Now Registered on the Better Lemons Calendar – February 3 - 10, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Two Trains Running at Matrix

The team behind last year's acclaimed Ovation, LADCC, and Stage Raw award-nominated production of August Wilson's “King Hedley II” returns to the Matrix with another installment of the Pulitzer Prize-winning playwright's “American Century Cycle” the playwright's decade-by-decade exploration of the black experience in 20th century America. It's 1969 in Pittsburgh's Hill District, where the regulars of Memphis Lee's restaurant struggle to cope with the turbulence of a world that is rapidly changing around them.

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USC School of Dramatic Arts presents: CHILDREN OF THE SUN

Maxim Gorky's darkly comic play is set in Russia on the eve of the revolution. The country's new middle class flounders about, philosophizing and flirting, blind to their impending annihilation. Protasov wants only to immerse himself in his experiments and is oblivious to the advances of the half-crazed widow and his best friend's pursuit of his wife, let alone the cholera epidemic and the starving mob.

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USC School of Dramatic Arts presents: GNIT

Meet Peter Gnit, a recklessly aspiring, self-deluded anti-hero. This twisted adaption of Henrik Ibsen's Peer Gynt is a rollicking and cautionary tale that challenges what we think we know about this classic character. At this unique moment in U.S. history, the questions and problems raised are alive with relevance.

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USC School of Dramatic Arts presents: SWIMMERS

Coyotes evading police. Billboards predicting the end of the world. It's been a strange day at the office, and it's only 9 a.m. Moving floor by floor from the basement to the roof, scenes between employees in a corporate office explore the angst-ridden relationships between those that people often take most advantage of: their coworkers.

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USC School of Dramatic Arts presents: THE TWO GENTLEMEN OF VERONA

Young Proteus only has eyes for his hometown sweetheart, Julia. But one look at the beautiful Silvia on a trip to Milan changes everything. Now he's smitten with his best friend's lover and his sweetheart has no intention of going away quietly. Events spin out of control as romantic rivals face off in this wild comic tale.

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USC School of Dramatic Arts presents: HOLY GHOSTS

Coleman Shedman arrives at the rural meeting house of a southern Pentecostal sect with a lawyer in tow, seeking to retrieve his runaway wife (and the possessions she has taken with her). But his wife, Nancy, is unwilling to forsake the love and protection of her new “husband,” the Reverend Obediah Buckhorn, and return to the brutal, hard-drinking Coleman. Rich with atmosphere and the feel of Southern rural life, the play blends humor and poignancy as it probes into the circumstances and stories of the various cult members.

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USC School of Dramatic Arts presents: THE BUSYBODY

First performed in 1709, this brilliantly witty and fast-paced comedy follows the characters Miranda and Isabinda as they attempt to arrange marriages to the men they love. Meanwhile, the hapless “busy body” Marplot tries to help his friends, but his valiant efforts only succeed in leading them closer towards disaster.

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USC School of Dramatic Arts presents: SUNDAY IN THE PARK WITH GEORGE

Inspired by the painting “A Sunday Afternoon on the Island of La Grande Jatte” by Georges Seurat, Stephen Sondheim and James Lapine's stunning musical masterpiece, merges past and present into beautiful, poignant truths about life, love and the creation of art. One of the most acclaimed musicals of our time, this moving study of the enigmatic painter, Georges Seurat, won a Pulitzer Prize and was nominated for an astounding 10 Tony Awards, including best musical.

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USC School of Dramatic Arts presents: ROUGH MAGIC

Roberto Aguirre-Sacasa's action-adventure-fantasy conjures a mythical, magical meta-universe in which evil sorcerer Prospero steps out of the pages of Shakespeare's The Tempest and threatens death and destruction in modern-day Manhattan. To combat this supernatural foe, a quartet of unlikely heroes (including a dramaturg with magical powers) will emerge from the ashes to save the city and its citizens from complete and utter destruction.

