Carey Crim's west coast premiere Never Not Once plays at the Rubicon Theatre in Ventura February 5 through 23 for a three week engagement only. Award winning British director Katharine Farmer will helm the production. In our conversation she talks about the play, her cast and just how enriching it is to work at the Rubicon.
Discuss the complexities of Never Not Once and your challenges as the director.
KF:Never Not Once is as complicated as you want it to be. It can simply be watched as a family drama, or it can trigger a conversation that is longer than the play itself about identity and whether we are more than the simple sum of the choices that we, and others, make. I hope that the play will give our audiences the option to think, and if we have all done our job correctly, audiences will feel compelled to care.
The central challenge to directing and staging the play has been to capture and convey the haunting humanity that definitely exists in the plot and its characters, but lives just as much between the words as it does within them.
What is the message of the play? How does it stand apart from other dramas about dysfunctional families?
KF: We are living in an era of self, but it is not obvious that this is making us any happier. Likewise, science is evermore confident that it is providing us with answers, but is it making us any smarter about which questions really matter?
The message of Never Not Once is that while trying to understand one’s self is the most natural thing in the world, a focus on “I” should not crowd out an understanding of “us”. This play certainly has it’s fair share of dysfunctionality but the concept of family is less of the problem and more of a solution.
Tell us about your cast and their dynamics.
KF: For everyone in the cast, this is their Rubicon debut!
Sydney Berk is playing Eleanor, the college student who wants to find her father. Sydney trained at LAMDA in the UK and has worked extensively with A Noise Within in LA. Her two mothers are played by Diahnna Nicole Baxter and Melanic Cruz. Diahnna co-created, co-wrote and starred in “SATACRACY 88,” the first web series to win an Emmy Award, and was nominated again the next year. Melanie had a recurring role in HBO’s Big Love and recently was seen on stage as Sara in Lucky Me at Theatre West in Nebraska. Our other two cast members are Issac Cruz, who was recently involved with the multi-theatre homeless support production of Homeward LA for the second consecutive year, and Michael Polak who’s theatre credits include The Illusion at North Coast Repertory Theatre and Doubt at International City Theatre.
Working with this fantastic cast has been a pleasure. They have always approached rehearsals with a focus, passion, and openness that really serves the play.
Two moms and a daughter searching for her father. Is it a lesbian couple or does that bring about a spoiler alert?
KF: A lesbian couple are at the centre of the play and yet the play is not about lesbianism. Allison and Nadine have created a truly loving home, thereby ticking the “nurture” box. Their daughter Eleanor feels the need to find her father to fully understand her genetic heritage, in order to tick the “nature” box. This need would be every bit as essential if her mother was in a heterosexual relationship. The lesbian relationship brings it greater clarity, intensity and poignancy. Separately I think that it will constitute progress for the LGBTQIA+ community when characters in drama are from that community without the plots of those dramas implying that their sexual orientation is all that defines them.
Talk about the other plays you have directed at the Rubicon. Do you have a favorite?
KF: Asking me what my favourite show is is like asking me to pick my favourite child: I have loved them all. I will always remember Last Train to Nibroc as my first professional directing experience. I will always be proud of South Pacific for the courage it took to put a twist on one of the great classics of musical theatre. But to answer your question, Gulf View Drive was my favorite, for its sense of closure for both the characters and the audience who’d followed May and Raleigh’s journey for three years.
You have won many awards. How does that make you feel about working at the Rubicon?
KF: Karyl Lynn Burns and James O’Neil are the best mentors that a young director could hope for and the Rubicon is so much more than just a venue. From the “Friends of Rubicon” to the staff and volunteers, Karyl Lynn and Jim have created a loving, caring and support structure for creatives of all ages and in my case, all nationalities. Rubicon is a shining example of excellence in regional theatre on a global scale. When it comes to awards, they are a much appreciated blessing that I would rather not dwell too much upon. My focus and priority is that my next audience will enjoy my next show.
Back to Never Not Once. Does the play come to the Rubicon intact or have there been changes since it premiered at Jeff Daniels' theatre?
KF: I first read the play in 2016 and loved it since inception. We have made a few small changes to the script since its production at the Purple Rose Theatre, but it’s very much been a case of evolution not revolution. I have always been in awe of Carey Crim’s gift for natural dialogue and compared to other pieces of new writing that I have worked on, much fewer iterations have been required.
(photo credit: Craig Sugden)
Never Not Once plays at the Rubicon Theatre February 5 through 23. The Rubicon Theatre Company is located at 1006 E Main St Ventura, CA 93001
RUNNERS-UP: Ron Bottita, Loot, Odyssey; Gilbert Glenn Brown, The Mountaintop, Marshall; Dempsey Bryk, punkplay, Circle X; Seamus Dever, The Abuelas, Antaeus; Zackary Stone Gearing, Hir, Odyssey; Zackary Stone Gearing, punkplay, Circle X; Nicholas Hormann, Loot, Odyssey; Tom Ormeny, The End of Sex, Victory; Michael Manuel, Frankenstein, ANW; Will Thomas McFadden, 1984, Actors’ Gang; Will Thomas McFadden, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Rob Nagle, Apple Season, Moving Arts; Rob Nagle, The Judas Kiss, Boston Court; Bruno Oliver, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Accidental Death of an Anarchist, Actors’ Gang
RUNNERS-UP: Mike Birbiglia, The New One, CTG/Ahmanson; Helder Guimaraes, Invisible Tango, Geffen Playhouse; Bill Irwin, On Beckett, Douglas; Tova Katz, See You at the Funeral, Broadwater Mainstage; John Leguizamo, Latin History for Morons, CTG/Ahmanson; David Mynne, A Christmas Carol, Wallis; Deirdre O’Connell, Dana H., CTG/Douglas; Ruben Santiago-Hudson, Lackawanna Blues, CTG, Taper
RUNNERS-UP: Keith Allen, Deadly, Sacred Fools; Will Bozier, Swan Lake, CTG/Ahmanson; James Delisco Beeks, Jesus Christ Superstar, Pantages; Aaron LaVigne, Jesus Christ Superstar, Pantages; Ryan Melia, The Old Man and the Old Moon, Wallis; Andrew Monaghan, Swan Lake, CTG/Ahmanson; Liam Mower, Cinderella, CTG/Ahmanson; Andy Robinson, Julius Weezer, Troubadour
RUNNERS-UP: Ron Bottitta, Hir, Odyssey; Chad Coe, The End of Sex, Victory; Bill Brochtrup, Daniel’s Husband, Fountain; Rob Brownstein, Anne, a New Play, Museum of Tolerance; JD Cullum, The Cripple of Inishmaan, Anteaus; Seamus Dever, Cripple of Inishmaan, Anteaus; Arye Gross, Eight Nights, Antaeus; Stephen Guarino, Handjob, Echo; Joe Hernandez-Kolski, Waiting for Waiting for Godot, Sacred Fools; Justin Huen, Apple Season, Moving Arts; Carl J. Johnson, Driving Wilde, Theatre of NOTE; Brandon Rachal, Native Son, Antaeus/CTG at the Douglas; Tom Szymanski, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Will Von Vogt, Witch, Geffen Playhouse; Josh Zuckerman, Eight Nights, Antaeus
RUNNERS-UP: Anne Gee Byrd, Cripple of Inishmaan, Anteaus; Irene De Bari, The Abuelas, Antaeus; Mary-Pat Green, Cripple of Inishmaan, Anteaus; Alexandra Henrikson, The Thanksgiving Play, Geffen; Sadie Kuwano, punkplay, Circle X; Mara Klein, The Judas Kiss, Boston Court; Mildred Marie Langford, Native Son, Antaeus/CTG at the Douglas; Mary Gordon Murray, Anne, a New Play, Museum of Tolerance; Jenny O’Hara, Daniel’s Husband, Fountain; Zoe Yale, Eight Nights, Antaeus
RUNNERS-UP: Rick Batalla, Julius Weezer, Troubadour; John Colella, The Producers, Celebration; Andrew Diego, The Producers, Celebration; Paris Fitzpatrick, Cinderella, CTG/Ahmanson; Ben Ferguson, The Old Man and the Old Moon, Wallis; F. Michael Haynie, Frozen, Pantages; Paul Louis Lessard, Jesus Christ Superstar, Pantages; P.T. Mahoney, In Circles, Odyssey; Steven Rattazzi, Indecent, CTG/Ahmanson; Morgan Rusler, Julius Weezer, Troubadour; Michael A. Shepperd, The Producers, Celebration; Alan Vincent, Cinderella, CTG/Ahmanson; Dan Weschler, The Old Man and the Old Moon, Wallis
