For Acting Coach Joshua Finkel, Creativity Goes On...


Actor/director/producer/teacher Joshua Finkel does not let CoViD-19 get in the way of his work. In our discussion he gives us examples of the projects he is most proud of and is totally insistent on marching forward in spite of the odds.


Don Grigware (DG): Are you still working during CoViD-19? If so, for whom?

Joshua Finkel (JF): Right now I'm just working for California Lutheran University. Everything else that would be extracurricular or master classes or whatever has shut down so this is my ongoing semester gig.

After I get over some work pile with that, learning how to segue all that info online-- which is a definite trial-and-error learning curve, I might do some free online classes for clients just to keep people creative, because I know people are out of work and they can't afford to pay me for stuff like this most likely. So it's a really tricky catch-22 and I'm grateful for the University right now.

But that is the only place I work aside from New Musicals Inc where I am not doing master classes because we have to maintain social distance, plus there is no reason to need to audition for anything right now because everything is shut down.

My directing projects at California Lutheran also got shut down. If we can, we will remount those shows in the fall if some of those people are still available. It's a weird bubble as you know.

DG: When you work with a client, do you encourage a new interpretation of playing a role or adding something innovative?

JF: If I am teaching my cabaret class or I am working with a client to build a one person show, it's always about finding a fresh angle or finding a subject matter that is less explored, but that they have a very close and personal relationship with.

One of my favorite results of that was with Roslyn Cohn, who let us know that she had been a member of the church of Scientology for 27 years and had gotten out. This was a few years back, before the Going Clear film had come out and really no one had a clear understanding of the breakdown and blow-by-blow of the Scientology organization

So we built a cabaret act that she had filmed at Sterling's Upstairs at the Federal. I helped with everything from the poster design to the title to the choreography to the structure and the content.

Her goal was to make it accessible via YouTube and inform folks who are considering going into the church that they should not, as well as inspiring and supporting those trying to get out of the church.

After she posted it, she received many international invitations to perform it at festivals and venues around the world.

Because it is such a painful journey for her to go through emotionally, though of course it has a lot of comedy in it, she turned the invitations down. But she was thrilled that it has gotten all of that attention and is helping folks around the world.

DG: That's a great story. Ros Cohn is a talented lady, and I am sure she made the right decision for herself at that point in her career. Any other cabaret clients with interesting happenings to relate?

JF: Yes, another set of cabaret clients not only did their show in Los Angeles but also at 54 Below a New York, and that was an exciting journey. Two Broadway teens who knew each other during their year on Broadway working in separate shows Matilda, and Annie, came together at last.

DG: What do you feel are your most effective strategies in coaching your students?

JF: I often try to help people give the best possible audition: best vocals in the correct style, clear emotionally full acting choices that also stay within the genre. But if they are going 'outside the box' we practice those choices as well, so in case they are asked for an adjustment, they are ready because they have explored those options.

Many times when we are building a part that a client booked after coaching/callback coachings, we go through the role and I give them the system to look at it not only as an actor, but also as a director to help come up with the smartest and most well rounded choices.

I did that with Sandy Bainum prior to playing Mame back east and also with Talya Sindel to build Esmeralda in Hunchback, which of course got postponed/cancelled due to Corona.

So, right now, I'm weekly coaching my students at California Lutheran University on Cold Reading and Acting and Monologue Prep, plus teaching some voice lessons online and also teaching Tap to my online dance students at CLU.

I am doing live teaching with supplemental training videos I created so the students can drill from those as well as between our sessions. I record the sessions, upload them and share those with the students and also for further study.

Whether already accomplished or yet to come, the projects of Josh Finkel are never ending. For him and his students, creativity most definitely goes on...

For upcoming projects, visit https://ccactingstudio.com/director/#upcoming_director


Actor/Singer Robert Bannon Works Creatively During COVID-19 Closure of Feinstein's

Actor/singer Robert Bannon has worked on Broadway and on TV's "SNL." He was scheduled to present his cabaret show "Unfinished Business" at Feinstein's at Vitello's April 14 (Feinstein's is closed until further notice because of the Corona Virus.) In our conversation he tells us about his background and how his love of the "American Songbook" came to be.

Tell our readers why you are recording an album in salute to the American Songbook. You graduated from Juilliard Prep. What did you learn from the composers of these songs? Who are your favorites?

