THE BEST OF SHOWS ON BETTER LEMONS IN 2019

Better Lemons had a fantastic year and we couldn't have done it without the fantastic critics, publicists, and audience members who share their love of Los Angeles theater, by posting on Better Lemons and sharing their favorite shows and their reviews on social media.

We are especially grateful for all the Registered Critics who took their time this past year to rate shows they have reviewed to be included in our LemonMeter.

There were 1200 productions registered on Better Lemons in 2019! Out of those registered shows, over 600 received at least one review from a Critic and 201 were reviewed by Audience members. Out of these shows, we selected the winners that were most favored by Critics and/or Audiences.

Here is a list with all the Better Lemons SWEET productions of 2019:

The Better Lemons DoubleSWEET #LemonMeter Choice Awards for 2019
are going to the following productions:

(33 shows out of 1200 productions received
a DoubleSWEET #LemonMeter rating
from audience and critics)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet
14 Critics reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet
9 Critics reviews - 94% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet
4 Critics reviews - 75% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet
7 Critics reviews - 93% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR at the Complex Theatre
14 Audience reviews - 96% Sweet
3 Critics reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

BLACKBOXING at the Complex Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

TRANSFERENCE at The Broadwater
9 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

SCRAPS at the Matrix Theatre
8 Audience reviews - 100% Sweet
15 Critics reviews - 87% Sweet

SUPPORTIVE WHITE PARENTS at The Broadwater
8 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
7 Audience reviews - 100% Sweet
13 Critics reviews - 92% Sweet

ROMEO AND JULIET IN HELL at the Actors Workout Studio
7 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

FALLEN SAINTS: SALEM at the Actors Workout Studio
7 Audience reviews - 100% Sweet
7 Critics reviews - 100% Sweet

SAVING CAIN at the Hudson Theatres
6 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

THE LAST CROISSANT at The Broadwater
5 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
4 Audience reviews - 100% Sweet
10 Critics reviews - 95% Sweet

OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE at the Complex Theatre
4 Audience reviews - 100% Sweet
6 Critics reviews - 92% Sweet

CLARISSANT at the Atwater Village Theatre
4 Audience reviews - 88% Sweet
4 Critics reviews - 100% Sweet

CIRQUE DU GISELLE at the Assistance League Theater
4 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BATTER UP: MY BRAIN ON BASEBALL at studio/stage
4 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

JOAN AND WHAT DID THEY SAY - AN EVENING OF ONE ACTS at Theatre Unlimited (T.U. Studios)
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TREASON at the Stephanie Feury Studio Theatre
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

45 MILLIGRAMS at The Broadwater
3 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

The Better Lemons Audience #LemonMeter Choice Awards for 2019
are going to the following productions:

(32 shows out of 1200 productions received
a minimum of 10 audience reviews
and have received a SWEET #LemonMeter rating by the Audience)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet

AN EXCUSE TO BEHAVE BADLY at the Lounge Theatre
22 Audience reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet

TELENOVELA at the Actors Workout Studio
16 Audience reviews - 100% Sweet

AMERICAN STRANGER THE MUSICAL at Studio C
16 Audience reviews - 100% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR Complex Theatre
14 Audience reviews - 96% Sweet

MANDY PICKS A HUSBAND at the Actors Company
13 Audience reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet

ASK A BLACK WOMAN at Studio C
12 Audience reviews - 100% Sweet

THANK YOU FOR LOVING ME at the Stephanie Feury Studio Theatre
12 Audience reviews - 100% Sweet

BIRTHDAY at the Actors Company
12 Audience reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

LEAVING PRINCE CHARMING at the Lounge Theatre
11 Audience reviews - 100% Sweet

ENERJOYCE...EVOLUTION OF A PISCES BABY BOOMER at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

YES. NO. MAYBE. at the Complex Theatre
11 Audience reviews - 100% Sweet

BECOMING PEACE: A ONE WOMAN DRAMEDY ABOUT POWER, CULTURE, VIOLENCE AND NONVIOLENCE at the Lounge Theatre
10 Audience reviews - 100% Sweet

CAT SH!T CRAZY...FROM HOT MESS TO HOT MAMA IN FOUR SIMPLE CATS at the Whitefire Theatre
10 Audience reviews - 100% Sweet

OCTOPI WALL STREET at the New American Theatre
10 Audience reviews - 100% Sweet

EMBRACE LOVE FREE at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

BLACKBOXING at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet

The Better Lemons Critics #LemonMeter Choice Awards for 2019
are going to the following productions:

(92 shows out of 1200 productions received
a minimum of 10 critic reviews
and have received a SWEET #LemonMeter rating by the Critics)

DANIEL'S HUSBAND at The Fountain Theatre
26 Critics reviews - 96% Sweet

THE PLAY THAT GOES WRONG at the Ahmanson Theatre
21 Critics reviews - 76% Sweet

WITCH at the Geffen Playhouse
21 Critics reviews - 93% Sweet

HANDJOB by the Echo Theater Company
21 Critics reviews - 79% Sweet

THE CRIPPLE OF INISHMAAN by the Antaeus Theatre Company
20 Critics reviews - 90% Sweet

TOO MUCH SUN at the Odyssey Theatre
19 Critics reviews - 84% Sweet

THE CAUCASIAN CHALK CIRCLE by the Antaeus Theatre Company
19 Critics reviews - 97% Sweet

SKINTIGHT at the Geffen Playhouse
19 Critics reviews - 100% Sweet

BETWEEN RIVERSIDE AND CRAZY at The Fountain Theatre
19 Critics reviews - 79% Sweet

1776 THE MUSICAL at the La Mirada Theatre for the Performing Arts
18 Critics reviews - 94% Sweet

AN INSPECTOR CALLS at The Wallis Annenberg Center for the Performing Arts
18 Critics reviews - 81% Sweet

BRONCO BILLY - THE MUSICAL at the Skylight Theatre Company
18 Critics reviews - 92% Sweet

DEADLY at the Sacred Fools Theater Company
18 Critics reviews - 75% Sweet

LATIN HISTORY FOR MORONS at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

MATTHEW BOURNE'S SWAN LAKE at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

HELLO DOLLY at the Pantages Theatre
17 Critics reviews - 97% Sweet

READY STEADY YETI GO at the Rogue Machine Theatre
17 Critics reviews - 82% Sweet

ON BECKETT at the Kirk Douglas Theatre
17 Critics reviews - 100% Sweet

ANNE, A NEW PLAY at the Museum of Tolerance
16 Critics reviews - 88% Sweet

LOOT at the Odyssey Theatre
16 Critics reviews - 91% Sweet

MYSTERIOUS CIRCUMSTANCES at the Geffen Playhouse
16 Critics reviews - 84% Sweet

NICK DEAR'S FRANKENSTEIN at A Noise Within
16 Critics reviews - 78% Sweet

SCRAPS at the Matrix Theatre
15 critics reviews - 87% Sweet

LOVE ACTUALLY LIVE at The Wallis Annenberg Center for the Performing Arts
15 Critics reviews - 97% Sweet