RUNNERS-UP: Madelaine Brennan, Cinderella, CTG/Ahmanson; Elizabeth A. Davis, Indecent, CTG/Ahmanson; Victoria Hoffman, Julius Weezer, Troubadour; Beth Kennedy, Julius Weezer, Troubadour; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Mary Ann Welshans, The Producers, Celebration; Brittney S. Wheeler, Deadly, Sacred Fools
BEST ENSEMBLE CAST IN A PLAY (TIE)
Stephen Borrello, Joely Fisher, Andy Garcia, Rose McIver, Louis Mustillo, Danny Pino, Tony Plana, Richard Riehle, Bradley Snedeker; Key Largo,Geffen Playhouse
RUNNERS-UP: John Apicella, Noel Arthur, Paul Baird, Gabriela Bonet, Claudia Elmore, Turner Frankosky, Troy Guthrie, Steve Hofvendahl, Connor Kelly-Eiding, Michael Khachanov, Alex Knox, Mehrnaz Mohammadi, Madalina Nastase, Liza Seneca, Janellen Steininger, George Villas; The Caucasian Chalk Circle, Antaeus Theatre Company
Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, Montae Russell; Between Riverside and Crazy, Fountain Theatre
James A. Alfred, A. Russell Andrews, Francois Battiste, Harvy Blanks, Amari Cheatom, Anthony Chisholm, Brian D. Coats, Steven Anthony Jones, Patrese D. McClain; Nija Okoro, Keith Randolph Smith, Ray Anthony Thomas; Jitney, Center Theatre Group, Mark Taper Forum
Crystal Diaz, Elinor Gunn, Liesel Hanson, Faith Imafidon, Cindy Lin, Nadia Marina, Lynn Odell, Alina Phelan, Briana Price, Nicole Gabriella Scipione, Yolanda Snowball, Jenny Soo, Nancy Stone, Tania Verafield; For The Love Of (or the Roller Derby Play), Theatre of NOTE / Center Theatre Group, Kirk Douglas Theatre
Ian Barford, Tim Hopper, Sally Murphy, Caroline Neff, Chantal Thuy, Cora Vander Broek, Troy West; Linda Vista, Center Theatre Group, Mark Taper Forum
Ro Boddie, Max Casella, Micaela Diamond, Peter Jacobson, Jason Kravits, Nellie McKay, Saul Rubinek, Miriam Silverman, Joey Slotnick, Sam Vartholomeos, CJ Wilson, A Play is a Poem, Center Theatre Group, Mark Taper Forum
Scott Cote, Peyton Crim, Brandon J. Ellis, Angela Grovey, Ned Noyes, Jamie Ann Romero, Evan Alexander Smith, Yaegel T. Welch; The Play That Goes Wrong, Center Theatre Group, Ahmanson Theatre
Sile Bermingham, Reed Michael Campbell, Brian Foyster; The Ruffian on the Stair, Los Angeles LGBT Center
Will Brittain, Eli Gelb, Harry Groener, Kimberly Jurgen, Idina Menzel, Jeff Skowron, Skintight, Geffen Playhouse
BEST ENSEMBLE CAST IN A MUSICAL
Nick Adams, Nick Blaemire, Audrey Cardwell, Eden Espinosa, Thatcher Jacobs, Bryonha Marie Parham, Max von Essen; Falsettos, Center Theatre Group, Ahmanson Theatre
RUNNERS-UP: Rick Batalla, Chelle Denton, Beth Kennedy, Janelle Lillian, Luis “L.T.” Martinez, Mike Sulprizio, Cloie Wyatt Taylor, Matt Walker, Dave C Wright, A Christmas Carole King, Troubadour Theater Company
The ensemble of Matthew Bourne’s Cinderella, Center Theatre Group, Ahmanson Theatre
Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi, Dan Weschler; The Old Man and the Old Moon, Wallis Annenberg Center for the Performing Arts
The ensemble of Matthew Bourne’s Swan Lake, Center Theatre Group, Ahmanson Theatre
RUNNERS-UP:Reed Michael Campbell, The Ruffian on the Stair, Los Angeles LGBT Center; Olivia Elsease Hardy, Summer, Pantages; Thatcher Jacobs, Falsettos, CTG/Ahmanson; Michael Rishawn, Handjob, Echo; Jarrod Takle, Circa: Humans, Wallis
RUNNERS-UP: Sir David Hare, The Judas Kiss, Boston Court; Larissa Fasthorse, The Thanksgiving Play, Geffen; Hershey Felder, A Paris Love Story, Wallis; Stephen Adly Guirgis, Between Riverside and Crazy, Fountain; Dave Hanson, Waiting for Waiting for Godot, Sacred Fools; Joshua Harmon, Skintight, Geffen; E.M. Lewis, Apple Season, Moving Arts; Taylor Mac, Hir, Odyssey; Jennifer Maisel, Eight Nights, Antaeus; Michael McKeever, Daniel’s Husband, Fountain; Vince Melocchi, Andy Warhol’s Tomato, PRT; Gregory S. Moss, punkplay, Circle X; Erik Patterson, Handjob, Echo; Vanessa Claire Stewart, Deadly, Sacred Fools; Paula Vogel, Indecent, CTG/Ahmanson; Gay Walch, The End of Sex, Victory; Stephanie Alison Walker, The Abuelas, Antaeus
RUNNERS-UP: Alistair Beaton, The Caucasian Chalk Circle, Antaeus; Nick Blaemire, Anne, a New Play, Museum of Tolerance; Matthew Bourne, Cinderella, CTG/Ahmanson; Nick Dear, Frankenstein, ANW; Jeffrey Hatcher and Andy Garcia, Key Largo, Geffen; Lucas Hnath, Dana H., CTG/Douglas; Jon Laskin and Michael Aquilante, Accidental Death of an Anarchist, Actors’ Gang; Jennifer Lee, Frozen, Pantages; Jonathan Shapiro, Sisters in Law, Wallis; Jen Silverman, Witch, Geffen Playhouse; Michael Gene Sullivan, 1984, Actors’ Gang; Matt Walker, A Christmas Carole King, Troubadour; Matt Walker, Julius Weezer, Troubadour; Jacqueline Wright, Driving Wilde, Theatre of NOTE
RUNNERS-UP: Darin Anthony, Apple Season, Moving Arts; Daniel Aukin, Skintight, Geffen; Matt Bretz and Lisa Sanaye Dring, punkplay, Circle X; Dexter Bullard, Linda Vista, CTG/Taper; Emily Chase, Eight Nights, Antaeus; Guillermo Cienfuegos, Between Riverside and Crazy, Fountain; Gregg T. Daniel, The Mountaintop, Marshall; Michael John Garces, The Thanksgiving Play, Geffen;Maria Gobetti, The End of Sex, Victory; Doug Hughes, Key Largo, Geffen; Rhonda Kohl, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Simon Levy, Daniel’s Husband, Fountain; Marti Lyons, Witch, Geffen Playhouse; Matthew McCray, 4.48 Psychosis, Son of Semele; Will Thomas McFadden, Accidental Death of an Anarchist, Actors’ Gang; Michael Michetti, The Judas Kiss, Boston Court; Michael Michetti, Frankenstein, ANW; Tim Robbins, 1984, Actors’ Gang; Ruben Santiago-Hudson, Jitney, CTG/Taper; Stephanie Shroyer, The Caucasian Chalk Circle, Antaeus; Jacob Sidney, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Les Waters, Dana H., CTG/Douglas
RUNNERS-UP: Matthew Bourne, Cinderella, CTG/Ahmanson; Matthew Bourne, Swan Lake, CTG/Ahmanson; Stuart Carden with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Michael Grandage, Frozen, Pantages; Michael Matthews, The Producers, Celebration; Des McAnuff, Summer, Pantages; Jamie Robledo, Deadly, Sacred Fools; David Schweizer, In Circles, Odyssey; Timothy Sheader, Jesus Christ Superstar, Pantages; Matt Walker, A Christmas Carole King, Troubadour
RUNNERS-UP: Rob Falconer, The Play That Goes Wrong, CTG/Ahmanson; Ryan Thomas Johnson, Deadly, Sacred Fools; Robert Oriol, Frankenstein, ANW; Nellie McKay, A Play is a Poem, CTG/Taper; Members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Arturo Sandoval, Key Largo, Geffen; Stephanie Shroyer with the members of the cast, The Caucasian Chalk Circle, Antaeus
RUNNERS-UP: Derick Finley, A Christmas Carole King, Troubadour; Shawn Gough, Jesus Christ Superstar, Pantages; Ryan Thomas Johnson, Deadly, Sacred Fools; Amanda Morton, Summer, Pantages; Abdul Hamid Royal, Lady Day at Emerson’s Bar & Grill, Marshall; Anthony Zediker, The Producers, Celebration
RUNNERS-UP: Rob Ashford, Frozen, Pantages; Matthew Bourne, Cinderella, CTG/Ahmanson; Kate Coleman, In Circles, Odyssey; David Dorfman, Indecent, CTG/Ahmanson; Nadine Ellis, Janet Roston, The Producers, Celebration; Drew McOnie, Jesus Christ Superstar, Pantages; Sergio Trujillo, Summer, Pantages; Matt Walker, and Suzanne Julie Narbonne, Julius Weezer, Troubadour
RUNNERS UP: Andrew Boyce, Dana H., CTG/Douglas; Lez Brotherston, Cinderella, CTG/Ahmanson; Alex Calle, The Mountaintop, Marshall; Francois-Pierre Couture, Frankenstein, ANW; Joel Daavid, A Streetcar Named Desire, Odyssey; Alexander Dodge, Anastasia, Pantages; Hershey Felder, A Paris Love Story, Wallis; Lydia Fine with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; David Gallo, Jitney, CTG/Taper; Stephen Gifford, The Producers, Celebration; Lauren Helpern, Skintight, Geffen; Nigel Hook, The Play That Goes Wrong, CTG/Ahmanson; Christopher Oram, Frozen, Pantages; Stephanie Kerley Schwartz, Apple Season, Moving Arts; Sibyl Wickersheimer, punkplay, Circle X
RUNNERS-UP: E. B. Brooks, The Producers, Celebration; Lez Brotherston, Cinderella, CTG/Ahmanson; Lez Brotherston, Swan Lake, CTG/Ahmanson; Angela Calin, The Caucasian Chalk Circle, Antaeus; Wendell C. Carmichael, The Abuelas, Antaeus; Linda Cho, Anastasia, Pantages; Linda Cho, Key Largo, Geffen; Ann Closs-Farley, Driving Wilde, Theatre of NOTE; Ann Closs-Farley, In Circles, Odyssey; Ann Closs-Farley, punkplay, Circle X; Diane Graebner, The Judas Kiss, Boston Court; Alex Jaeger, Eight Nights, Antaeus; Diane Laffrey, Witch, Geffen Playhouse; Shon LeBlanc, A Streetcar Named Desire, Odyssey; Garry Lennon, Frankenstein, ANW; Linda Muggeridge, Deadly, Sacred Fools; Christopher Oram, Frozen, Pantages; Emily Rebholz, Indecent, CTG/Ahmanson; Roberto Surace, The Play That Goes Wrong, CTG/Ahmanson