RB: Growing up in a good little Italian-Irish family in NJ, the music of Sinatra, Sammy, Dean, Johnny was reverent. The instrumentation, storytelling, and classic nature of these songs just spoke to me. I have always been a fan of the “story” and the build of a song. I love singing all music and listening to everything from hip hop to country (and sometimes that sneaks into the show) but all in all nothing beats the classics. They can be done and reimagined but the bones of them remain and will last forever.

I did go to Juilliard Prep, I was in the first music theatre class under Bertin Rowser and Diane Wilson. I am so grateful to them for seeing something in me, as a child, I didn’t see in myself. I learned that acting and musical theater are truly art forms. There is a difference between fame/celebrity and the art and the work it takes to serve it. That goes back to the classic element of the show. It is my story, but I serve the music and I hope that translates.

As far as composers, I learned it iss all in the melodies. Can you listen to a song and remember it? That is the magic of a good song. Also the saying that you don’t remember what you did or what you said but you will always remember how you FEEL! Does the music make you feel something? The universal themes of them all!

I have a bunch of favorites. I love Johnny Mercer. His vibe and style is just timeless. The poetry of his lyrics is second to none. Also I love Anthony Newley. He is often not thought of but I love the DRAMA of his music!! His arrangements and songs are full of drama. It makes a moment in my shows and hopefully emotes something we all can relate to!

You title your concert show Unfinished Business. You are so young. Usually artists use this term at the end of their careers. What is your intent?

RB: Thanks for this question and saying I’m young!

There is a story to the title. When I was in high school and at Juilliard, I ended up getting sick for 4 years. I had undiagnosed Lyme disease which turned into meningitis before Justin Bieber made it a newsworthy thing. I literally never had a chance to go to high school as a “normal” student. When I recovered I only knew one thing - singing. I started putting myself out there. I got called in to replace Roger in Rent on Broadway. I walked in, botched the audition and freaked out. I changed my major to Political Science and became a history teacher done with performing. After two Masters Degrees in Education, I felt something was missing. I would literally tear up at a curtain call or a concert.

So after 10 years of not performing, fate intervened. I met up with the amazing performers and writers Matt Gould and Griffin Matthews. They just did their show Witness Uganda at The Wallis in Beverly Hills. They helped me literally dust off the rust and get back out there. They told me I had something to say. The first day I sang again I said I had some "Unfinished Business" to do and it stuck. I called my show that in NY at 54 Below. It is the journey and the lesson that we all have something unfinished to do. Take a step and the path will FOLLOW!

Do you tell anecdotes in your show or just sing? As a principal in SNL, you must love comedy. Any comedic stories or skits we may look forward to?

RB: I think I talk as much as I sing! I have stories for days and have had such an interesting life thankfully! I love to talk about my journey, family, love, and some of the things that I’ve experienced. I love comedy! I grew up obsessed with SNL so being there is beyond anything I could ever imagine. I’m so grateful to just be in the halls of that American Institution!

I do have some fun stories. I talk about my childhood obsession with all things Manilow, being stuck on an elevator with singing legend Phoebe Snow, my personal life which is a show in of itself, etc! There are a lot of laughs. I am all Jersey all day so that totally comes across in the show.

Talk more in depth about SNL. What has this added to your career as a performer? Has improv strengthened your delivery and stamina onstage?

RB: I was first asked to be on SNL in a sketch about the TSA. In the sketch they let me through security with a sketchy bag and book bag while others were not allowed to come through as they had a travel ban. I had to shave my head for the part and I asked the Casting Director, if I shave my head, can I be on a live show? Please! It actually worked. Ask and you shall receive.

Since then I have had big roles, small roles and everything in between. Check out Electric Shoes with Kenan Thompson and see my bass playing wig debut. Seeing the way that show works and how talented they all are is inspiring. I’ve seen some of the best in the biz work up close to make that show fly. It’s always an honor. When I was first on, a friend from elementary school wrote me and said “You used to stay up and watch this show every Saturday and now you are on that stage!” It is a pretty surreal moment!

Improv is simply the best! It is scary which makes the payoff so much better. I am a graduate of Willian Esper for acting under the amazing Barbara Marchant. That program is Meisner acting technique which is mostly improv. That skill is something that makes you so present in your work as an actor and has certainly helped my stage show and listening to the audience moment to moment. It keeps you on your toes and ready for anything! Who knows what will come out of my mouth!?

What is your favorite Broadway show? It does not have to be one that you have done.

RB: That’s a tough question. I love Rent. I loved finally being able to be in Rent after my awful audition as a kid and being Roger. That show resonates with me so deeply about love and living each day to the fullest.