PARADISE at the Matrix Theatre
15 Critics reviews - 77% Sweet

LINDA VISTA at the Mark Taper Forum
15 Critics reviews - 77% Sweet

HYPE MAN at The Fountain Theatre
15 Critics reviews - 90% Sweet

OTHELLO at A Noise Within
15 Critics reviews - 80% Sweet

RAGTIME: THE MUSICAL at the Pasadena Playhouse
15 Critics reviews - 100% Sweet

LACKAWANNA BLUES at the Mark Taper Forum
15 Critics reviews - 90% Sweet

DANA H. at the Kirk Douglas Theatre
15 Critics reviews - 97% Sweet

FALSETTOS at the Ahmanson Theatre
15 Critics reviews - 90% Sweet

INDECENT at the Ahmanson Theatre
15 Critics reviews - 100% Sweet

A KID LIKE JAKE by the IAMA Theatre Company
15 Critics reviews - 90% Sweet

EIGHT NIGHTS by the Antaeus Theatre Company
15 Critics reviews - 93% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
14 Critics reviews - 100% Sweet

DIANA OF DOBSON'S by the Antaeus Theatre Company
14 Critics reviews - 93% Sweet

MOBY DICK - REHEARSED at Will Geer's Theatricum Botanicum
14 Critics reviews - 89% Sweet

THE SKIN OF OUR TEETH at Will Geer's Theatricum Botanicum
14 Critics reviews - 100% Sweet

THE SOLID LIFE OF SUGAR WATER by Deaf West Theatre
14 Critics reviews - 89% Sweet

LITTLE SHOP OF HORRORS at the Pasadena Playhouse
14 Critics reviews - 75% Sweet

AUGUST WILSON'S JITNEY at the Mark Taper Forum
14 Critics reviews - 100% Sweet

SALVAGE at the Lounge Theatre
14 Critics reviews - 100% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
13 Critics reviews - 92% Sweet

TWO TRAINS RUNNING AT MATRIX at the Matrix Theatre
13 Critics reviews - 100% Sweet

WITNESS UGANDA at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 92% Sweet

THE JOY WHEEL at the Ruskin Group Theatre
13 Critics reviews - 88% Sweet

LIGHTS OUT: NAT "KING" COLE at the Geffen Playhouse
13 Critics reviews - 85% Sweet

THE WOLVES by the Echo Theater Company
13 Critics reviews - 88% Sweet

FAITH HEALER at the Odyssey Theatre
13 Critics reviews - 88% Sweet

THE NICETIES at the Geffen Playhouse
13 Critics reviews - 88% Sweet

ARGONAUTIKA at A Noise Within
13 Critics reviews - 88% Sweet

RAGTIME at the Chance Theater
13 Critics reviews - 96% Sweet

THE PRODUCERS at the Celebration Theatre @ The Lex
13 Critics reviews - 88% Sweet

TWELFTH NIGHT at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 100% Sweet

FEFU AND HER FRIENDS at the Odyssey Theatre
13 Critics reviews - 88% Sweet

GRUMPY OLD MEN: THE MUSICAL at the La Mirada Theatre for the Performing Arts
13 Critics reviews - 77% Sweet

IN CIRCLES at the Odyssey Theatre
13 Critics reviews - 100% Sweet

AMERICA ADJACENT at theSkylight Theatre Company
12 Critics reviews - 83% Sweet

CANYON at theLos Angeles Theatre Center
12 Critics reviews - 100% Sweet

ANASTASIA at the Pantages Theatre
12 Critics reviews - 75% Sweet

HAPPY DAYS at the Mark Taper Forum
12 Critics reviews - 100% Sweet

DEATH OF A SALESMAN at the Ruskin Group Theatre
12 Critics reviews - 96% Sweet

NANCY F***ING REAGAN at the Secret Rose Theatre
12 Critics reviews - 88% Sweet

THE VANDAL at the Chance Theater
12 Critics reviews - 100% Sweet

DEFENDERS at The Broadwater
12 Critics reviews - 79% Sweet

ANNA IN THE TROPICS by the Open Fist Theatre Company
11 Critics reviews - 95% Sweet

THE GLASS MENAGERIE at A Noise Within
11 Critics reviews - 95% Sweet

AT THE TABLE at The Road Theatre Company
11 Critics reviews - 91% Sweet

SINGIN' IN THE RAIN at the La Mirada Theatre for the Performing Arts
11 Critics reviews - 100% Sweet

JULIUS WEEZER at the El Portal Theatre
11 Critics reviews - 100% Sweet

A STREETCAR NAMED DESIRE at the Odyssey Theatre
11 Critics reviews - 86% Sweet

M. BUTTERFLY at the South Coast Repertory
11 Critics reviews - 77% Sweet

HERSHEY FELDER: A PARIS LOVE STORY at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 100% Sweet

ANDY WARHOL’S TOMATO at the Pacific Resident Theatre
11 Critics reviews - 100% Sweet

BURIED CHILD at A Noise Within
11 Critics reviews - 100% Sweet

MISS LILLY GETS BONED at the Rogue Machine Theatre
11 Critics reviews - 91% Sweet

SISTERS IN LAW at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 91% Sweet

THE GREAT LEAP at the Pasadena Playhouse
11 Critics reviews - 91% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
10 Critics reviews - 95% Sweet

SPECIAL at the Theatre of Note
10 Critics reviews - 85% Sweet

SWEENEY TODD - THE DEMON BARBER OF FLEET STREET at the South Coast Repertory
10 Critics reviews - 85% Sweet

FRIENDS WITH GUNS at The Road Theatre Company
10 Critics reviews - 90% Sweet

ROALD DAHL'S MATILDA THE MUSICAL by 5 Star Theatricals
10 Critics reviews - 90% Sweet

THE MIRACULOUS JOURNEY OF EDWARD TULANE by the 24th STreet Theatre
10 Critics reviews - 85% Sweet

DAMES AT SEA by the Sierra Madre Playhouse
10 Critics reviews - 95% Sweet

LOOSE KNIT by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 80% Sweet

NEVER IS NOW at the Skylight Theatre Company
10 Critics reviews - 95% Sweet

THE NEW ONE at the Ahmanson Theatre
10 Critics reviews - 95% Sweet

FIFTEEN MEN IN A SMOKE-FILLED ROOM at Theatre 40
10 Critics reviews - 85% Sweet

DISNEY'S FROZEN at the Pantages Theatre
10 Critics reviews - 90% Sweet

THE MAN WHO CAME TO DINNER by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 100% Sweet


TICKETHOLDER AWARDS 2019 PART I

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read it below and click here for photos.

