Spotlight Series: Meet Robert Yacko, One of the Busiest Triple-Threat Performers in L.A.


This Spotlight focuses on Robert Yacko, one of the busiest triple-threat performers in Los Angeles, whose musical theatre skills constantly bring magic to the stage.


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Robert Yacko (Robert):  I’ve been around a long time, a native Philadelphian who cut his teeth on theater in high school after being a musician for a few years. I was pulled into the love of dance by a choreographer who saw potential in me. My brilliant acting teacher at Temple University, Joel Friedman, then gave me the tools that got me into the Juilliard Drama Division and things took off from there. My Broadway debut was in Fiddler on the Roof with Herschel Bernardi, directed by Jerome Robbins himself, assisted by Ruth Mitchell and Tommy Abbot. The subsequent National Tours we did brought me to LA twice, and after having the privilege of dancing with the legendary Cyd Charisse in summer stock, LA was beckoning.

“Sunday in the Park with George” with Robert Yacko and Pamela Myers at the LA Premiere at Long Beach CLO. Photo by Craig Schwartz

I was quickly welcomed in the City of Angels with two back-to-back seasons in the Mark Taper Rep, soon followed by one of the highlights of my career - starring in the Los Angeles Premiere of Sunday in the Park With George, with Pamela Myers (the original Marta from Company) as my brilliant Dot and Marie. We had the Broadway sets and costumes and a director chosen by Sondheim and Lapine, the wonderful Fran Soeder.

 

From that flowed lots of amazing opportunities, many of them in Sondheim musicals, which was a gift, since his work was the very reason I longed to do musicals. Highlights of my Los Angeles Theater work include Into the Woods with Leslie Uggams, Company with Carol Burnett and Patrick Cassidy, Chess with Jodi Benson, A.R. Gurney’s Sylvia with Cathy Rigby, The Donmar Warehouse production of Parade at the Mark Taper (which began my association with Jason Robert Brown), and more recently, Annie at the Hollywood Bowl with Lea Salonga, Megan Hilty, Anna Gasteyer, David Alan Grier, and Steven Weber.

As many singing actors do, I have also branched out into the LA Cabaret scene in the last decade, aided and guided by my inspiring friend, Bruce Kimmel. To say I have been blessed over the years, especially in this city, is an understatement!

(SB): I have seen many of the shows you mentioned, but were you involved with any productions when word went out to immediately postpone or cancel them?

(Robert): I had two corporate shows scheduled in late March, one of which was cancelled, one postponed. I have been working with my corporate event company for 17 years and those were the first to go, as they are highly attended events. And I was slated to do the second in a series of Concerts at the Wallis Annenberg on April 1st, organized by the outgoing Mayor of Beverly Hills with Richard Sherman’s son, Greg. The first Concert of this series we did on February 26th, which was an evening of Tom Lehrer and Stephen Sondheim as a partial sing-along. The April concert was to be in a Hollywood Musicals theme, but this event was cancelled.

I was due to perform in the April and May Kritzerland Cabarets at Vitello’s, the second of which would coincide with our Director/Producer Bruce Kimmel’s new book Simply, A Lifetime of Lyrics being published, and would highlight his songs. The April 5th event had to be cancelled. However, the May Concert went online on May 3rd on Facebook Live and YouTube Live with a theme change.

Robert Yacko as Henry Ford in "Ragtime" at 3D Theatricals

The biggest event of mine that got postponed, first from March 30th to June 1st, and now to a TBD date, was the 2nd Benefit for Musical Theatre Guild’s Educational Outreach, an event called Rewind2: By Request at the Rockwell. I was honored to be directing this benefit show and we had been working hard on its planning, built with music from audience-requested musicals from MTG’s archives, using 25 of LA’s best musical theater actors. I’d been working closely with Kristi Holden (producer / organizer) and our Musical Director, Dan Redfeld, since late January and we had a stellar lineup of songs and MTG members to perform them. We were about to have our first rehearsals when everything shut down. This was the toughest one to lose, even temporarily, but I do know that it will get done when we can do so safely.

