Behind The Voice Actors) Television Voice Acting Award-winner and has been nominated for Tony and Drama Desk awards.

In the second Podcast, Lawrence-Bishop talks about her working relationship with Egan and the elements that make this production a unique, educational, family affair.

Lawrence-Bishop also discusses her work as a teacher and as a director with 5 Star Theatricals.

Yvette Lawrence-Bishop is an award-winning multi-faceted director, producer, and performer. She also teaches a Master Class in acting and serves as director of Performing Arts and director of Drama at Chaminade College Preparatory.

Lawrence-Bishop has directed productions such as Guys and Dolls, Godspell, Once Upon a Mattress, 25th Annual Putnam County Spelling Bee, and Romeo and Juliet. She also has credits as a performer on Broadway and on television.

5 Star Theatricals production of Disney's Beauty and the Beast is currently playing at the Thousand Oaks Civic Arts Plaza until July 29, 2018.

Visit the site for showtimes and ticket information.

For more podcasts like these, go to our Better Lemons Soundcloud channel.


Now registered this week on the Better Lemons Calendar July 17 to July 22, 2018

New shows registered on the Better Lemons calendar. For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.
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AFFLICTED: DAUGHTERS OF SALEM


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Idol Minds


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Wonder


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The Phantom Cabaret: A Benefit Gala Supporting Arts Education


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Faith Healer by Brian Friel


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CarneyMagic


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13th Annual Young Artist Project


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Beauty and the Beast

Register your show on Better Lemons

Register your Los Angeles and Orange County area show(s) and events on Better Lemons by Sunday at 7 p.m. PST to get your show in a weekly Registered Shows article, published every Monday at 11 a.m., PST. Each of these articles is mirrored on our Better Lemons Wakelet account as well. wakelet.com/@BetterLemons