Choosing my honorees this year is a real bitch. Almost as many tears shed as Carrie Ann Inaba eliminating a sports figure she finds hot. Yet there’s not much else good to write home about in 2019 besides theatre in El Lay. Between the mess we’re making of our planet and the eye-opening disintegration of everything I’ve championed and held dear all my life, thank Terpsichore it’s been a spectacular year for the creation of theatrical art to help ease the pain and frustration of living in our Trumpian nightmare. And even though I have a whole heap of productions to honor this year, with part of my time spent in New Orleans hosting an exhibit of my paintings and medical issues to tackle that seem to come with the territory at age 348, there were also a lot of noteworthy productions I sadly missed. In my world, it’s definitely been a year to praise some monumental directorial work and a plethora of spectacular ensemble casts; choosing winners in both categories has not been an easy task. And what do you think of the Geffen Playhouse? After too long a period of less-than exciting fare, the announcement in 2017 that Matt Shakman had been hired as the complex’s artistic director guaranteed a positive change and without a doubt, the turn around has been staggering. Two of the company’s casts are tied here for Best Ensemble, two of its masterful set designs are as well, and five of my top production choices for 2019 were presented at the Geffen, including my second, third, ninth, and tenth pick for Best Play and second choice of Best Revival. If I gave an annual award for Best Season, surely the Geffen Playhouse would win this year. As a matter of fact, maybe I should initiate such a thing. As a matter of fact, I think I will. 

THE 2019 TICKETHOLDER AWARD
FOR BEST SEASON

Geffen Playhouse; Matt Shakman, resident puppetmaster

BEST PRODUCTION OF 2019

Linda Vista, Center Theatre Group, Mark Taper Forum
The Thanksgiving Play, Geffen Playhouse
RUNNERS-UP: The Abuelas, Antaeus; Andy Warhol’s Tomato, Pacific Resident Theatre; Apple Season, Moving Arts; Dana H., CTG/Douglas; The End of Sex, Victory Theatre Center; For The Love Of (or the Roller Derby Play), Theatre of NOTE/CTG at the Douglas; 4.48 Psychosis, Son of Semele; Frankenstein, A Noise Within; Handjob, Echo Theatre Company; The Mountaintop, Garry Marshall Theatre; On Beckett, CTG/Douglas; The Play That Goes Wrong, CTG/, Ahmanson; Sisters in Law, Wallis Annenberg Center

BEST REVIVAL PRODUCTION

JitneyCenter Theatre Group, Mark Taper Forum 
FalsettosCenter Theatre Group, Ahmanson Theatre
RUNNERS-UP: The Caucasian Chalk Circle, Antaeus Theatre Company; Cats, Pantages; The Cripple of Inishmaan, Anteaus Theatre Company; Happy Days, CTG/Mark Taper Forum; Hello, Dolly!, Pantages; Jesus Christ Superstar, Pantages; Loot, Odyssey Theatre Ensemble; The Ruffian on the Stairs, Los Angeles LGBT Center; Lady Day at Emerson’s Bar & Grill, Garry Marshall Theatre

BEST MUSICAL PRODUCTION

Indecent, Center Theatre Group, Ahmanson Theatre

The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


Audio Interview: Tony Amendola - Geppetto in ABC's Once Upon a Time and the cast of "Diana of Dobson's" at Antaeus Theatre Company

An unexpected hit of the 1908 London season, Diana of Dobson's is a romantic fairy tale that's both illuminating and thought provoking. This is a play about the overworked and underpaid workers in the background who maintain the very separate world of privilege that surrounds them.* Enjoy this interview with Tony Amendola - the Jaffa master Bra'tac in Stargate SG-1 and the cast of “Diana of Dobson's” at Antaeus Theatre Company, running until Jun 3rd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here. *taken from the website

The Winners at the 50th Annual 'LA Drama Critics Circle' Awards Ceremony Held at the Pasadena Playhouse

The 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019. (Photo by Better Lemons)

The LA Drama Critics Circle (LADCC) held their 50th Annual Awards ceremony at the landmark Pasadena Playhouse where Better Lemons was in attendance to live tweet the evening's festivities and entertainment, Monday, April 8, 2019.

Wenzel Jones presided over the festivities, and Christopher Raymond served as music director with musical performances by Kristin Towers Rowles, Constance Jewell Lopez, and Zachary Ford.

There were four recipients of the 2018 Production award: Cambodian Rock Band (South Coast Repertory), Come From Away (Center Theatre Group/Ahmanson Theatre), Cry It Out (Echo Theater Company), and Sell/Buy/Date (Geffen Playhouse / Los Angeles LGBT Center).

Better Lemons' Chief Operating Officer Stephen Box (Left,) Publisher Enci Box, and Playwright & Screenwriter Steven Vlasak at the 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019.

The Antaeus Theatre Company received the most awards, with three of its productions winning a combined seven trophies. Celebration Theatre's Cabaret took home six awards, the most awards for a single production, including one for Revival. Tom Hanks received a lead actor award for his performance as Falstaff in The Shakespeare Center of Los Angeles production of Henry IV in a competitive category. 17 awards were presented in other categories with 17 productions taking home the honors.

In its inaugural this year, the Theater Angel award was presented to Yvonne Bell in recognition of her "long career devoted to fostering theater in Los Angeles ... [and] successful fundraising campaigns" to help open several cultural institutions, such as The Museum of Contemporary Art and the California Science Center.

Eight previously announced special awards were presented, including the Margaret Harford Award for sustained excellence in theater to Sacred Fools Theater Company and the Ted Schmitt Award for the world premiere of an outstanding new play to Lauren Yee for Cambodian Rock Band.

The LADCC was established in 1969  “to foster and reward merit in the American Theater and encourage theater in Los Angeles,” the LADCC site quotes from an announcement in the L.A. Times of that year.

Here is the list of award recipients as announced during Better Lemons' live coverage on Twitter:

Featured photo by Enci Box - Theatre patrons in the courtyard of the Pasadena Playhouse for the 50th Annual LA Drama Critics Circle Awards, Pasadena, California, Monday, April 8, 2019. Enci Box contributed to this story and photos.


Now Registered on the Better Lemons Calendar – March 25 - 31, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Not That Jewish

“EMMY Award winner Monica Piper Returns to The Braid From Her Off-Broadway Triumph
Monica Piper performers her hit Comedy 'Not That Jewish,' (Los Angeles Drama Critics Circle award nomination “Best Solo Performance”) for a limited run, at The Braid where it was originally developed and ran for almost a year. On stage with the passion that has navigated her career to an Emmy Award win, Golden Globe nomination, American Comedy Award nomination as one of the Top Five female comedians in the country, and secured her as one of Showtime Network's “Comedy All Stars,” Monica Piper brings her authentic humor and autobiographical journey to audiences in Los Angeles.”

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Hot Flashin' - A Feel Better Musical Comedy

“'Hot Flashin' is a 'Feel Good Musical Comedy' that tells the story of a group of five women in their 'middle to later years, who have seen it all!' These female characters have grown children and limited incomes, and are working through the challenges of life in the midst of rising living costs. Somehow they each have the ability to find humor in the stressful moments they confront by their unique life situations...The show offers plenty of physical comedy, funny repartee, and hysterical songs, with titles such as 'Hot Flashes,' 'Dump that Chump,' 'My Feet Hurt' and 'Boob Operation,” among them. After the audience gets to know the plights and challenges of each of the five women, the play ends with the women becoming an official singing group. During the course of the play, the audience learns that the women's performances have been streamed live over the Internet, and they've become a smash.”