RUNNERS-UP: Christopher Akerlind, Indecent, CTG/Ahmanson; Christopher Ash, A Paris Love Story, Wallis; Neil Austin, Cinderella, CTG/Ahmanson; Howard Binkley, Summer, Pantages; Martha Carter, Apple Season, Moving Arts; Paule Constable, Swan Lake, CTG/Ahmanson; Bart Cortright with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Lee Curran, Jesus Christ Superstar, Pantages; Rick Fisher, An Inspector Calls, Wallis; Elizabeth Harper, Mysterious Circumstances, Geffen; David Hernandez, The Judas Kiss, Boston Court; Donald Holder, Anastasia, Pantages; Peter Kaczorowski, Key Largo, Geffen; Natasha Katz, Frozen, Pantages; Karyn D. Lawrence, Eight Nights, Antaeus; Rose Malone, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Tom Ontiveros, Lady Day at Emerson’s Bar & Grill, Marshall; Andrew Schmedake, Native Son, Antaeus/CTG at the Douglas; Paul Toben, Dana H., CTG/Douglas
RUNNERS-UP: Eric Carstensen, A Paris Love Story, Wallis; Mikhail Fiksel, Dana H., CTG/Douglas; Mikhail Fiksel with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Jeff Gardner, The Abuelas, Antaeus; Jeff Gardner, Eight Nights, Antaeus; Jeff Gardner, Native Son, Antaeus/CTG at the Douglas; Paul Groothuis, Cinderella, CTG/Ahmanson; Matt Hubbs, Indecent, CTG/Ahmanson; Peter Hylenski, Frozen, Pantages; Cricket S. Myers, The Producers, Celebration; Robert Oriol, Frankenstein, ANW; Gareth Owen, Summer, Pantages; Robert Arturo Ramirez, The Mountaintop, Marshall; Jonathan Snipes, Mysterious Circumstances, Geffen; Daniel S. Tator, A Christmas Carole King, Troubadour
RUNNERS-UP: Adam R. Macias, The Arbuelas, Antaeus; Adam R. Macias, Native Son, Antaeus/CTG at the Douglas; Duncan McLean, Cinderella, CTG/Ahmanson; Kaitlyn Pietras and Jason H. Thompson, Mysterious Circumstances, Geffen; Kaitlyn Pietras and Jason H. Thompson, Key Largo, Geffen; Aaron Rhyne, Anastasia, Pantages
Better Lemons had a fantastic year and we couldn't have done it without the fantastic critics, publicists, and audience members who share their love of Los Angeles theater, by posting on Better Lemons and sharing their favorite shows and their reviews on social media.
We are especially grateful for all the Registered Critics who took their time this past year to rate shows they have reviewed to be included in our LemonMeter.
There were 1200 productions registered on Better Lemons in 2019! Out of those registered shows, over 600 received at least one review from a Critic and 201 were reviewed by Audience members. Out of these shows, we selected the winners that were most favored by Critics and/or Audiences.
Here is a list with all the Better Lemons SWEET productions of 2019:
The Better Lemons DoubleSWEET #LemonMeter Choice Awards for 2019
are going to the following productions:
(33 shows out of 1200 productions received
a DoubleSWEET #LemonMeter rating
from audience and critics)
My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read it below and click here for photos.
Choosing my honorees this year is a real bitch. Almost as many tears shed as Carrie Ann Inaba eliminating a sports figure she finds hot. Yet there’s not much else good to write home about in 2019 besides theatre in El Lay. Between the mess we’re making of our planet and the eye-opening disintegration of everything I’ve championed and held dear all my life, thank Terpsichore it’s been a spectacular year for the creation of theatrical art to help ease the pain and frustration of living in our Trumpian nightmare. And even though I have a whole heap of productions to honor this year, with part of my time spent in New Orleans hosting an exhibit of my paintings and medical issues to tackle that seem to come with the territory at age 348, there were also a lot of noteworthy productions I sadly missed. In my world, it’s definitely been a year to praise some monumental directorial work and a plethora of spectacular ensemble casts; choosing winners in both categories has not been an easy task. And what do you think of the Geffen Playhouse? After too long a period of less-than exciting fare, the announcement in 2017 that Matt Shakman had been hired as the complex’s artistic director guaranteed a positive change and without a doubt, the turn around has been staggering. Two of the company’s casts are tied here for Best Ensemble, two of its masterful set designs are as well, and five of my top production choices for 2019 were presented at the Geffen, including my second, third, ninth, and tenth pick for Best Play and second choice of Best Revival. If I gave an annual award for Best Season, surely the Geffen Playhouse would win this year. As a matter of fact, maybe I should initiate such a thing. As a matter of fact, I think I will.
The Thanksgiving Play, Geffen Playhouse
RUNNERS-UP: The Abuelas, Antaeus; Andy Warhol’s Tomato, Pacific Resident Theatre; Apple Season, Moving Arts; Dana H., CTG/Douglas; The End of Sex, Victory Theatre Center; For The Love Of (or the Roller Derby Play), Theatre of NOTE/CTG at the Douglas; 4.48 Psychosis, Son of Semele; Frankenstein, A Noise Within; Handjob, Echo Theatre Company; The Mountaintop, Garry Marshall Theatre; On Beckett, CTG/Douglas; The Play That Goes Wrong, CTG/, Ahmanson; Sisters in Law, Wallis Annenberg Center
RUNNERS-UP: The Caucasian Chalk Circle, Antaeus Theatre Company; Cats, Pantages; The Cripple of Inishmaan, Anteaus Theatre Company; Happy Days, CTG/Mark Taper Forum; Hello, Dolly!, Pantages; Jesus Christ Superstar, Pantages; Loot, Odyssey Theatre Ensemble; The Ruffian on the Stairs, Los Angeles LGBT Center; Lady Day at Emerson’s Bar & Grill, Garry Marshall Theatre
Rest your feet after all that shopping, get out of that L.A. holiday traffic for a few hours, and slip into a cozy theatre or concert venue during the Holidays!
Los Angeles theatre is alight with dozens of musicals, comedy, cabaret, magic, live radio plays, film and live mash-up productions, classic Dickens, music, dance, variety, and family-friendly shows themed to get you into the spirit of the season.
Here's is a healthy collection of shows available now and until you are just about ready to ring in the New Year.
ENSEMBLE THEATRE COMPANY (ETC) presents the second show of its 2019-20 Season, the can’t-miss, holiday event of the season, IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY, adapted by Joe Landry, from the screenplay by Frances Goodrich, Albert Hackett, Frank Capra & Jo Swerling and directed by ETC’s Director of Education and Outreach, Brian McDonald.
Actors Co-op Theatre Company is proud to present the Los Angeles premiere of a new adaptation of Miracle on 34th Street: A Live Musical Radio Play, based on the 1947 Lux Radio Hour, adapted by Lance Arthur Smith, original songs and arrangements by Jon Lorenz, directed by Joseph Leo Bwarie.
"Miracle on 34th Street" brings a heartwarming and classic tale of faith, love, and the gift of miracles to the holiday season, featuring live Foley effects and a score of holiday carols this beautiful story is sure to ring in Christmas for all. OVATION RECOMMENDED PRODUCTION!!! At the Actors Co-op David Schall Theatre.
A Christmas Carol: The One-Man Play - The Porters of Hellsgate Theatre Company presents Charles Dickens' A Christmas Carol: The One-Man Play, directed by frequent Porters collaborator Drina Durazo. "Charles Dickens was known for being a performer of his own works; his novels were written with such vivid theatricality that they were almost like plays," says Durazo. "We're aiming to recreate the experience of Dickens' public recitals with a A Christmas Carol, The One-Man Play, and it's been a great joy exploring this beloved classic by way of Krieger's dynamic performance."
Having most recently taken on the roles of Theseus in The Two Noble Kinsmen and director of Romeo and Juliet, Associate Artistic Director Gus Krieger portrays over thirty characters in this telling of Dickens' classic tale. Having assumed iconic roles for the company including Richard III, Shylock, Benedick, and King John, Krieger is thrilled to return to the boards of North Hollywood.
A Los Angeles holiday tradition is back with some show veterans for just a few dates in a special engagement! It’s a Wonderful Life: The Radio Play takes place at KAWL, a struggling 1940s radio station that good-hearted owner Michael Anderson is barely keeping alive. He calls on some old friends (with big personalities) and some less-than-professional station employees to offer up a live radio version of Frank Capra’s touching masterpiece It’s a Wonderful Life in what might sadly be the station’s last live show. But it’s the holidays, a time when miracles can happen…
TROUBADOUR THEATER COMPANY continues its 25th SILVER ANNIVERSARY SEASON with "A CHRISTMAS CAROLE KING." Musical Direction by Derrick Finely, Directed and Adapted by Matt Walker, in a limited Engagement opening Friday, December 13, 2019, at The El Portal Theatre in North Hollywood!
For their 18th annual holiday offering, The Troubies have combined the soulful sounds of songstress Carole King with one of the most enduring stories of our time – Charles Dickens’ “A Christmas Carol” – and the result is SO FAR AWAY from what you'd expect!
Charles Dickens' classic Christmas tale, A Christmas Carol, at A Noise Within, Directed by Geoff Elliott & Julia Rodriguez-Elliott.