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USC School of Dramatic Arts presents: QUEEN MARGARET

Margaret of Anjou becomes the central character of her own story in this edit of William Shakespeare's first tetralogy of history plays (Henry VI, Parts 1 -3; and Richard III). Intrigue, betrayal, romance and revenge play out as Margaret evolves from daughter to bride to queen to avenging warrior and grieving widow. Our BFA sophomores tell her tale of resilience, resolve and charisma.

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James and the Giant Peach

Roald Dahl's James and the Giant Peach features a wickedly tuneful score by the Tony & Academy Award-winning team of Benj Pasek and Justin Paul (Dear Evan Hansen, La La Land, The Greatest Showman)and a curiously quirky book by Timothy Allen McDonald...When James is sent by his conniving aunts to chop down their old fruit tree, he discovers a magic potion that results in a tremendous peach and launches a journey of enormous proportions.

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Ada and the Engine

As the British Industrial Revolution dawns, young Ada Byron Lovelace (daughter of the flamboyant and notorious Lord Byron) sees the boundless creative potential in the “analytic engines” of her friend and soul-mate, Charles Babbage, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge – a world she might not live to see. A music-laced story of love, friendship, and the edgiest dreams of the future. Jane Austen meets Steve Jobs in this poignant pre-tech romance heralding the computer age.

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Man Of God

A hidden discovery in a hotel bathroom changes the lives of four Korean American Christian girls on a mission trip to Thailand. Samantha is hurt that someone she trusted could betray her. Jen is worried about how this might affect her college applications. Kyung-Hwa thinks everyone should adjust their expectations. Mimi's out for blood. Amid the neon lights and go-go bars in Bangkok, the girls plot revenge in this funny, feminist thriller.

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Venus in Fur

Thomas Novachek is a playwright/director looking for the perfect actress to play the lead in his adaptation of Leopold Sacher Mashoch's novella, Venus in Furs. He hasn't had much luck and is ready to call it a day when a very late arrival bursts into the room in a wave of chaos. This actress appears to be the worst of a bad lot. Despite his protestations, she manages to cajole him into letting her read and from that point on the night veers into titillating and uncharted territory where Thomas' biases and desires are laid bare. Venus in Fur is about human relationships, gender power dynamics and the matrix of stereotypes and assumptions that root seeming subversions. Its dark comedy and sexually charged scenarios provide fertile soil for exploration of subconscious and culturally mired desires, motivations, and expectations.

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Othello

The Bard's most intimate of family tragedies about the terrible force of love and the breakdown of a man who has everything—power, position, and passion—only to find his world decimated through intense mind games with his ensign. Prescient in its searing social commentary of prejudice, betrayal, and thwarted ambition, Shakespeare's thunderous drama examines who we trust and the price we pay for choosing wrong.

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The Twins of GillyGate

We find our twins on the eve of their 18th birthday in the kingdom of GillyGate. One is set to take the throne while the other sits in her tower with only a dragon to keep her company. Unbeknownst to both, a prophecy is about to unfold much to the dismay of their uncle, Lord Grimbert, who will do anything to stop a woman from taking the throne with the help of his trusty talking high horse. A musical tale woven together by a misfit traveling ensemble, this show will take you back to the Ren Faire. Full of bawdy, drunken fun mixed with some good ol' audience interaction, this show is fun for your whole family!…well maybe not your kids.

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The Chekhov Comedies

See Chekhov as you have never seen him before! Combine 5 short comedies, 25 characters, and 4 female actors, and you get 1 night of hilarity!

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Little Shop of Horror

For the misfits of Skid Row, life is full of broken dreams and dead ends. Seymour Krelborn is a meek and dejected assistant at a floral shop who happens upon a strange plant, which he affectionately names “Audrey II” after his crush at the shop. Little does he know that this strange and unusual plant will develop a soulful R&B voice, a potty mouth, and an unquenchable thirst for human blood. As Audrey II grows bigger and meaner, the carnivorous plant promises limitless fame and fortune to Seymour, as long as he continues providing a fresh supply of blood ... Featuring an electrifying early 1960s-style score from Alan Menken and book and lyrics by Howard Ashman.