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Diana of Dobson's

“A rare revival of Cicely Hamilton's romantic comedy, an unexpected hit of the 1908 London season. When poorly paid worker Diana inherits enough money to free her from a lifetime of drudgery, she impulsively decides to spend it all on a madcap, month-long taste of the high-life. But what she learns about love, money and society is as timely in 2019 as it was at the turn of the 20th century.”

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Macbeth

“This new take on the classic story of the rise of the King of Scotland examines the sacrifices and consequences women face in their quest for power and recognition, as inspired by the Norse tradition against the backdrop of the Viking invasion. “On these Captains, who had the bodies of women, nature bestowed the souls of men.” – Saxo Grammaticus ”

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The Lost Virginity Tour

“Funny, profound, and provocative, this adventurous road trip through memories conjures up the choices we make that shape our lives forever – and the friendships that hold us up when we can't walk on our own. The Lost Virginity Tour is a comedy about four women recalling their first time, mining the importance of female issues, and the progress made in the past few decades.”

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Henry V

“Shakespeare's most patriotic and inspiring play tells of a young King Henry V who seeks to unite his beloved England. After laying claim to French lands and being ridiculed, Henry marches off to war. Although sorely outnumbered, Henry rallies his troops and achieves a decisive victory in the famous Battle of Agincourt.
For audiences seeking quality, family entertainment, Shakespeare by the Sea's free performances can't be beat. Pack a picnic, a blanket and beach chair, gather loved ones, and settle in under the stars for a night of classic entertainment. The tales are timeless, the admission ticketless, and the experience priceless.”

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Bar Mitzvah Boy

“A classic romp of mistaken identity! Two young visitors arrive in the city unaware that their long-lost twins already live there. Over the course of a single day, everything that can go wrong does go wrong: a marriage at breaking point, a missing gold chain, an unpaid debt, and a dubious arrest.
For audiences seeking quality, family entertainment, Shakespeare by the Sea's free performances can't be beat. Pack a picnic, a blanket and beach chair, gather loved ones, and settle in under the stars for a night of classic entertainment. The tales are timeless, the admission ticketless, and the experience priceless.”

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At The Table

“Six friends head out of the city on their annual weekend retreat. With no social media, no cell phones, no internet allowed at all, this leaves them with one thing to do… look up from their screens and talk to each other. When the liquor starts flowing and the tongues loosen, no conversation is uneventful and no topic is off-limits. In these polarizing times, what does it mean to come to the table and at what cost? Will it bring us together or reveal how far apart we really are?”

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Black Super Hero Magic Mama

“Six friends head out of the city on their annual weekend retreat. With no social media, no cell phones, no internet allowed at all, this leaves them with one thing to do… look up from their screens and talk to each other. When the liquor starts flowing and the tongues loosen, no conversation is uneventful and no topic is off-limits. In these polarizing times, what does it mean to come to the table and at what cost? Will it bring us together or reveal how far apart we really are? ”

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The Niceties

“In this “barnburner of a play” (The Washington Post), two extraordinary women square off in a high-stakes academic debate over race, reputation and who gets the final word on how American history is written. When university professor Janine and her brilliant student Zoe don't see eye to eye, their routine office hours discussion unexpectedly careens off course—and threatens to derail their careers, lives and the status quo.”

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Booger Red

“A solo performance written and performed by Jim Loucks
Booger Red survives a rough childhood to become a renowned Hellfire and Brimstone Southern Baptist preacher. How can Preacher's Kid Jimmy find a way out from under Booger Red's larger-than-life shadow as he grows up and finds his own voice? If you've had a dream or a daddy, Loucks' new solo performance is for you.”

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All My Sons

“Winner of multiple Tony Awards and the New York Drama Critics Circle Award for Best New Play, this electrifying family drama ALL MY SONS, by Arthur Miller, remains as timely as it is timeless. A gripping American classic reveals the lethal consequences of deceit and greed. In the aftermath of WWII, Joe Keller and his family struggle to stay intact while planning for their future as a long-hidden secret begins to tear them apart—forcing a reckoning with truth, guilt, and repentance.”

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HAIRSPRAY The Broadway Musical

“The dance, music, theatre and visual arts academies of Ramon C. Cortines School of Visual and Performing Arts aka: Grand Arts, present the musical Broadway production of HAIRSPRAY. This is a tremendous effort that provides opportunities for students on stage and behind the scenes to experience a full scale production that brings industry professionals to campus to donate time to ensure the audience has a complete Broadway experience.”

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Rooftop Movies at The Montalbán

“The regular season of Rooftop Movies at The Montalbán opens on Tuesday, April 2 and will run through Thursday, October 31, 2019. The venue will also host pop-up screenings during holidays and for special events between November and the first quarter of 2020...Doors open at 6:00pm and films start screening 10 minutes after sunset. Food service starts when doors open. Prices run $18 for general seating or $50 to reserve one of the limited loveseats. Loveseat guests also receive a Prosecco toast and unlimited popcorn throughout the night. The rooftop screening experience is meant to foster a date-night atmosphere so most nights are meant for guests who are 18-years of age or older.
Please be advised that access to the 4th floor roof is via an outside staircase ONLY. There is no ADA-compliant access (yet) since this 90+ year old theater does not have an elevator at this time.

Doors open at 6:00 pm, which allows attendees to DRINK an exclusive hand-crafted Ramos Sangria (or beer, wine, mix drinks); DINE thanks to Umami Burger who continues as the venue's rooftop culinary partner (serving Impossible Burgers much to the delight of many vegetarians); SNACK on freshly baked cookies by Duidough Cookie Lab; PLAY a game of giant Jenga or ham-it-up in the selfie-friendly Simple Booth area; or CHILL in a relaxing Adirondack chair or loveseat while listening to a hand-selected musical soundtrack through the KV2 Audio system and Sound Off™ 3-channel/stereo wireless noise-cancelling headphones until the movie begins just after sunset.”

Rooftop Movies at The Montalbán - Cinema Paradiso

“A filmmaker recalls his childhood when falling in love with the pictures at the cinema of his home village and forms a deep friendship with the cinema's projectionist.”

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Rooftop Movies at The Montalbán - Some Like It Hot

“When two male musicians witness a mob hit, they flee the state in an all-female band disguised as women, but further complications set in.”

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Rooftop Movies at The Montalbán - Gladiator

“A former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery.”

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Rooftop Movies at The Montalbán - The Greatest Showman

“Celebrates the birth of show business and tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.”

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Rooftop Movies at The Montalbán - A Star is Born

“A musician helps a young singer find fame as age and alcoholism send his own career into a downward spiral.”

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The Pasadena Playhouse To Host This Year's Drama Critics Circle Awards

The Los Angeles Drama Critics Circle (LADCC) has begun the celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018). The Awards will take place on Monday, April 8, 2019, at the historic Pasadena Playhouse, in Pasadena's Playhouse District.