ANW’s delightfully festive, musically merry holiday tradition returns! Families love the inspirational story of Bob Cratchit, Tiny Tim, and Scrooge—the perfect burst of boundless good cheer for the season, and beyond!
“Only a die-hard humbug could remain unmoved by so charming a yuletide treat.” – Los Angeles Times
A Christmas Carol at South Coast Repertory. This is the 40th year for the beloved Orange County holiday classic—and marks the final time that Hal Landon Jr. will portray everyone’s favorite curmudgeon, Ebenezer Scrooge. Nineteenth-century London comes to life when your family joins the SCR family for the holidays. Recapture the spirit of an old-fashioned Christmas with this timeless Dickens classic and all your favorite characters—Tiny Tim and the Cratchit family, the Fezziwigs, the Ghosts of Christmas past, present and yet-to-come. No children under the age of 6, please.
Instead of performing Charles Dickens' beloved holiday classic for the umpteenth time, actors decide to perform every Christmas story ever told -- plus Christmas traditions from around the world, seasonal icons from ancient times to topical pop-culture, and every carol ever sung. A madcap romp through the holiday season! An outrageous holiday romp for the whole family (except those who still believe in Santa!) Written by Michael Carleton, James FitzGerald and John K. Alvarez. Music by Will Knapp. Directed by Gary Lamb. Musical director: Sean Paxton.
Yippie ki yay, theatre goers! We're settling the debate, once and for all. Yes, "Die Hard" is a Christmas movie. But when John McClane meets Ralphie from "A Christmas Story," let's just say more than just your eye might get shot out! What better way to end the year than by mashing up classic Christmas movies like "It's a Wonderful Life" with characters from some of your favorite "Not A Christmas Movie" movies like "Batman Returns?" Mix in a few iconic movie props, a team of talented writers, directors and actors and let the holiday drama and hi-jinks ensue! The way only our RUSH play festival can! Great for the whole family!
Written by Tyler Bianchi, Evan Baughfman, Jeff Folschinsky, Holly Sidell, Samantha Grace, Adam Neubauer, Samantha & Lilia Marquis, Directed by Jonathan Fahn, Jennifer Novak Chun, Holly Witham, Corey Chappell,
Randy Marquis, Tom Jones & Stacy Ann Raposa. At the Actors Workout Studio.
Developed in the Antaeus Playwrights Lab, Eight Nights is the heartfelt, lyrical portrait of a German Jewish refugee haunted by her past...witnessed over the course of generations of the same family that inhabits a single apartment from 1949 to 2016. Set during the eight nights of Chanukah, and spanning eight decades of the protagonist’s life, Eight Nights weaves together heart-aching moments with life-affirming humor to call out the trauma experienced not only by concentration camp survivors, but by African American descendants of slavery, by interned Japanese Americans, and by current victims of war in Africa and the Middle East.
Dysfunctional Family Christmas - Misunderstandings, Mistaken Identities, and Holiday Chaos create a fun-filled Christmas Morning at the Logan Home.
Before they sell the family home, Dean and Joanne Logan want one perfect final Christmas with their adult children. Although, once Grandpa is found dead, their plans go haywire as they attempt to hide the body from the family.
"A sardonic, merrily subversive tale—just the antidote to bright-eyed joy before too many shopping days have passed. Worth more than a photo album full of Santas!" NY Newsday. When it was first broadcast on National Public Radio, The SantaLand Diaries generated more requests for tapes than any story in This American Life’s history except the death of Red Barber. Timothy Olyphant brought the story to life on stage off-Broadway, and for the fourth year in a row Patrick Censoplano dons the candy-cane tights for a Santa Monica Playhouse holiday celebration in this outrageously funny one-man play from NPR’s well-loved humorist David Sedaris about the author’s experiences as an unemployed writer taking a job as an elf at Macy’s department store in New York City, taking a wry look at how the holiday season brings out the best – and the worst – in us all. Toast the Holidays! Your ticket includes a pre-show glass of champagne or non-alcoholic eggnog.
The story of Sugar Plum Fairy, based on Loh’s original tale on This American Life, follows a 12-year-old Sandra and her over-the-top dream of landing the lead in the inevitable dance school production of The Nutcracker. Loh and friends are pitted against the vicious hierarchy of desirable roles in this well-weathered ballet, while she desperately yearns to be recognized as a pre-teen queen in her own right. The play features Shannon Holt and Tony Abatemarco in a rotation of quirky characters from her misfit friends to a rigid Russian ballet instructor, as well as being co-conspirators in spreading some literal holiday cheer around the theater. Wittily set to a classical music score (a la Disney’s Fantasia’s hippopotamus ballerinas), Sugar Plum Fairy is knitted together with moments of audience participation, and attendees are encouraged to dress in their most festive outfits, prepare for sugary showers of candy, and get photos for the ‘gram with Yuletide-themed set designs that include reindeer, an animatronic Santa, and even, if you’re lucky, Frosty the Snowman.
Sixteen actors play nearly 30 characters in a holiday spectacular that will put you in a festive mood! A play-within-a-play, this fast-paced comedy follows a small, LGBTQ+ community theatre as it struggles to pull together its annual holiday pageant.
Written by Joe Marshall, directed by Bree Pavey. The cast will feature (in alphabetical order) Cassandra Carmona, Matt Caudel, Noah Copfer, Andrew Cottrell, Madylin Sweeten Durrie, Dan Ellis, Javier Flores, Barbera Ann Howard, Sean James, Corey Klemow, Katy Laughlin, Ignacio Navarro, Alejandro Baquero Sanchez, Scottie Smith, Luke Sookdeo, and Bart Tangredi.
Rubicon Theatre audiences are invited to “rejoice and be plaid” this holiday season as Ventura’s non-profit professional theatre company presents the hilarious and heartwarming musical comedy PLAID TIDINGS in Ventura’s Downtown Cultural District. The production is directed by the original creator STUART ROSS, and the cast for PLAID TIDINGS includes SEAN BELL, ADOLPHO BLAIRE, JOSHUA DAVID CAVANAUGH and ZACHARY EDWARDS, all making their Rubicon Theatre debuts. The show includes holiday favorites such as “Cool Yule,” “Let it Snow,” and “Joy to the World”; a hysterically funny speed-date version of “The Ed Sullivan Show” featuring the Rockettes, the Chipmunks and The Vienna Boys Choir; and other memorable hits from the era, like “Sh-Boom,” “Fever” and “Hey There.”
The Los Angeles Times called PLAID TIDINGS “a many splendored thing.” Variety described the show as Musical utopia…the perfect show. And the Daily News called the show “heaven-sent holiday fare.”
“SANTASIA - A Holiday Comedy” created by Shaun and Brandon Loeser, directed by Shaun Loeser, is celebrating its 20th year. At the Whitefire Theatre, this Off-Broadway Hit and Critics’s Pick laugh out loud annual holiday romp, is the perfect blend of Yuletide snark and sentiment, and has been compared to "The Carol Burnett Show", "The Kids in the Hall", "In Living Color", "Saturday Night Live" and Vaudeville. This multi-media holiday special has it all including classic Rankin and Bass Claymation inspired movies, musical parodies, and heartfelt holiday moments.
The Wallis & For The Record’s biggest, record-breaking hit returns this holiday season! The multimedia concert celebration of one of the most beloved holiday films of all time is back by popular demand, now as a not-to-be-missed Los Angeles tradition. The team behind LA’s award-winning series For The Record transforms The Wallis’ Bram Goldsmith Theater into an immersive cinema, where the modern classic written by Richard Curtis is reborn as a revolutionary stage and screen event. To tell the story, the film and live action seamlessly intertwine throughout the London setting. Iconic scenes on screen share the stage with an all-star cast of singers and a 15-piece orchestra, as they reimagine the film’s hit soundtrack including “Christmas is All Around” and “Trouble With Love." Love Actually Live is a first-of-its-kind, theatrical cinema experience.
WARNING: This production features theatrical haze effects, adult content, and brief nudity. It is recommended for ages 13+.
The San Fernando Valley Master Chorale is excited to bring back one of the most anticipated concerts of the season, our annual holiday sing-along concert! Joining us on stage this year will be the delightful San Fernando Valley Youth Chorus, under the direction of Sean Carney.
Led by Artistic Director Charlie Kim and accompanied by Bob Remstein, expect to hear your favorite holiday classics along with John Rutter's "Gloria" accompanied by a brass quartet. And lots of audience participation! Join us for a night filled with fun, music, and holiday cheer for the whole family. All ages are welcome.
Ugly Sweater Contest: Oh, and don't forget to bring your ugly sweater! This year SFVMC will give away free tickets for a future concert to the audience member who brings the ugliest holiday sweater.
The Merry Little Christmas Show - BroadwayWorld Critics’ Pick and StageSceneLA Award-winner Scott Dreier, star of last season’s acclaimed hit "Doris and Me," returns to The Colony Theatre with his holiday concert. Featuring special guest Kurtis Simmons and music director Andy Langham. Dreier will take audiences back to the feel of cherished, classic, holiday TV specials hosted by Perry Como, Andy Williams, Bing Crosby, Dean Martin, and others — paying homage while also providing his modern take with pop and jazz interpretations of holiday treasures. The performance will include holiday classics including "Sleigh Ride," "Have Yourself a Merry Little Christmas," "O Holy Night," "I’ve Got Your Love to Keep Me Warm," "Merry Christmas Darling," and many more. This show will transport you back to your living room sitting around the fireplace telling stories and sharing songs of the season.