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Canyon

In a backyard deep within a canyon during Labor Day weekend 2016 — before everything in America changed — we meet a newlywed couple and a Mexican father and son as they all try their best to find a better view. IAMA Theatre Company partners with the Latino Theater Company to present an immersive staging of this driving new play that takes a look at what happens when two families are rocked by an unpredictable accident that changes their lives forever. A look at gender, citizenship, and the costs of trying to live a conventional American life

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Too Much Sun

The West Coast premiere of the acclaimed off-Broadway hit by Nicky Silver (Broadway's The Lyons). Celebrated actress Audrey Langham reaches her breaking point while rehearsing Medea in Chicago — walking off the stage, out of the production and into her married daughter's summer house in Cape Cod, where her unexpected and unwelcome arrival sets off a chain of events alternately hilarious and harrowing.

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Phalaris's Bull: Solving the Riddle of the Great Big World

Harvard-educated molecular biologist, visual artist and provocative visionary philosopher, Steven Friedman has the answers to life's big questions. Using personal narrative, poetry, art, and science, he delivers a spell-binding performance reflecting his prismatic, transformative and deeply consoling vision of the world. Friedman offers a solution to the worlds pain based not on belief or faith but on logical rigor a philosophy starting from Kierkegaards story of an ancient torture device, Phalariss bull, that turns the terrible sounds of pain into music. To create is to enter Phalariss bull, and our pain becomes beauty.

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Now Registered This Week on the Better Lemons Calendar - September 17 through September 23, 2018

NEW! Theatrical shows, Musical Concerts, and Film Festivals registered on the Better Lemons calendar!
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

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PODCAST: An Interview with Mary Bridget Davies of 'A Night with Janis Joplin'

In this podcast, Tony-nominated Mary Bridget Davies of the La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment Production's A Night with Janis Joplin talks on becoming a mother, performing from an early age, her work with Playwright and Director Randy Johnson, the evolution of the show from its roots to its Broadway stint, playing with Robby Krieger from The Doors, working on a new album with her band, bringing enigmatic and iconic Janis Joplin back to life once again at the La Mirada Theatre, and "singin' the blues."

Photo by Jason Niedle
Mary Bridget Davies stars in her Tony-nominated performance as Janis Joplin in the La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment Production's A Night with Janis Joplin.

A Night with Janis Joplin features a healthy selection of Joplin hits—especially those with Big Brother and the Holding Company - as well as songs by such irreplaceable artists as Bessie Smith, Odetta, The Chantels, Nina Simone, and the late Aretha Franklin - the latter icons all interpreted by four additional vocalists in the show, along with a live band and horn section to help recreate a repertoire of blues gems.

Although she enjoys singing fan favorites like “Piece of My Heart” or “Cry Baby,” Davies said in the interview that she finds her best challenge with Joplin's version of “Maybe,” which she sings in the second act, and with “Ball and Chain.”

Born eight years after Joplin died of a heroin overdose in Los Angeles, Davies has been interpreting Joplin since she was in her teens. Like Joplin, whose Port Arthur, Texas vernacular Davies has mastered - she studied hours of archival footage of Joplin's interviews - she began with listening to and singing Joplin's songs and vocal stylings with her mother in her native Cleveland Ohio. Later, she would do more research and read the collection of Janis Joplin's letters and other correspondence that say so much more about Janis Joplin than any journalist ever has. (Did you know she was a painter?)

The award-winning actress has studied improv at The Second City (in Cleveland at the time) and is a member of the Something Dada Improv Group in Cleveland as well. In 2005, she toured with the production of Love, Janis, and has toured in Europe with Janis Joplin's original band, “Big Brother and the Holding Company.”