Although the Pasadena Playhouse will be hosting the LADCC Awards for the very first time, returning once again is onstage host Wenzel Jones of IMRU, the LGBTQI Radio News Magazine on KPFK 90.7, as well as local composer-conductor Christopher Raymond as musical director for his second consecutive year. The entire production will be in the hands of stage manager Heatherlynn Gonzalez, veteran of more than a decade's worth of LADCC service.

One or more plaques will be presented in each of 18 categories and seven special awards will also be presented. Topping the nominations, the Antaeus Theatre Company has a total of 12 in various categories, including for the McCulloh Award for Revival (plays written between 1920 and 1993) for their productions of both "The Hothouse" and "The Little Foxes."A Noise Within has 10 nominations, including for Production for "A Picture of Dorian Gray." The Center Theatre Group has a total of nine nominations, including for Production of "Come From Away." Both the South Coast Repertory and East WestPlayers have seven nominations each. And the Celebration Theatre and the La Mirada Theatre for the Performing Arts, each with seven and six nominations, respectively, are uniquely both up for the McCulloh Award for Revival for their individual productions of "Cabaret."

Sergio Trujillo, is nominated for Choreography for both "Ain't Too Proud," Center Theatre Group, Ahmanson Theatre and "On Your Feet," Hollywood Pantages Theatre. Allison Dillard, is nominated for her work in Costume Design for both "Bliss, Or Emily Post Is Dead," Moving Arts and "Priscilla, Queen of the Desert," Celebration Theatre. Set Designer John Iacovelli, a winner of multiple LADCC awards for Scene Design, is nominated for "The Little Foxes", Antaeus Theatre Company.

The LADCC special award recipients are as follows:

  • The Polly Warfield Award for an excellent season in a small to mid-size theatre will be awarded to Echo Theater Company.
  • The Ted Schmitt Award for the world premiere of an outstanding new play goes to Lauren Yee for Cambodian Rock Band, originally produced by South Coast Repertory.
  • The Kinetic Lighting Award for distinguished achievement in theatrical design goes to sound designer Robert Oriol.
  • The Milton Katselas Award for distinguished achievement in direction goes to Cameron Watson.
  • The Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community will be presented to Native Voices at the Autry.

More of the complete list of nominees for the Los Angeles Drama Critics Circle Awards for theatrical excellence in 2018 is here.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The Pasadena Playhouse is at 39 S El Molino Ave, in Pasadena. Standard general admission tickets (a small service fee applies) are $40 and are now available. All purchased tickets will be held at Will Call and tickets are also available at the door. The event will begin at 6:30 p.m. with a pre-show reception in the courtyard. The show will commence at 7:30 p.m. and nominees will receive instructions via email regarding how to claim complimentary tickets.

For all other inquiries, email: [email protected].


Audio Interview: The cast of “The Cripple of Inishmaan” at The Antaeus Theatre Company

Dreams are in short supply on Inishmaan, especially for Billy Claven. So when a Hollywood filmmaker arrives on the neighboring island to make a movie, Billy goes after a part in the film, hoping to escape from the cruelty and bleakness of his life in master storyteller Martin McDonagh's darkly comic Irish yarn.* Enjoy this interview with the cast of “The Cripple of Inishmaan ” at The Antaeus Theatre Company, running until Mar 11th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here. *taken from the website

The 29th Annual LA STAGE ALLIANCE OVATION AWARDS is Monday, January 28, 2019

The 29th Annual LA STAGE Alliance Ovation Awards is Monday, January 28, 2019. The black-tie ceremony will be held at DTLA at The Theatre at Ace Hotel on Broadway at 7:30 p.m.

The Ovation Awards, created to recognize excellence in theatrical performance, production, and design in the Greater Los Angeles area, is the only peer-judged theatre awards in Los Angeles where nominees, their peers, and all L.A. theatre-lovers will join in the much-anticipated annual celebration of a year of excellence in Los Angeles theatre, issuing a wide variety of awards in categories that recognize the plethora of theatrical talent in Los Angeles and their art.

The 33 categories, listed from Best Production of a Play (Large) to Lead Actor in a Play, to Lead Actress in a Play to Fight Direction, along with Ovations Honors Winners. The awards season is September through August and concludes with a tabulation to determine the nominees in each of the categories, with several award winners from last year returning this year as nominees.

Center Theatre Group, who won three Ovation Awards last year for their productions, has a total of 18 nominations this year–with “Soft Power” receiving 12 nominations–including a nomination for Best Production of a Musical (Large Theater) for both “Soft Power” and “Spamilton.” Center Theatre Group is also nominated for Best Presented Production for “The Red Shoes.”

The East West Players, who won Best Production of a Musical (Large Theatre) for “Next to Normal” last year, has a total 13 different nomination this year in various categories, including for Best Production of a Play (Intimate Theater) for “Kaidan Project: Walls Grow Thin” co-produced with Rogue Artists Ensemble, who also is nominated for 8 productions co-produced along with the East West Players.

The Actors Co-Op, who earned Best Production of a Play (Intimate Theatre) for “33 Variations” last year, is nominated this year for Best Season for “The 39 Steps,” “The Man Who Came To Dinner,” “A Walk in the Woods,” “A Man for All Seasons,” and “Violet.” Rubicon Theatre Company who won Best Production of a Play (Large Theatre) last year for “Gulf View Drive,” has two nominations this year both for Jane Anderson, who is nominated for Playwriting for an Original Play, and Krystle Simmons, who is nominated for Lead Actress in a Play, for “The Baby Dance: Mixed.”

Harry Groener who won last year for Lead Actor in a Play is nominated again this year for Featured Actor in a Play for his work in Antaeus Theatre Company's “Three Days in the Country.” Andrew Schmedake, who won last year for Lighting Design (Intimate Theatre) for “33 Variations,” Actors Co-op, is nominated this year for his work both on Antaeus Theatre Company's “Native Son” and After Hours Theatre Company's One Flew Over the Cuckoo's Nest.” Corwin Evans, who won Video/Projection Design (Intimate Theater) last year for SoulArt's “Plasticity,” is nominated again this year for Sacred Fools Theater Company's “The Art Couple” in the same category.

L-R: Bryan Bellomo, Clayton Farris & Brendan Hunt in “The Art Couple.” Photo by Darrett Sanders, courtesy of Sacred Fools Theater Company.

 

There are some very prolific individual nominees this year as well, including Multi-Ovation Award-winning Lighting Designer Jared Sayeg who is nominated once again, this year, for Lighting Design (Large Theater) for his work in “Our Town,” Pasadena Playhouse. Jeff Gardner, who won Sound Design (Large Theatre) last year for Center Theatre Group / The Echo Theatre Company's “Dry Land,” is nominated again this year for A Noise Within's “A Raisin in the Sun” and for Sound Design (Intimate Theater,) he is nominated this year both for Antaeus Theatre Company's “Native Son” and “The Hothouse.” Michael Mullen, who won Costume Design (Intimate Theatre) for Theatre Planners' “Siamese Sex Show” last year, is nominated once again this year for his work both in Celebration Theatre's “Cabaret” and Theatre of NOTE's “Year of the Rooster.”