I would love more original musicals to be made on Broadway! Witness Uganda is BRILLIANT! That score is something that has stuck with me. It was genius at The Wallis in Beverly Hills. Matt Gould who co-wrote that show has a new show coming to La Jolla called Lempicka! Go SEE IT! I am hoping after California it takes over NYC!

Any particular role that you are yearning to play onstage?

RB: I would love to play Bobby in Company. I just relate so much to his character and the score is brilliant. I also love comedy and have been singing “My Girlfriend Who Lives In Canada” for years. So I would love to be fitted with a puppet to have some fun in Avenue Q! I am always down for some campy puppet moments.

Did you grow up with music in your family? What inspired you to be an actor and singer?

RB: My parents loved music. My dad loved placing big headphones on me and letting me rock out to Earth, Wind and Fire. My mom loved Carly Simon. We would listen to her when she made us breakfast every weekend but don’t ask them to sing! Ha! They are not singers. My parents are kinda shy and I am literally shot out of a canon 24-7. I think I always wanted to make people smile and entertain. I would take the sheets from my bed, make curtains, and put on shows for my family since I could remember.

I tell a story about trying sports and being dreadful (soccer goalie is not on my special skills on my resume) and finally being like "nope I quit!" Take me to singing lessons instead. Sixth grade hit, I was the Prince in Cinderella at my school, I was hooked. I wanted to sing and act anywhere and everywhere.

My parents were hip and loved music. I was the old soul. I got a karaoke machine for Christmas with the Hits of Manilow and I was sold. Hook line and sinker. I would listen and study him nonstop.

What was it like performing with giants like Patti LaBelle and Whoopi Goldberg? What did you learn from being in their presence?

RB: Wow! I had the pleasure at 12 years old to perform with Ms. LaBelle at a tribute concert for Laura Nyro (songwriter) at the Beacon Theatre. I have loved her since. She was so kind, humble, and a FORCE on stage. She brings 110% every time and is so authentically herself. Her kindness and authenticity are what makes people love her. I have had the pleasure to see her numerous times after and sing with her again, she is as amazing now as ever! OBSESSED!

Whoopi is such a wonderful performer, kind, and generous. She was such a wonderful person to be around. I think I learned that being kind matters. Being a good listener and remember that you matter and your art matters but you can’t do it without the people who support it.

Do you have a goal in LA? Are you looking toward more work in TV and roles in film? Will stage always remain a vital part of your performing life?

RB: It is so humbling to be booked at Feinstein’s in Studio City. No one is more surprised and honored than me. Three years ago, I had hung it all up and had not done a thing so I’m thrilled people are inspired and supportive. I am focusing on my new album which is on the way based on the one man show and journey. My first love will always be me, a stool, mic, and a piano player. It’s taken me decades to be comfortable sharing my story, and that will always be the one I want to tell first and foremost. I am just happy to meet some new friends in LA and spread my message and music! Therefore stage and the live show will always be the first love. We are always adding more dates so I’m so grateful for that. You can find all upcoming dates on RobertBannon.com.

I also love TV and film! I would love to do more straight up acting. That is such a fulfilling way to make a living to be the vessel for the text and project either comedy or drama-that is a blast. I am open to whatever surprises life has to to offer. One thing I learned is it’s gonna surprise me so let’s see where it goes!

Add anything you wish here that we did not already mention.

RB: Thank you so much for your time and platform! Come see me at the show and say hi! I am so excited to share this show with LA! Joining me is Michael Orland as Music Director! Michael was the MD on American Idol for 15 seasons. He’s worked with everyone and is as talented as he is kind. You don’t want to miss what surprises we both have in store. Also, LA has some of the best singers in the world and I happen to know them so expect a bunch of surprises and a lot of fun!

Unfortunately Feinstein's is closed until further notice because of the Corona Virus.*

* I asked Robert Bannon what he is doing creatively during this time. Are you working on the CD of the "American Songbook?" When your appearance is rescheduled, will there be a CD release party?

RB: I am working on the album! It will be of the Great American Songbook. It is produced by Bob Magnuson and features arrangements by Tedd Firth and Rich DeRosa of songs you know but with my own twist. Thanks to technology we will hopefully do it all digitally and get it ready to be out as soon as possible. I am trying to be as creative as possible with this time out.

The new goal is once we have a new date for Feinstein’s in LA this summer it will be an album release with a whole new show! So I am definitely looking forward to what comes in the future. For now, just sending light and love to everyone to stay safe!