Davies has since received a Tony Award nomination for Best Lead Actress in a Musical for her performance as Joplin in A Night with Janis Joplin at the Lyceum Theatre on Broadway in 2014, as well as winning the Theater World Awards and Theater World Awards for that year. Davis' band, The Mary Bridget Davies Group, released their album “Wanna Feel Somethin” in 2012, where she is currently working on writing songs for their next album.

A Night with Janis Joplin opens Friday, September 21, 2018, and runs through October 7, 2018, at The La Mirada Theatre for the Performing Arts.  Visit their website for showtimes and tickets.

For more podcasts like these visit Better Lemons on Soundcloud.


Now registered this week on the Better Lemons Calendar August 20 to September 2, 2018

NEW! Shows and film festivals that have registered on the Better Lemons calendar. For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.
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Now registered this week on the Better Lemons Calendar August 13 to August 19, 2018

New shows registered on the Better Lemons calendar. For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.
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YELLOW FACE


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What Happened When


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Longing Pinocchio


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All Night Long


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A View From The Bridge


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She Loves Me


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Sell/Buy/Date


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SILENCE! The Musical


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PODCAST: An Interview with Director Jessica Lynn Johnson of 'Soaring Solo'

Photo by Monique A. LeBleu - Director Jessica Lynn Johnson of Soaring Solo, at the Hollywood Fringe Festival Prom Night 2016, Hollywood, California.

UPDATED: 8-25-18

I interviewed Director Jessica Lynn Johnson, teacher of Soaring Solo, a how-to series of workshops and individual instruction on creating solo theatrical projects and bringing them to fruition. Jessica is often a one-woman cheering squad for her students, creating unique costumes out of their promotional bar cards and items for Fringe Festival parties.

I first met Johnson at the Hollywood Fringe Festival in 2016, dressed head to toe in a costume crafted entirely from her students' and other producers' show cards. This creative endeavor she makes special each year for the annually anticipated social event, "Prom Night."

After seeing some of her students' shows at the festival and at the Whitefire Annual Solofest, I caught her in action at a recent Saturday morning workshop with LAFPI: The Los Angeles Female Playwrights Initiative at Whitefire Theatre, on Saturday, July 21, 2018.

I later spoke with Johnson, here, where we talked on the mechanics of her process for creating solo artist theatrical projects, her use of inspiring and provocative word prompts with exploring through two-minute on-the-spot writing, the free workshops she teaches at the Whitefire Theatre, and various festivals and creative outlets that feature solo shows such as Solofest, the Hollywood Fringe Festival, the North Hollywood Fringe Festival, and work with The Los Angeles Women's Playwrights Initiative.

The atmosphere in her home studio is designed to be conducive to creativity, both for herself and for her students, and she talked further on how the process that she teaches can go far beyond that of creating a solo show, but lead a deeper path into self-discovery.

Jessica Lynn Johnson will co-host Hot Off The Press, a Night of Excerpt Readings, post-show Q & A, and music, with L.A. Women's Theatre Festival, September 16, 2018, from 7 p.m. to 9 p.m., at The Whitefire Theatre.

Jessica Lynn Johnson: Website, Facebook and YouTube.

For more podcasts like these visit Better Lemons on Soundcloud.


PODCASTS - The Belle's of 'Disney's Beauty and the Beast': Interviews with Susan Egan and Yvette Lawrence

5-STAR THEATRICALS production of “BEAUTY AND THE BEAST" (Courtesy of 5 Star Theatricals)

5 Star Theatrical's production of Disney's Beauty and the Beast is playing at the Thousand Oaks Civic Arts Plaza until July 29, 2018 and Better Lemons recorded two podcasts, one with Susan Egan and one with Yvette Lawrence-Bishop.