The LA. Stage Alliance just recently moved into the new home on 514 Spring Street in the heart of DTLA, late last year, on the fourth floor of the historic building and theatre that is owned by the City of Los Angeles and operated by the Latino Theatre Company. The landmark Greek-Revival with its iconic columns was constructed in 1916 and designed by John Parkinson, along with and G. Edwin Bergstrom, the former who also designed many of the city's other landmark buildings in the area in the early 20th Century. The building later became the home to the Los Angeles Theatre Center in 1985, keeping the original 50-by-100-foot stained glass ceiling, ornamental bronze cornices, and marble walls featured in its lobby.

A stunning landmark itself, The Theatre at Ace Hotel is located at 929 South Broadway, in Downtown Los Angeles. Valet Parking is available 24/7 and there are pay lots in the surrounding area.

UPDATED 1/28/19

Ticket sales are now closed.

The Ovation Awards can be watched LIVE at 7:30 p.m. here:

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Red carpet arrivals will begin at 6:00 p.m. and the curtain will rise at 7:30 p.m.


Top Dozen of 2018!

Every year I do this, draw up a list of my dozen best. Given the amount of wonderful theatre I get to see, some rules became necessary. First, no two shows from the same theatre company. Second, I limited myself to actual plays, rather than (for example) dance performances. This year I faced a dreadful choice between two plays by the same writer who is a friend of mine!
The Flu Season (Pico Playhouse) was an exquisate poem of a play, about people who meet and feel and try to endure what they have or have not said, done. felt. When you see as much theatre as I do, frankly any play that keeps you guessing as this does, while continuing to make sense, is a treasure. That all this surprise surrounds so many fundamental human issues, tricky ones, the might have beens that haunt us, helps make this a very special show, brought to life by an ensemble that moved me in so very many ways.
Romeo and Juliet (Vagrancy) Why does Juliet fall for Romeo. In answering this question, the Vagrancy's production makes this centuries-old play extremely topical for our specific day and age. For that reason I'm sure some audience members were offended. But to me, the entire company created a world for the play which echoed our own in some terrible, tragic ways. This ended up the best production of this play I've yet seen.
Native Son (Antaeus) Another topical work, one which has sparked quite a bit of controversy amid my circle of friends. Some lifted their eyebrows as this milky white dude reviewed a play based on this classic African American novel. Others were upset at the liberties taken with the novel's story. Some found the central character (understandably) repellent. I certainly did. But--and here is what puts this production on my list--as disgusting as I found that young man's actions, I grew to understand the why of them. In seeing and knowing the shaping of his paranoia, his myopia, his desperation--and also realizing fundamentally he was far from the only person so shaped--I came to stunning realization. Namely, that I am a monster. In this society, even moreso in the era of the play, my white skin makes me a creature of whimsical and vast power. It changed me by revealing a truth. What more is Art for?
The Woman Who Went to Space as a Man (Son of Semele) may be the most original work on this list--a musical taking place inside the mind of a real science fiction author, a woman who pretended to write her works as a man. What we saw on stage was an Odyssey with a female Odysseus confronting all the most important people of her life, up to and including many aspects and avatars of herself. This theatre company, which put on the single best piece of theatre I have ever seen a few years ago, once again wowed and shook and moved me to center of my heart.
The Woman is Perfected was a one-woman show, the title coming from the last poem written by Sylvia Plath. So. A comedy! Well, no--rather a searing portrait of a woman whose soul has become infected with and then totally converted to misogyny. It was a horror story, in monologue, not told in terms of a story related but rather the monologue itself.
Play On! is another one woman show, this time a cabaret of songs written by and for the performer, each inspired by one of Shakespeare's great female characters from Olivia to Ophelia, Viola to Juliet and Gertured and Lady Macbeth and others.
Longing Pinocchio (ZJU) was an original retelling and re-imagination of the 19th century novel that somehow (much like Alice in Wonderland or The Wonderful Wizard of Oz) somehow succeeded in becoming a modern fairy tale. Breathed into new life by looking at the source material with a fresh, often irreverent as well as sharply observant eye.
Winter Solstice (City Garage) is an example of why I give each theatre company only one slot on this list each year. It otherwise proves too hard. This play from Germany, superbly acted and directed as ever by City Garage, touches on an extremely topical question--that of the covert rise of fascism, via attractive lies and alluring half-truths all wrapped up in a generally friendly, supportive package. But what does one do? That question, powerfully asked by the play, is not answered here. Rather, the answer is left where it belongs--with us, for us to come up with something, each individual. Where else after all does the responsibility lie?
Gray People (Force of Nature) was written by a friend of mine, and this is one of two plays of his that opened this year. I was very hard pressed to choose which one to put on the list. It came down to which feels a tiny fraction of a shade more complete emotionally. And it could have gone either way. In the middle of the night, three people who prove both strangers and not-strangers to each other have met within some far-off woods. Thriller, mystery, dark comedy, tragedy, and redemptive drama plus more, this play and cast enacted a soul-shaking tale of disturbing surprise to haunt audience members.
King Dick is literally the funniest political farce I have ever seen, to the point where I sometimes cried and/or had trouble breathing. At one point in history (this part is true) Elvis Presley requested a meeting with President Richard Nixon. From this emerges a comedy of error, mismanagement, paranoia, fantasy, drugs, and talking to the dead. The cast superbly managed the absurdity of the situation so perfectly my brain is still reeling from it.
Blue Surge (Sixty-Six Theatre Company) tells a seemingly simple story about some flawed but generally likable folks in an ordinary small city. It might almost count as a soap opera. But we sense from almost the first line this will dive deeper into the human condition, fathoms deeper. With a wonderful cast that is how deep it proceeds to go, down to some of the saddest facts of being human and alive--yet also how we can endure, how we can heal, how we can find a reason to breathe at all.
Love's Labour's Lost (Chase What Flies) proves a brilliantly delightful and "on target" production of what may be Shakespeare's lightest comedy. Honestly, this script makes As You Like It look like Romeo and Juliet! But--and this oft ends up forgotten in heavier fare--it has some genuine emotional truths, some sharp insights, and a melancholy or bittersweet undertaste that makes the humor so much more poignant. That is portrays women as more mature than men, yet does not condemn either one, marks just one more detail this production hit in the bullseye!