How did a nice Evangelical Christian girl from Arizona wind up doing a one-woman comical cabaret show at Jewish Women’s Theatre (JWT) in Santa Monica? Audiences will laugh and maybe even sing along, as they learn the secrets of Anna Abbott’s dual life in her new solo show, "A Very Goyisha Hanukkah," playing two performances only at The Braid, JWT’s art and performance space.
The Group Rep presents A Twisted Christmas Carol, a world premiere comedy written by Phil Olson, directed by Doug Engalla, produced by Alyson York, a Texas-style spoof of Charles Dickens’ “A Christmas Carol.”
Talk-backs are after Sunday shows 12/21 and 01/04. Upstairs at the Group Rep on the second floor of the Lonny Chapman Theatre, 10900 Burbank Boulevard, North Hollywood 91601. The Upstairs venue is not handicapped accessible.
The Eight: Reindeer Monologues by Jeff Goode, Directed by Jerry Pilato & Erica Livingstone
Santa's Reindeer Tells All! With each deer's confession, the truth behind the shocking allegations becomes clearer and clearer and seems to implicate everyone from the littlest elf to the tainted Saint himself. Don't miss this expose of North Pole Naughtiness.
Starring David Janisch as Dasher, Eric Trigg as Comet, Christine McCoy as Dancer, Andrew Walters as Hollywood (Prancer), Mclain Parker as Cupid, Melanie Mino as Blitzen, Michael Adler as Donner and Kellen Gold as Vixen.
Emmy Award-winner Leslie Jordan returns to Catalina Jazz Club with his hilarious holiday show "Deck Them Halls, Y’All" for one performance only. Best known for his stand-out roles in "Sordid Lives," "American Horror Story," "The Help," as the beloved Beverley Leslie on "Will & Grace" (for which he is currently shooting the final season), and most recently as Sid on the Fox series "The Cool Kids," Leslie Jordan has charmed fans for over four decades.
His hilarious holiday tales are not to be missed. Jordan’s special guest will be country-pop singer Brandon Stansell.
Los Angeles Times calls Impro Theatre “Amazing!” One of the funniest evenings as the troupe spins an entire play into comedy gold right before your eyes. Starting with an audience suggestion, the troupe creates completely improvised, full-length plays in the styles of the world’s greatest writers. Join us this holiday season for a hilarious comedy inspired by the works of Charles Dickens. Comic portrayals, cruel melodrama and heartbreaking tenderness explode onto the teeming streets of Victorian London. A fun and festive evening of comedy.
Laguna Playhouse brings back its holiday tradition! A Special, Stripped Down to the Abs, Musical Event! "The Skivvies: I Touch My Elf" at Laguna Playhouse in Laguna Beach!
With Special Guest Appearances by Broadway’s Nick Adams, jackbenny and more! Ho, Ho, Ho, you don’t want to miss this show!
Broadway stars Lauren Molina (Rock of Ages, Sweeney Todd) and Nick Cearley (A Midsummer Night’s Dream, All Shook Up) return to the Laguna Playhouse for two nights of the most outrageous holiday show of the season. This undie-rock, comedy pop, award-winning duo perform stripped-down, mashed-up versions of holiday favorites and more. Expect to see ukulele, electric cello and an array of zany instruments.
BenDeLaCreme and Jinkx Monsoon are back in an all-new two-queen holiday extravaganza at The Montalbán!
After last year’s wildly successful "To Jesus, Thanks for Everything," Jinkx and DeLa return to the stage this holiday season in a high-spirited scramble to maintain your interest! DeLa is all sugar and Jinkx is all spice — but how do these two very different gals deal with the stress of the holidays? A little song, a lot of eggnog, and theatres full of people looking at them. Yup ... all they want for Christmas is attention!
Returning to Hollywood by popular demand, platinum-selling recording artist and Tony Award-nominated actor Sam Harris brings his new holiday show to Catalina Jazz Club for one performance only. Led by his longtime musical director Todd Schroeder, Harris will perform Broadway, pop, and holiday fare.
The Theatre School @ North Coast Rep presents "A Charlie Brown Christmas" by Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson Stage Adaptation by Eric Schaeffer, and by Special Arrangement with Arthur Whitelaw and Ruby Persson.
When Charlie Brown complains about the overwhelming materialism he sees among everyone during the Christmas season, Lucy suggests that he become director of the school Christmas pageant. Charlie Brown accepts, but this proves to be a frustrating endeavor. When an attempt to restore the proper holiday spirit with a forlorn little Christmas tree fails, he needs Linus’ help to discover the real meaning of Christmas.
The Nutcracker from critically acclaimed Inland Pacific Ballet,celebrating 25 years. The Nutcracker comes to life with this magnificent ballet comprised of beautiful sets, dazzling costumes, and more than 80 dancers on stage. The Nutcracker tells the story of a young girl who receives a magical nutcracker doll on Christmas Eve and sets out on a wondrous journey to the Land of the Snow and the Kingdom of Sweets. Toy soldiers, life-sized dancing dolls, and a fantastic dream with battling mice, dancing snowflakes, waltzing flowers, and the delightful Sugar Plum Fairy stir the imagination. Meet the cast after the performance for photos and autographs. This is family entertainment at its best.
Experience the joy of the season as Jenny Wong, GMCLA’s interim Artistic Director and Associate Conductor of the LA Master Chorale, leads GMCLA in choral classics, timeless Christmas carols, a medley of hits from the beloved film Love Actually, Broadway bonanzas, and Mariah Carey’s anthem – it’s all you’ll want for Christmas. A Los Angeles tradition for the entire family, this concert will be truly Spectacular!
Curated by Performances à la Carte, Jazz ‘n Paz continues with its’ seasonal intimate jazz series showcasing some of Los Angeles’ finest jazz musicians. To ring in the holidays, the December concert, Carols of the Belles, features the vocals of the iconic Barbara Morrison, Jamie Perez, and Renee Myara, at Pasadena’s Neighborhood UU Church. In a jazzy program of standards and holiday favorites, the musicians behind the angelic voices feature Michael Ragonese on piano, James Yoshizawa on drums, Danny Janklow on sax and flute, and Luca Alemmano on bass...A Holiday Champagne Party will follow the concert and may be added to any concert ticket purchase online for an additional $12. The party will feature appetizers, desserts, champagne and non-alcoholic punch along with music, dancing, comedic holiday improv antics and capped off with a Holiday Sing-A-Long.
L.A.’s largest holiday spectacular celebrates its 60th anniversary in 2019 is at The Music Center, Dorothy Chandler Pavilion. Join this year’s co-hosts, internationally acclaimed mezzo-soprano Suzanna Guzmán and actress Marissa Ramirez (Blue Bloods), for this free, three-hour holiday show featuring 25 music ensembles, choirs and dance companies from the many neighborhoods and cultures that make up L.A. Once again, PBS SoCal will host a live broadcast of the event that has been a Los Angeles holiday tradition since 1959, while KCET will air the program twice on Christmas Day.
Legendary Cuban jazz trumpet player Arturo Sandoval, accompanied by his world-renowned band, will kick off this year’s celebration with a medley of holiday songs. Returning favorites include Hālau Keali’i o Nālani & the Daniel Ho Trio, the Gay Men's Chorus of Los Angeles, gospel choir Greater LA Cathedral Choir, Jung Im Lee Korean Dance Academy and folklorico troupe Pacifico Dance Company. Some of this year’s newcomers include Latin folk band Cuñao, the dancers and drummers of African Soul International and a cappella group Street Corner Renaissance.
All-female, two-time GRAMMY award-winning Mariachi Divas de Cindy Shea will team up with their “brother” band Mariachi Espectacular, and Jewish cultural revival band Mostly Kosher will share the stage with Urban Voices Project, a choir made up of men and women surviving homelessness on Skid Row. Those who can't make it to The Music Center on Dec. 24 can watch the live broadcast on PBS SoCal starting at 3 p.m., with the rebroadcast on KCET on Christmas Day from 12 p.m. – 3 p.m. and 7 p.m. – 10 p.m., or online at pbssocal.org/holidaycelebration.
Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."
Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)
During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.
The 30th Annual LA Stage Alliance Ovation Awards Nominations
Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.
Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.
LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.
Theatrical shows, Film Festivals, Musicals, and Interactive/Immersive Escape Rooms NOW registered on the Better Lemons calendar!
For shows with a LemonMeter rating, visit our LemonMeter page.
Short & Sweet Film Festival
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Tuesday nights will be devoted to new short Films.
Thursday evenings will be the occasion for Thirsty Thursdays, an occasion for artists to socialize and network, sponsored by Silent Pool Gin. https://t.co/3D37zs2jWq
Short Latinx plays. Each of four groups of plays is named after a performing icon.
Friday, October 11 at 7:00 p.m.; Saturday, October 12 at 2:00 p.m.; Sunday, October 13 at 9:00 p.m.
