Ovation Awards Playwrights Roundtable

On the brink of their big night, I checked in with four of this year’s Ovation Awards nominated playwrights: Malcolm Barrett for Brain Problems with Ammunition Theatre Company; Jami Brandli for Bliss (or Emily Post Is Dead) at Moving Arts; Jonathan Caren for Canyon at Latino Theatre Company in association with IAMA Theatre; and Nate Rufus Edelman for Desert Rats at Latino Theatre Company.

You've been nominated for an Ovation! Major congrats! How do you feel about this exciting moment?

MALCOLM BARRETT: It’s a pretty amazing feeling considering this is my first full-length play, made all the more meaningful by being recognized for a story as personal as this: the journey of a man trying to cope with death via his imagination, based on a buddy of mine, Thomas Mejia who suffered from multiple AVM's. I think it was both therapeutic and cathartic for both of us to go through this process.

JAMI BRANDLI: I feel very blessed, extremely grateful and, of course, honored.

JONATHAN CAREN: Before I even answer that question, I want to acknowledge the many world premieres of plays that are happening in Los Angeles these days. It’s exciting to know that LA is becoming a hub where plays can gestate. I look at Kemp Powers career, starting off at Rogue Machine, and then bringing his play One Night in Miami across the country and then even to the Donmar in London. I think every aspiring playwright in LA should take that in. I’m very happy to be a part of the larger movement here.

NATE RUFUS EDELMAN: Surprised. I caught the majority of the other plays nominated and they’re really good. It’s an honor to be nominated alongside them.

How did your LA production come about? If it was a regional or world premiere, how was that experience of seeing this work put up for the first time?

MALCOLM BARRETT: I first shared a couple of pages of it for my company’s writing workshop, it was my way of coping. After the reading those first couple pages aloud, Bernardo Cubria, who would later become the director, encouraged me to continue writing. It was a tremendous experience to have it up on its feet for the first time. I never actually got to see it as I was always in it and seeing the audience’s reactions as a performer is always surreal, but it was always enjoyable seeing my friends eyes light up from the stage. It wasn’t until we had our understudy performance that I realized that this play had legs, that it wasn’t relying on my particular performance to carry the writing, which can be a fear when trying to create work you’re featured in.

JAMI BRANDLI: Moving Arts' Artistic Director, Darin Anthony, first gave BLISS (or Emily Post is Dead!) a workshop in 2016 and committed to a future production. As luck would have it, two more theaters wanted to produce the play. So, in 2018, BLISS (or Emily Post is Dead!) received a rolling world premiere with Moxie Theater in San Diego, then Promethean Theatre in Chicago and finally with Moving Arts here in Los Angeles. I had a very unique experience in that I got to see three different productions, which ties in nicely with the next question…

JONATHAN CAREN: It was a world premiere. I workshopped the play with IAMA two years prior to this production. I first got to know IAMA when they did my play THE RECOMMENDATION in 2014. They were incredibly generous to me with space and time to develop it with their ensemble, and when the Latino Theater Company got involved, things took on a whole different energy. The collaboration brought disparate audiences together, which was the most exciting part of the experience.

NATE RUFUS EDELMAN: Desert Rats went through years of development from Los Angeles to London. The Latino Theater Company produced it at the right time with the right cast and crew. It has been my favorite experience in the theater.

Tell us a little about your role in the rehearsal process? What did you learn about the work through production?

MALCOLM BARRETT: My role in the rehearsal process was to listen. Serving as playwright and lead actor, you have to pick and choose when and where to wear which hat. We had over a year of rewrites and readings - that’s where I was the playwright. Once we got deep into rehearsal I had to let go of being a playwright so that I could allow the actors to do what they do, myself included. That was a lot me learning when to shut up and get out the way.

JAMI BRANDLI: Although the San Diego and Chicago productions of BLISS (or Emily Post is Dead!) were solid, I realized there were some areas of the play I wanted to revise and Moving Arts was more than game to work with me on my revision. So I took full advantage of the collaborative experience during rehearsals and the dramaturgical notes from Darin Anthony (the director), Chuma Gault (the assistant director) and Cece Tio (the head producer) were, quite simply, invaluable. The cast and creative crew were truly stellar, and their talent and vision helped me to bring my play to the next level. The play is now set for future productions, and I am forever grateful--especially since BLISS has another production this February at Defunkt Theatre in Portland, OR.

JONATHAN CAREN: I loved working with Whitney White. She challenged me to keep pushing each character’s perspective up against each other. Keep tightening the screws. All the actors brought personal antidotes and perspectives that I considered and sometimes even wove into the text. This was a long collaborative process and to me, feels like a tapestry of colliding worlds and viewpoints, that may never find common ground, but buttress up against each other in our sprawling city.