Audio Interview: Armin Shimerman (Quark of "Star Trek: Deep Space Nine") in the Antaeus Theatre Company's production of "Three Days In The Country"

A fresh, breezy update by Patrick Marber of Turgenev's classic comedy A Month in the Country, this is a tale of unrequited passion, unfolding over the course of three days in the sunny Russian countryside. Full of wit, folly and heart, men and women, both young and old, learn the tender and ridiculous lessons of love.*
Enjoy this interview with Armin Shimerman (Quark in Star Trek: Deep Space Nine) and the cast of “Three Days In The Country” playing at the Antaeus Theatre Company, running until Aug 26th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here

*Taken from the website


Stage Raw Announces its 2018 Theater Awards Nominees

The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
Stage Raw is a community funded professional journalism website that was created in response to the decline of arts coverage in local mainstream and alternative media.
A catered nominees reception and Stage Raw fundraiser party is being held at the The Skylight Theatre in Los Feliz, on Tuesday, July 24, 7 – 10 p.m. Tickets are $100 (which includes complimentary admission to the Theater Awards ceremony), in support of Stage Raw. All nominees are invited as complimentary guests of Stage Raw.
(Nominees include everybody whose name appears on the list below; all actors and understudies named in the program for all ensemble categories; all actors, understudies, directors, playwrights, stage managers, choreographers, designers and producers in the categories of Best Revival, Best Musical and Best Production; and in the category of Production Design: all producers, directors, and designers.)
The evening will include live music and performances by Burglars of Hamm; Cheray O'Neal; Padua Playwrights; and Kristina Wong.
At the nominees reception, there will also be a silent auction of drawings created for this event by Alan Mandell, Ken Sawyer, French Stewart, Vanessa Stewart, Richard Fancy, Jon Mullich, Jon Lawrence Rivera, Stephen Sachs, Simon Levy, Gary Grossman, Kristina Wong, Michael A. Shepperd, Ken Werther, David Elzer, Jaime Robledo, Leo Marks, Nike Doukas, Tom Jacobson, Kirsten Vansgness, David Melville, Jessica Hanna, Steven Stanley, Philip Littell, Mark Seldis, Katharine Noone, Tony Abatemarco, Ann Closs-Farley, Herbert Siguenza, Jules Aaron, and more.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles, hosted by Coeurage Theatre Company, directed by Jer Adrianne Lelliott, and celebrating the theme of “community.” Tickets are $30.
Tickets for both events can be found at Eventbrite.com/e/stage-raw-theater-awards-tickets-46961390784#tickets, or visit StageRaw.com and press the “2018 Theater Awards” tab.
The 2018 Nominees are:
FIGHT CHOREOGRAPHY
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Bjørn Johnson, King Hedley II, The Matrix Theatre
Bjørn Johnson, Red Speedo, Road Theatre Company
Bjørn Johnson, Stupid Kid, Road Theatre Company
Edgar Landa, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Doug Oliphant, Br'er Cotton, Zephyr Theatre
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
VIDEO/PROJECTION DESIGN
Omolara Abode, Lyrics From Lockdown, The Actors' Gang
Nicholas Acciani, 33 Variations, Actors Co-op
J. Walt Adamcyk and Hannah Beavers, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Benjamin Durham, This Land, Company of Angels
Corwin Evans, The Art Couple, Sacred Fools Theater Company
Hana Sooyeon Kim, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Hana Sooyeon Kim, With Love and a Major Organ, Boston Court Performing Arts Center
Yee Eun Nam, Br'er Cotton, Zephyr Theatre
Tom Ontiveros, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
SOUND DESIGN
Joseph V. Calarco, The Secret in the Wings, Coeurage Theatre Company
Jeff Gardner, Cat on a Hot Tin Roof, Antaeus Theatre Company
Jeff Gardner, The Hothouse, Antaeus Theatre Company
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Jeff Gardner, Native Son, Antaeus Theatre Company
Christopher Moscatiello, The Devil's Wife, The Skylight Theatre
Christopher Moscatiello, Rhinoceros, Pacific Resident Theater
John Nobori, With Love and a Major Organ, Boston Court Performing Arts Center
Robert A. Ramirez, Master Class, The Garry Marshall Theatre
John Zalewski, I Carry Your Heart, Bootleg Theatre
LIGHTING DESIGN
Brandon Baruch, The Secret in the Wings, Coeurage Theatre Company
John E.D. Bass, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Elizabeth Harper, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Elizabeth Harper and Rose Malone, With Love and a Major Organ, Boston Court Performing Arts Center
Matt Richter, I'm Not A Comedian... I'm Lenny Bruce, Theatre 68
Pablo Santiago-Brandwein, Time Alone, Belle Reve Theatre Company
Andrew Schmedake, 33 Variations, Actors Co-op
Andrew Schmedake, Native Son, Antaeus Theatre Company
Andrew Schmedake, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
COSTUME DESIGN
Wendell C. Carmichael, Les Blancs, Rogue Machine Theatre
Allison Dillard, Priscilla, Queen of the Desert, Celebration Theatre
Christine Cover Ferro, Rhinoceros, Pacific Resident Theater
Ashphord Jackoway, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Terri A. Lewis, Cat on a Hot Tin Roof, Antaeus Theatre Company
Linda Muggeridge, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael Mullen, Fixed, Echo Theater Company
Lena Sands, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
ORIGINAL MUSIC
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Kangaroo Rat (Tim Desrosiers and Anna Bell), Rhinoceros, Pacific Resident Theater
Bernie Sirelson, Alysia Michelle James, and Elisa Rosin, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Surrija, The Secret in the Wings, Coeurage Theatre Company
CHOREOGRAPHY
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Joyce Guy, Les Blancs, Rogue Machine Theatre
Carolyn Katz, Daedalus' Daughter, Bootleg Theater
Michael Marchak, Pacific Overtures, Chromolume Theatre
Jen Oundjian, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Anne-Marie Talmadge, Alina Bolshakova, Leslie Charles Roy Jr., and the NMA Ensemble, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
MUSICAL DIRECTION
Jake Anthony, The View Upstairs, Celebration Theatre
Gina Belafonte, Lyrics From Lockdown, The Actors' Gang
Jennifer Lin, Priscilla, Queen of the Desert, Celebration Theatre
Dylan Price, 33 Variations, Actors Co-op
Lyndon Pugeda, Honky Tonk Laundry, Hudson Mainstage Theatre
Dimitri Toscas, Master Class, The Gary Marshall Theatre
SET DESIGN
Nicholas Acciani, 33 Variations, Actors Co-op
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Justin Huen, This Land, Company of Angels
John Iacovelli, Bled For The Household Truth, Rogue Machine Theatre
John Iacovelli, El Niño, Rogue Machine Theatre
John Iacovelli, King Hedley II, The Matrix Theatre
David Mauer, Rhinoceros, Pacific Resident Theater
Jeff McLaughlin, Stupid Kid, Road Theatre Company
Stephanie Kerley Schwartz, Les Blancs, Rogue Machine Theatre