Perro Amor. Directed by Paloma Lopez. https://t.co/5bOeYYEb1w
THE ART OF DINING - The play takes place in the late 70s in upscale New Jersey at the shore. Ellen and Cal have opened a restaurant, The Golden Carrousel, and after four weeks, the place is taking off with the dinner crowd. https://t.co/xFNb0fgirTpic.twitter.com/fvksUESJFt
THE SUNSHINE BOYS deftly showcases the late Neil Simon’s brilliant ear for sidesplitting dialogue and his sharp eye for physical comedy. Yet beneath the raucous laughter are two vulnerable people struggling to make sense of their lives. https://t.co/CgOphhjiFhpic.twitter.com/wOeJQgdKiB
A Christmas Carol - ANW’s delightfully festive, musically merry holiday tradition returns! Families love the inspirational story of Bob Cratchit, Tiny Tim, and Scrooge—the perfect burst of boundless good cheer for the season. https://t.co/rloD4cq2jGpic.twitter.com/eTsfhZ4n3m
Second City’s fourth annual "2019 Diversity in Comedy Festival"
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The Second City’s fourth annual "2019 Diversity in Comedy Festival" is a 4-day festival taking place on October 17, 18, 19, 20. LADCF will feature diverse performers in the realm of sketch, improv, stand-up, original pilots, and video shorts, through... https://t.co/K07zXCMxVzpic.twitter.com/WQAYhdia8F
The Glendale Center Theatre (GCT) has done it again and brought yet another original musical adaption of the 1945 novel written by Josephine Leslie under the pseudonym of R. A. Dick of ‘The Ghost and Mrs. Muir’. https://t.co/IgjeIdfXuI
Ravenswood Manor- A CAMP-HORROR-SOAP-OPERA IN 12 EPISODES
Taking a page from the cult classic "Dark Shadows", Justin Sayre's Ravenswood Manor brings audiences the gothic and hilarious goings-on of a small New England town during the spring of 1976. https://t.co/lX7TukjrsM
DEAR JERRY SEINFELD - Steven Brandon and Ari Stidham (“Scorpion”) present the world premiere of Dear Jerry Seinfeld, with book and lyrics by Alex Lewis (“Bring the Funny”) and Greg Smith, music by Alex Lewis and Michael Teoli, directed by Greg Lewis. https://t.co/mocJRdRaNjpic.twitter.com/zDkwKvJSIM
"What If? – A Musical Parody" directed by Bruce Kimmel, produced by Doug Haverty, with musical direction by Richard Allen, returns to Los Angeles for Two Nights only, Wednesday, October 23 and Thursday, October 24 at 8pm. https://t.co/FTAlHZxF1Jpic.twitter.com/tCC3CCslCN
KEY LARGO - WORLD PREMIERE ADAPTATION & GEFFEN PLAYHOUSE COMMISSION
Welcome to the eye of the storm! Key Largo is a bold reimagining of Maxwell Anderson’s Broadway hit that became the iconic noir film starring Humphrey Bogart and Lauren Bacall. https://t.co/pXTNzYMjiP
SISTERS IN LAW-This new production, based on Linda Hirshman’s New York Times bestseller, celebrates the friendship – and conflict – between two modern-day legends who became the United States Supreme Court’s first female justices. https://t.co/0ntJOwCXqFpic.twitter.com/kHCQphLEIK
The Legend of Little Girl Blue is a beautifully orchestrated mixture of classical, jazz, and rhythm & blues sounds with riveting storytelling of the musical bond between an artist from one era influenced by a legend from the past. https://t.co/twDLpayiEHpic.twitter.com/pqiZRMNIH0
THE SÉANCE - Madam Ruby has invited you and a few guests to participate in her Séance and step beyond the veil. But who or what will be waiting for you? This is a frightening interactive theatre experience with live actors and special effects. https://t.co/pWHkbtdkU4pic.twitter.com/s8WK97PYBz
Turn back the hands of time for an intimate evening with legendary jazz songstress Billie Holiday: Lanie Robertson’s play with music treats the audience to one last performance by the iconic singer. https://t.co/J3nlo6noGLpic.twitter.com/boLxFaeiMW
THE SANTALAND DIARIES - "A sardonic, merrily subversive tale—just the antidote to bright-eyed joy before too many shopping days have passed. Worth more than a photo album full of Santas!" NY Newsday. https://t.co/5liGzYQV8Gpic.twitter.com/fU0eyAUENy
Wed. 10/9 - Evil Dead (2013) Special appearance by Dana DeLorenzo (star of Ash Vs Evil Dead, the Evil Dead television series) who will introduce the film and participate in a moderated Q&A after the screening. https://t.co/jdEPBryjcIpic.twitter.com/O4gmIvFweS
Theatrical Festivals, Shows, and Dance Performances
Gem of the Ocean
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Pulitzer Prize winner August Wilson unfolds the African American legacy in the first chronological episode of his celebrated American Century Cycle—a soaring, mystical tale of a man desperate for redemption in 1904 Pittsburgh. https://t.co/waIKYNpE4wpic.twitter.com/Bcvtlo7XV3
At the top of their game, yoga apparel giant Jojomon is hit with a terrible scandal that sends them into freefall. Desperate to recover their earnings and reputation, newly hired CEO Joan stakes everything on an unlikely plan. https://t.co/3xjSJaNoVXpic.twitter.com/41W8prNrrw
Tonoccus McClain ("The Lion King") and his special guests will take the audience on a self-reflecting musical journey through the influences of musical theatre, jazz, pop, gospel, and other surprises. https://t.co/YxfsDpGw1Rpic.twitter.com/oM6kUXtJOS
September 5 - 29, 2019
Greenway Arts Alliance
Co-Production with Artists at Play
Los Angeles Premiere
THE CHINESE LADY
By Lloyd Suh
Directed by Rebecca Wear
Featuring Amy She and Trieu Tran, with Hao Feng and Stephanie Wong
What happens when people from diverse backgrounds experience the firsthand accounts of ten survivors who were labeled "undesirable" and thrust into Hitler’s systematic genocide? Playwright Wendy Kout disturbingly links then and now. https://t.co/Pzrh8luL1Mpic.twitter.com/qwbZPZ3vaC
Sex, faith, and violence are all part of this intricate package of connections in Miss Lilly Gets Boned. Bekah Brunstetter imaginatively explores the tenuous and permeable boundaries that separate our civilized side from our more animalistic one, and the https://t.co/2mfQaF5CQ3pic.twitter.com/ApTnL17F1d
Half Truths, Full Plate
Inside of a small Hell’s Kitchen apartment in New York City, three generations of women share laughter and delicious food--but each of them will be forced to push beyond the surface and speak their truth... https://t.co/044YieF8Jhpic.twitter.com/a1YsfWVWJI
Towne Street Theatre's Autumn Outings and its October Showcase Presents: Milkcrate Monologues! Milkcrate Monologues is a one of a kind fresh take on Hiphop Theater exploring the narratives & messages that can be delivered through the form of Rap. https://t.co/xKRjixdEEVpic.twitter.com/IXytLbgeKf
Conversations 'Bout The Girls
A fresh, inspiring performance piece about the relationship women have with their breasts. It brings into view the mysterious, sometimes misunderstood, and often controversial realm of women’s bodies and body images. https://t.co/6vJXolYOgupic.twitter.com/Mct2QakeBv
In this world premiere play by Alisa Tangredi, a woman must see the truth and find acceptance in a fantastical adventure through grief and loss, fairy tales, and realities. And, yes ... there’s a bear. Directed by JJ Mayes and Bree Pavey. https://t.co/n28kXN9czDpic.twitter.com/3rv2VO0G6n
MASOCH AND DESADE
Two archetypes walk into a bar--a bar at the edge of the New World, named for America's first great poet, owned and operated by an African American.
The archetypes in question are, however, profoundly European. https://t.co/a37i0eIagOpic.twitter.com/4taKnGUG4l
The acclaimed Los Angeles Youth Ballet, directed by Andrea Paris-Gutierrez, presents a delightful family-friendly double-bill featuring "Peter & the Wolf", Prokofiev’s beloved symphonic fairy tale of courage and ingenuity... https://t.co/LwAV2WsAJSpic.twitter.com/bmd9gXUrMC
Mary Zimmerman, of Chicago's Lookingglass Theater, is a true national treasure – if by no other measure than the MacArthur Genius Fellowship she was awarded for adapting “seemingly untheatrical source material from classic world literature into compelling theater.” (the MacArthur Foundation's own words). “Arabian Nights,” “The Notebooks of Leonardo da Vinci,” “Metamorphoses,” and “Galileo Galilei,” “The Odyssey” – these and a slew of other works are testament to her “genius.”
What makes Zimmerman's work so valuable is her joyous, endlessly engaging use of the full forces of theater. In the telling of sweeping epics, she transports the audience into ancient worlds filled with a resplendent reality of their own, made not just engaging but intellectually stimulating. Using puppets, music, dance, song, poetry, lavish costumes, clever staging, and surprisingly simple but intriguingly effect stage architecture, Zimmerman's work is designed to be entertaining, thoughtful, and transformative.
On stage, A Noise Within (ANW), L.A.'s classical company, is now producing Zimmerman's Argonautika complete with the sailors climbing the ship's ropes to billow the sail and the Woman of Lemnos singing and dancing on silks (aerial acrobatics while suspended on Lycra drapes).
Argonautika is an adaptation of an ancient Greek legend – Jason and The Voyage of the Argonaut, by Apollonius Rhodius in the 3 rd Century BCE – with certain wrinkles from a Roman re-telling of the myth by Gaius Valerius Flaccus centuries later under the Emperor Vespasian (c. 90 AD). [The Romans were always laying claim the cultural glories of the much older, much more prestigious civilization they'd conquered – mostly to give their empire international legitimacy].
The epic begins when Jason, a brash one-sandaled youth of self-defined heroic stature, asserts his claim to the kingship of Iolcus (being a very early name for Macedonia, which would later spawn Alexander the Great). Raised in the mountains by a Centaur, Jason comes late to his inheritance when he learns that Pelias (a bastard half-brother of Jason's naughty mama) is currently ruling the roost in Iolcus. But when faced with Jason and his buddies – heroes all, Pelias remembers the Oracle's oracular warning that he would be felled by a one-sandaled kid. So Pelias acknowledges Jason's claim, oh sure! BUT – in a move to get rid of Jason, Pelias lays on him one death-defying task to prove his worth (hoping that in this case Death won't be defied) – find and bring the prized golden fleece to the current sitter-on-the-throne.