NATE RUFUS EDELMAN: I production manage the plays at the Los Angeles Theatre Center, which is operated by the Latino Theater Company. Desert Rats rehearsed and ran in tandem with my friend Oliver Mayer’s Member Only. It was a lot of work balancing dual roles, but I was able to be very present in the rehearsal room, share thoughts, and rewrite. I also teach and help run a Summer Youth Conservatory at the LATC with Angie Scott, the director of Desert Rats. We were able to hire alumni of that program to work on the play as the stage manager, assistant director, costume designer, and production assistant. It was particularly rewarding to give these bright young adults their first professional gigs. Rehearsals were like a very happy family making a play for ourselves. I’m extra happy people seemed to dig the production.

Though our reputation is growing, not everyone knows how vibrant the theatre-making scene in Los Angeles really is. Please share your perspective on making theatre in Los Angeles.

MALCOLM BARRETT: There’s clearly a lot of talent here as New York and Los Angeles are the a Mecca for young actors but it gets overshadowed by Broadway and by LA’s film and television scene. But as our theatre communities grow so has the city’s reputation for it’s work on the stage.

JAMI BRANDLI: I feel Los Angeles has entered into "a golden age" with theater, especially developing new plays. In addition to Moving Arts, I've had the great fortune to develop my plays with The Inkwell Theater, The Road Theatre Company, Chalk Rep, Antaeus Theatre Company, The Playwrights Union and HUMANITAS as a 2019 PLAY LA Winner. Every organization has their own exciting approach to new play development, which has helped me grow as a playwright and breathe more life into my plays. I've been *very* lucky in that two more of my plays have been produced here in LA because of this development: Through the Eye of a Needle with The Road Theatre Company and Sisters Three with The Inkwell Theater.

JONATHAN CAREN: The biggest problem with LA theater is that it used to be completely overshadowed by the film industry. Now, I think the problem has more to do with geography. There are great shows happening in Venice, but I don’t think I can get to an 8pm curtain on a weeknight from Echo Park. I’d love to see more co-pros and even transfers where a show doesn’t have to move to another city, but to another part of Los Angeles. We’re that damn big.

NATE RUFUS EDELMAN: I’m from Eagle Rock and, while I have spent years away from Los Angeles in Ireland and New York, Los Angeles and its theater community are my home. The diversity and talent of the theater scene in LA is immense. I am lucky to be friends with great artists, designers, and other playwrights who constantly inspire me.

What advice would you give to a young playwright living and creating in Los Angeles?

MALCOLM BARRETT: Write. See plays. Find your community, find people who are smarter than you, and work with them.

JAMI BRANDLI: Go see all types of LA theater! From 99 seat to CTG to The Hollywood Fringe Festival and everything in between. I can't stress this enough. Then, once you're familiar with LA's amazing theater community, introduce yourself to theaters that would be a good match for your work and inquire about development opportunity. If there isn't a development program, perhaps the theater has a writers group or they're looking for volunteers (volunteer if you have the chance!). The important thing is to show up and support first, and then inquire. There are so many new play development opportunities in LA, but you have to be proactive about it.

Goodness, aren't we all so lucky to be a part of this incredible theater community? I know I am, and I'll never take it for granted.

Thanks for much for the interview!

JONATHAN CAREN: I started out by volunteering at The Elephant and Black Dahlia theaters as an usher. I assisted Matt Shakman on a show back when he ran the Black Dahlia and now he runs The Geffen. I’ve worked with sound designer Jeff Gardner multiple times after first meeting him at The Elephant. Just show up because theaters depend on volunteers. They need you. If you want to put in the time and energy, someone will take you up on the task, but be pro-active. Find a way to show that you are dependable and follow through consistently. Don’t just help once. Do it for a year. Then you’ll know what it’s like to be a company member and soon enough you’ll become a part of the community.

NATE RUFUS EDELMAN: Have patience. Be authentic and humble. Explore and engage with the theater community. Write plays you love. Others will too.


The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


Audio Interview: Karla Mosley - Maya Avant Forrester on The Bold and the Beautiful stars in "The Giant Void in My Soul" at The Pico

When Fool 1 discovers the giant void in their soul, their best friend Fool 2 joins them on a mission to fill it. Will alcohol and food do the trick? What about religion or activism? Could a job or a “partner-house-baby” do it? Confronting their past should work, no? Will anything fill this damn void?!?!?! (Synopsis taken from site)
Enjoy this interview about Bernardo Cubria's “The Giant Void in My Soul” directed by Felix Angel Solis and staring Karla Mosley(Maya Avant Forrester in a recurring role on the TV series The Bold and the Beautiful) at The Pico, running until June 3rd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.