In the first podcast Egan talks about the joys of returning to the role of “Belle” while embracing the new elements brought to the production by director Yvette Lawrence-Bishop. She also discusses the similarities and differences from the original Broadway touring production.

Anime, Comic-Con, and cosplay fans will enjoy hearing Egan chat about her voice acting characters, including her work at The Broadway Princess Party with Club Kraftland at That's From Disneyland.

Egan is a BTVA (Behind The Voice Actors) Television Voice Acting Award-winner and has been nominated for Tony and Drama Desk awards.

In the second Podcast, Lawrence-Bishop talks about her working relationship with Egan and the elements that make this production a unique, educational, family affair.

Lawrence-Bishop also discusses her work as a teacher and as a director with 5 Star Theatricals.

Yvette Lawrence-Bishop is an award-winning multi-faceted director, producer, and performer. She also teaches a Master Class in acting and serves as director of Performing Arts and director of Drama at Chaminade College Preparatory.

Lawrence-Bishop has directed productions such as Guys and Dolls, Godspell, Once Upon a Mattress, 25th Annual Putnam County Spelling Bee, and Romeo and Juliet. She also has credits as a performer on Broadway and on television.

5 Star Theatricals production of Disney's Beauty and the Beast is currently playing at the Thousand Oaks Civic Arts Plaza until July 29, 2018.

Visit the site for showtimes and ticket information.

For more podcasts like these, go to our Better Lemons Soundcloud channel.


PODCAST: An Interview with Richard Lucas of 'Bono and The Edge Waiting for Godominos'

Actor, writer and director Richard Lucas of “Bono and The Edge Waiting For Godominos” discusses the inception of the idea for the show, its fruition fueled by the ongoing “Serial Killers” serial show series at Broadwater (formerly known as Sacred Fools), their successful run in various venues throughout California, his new book “The Dog Log,” and the future of “Bono and The Edge Waiting For Godominos.”
Bono and The Edge Waiting For Godominos“ stars Richard Lucas as Bono, Curt Collier as The Edge, Jeff Blumberg as Lucky, and Bruno Oliver as Domingo.
After recently returning from PianoFight in San Francisco, the “Bono and The Edge Waiting For Godominos” now heads to The Majestic Repertory Theatre in Las Vegas for shows on Friday, July 13, 2018, and Saturday, July 14, 2018, each night at 10 p.m.
For updating info on future shows visit their website or the show Facebook page.


Fire, Glass-Walk With Me: A Revealing Interview With Vixen DeVille

Fire-eating, glass-walking, circus aerial, magic, burlesque, costume crafting, comedy, and acting—British actress Cat LaCohie fits all of these skills into her life and her new solo show “Vixen DeVille Revealed", coming to the Hollywood Fringe Festival this June.

Originally from Newcastle, LaCohie began her career in London, with appearances at Cafe De Paris, The Ritz Hotel and at the Charing Cross Theatre in West End, since relocating to Los Angeles.

Having performed regularly at The Viper Room, LA Convention Center, The Roosevelt Hotel, Harvelle's Santa Monica and Long Beach, and at The Orleans Casino and Hotel in Las Vegas, and with multiple television appearances like “Masters Of Illusion,” she also teaches her craft both privately and in group workshops with classes that range from “Introduction to Burlesque & Body Confidence”—where she teaches you to “embrace the freedom to express yourself...the good, the bad and the wobbly!”—to full “Solo Act Development”, along with “Costume Crafting” and specialty performance skills that include fire performance, aerial and more.



Also currently performing with the Doll Face Dames, where there are over 30 people in the troupe who perform in rotation throughout LA, LaCohie often serves as a form of host—or Mistress of Ceremonies—a position she found through her unique use of comedy, burlesque, and having the additional benefit of a British accent in Los Angeles.

In that, she works up the audience in preparation for the show to come, laying out the rules and restrictions with charm.