The intertwining entanglement of claims and counterclaims, descent from gods and demi-gods, and heroics versus bluster is masterfully handled in Zimmerman's breezy dramaturgy. Jason's voyage on the good ship Argo – with the heroic 8 plus the formidable, self-promoting Hercules, a legend unto his own vanity – is a seemingly impossible task made tragic, comic, and romantic by Zimmerman's uniquely gifted approach to character, movement, and motivation.
Surely, for the nautical warriors manning the Argo, the distance alone was a challenge – the Argo was little more than a leaky skiff sailing the rough waters of the Ionian Sea in the Third Century BCE. But the obstacles were daunting to the point of death. - monsters, goddesses.
Perhaps most monstrous and yet tragic of all Jason's obstacles was the formidable sorceress, Medea – the wife and mother of his two sons who he abandoned because, well, honey, you always knew the golden fleece was priority one for me! Yeah, it's that kind of story.
And when it's a good tale, well told, with an ear and eye toward the magic of total theater – it is surely a product of genius.
The 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019. (Photo by Better Lemons)
The LA Drama Critics Circle (LADCC) held their 50th Annual Awards ceremony at the landmark Pasadena Playhouse where Better Lemons was in attendance to live tweet the evening's festivities and entertainment, Monday, April 8, 2019.
Wenzel Jones presided over the festivities, and Christopher Raymond served as music director with musical performances by Kristin Towers Rowles, Constance Jewell Lopez, and Zachary Ford.
Better Lemons' Chief Operating Officer Stephen Box (Left,) Publisher Enci Box, and Playwright & Screenwriter Steven Vlasak at the 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019.
The Antaeus Theatre Company received the most awards, with three of its productions winning a combined seven trophies. Celebration Theatre's Cabaret took home six awards, the most awards for a single production, including one for Revival. Tom Hanks received a lead actor award for his performance as Falstaff in The Shakespeare Center of Los Angeles production of Henry IV in a competitive category. 17 awards were presented in other categories with 17 productions taking home the honors.
In its inaugural this year, the Theater Angel award was presented to Yvonne Bell in recognition of her "long career devoted to fostering theater in Los Angeles ... [and] successful fundraising campaigns" to help open several cultural institutions, such as The Museum of Contemporary Art and the California Science Center.
Eight previously announced special awards were presented, including the Margaret Harford Award for sustained excellence in theater to Sacred Fools Theater Company and the Ted Schmitt Award for the world premiere of an outstanding new play to Lauren Yee for Cambodian Rock Band.
The LADCC was established in 1969 “to foster and reward merit in the American Theater and encourage theater in Los Angeles,” the LADCC site quotes from an announcement in the L.A. Times of that year.
Here is the list of award recipients as announced during Better Lemons' live coverage on Twitter:
We are looking forward to the LADCC Awards, established in 1969 “to foster and reward merit in the American theater and encourage theater in Los Angeles.” This is the LADCC Award's 50th Anniversary! Join us at 7:30 pm as we live-tweet the event. #LADCC50th#LAThtr#LATheater
Featured photo by Enci Box - Theatre patrons in the courtyard of the Pasadena Playhouse for the 50th Annual LA Drama Critics Circle Awards, Pasadena, California, Monday, April 8, 2019. Enci Box contributed to this story and photos.
Theatrical shows registered on the Better Lemons calendar! For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.
“Magic sensation Helder Guimarães returns to the Geffen with the world premiere of his one-man show, Invisible Tango. Directed by legendary film producer and director Frank Marshall (Jurassic World, Indiana Jones, Goonies, Back to the Future), Invisible Tango explores the nature of secrets and how far we are willing to go to discover them. In the midst of the information age and our culture of over-sharing, Guimarães challenges our interaction with the unknown and explores how we can embrace the magic of wonder and mystery. Guimarães last amazed and charmed Geffen audiences in the smash hit Nothing to Hide, the two-man magic show that extended four times before transferring to New York. ”
“The Tap-Happiest Show Ever! GOOD MORNING TO YOU! LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT (celebrating its 25th Silver Anniversary at the theatre) are thrilled to present SINGIN' IN THE RAIN, based on the greatest movie musical of all time with screenplay by Betty Comden & Adolph Green and songs by Nacio Herb Brown and Arthur Freed. The fresh new production will be directed & choreographed by Spencer Liff (Emmy nominee for TV's “So You Think You Can Dance” and Broadway's Head Over Heels, Hedwig and the Angry Inch and Falsettos), associate director is Cynthia Ferrer (original “Kathy Selden” in the first National Tour of Singin' in the Rain) with musical direction by Keith Harrison.”
“ENSEMBLE THEATRE COMPANY (ETC) presents the fourth show of its 40th Anniversary Season, the Southern California premiere of the stunning and wildly popular novel by Jonathan Safran Foer, EVERYTHING IS ILLUMINATED, adapted by Simon Block and directed by Jonathan Fox.
Jonathan, a young Jewish-American writer, travels to Ukraine to seek out the woman who may have saved his grandfather from the Nazis. He hires Alex, a young Ukrainian tour guide who takes him on a hilarious road trip in search of the woman's village. Along the way, they confront haunting memories as Jonathan and Alex's histories become entwined.”
“A ferociously dark and hilarious new comedy by award-winning playwright John Bunzel (63 Trillion, Death of a Buick). When a famous writer dies under mysterious circumstances, family and friends gather in his cabin on a remote island in the Puget Sound to box up his belongings. As they go through the clutter dad left behind, hidden family secrets come to light — and they come to realize just how much they both despise and love one another.”
“Fed up with the pressures and demands of her acting career, the famous Myra Marlowe leases a house in the tiny Vermont hamlet of Beaver Haven, and settles down to write her autobiography. She is successful in turning aside the offers pressed on her by her long-time agent, but dealing with her nosy, omnipresent neighbors is a different matter. In an attempt to shoo them away, and gain some privacy, Myra invents a mad, homicidal sister – who is kept locked in an upstairs room, but who occasionally escapes long enough to scare off uninvited visitors. The ruse works well, at first, but complications result when the local handyman conceives an affection for “Sister Sadie' (really Myra in a fright wig) and some of the more officious ladies decide it is their Christian duty to save the poor demented Sadie's soul. In desperation, Myra announces that her imaginary sibling has suddenly gone off to Boston – which brings on the sheriff, and the suspicion of murder!”
“'Twisted Broadway' promises to be an irreverent afternoon offering your favorite Broadway tunes turned upside down and inside out...Theatre LA Cares, LA's newest producing company, is committed to empowerment, healing, and dignity, and robustly supports Time's Up so that someday soon no one will ever have to say, “me, too” again. Time's Up is a unified call for change from women in entertainment and for women everywhere. From movie sets to farm fields to boardrooms alike, Time's Up envisions nationwide leadership that reflects the world in which we live.”
“A musical parody of the cult film classics “The First Wives Club” and “Fight Club” starring Raja, Brooke Lynn Hytes, Ginger Minj, Peaches Christ, and more. Written and directed by Varla Jean Merman & Peaches Christ.”
“A famous concert violinist is stricken with a disease which necessitates her retirement from the stage and which threatens her marriage as well. The play is structured as a series of interviews between the violinist and her psychiatrist in which she tries to cope with her illness and its effect on her life. Featuring Mia Christou and Howard Leder. ”
“A world premiere comedy by Malcolm Barrett, directed by Bernardo Cubría. After being diagnosed with ‘brain problems,' a cynical man copes with his life-threatening condition by retreating into his imagination.”
“The Fantasticks by Tom Jones & Harvey Schmidt
Produced through special arrangement with Music Theatre International
“Try To Remember” a time when this romantic charmer wasn't enchanting audiences around the world. The Fantasticks is the longest-running musical in the world and with good reason: at the heart of its breathtaking poetry and subtle theatrical sophistication is a purity and simplicity that transcends cultural barriers. The result is a timeless fable of love that manages to be nostalgic and universal at the same time.”
“Our journalists are in danger – being forsaken by their people and slaughtered for their pursuit of the truth. As a multidisciplinary piece performed in three different languages, Dying for Our Voices explores that pursuit's high costs, its global impacts, and personal consequences. ”
“It's Nancy's birthday. Her daughter and son-in-law come to take the parents out to celebrate. But when new desires and old frustrations collide over dinner, all four slide into a tense standoff as Nancy questions her own collusion with the sexual agreements and power dynamics within her own marriage. Using cutting humor and venturing into tricky territory, The End of Sex (Or What's Wrong With Mom) wrestles with how sexual behavior encourages and creates power arrangements – even in consensual relations.”
“An all-star benefit reading of Jacqueline Susann's Valley of the Dolls, directed by Richard Hochberg. Susann's infamous tale of cutthroat careerism, wild sex, and fierce female protagonists will be on hilarious display for two nights only. The cast features (in alphabetical order) Steve Bluestein, Wilson Cruz, Joely Fisher, Mo Gaffney, Robert Gant, Tom Lenk, Greg Louganis, Alec Mapa, Laraine Newman, Sheryl Lee Ralph, Gordon Thomson, Joan Van Ark, Bruce Vilanch, Marissa Jaret Winokur.
One hundred percent of the proceeds will benefit Alcott Center for Mental Health Services and the Los Angeles LGBT Center.”
“Set under the white-hot glare of Hollywood and Celebrity, “Wild Son: The Testimony of Christian Brando” tells the story of Marlon Brando's troubled, headline-making son…in his own words. Written by Champ Clark and featuring John Mese as Christian, this 59-minute one-act–based on personal interviews conducted by Clark and populated by the likes of Jack Nicholson, Michael Jackson, Johnny Depp, Sean Penn, Anjelica Huston, Robert Blake and others–is, most importantly, the story of father and son.”