Victoria Tam, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
SOLO PERFORMANCE
Giovanni Adams, Love Is A Dirty Word, VS Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bryonn Bain, Lyrics From Lockdown, The Actors' Gang
Keight Leighn, (A)partment 8, The ABC Project
Ronnie Marmo, I'm Not a Comedian, I'm Lenny Bruce, Theatre 68
Tina Preston, Don't You Ever Call My Anything But Mother, Open Fist Theatre Company
TWO PERSON PERFORMANCE
Martin Rayner & Martyn Stanbridge, Freud's Last Session, Odyssey Theatre Ensemble
Misty Cotton & Bets Malone, Honky Tonk Laundry, Hudson Mainstage Theatre
Tim Cummings & Brian Henderson, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Gary Patent & Dan Via, Plunge, Son of Semele Theater
James Eckhouse & Graham Sibley, Redline, IAMA Theatre Company
Alex Hernandez & Tonya Pinkins, Time Alone, Belle Reve Theatre Company
SUPPORTING MALE PERFORMANCE
Noel Arthur, Native Son, Antaeus Theatre Company
Ryan Brophy, Rotterdam, The Skylight Theatre
Eduardo Fernandez-Baumann, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Harry Groener, Cat on a Hot Tin Roof, Antaeus Theatre Company
Rob Nagle, Stupid Kid, Road Theatre Company
Jeris Poindexter, Runaway Home, The Fountain Theatre
Gabriel Romero, The Madres, The Skylight Theatre
Montae Russell, King Hedley II, The Matrix Theatre
Desean Kevin Terry, A Streetcar Named Desire, Boston Court Performing Arts Center
Adolphus Ward, King Hedley II, The Matrix Theatre
MALE COMEDY PERFORMANCE
Josh Clark, The Hothouse, Antaeus Theatre Company
Drew Droege, Die, Mommie, Die!, Celebration Theatre
Alex Elliott-Funk, Supper, Theatre of NOTE
Alex Fernandez, Rhinoceros, Pacific Resident Theater
Leo Marks, The Hothouse, Antaeus Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Darrett Sanders, Supper, Theatre of NOTE
Joel Scher, Supper, Theatre of NOTE
LEADING MALE PERFORMANCE
Daniel Bess, Cat on a Hot Tin Roof, Antaeus Theatre Company
Benjamin Burdick, Bled For The Household Truth, Rogue Machine Theatre
Joe Hart, Stupid Kid, Road Theatre Company
Bruce Ladd, 33 Variations, Actors Co-op
Ben Martin, Walking To Buchenwald, Open Fist Theatre
Esau Pritchett, King Hedley II, The Matrix Theatre
Graham Sibley, Redline, IAMA Theatre Company
Adam Silver, Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
Desean Kevin Terry, Les Blancs, Rogue Machine Theatre
SUPPORTING FEMALE PERFORMANCE
Dawn Didawick, Cat on a Hot Tin Roof, Antaeus Theatre Company
Emily Goss, Forever Bound, Atwater Village Theatre
Ella Joyce, King Hedley II, The Matrix Theatre
Ciera Payton, King Hedley II, The Matrix Theatre
Maya Lynne Robinson, Runaway Home, The Fountain Theatre
Maya Lynne Robinson, A Streetcar Named Desire, Boston Court Performing Arts Center
Michaela Slezak,Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Cheryl Umaña, This Land, Company of Angels
Karen Malina White, Runaway Home, The Fountain Theatre
Christine Woods, Cult of Love, IAMA Theatre Company
FEMALE COMEDY PERFORMANCE
Anna Lamadrid, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Debra Jo Rupp, The Cake, Echo Theater Company
Paige Lindsey White, With Love and a Major Organ, Boston Court Performing Arts Center
LEADING FEMALE PERFORMANCE
Corryn Cummins, Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Carolyn Hennesy, Master Class, The Garry Marshall Theatre
Margarita Lamas, The Madres, The Skylight Theatre
Nan McNamara,33 Variations, Actors Co-op
Jaimi Paige, A Streetcar Named Desire, Boston Court Performing Arts Center
Ashley Romans, Rotterdam, The Skylight Theatre
Camille Spirlin, Runaway Home, The Fountain Theatre
Heidi Sulzman, Bugaboo and The Silent One, The Lounge Theatre
Miranda Wynne, Rotterdam, The Skylight Theatre
ADAPTATION
Nambi E. Kelley, Native Son, Antaeus Theatre Company
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Mary Zimmerman, The Secret in the Wings, Coeurage Theatre Company
PLAYWRITING
Giovanni Adams, Love Is A Dirty Word, VS. Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bekah Brunstetter, The Cake, Echo Theater Company
Alessandro Camon, Time Alone, Belle Reve Theatre Company
Bernardo Cubría, The Giant Void In My Soul, Ammunition Theatre Company
Leslye Headland, Cult of Love, IAMA Theatre Company
Jeremy J. Kamps, Runaway Home, The Fountain Theatre
Dan O'Brien, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Evangeline Ordaz, This Land, Company of Angels
Marja-Lewis Ryan, Bugaboo and the Silent One, The Lounge Theatre
PRODUCTION DESIGN
Caught, Think Tank Gallery
Daedalus' Daughter, Bootleg Theater
King Hedley II, The Matrix Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
A Streetcar Named Desire, Boston Court Performing Arts Center
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
With Love and a Major Organ, Boston Court Performing Arts Center
COMEDY ENSEMBLE
Bad Jews, Odyssey Theatre Ensemble
The Cake, Echo Theater Company
Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
El Niño, Rogue Machine Theatre
The Giant Void In My Soul, Ammunition Theatre Company
The Hothouse, Antaeus Theatre Company
Rhinoceros, Pacific Resident Theater
Supper, Theatre of NOTE
With Love and a Major Organ, Boston Court Performing Arts Center
ENSEMBLE
33 Variations, Actors Co-op
Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Pacific Overtures, Chromolume Theatre
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
COMEDY DIRECTION
Lindsay Allbaugh, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Jennifer Chambers, The Cake, Echo Theater Company
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Lisa James, El Niño, Rogue Machine Theatre
Jessica Kubzansky, With Love and a Major Organ, Boston Court Performing Arts Center
Dana Resnick, Bad Jews, Odyssey Theatre Ensemble
Felix Solís, The Giant Void In My Soul, Ammunition Theatre Company
DIRECTION
Andi Chapman, Native Son, Antaeus Theatre Company
Gregg T. Daniel, Les Blancs, Rogue Machine Theatre
Ed Sylvanus Iskandar, Caught, Think Tank Gallery
Carol Katz, Daedalus' Daughter, Bootleg Theater
Thomas James O'Leary, 33 Variations, Actors Co-op
Robert Mandel, Freud's Last Session, Odyssey Theatre Ensemble
Michael Michetti, A Streetcar Named Desire, Boston Court Performing Arts Center
Jonathan Muñoz-Proulx, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Jaime Robledo, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael A. Shepperd,Rotterdam, The Skylight Theatre
Annie Tippe, Cult of Love, IAMA Theatre Company
MUSICAL OF THE YEAR
Dessa Rose, Chromolume Theatre
Pacific Overtures, Chromolume Theatre
Priscilla, Queen of the Desert, Celebration Theatre
REVIVAL OF THE YEAR
Cat on a Hot Tin Roof, Antaeus Theatre Company
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Rhinoceros, Pacific Resident Theater
A Streetcar Named Desire, Boston Court Performing Arts Center
PRODUCTION OF THE YEAR
Caught, Think Tank Gallery
The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
Rotterdam, The Skylight Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
QUEEN OF THE ANGELS
Dolores Chavez
LIFETIME ACHIEVEMENT
Norman Lloyd