"We want you to be loud and rowdy, in certain ways!," said LaCohie. "So as the host we'll get people up and shouting. We'll tell you what the rules are—don't touch the girls, don't do this, do this, don't do that—It's kind of like a stand-up comedienne."

Starting her career in burlesque in 2006, she performed for nearly eight years in the U.K. When coming to Los Angeles, she only brought three burlesque outfits, just in case she needed them, because her idea and goal was to focus on acting.

"I figured, if I need to, I can make some money doing burlesque," she said. But ultimately, she simply missed it as a performance artist and decided to continue her style of burlesque performing in Los Angeles, which then lead to teaching.

Photos by Monique A. LeBleu
Cat LaCohie, Vixen DeVille, teaches burlesque technique, style, confidence, personalization at Madilyn Clark Studios, in Burbank, Calfornia, April 9, 2018.

She began teaching basic burlesque routine moves for a company, which she found pedestrian at the time. But in conversations, people expressed fascination and a desire to perform themselves, but had reservations varying from body confidence issues to disbelief that they could ever learn the skills or master the courage.

"I met people who said 'Oh, I could never perform burlesque!' or "I could never do ... but, want to do it!,'" said LaCohie. "If you have anything in you that wants to do this, then why are you talking yourself out of it?"

In teaching, she then began focusing not on the dance moves, or the technique of it. "Looking at your confidence, looking at your character, what pleases you, and what you're going to have fun doing in front of an audience ... do you want to show your dark side, or your fun side, or your sexy side," said LaCohie.

Aside from burlesque, LaCohie is trained in fire performance—including fire eating, fire fans and fire spinning, and body burning—aerial performance, and glass walking, the latter of which she incorporates a dance where she rolls in glass and experiments with ballet. But her experimentation has not been without dangers.

From minor injuries to her knee and legs while performing in an acting class in the UK, to more serious injuries while focused and teaching after coming to Los Angeles.

Early on, while training in the Meisner Acting Technique, she thought to incorporate the new skill of glass walking into a scene with another student. After smashing a bottle in the scene, while focused on the scene, she knelt into it - a risky transaction for the yet fully trained glass walker.

Cat LaCohie, Vixen DeVille, at Madilyn Clark Studios, in Burbank, Calfornia, April 9, 2018.

"[during the scene] I thought, 'Why is it cold?' And there's blood dripping all over me. And my teacher goes. 'Whatever hinders you is your task, continue with the scene!,'" said LaCohie, so she did. "So then the guy with me in the scene is helping me mop up the blood. So I thought, 'Well I guess I can't kneel down in it!'"

Another incident, in a distracted moment while teaching, LaCohie leaned back into preset broken glass, cutting deep enough into her hand to tear tendons. Once again, she quickly made temporary self-ministrations to her wounds so that she could continue while teaching in the moment, leaving a lengthy and costly recovery for a future time.

Encouraged after speaking with friends who've participated in the annual Hollywood Fringe Festival, LaCohie has now decided to pull her skills into a solo show. For the annual festival that brings Hollywood smaller theaters to the forefront of attention each summer, she will premiere “Vixen DeVille Revealed.”

Incorporating burlesque, circus, magic, comedy, LaCohie promises to reveal “the truth behind her multi-talented Burlesque persona, VixenDeVille'”, and invite you to “discover your own inner Vixen.”

With a limited VIP Experience, she will even teach you to eat fire or walk on broken glass, live on stage as part of the show.

In the meantime, LaCohie will be teaching a two-hour workshop at The Lounge Theatre on Saturday, May 19, 2018, at 11 a.m. with an introduction to the Basics of Burlesque Performance.

With plans to return to Newcastle and London sometime soon after the Hollywood Fringe Festival, LaCohie plans to bring Vixen DeVille Revealed home.

"Vixen DeVille Revealed" opens June 1, 2018, at the Lounge Theatre, 6201 Santa Monica Blvd, CA 90038.

Go here for more show information and tickets.

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