“In this fresh retelling of the classic Greek myth, Jason and his quest for the Golden Fleece has been reframed for our time. Join the fantastic voyage and encounter Hercules, Hera, sirens, centaurs, and more—familiar mythological figures imbued with unexpected character and depth. Discover humor, love, and the unimaginable as Tony Award® winner Mary Zimmerman reveals the humanity in the most monstrous of creatures in this unforgettable journey for the ages.”
“One of ANW's most beloved production is back: Your favorites are ready to rein in the chaos of this joyfully out-of-control British farce about the auspiciously titled play-within-a-play Nothing On. Step behind the curtain and meet the under-rehearsed and over-worked cast and crew with a penchant for drama more personal than professional. As the production progresses, the bumbling cast brings down the house—literally!
Better Lemons readers receive $5 off with the discount code ANWLemon when you purchase your tickets.”
“David Hamilton decides to write a romantic musical comedy with his wife to cheer himself up when he's diagnosed with cancer. “Let's Write a Musical “ is the musical they wrote together with the story of their cancer journey weaving through it. Based on a true story.”
SkyPilot Runway - A Funny Thing Happened On The Way To Divorce
“A Funny Thing …, written by Jeff Gould and directed by Margaret Starbuck, introduces three couples, all going through difficult divorces, as they anxiously and frustratingly wait in a room at a courthouse for an appointment with a mediator. Conversations begin, details of each of their troubled marriages are revealed and they eventually learn more about themselves and their relationships in just hours than they have in years of matrimony.”
“In the Korean language with English Subtitles. In the summer of 2014, Ezekiel Drama Ministry's third project, the musical Maroo Village opened. The musical explores the definition of church and defines it as not a place, but the people themselves. Maroo Village was a success that broke records leading to multiple encore shows in the same year. The Ezekiel is now opening a remastered version that takes on the original 1hr 20 minutes of the musical Maroo Village to a full-length 2-hour musical...this creative Christian musical Maroo Village pertains to 20 actors [and]...There are 24 songs from various genres including Korean folk songs, opera, classic musical, retro rock, hip hop, and waltz.”
“The Actors Gym, in association with the Whitefire Theatre, present WORKING 2020. Created and written by Academy Award winner Bobby Moresco (Crash, Million Dollar Baby), and members of the Actors Gym, produced by Bryan Rasmussen, Bobby Moresco, and Steven Christopher Parker. Working 2020 explores what work means to different people in different circumstances in the U.S. today, adding new characters, and this time focusing on the sadly relevant slide from middle to working class.”
LET ME HEAR YOU WHISPER & THE STRANGEST KIND OF ROMANCE
“The Group Rep presents two unusual one-acts, Paul Zindel's LET ME HEAR YOU WHISPER directed by Katelyn Ann Clark, and Tennessee Williams' THE STRANGEST KIND OF ROMANCE directed by JC Gafford. LET ME HEAR YOU WHISPER concerns a cleaning lady working in a mysterious lab where experiments are being conducted on mammals. Drawn to one of the subjects, she is shocked when she learns the gentle creature's fate is in danger. In THE STRANGEST KIND OF ROMANCE the proprietress of a boarding house tells a potential tenant that one of the former tenants left his cat behind. This highly unusual piece is peopled with fascinating, strongly-opinionated characters, and someone falls in love with … the cat.”
“What does it mean to love someone? What do we do when that person becomes unrecognizable? When a brother and sister start bringing their girlfriends on family vacations, a house built on secrets begins to shift. The push and pull of the ones we love gives us one of two options: resist or relent? WORLD PREMIERE.”
“A vibrant, joyful family-friendly musical comedy that follows a grown-up Dorothy on the quest to return to OZ… Based on characters created by L. Frank Baum, the originator of the first fourteen Oz books ... Follow the escapades of Dorothy and her companions along the windy road to that mystical place where dreams really do come true and nothing is as it seems…along the way, help Dorothy save her family farm, do battle with the vain but glorious Queen Coo-ee-oh, join forces with a vagabond princess who is revolting (although she doesn't look it), meet a magical Patchwork Girl, a Rainbow Maiden and help to set free the King of the Rainbow, face such looming monsters as war, drought and mortgages, learn a great deal about the world around us, and even a little bit about ourselves.”
“Winner of the 2017 Hollywood Fringe Festival Encore Producer's Award. Willy's Lil Virgin Queen illuminates one woman's journey to discover strength and empowerment and triumph over tragedy as she finds her true power through the words of a playwright; William Shakespeare. This urgently-paced, hilarious and dark coming-of-age-story dives deeply into the many roles that a woman plays on her road from girlhood to womanhood, and it does not shy away from the darker aspects of finding one's own purpose in a world that tells girls to shut-up and look pretty. As was true for the original Virgin Queen Elizabeth, in a man's world it takes a woman to rule herself, and one woman in particular to learn that that within the words of the greatest playwright in history there is truth and within every woman there is a queen.”
“(mostly)musicals returns to Upstairs at Vitello's with it's 32nd edition on April 8th with a cabaret you'll flip for! Join music director Gregory Nabours and a stellar cast of singers from LA and Broadway for an exciting evening featuring songs about changing your mind, changing the world, changing your clothes, and maybe just spare change!”
“The producers of the HFF16 immersive hit, Love the Body Positive, are back with the full length comedy, “Disrobed: Why so clothes-minded?” The play has been adapted and updated by Steven Vlasak (HFF18's Nights at The Algonquin Roundtable) from the British naturist classic, “Barely Proper” by Tom Cushing. It's Meet The Parents with a twist! Skye is about to introduce her conservative boyfriend to her family. But she's never told him that she and her family are all nudists! Will their relationship survive? Once again, this immersive theatre experience requires the audience to be in their birthday suits. Don't forget to bring a clothes bag and a towel to sit on! All photography is prohibited and all cellphones must be turned off and stored in the clothes bag upon entering the venue”
“Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson's best-selling novels, including marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair… and the bonds of friendship, duty and love. ”
“In 1936, producer David O'Selznick began a 2 year search to find an unknown to play Scarlett O'Hara in Gone with the Wind. The story unfolds in 10 moments incorporating stylized movement, dance, song, original text, several suitcases, and the great Scarlett dress. All accompanied by live percussion.”
“Homeward L.A. 2019 is a program consisting of eleven monologues based on stories of people who've experienced homelessness. Actors of Theatre 40 will perform the show, directed by one of Theatre 40's regular directors, Jules Aaron. Proceeds benefit Midnight Mission.”
“'Old Jews Telling Jokes,' which has been called a 'pickle-barrel full of giggles,' showcases five actors in a revue-type production that pays tribute to and reinvents classic jokes of the past and present. It celebrates the rich tradition of Jewish humor and ‘all the rabbis, complaining wives, fed-up husbands, patience-challenged physicians, gossiping ladies, and competitive men' populating it. The humor is suggestive and even raunchy as the ‘Old Jews' make fun of themselves as well as followers of every other religion ... Warning: adult (bawdy) humor. Not for audiences under 21.”
“In What I Did for… a Job, J. Elaine humorously reveals her unique approach to auditioning and what it took to book 10 Broadway Shows. “I had to learn to break the “rules” in order to be noticed. Many of my audition pieces were practically cabaret acts so I put them in a show.” says Broadway veteran. J. Elaine was last seen playing ‘Alexi Darling” in RENT: LIVE . “I've also added some inside scoop about doing RENT: LIVE.”
“This award-winning adaptation of Fyodor Dostoevsky's famous novel is a thrilling 90-minute psychological inquiry into the troubled mind of a murderer. Dive into the greatest crime story ever written, a tale of murder, motive and redemption that plumbs the depths of the human soul. Written for only three actors, Crime and Punishment stars Michael Trevino (CW's Roswell, New Mexico; The Vampire Diaries) as Raskolnikov, with Lola Kelly (Circle X, Chance Theatre, SCR, REDCAT) and Brian Wallace (End of the Rainbow at La Mirada, Cash on Delivery at the El Portal) playing all the other characters. 'Engrossing theater… will banish any bad memories you might have of trying to struggle through Dostoyevsky's book'”
“What would you do for a million dollars? What would you do for someone you love? Can we ever be certain that we'll NEVER do something like have sex for money or career advancement? Thorne & his wife Fleur find themselves in a modern day twist of the Indecent Proposal scenario. Yes, people are being targeted by sexual predators, but what about the people who consciously use sex to get ahead? “Yes. No. Maybe.” examines the moral implications of the ways in which we all prostitute ourselves to advance our careers, improve our bank balances, stay in power, keep a roof over our heads, or get whatever it is we feel we ‘need' to survive, be happy or feel validated ... 'Yes. No. Maybe.' is a dramedy of manners for an adult audience unafraid to consider the possibility that their morals may not be as set in stone as they'd like to believe…Comedy, drama and a splash of contemporary dance merge to create a unique theatrical experience.”
“Giselle is an ethereal, “Fringe Festival” contemporary take on the classic ballet. Giselle, a sickly peasant girl , falls in love with, and subsequently dies of a broken heart after discovering her love is actually betrothed to another. A dark and tragic love story of deceit, heartbreak, consequences, and redemption – where love eventually triumphs over vengeance from the grave and beyond. Brought to life on the stage in a swirl of aerial and cirque magic!”
“Octopi Wall Street addresses the subject of climate change through a series of vignettes told from the perspective of both human and non-human entities (think drunk birds, drag queen barley, algae, and a glacier). The play is based on extensive research of mainstream media articles dealing with off-beat aspects of global warming and climate change. The opening monologue of the play recently won a nationally recognized award at the Region 8 Kennedy Center American College Theater Festival as its 2019 Monologue Selection.”