(SB): That was a lot of changes in such a short time. How were the shutdowns communicated with the cast and production teams?

Robert Yacko in “Undiscovered Country” in the Mark Taper Rep, with Christina Pickles

(Robert): With the corporates, our manager let us know via group email as soon as things changed. With Kritzerland, I spoke to Bruce Kimmel as things unfolded, and at the point where Shelter in Place went through April 15th, we knew we had to cancel April 5th. Then in mid-April, I got a message that we might try and do a Kritzerland online. The Wallis concert word came in a group email from our vocal director Carly Bracco, who had already put a ton of work into the event. It was heartbreaking for many, as this one is lost for good.

Finally, the MTG Benefit word came through back and forth messages with our brilliant coordinator Kristi, who at first tried to have us keep our March rehearsal schedule and get tracks to the singers for the June date. At the same time, MTG was still trying to plan for Kismet on May 3rd and a Glendale Arts event immediately after, which I was asked to direct as well. We soon realized that putting 20+ singers in among some of our elders was not prudent, considering how COVID news was darkening daily. It was first shared privately among the production staff and performers, then the date changes were announced publicly.

(SB): Are plans in place for any of those productions to be done at a future date?

Robert Yacko as Horace Vandergelder In "Hello, Dolly!" at 3D Theatricals

(Robert):  One corporate event may be done in October. The Wallis concerts are gone permanently. Krtizerland went on Facebook Live and YouTube Live, with guest star Liz Calloway contributing from NY. The MTG Benefit will happen at a TBD date. It will be a great show for a worthy cause, to support and inspire the next generation of Musical Theater Artists.

(SB): I have to say, you are one of the busiest stage actors I know. What future productions on your schedule are also being affected by the shutdown?

(Robert): I worked last November for the first time with David Green’s Musical Theatre University in Palm Desert doing Gypsy with a dear friend from NY, Alix Corey, who teaches there. Their program is extraordinary and so are the students involved. David and I talked about future productions (among them, JRB’s Honeymoon in Vegas), and in truth, I am not certain how this affects the program’s schedule. I was to be a guest star at the group’s last (of 6) cabaret shows on March 19th, but that of course was cancelled. I will indeed work with this group again when it is safe to do so.

There were some play readings I was to do with the gifted writer/director Suse Sternkopf (who took my great Cabaret headshot photo), with the ultimate design to create a new theater company. That is off the table until we can reconvene, as her two plays require a real intimate emotional connection which is hard to make with semi-strangers on Zoom.

Other than the MTG Benefit and their Glendale Arts show at the Americana being delayed to indeterminate dates, what is mostly affected is the ability to audition for future work, which is huge. Since no one knows exactly when and if productions can be done, no one is auditioning for anything of note. Of course, that will delay the start of productions at theaters across the board when they can re-open.

(SB):  How are you keeping the Arts alive while at home by using social media or other online sites?

(Robert): Since I work a lot, the initial shock of having my entire work schedule vanish in the course of two days, topped by the ever-frightening tone of the news, caused me first to reach for humor, rather than panic. It was partly to keep things light and probably partially due to disbelief and denial. So, in the first 9 days of Shelter at Home, I started posting parodies of Musical Theater Posters, as if these were the only shows we could do now: things like Sunday in the Park Without George and No Company. I posted a dozen on Facebook the first day and people clamored for more, as everyone needed a way to laugh off the shock of this new normal in which we were suddenly living. I began posting every day on Facebook and Instagram, and in 9 days, I had created 101 mocked up posters of “Quarantined Musicals.”

A friend asked me to make a book of them for her as a cheer-up and a funny memento, so I went into iPhoto and created one, and sent copies to friends to keep them smiling in the moment and to keep as a funny memory once the plague has passed.

Just 10 days ago, I submitted my vocal-part video for a virtual choir, in which I was asked to participate by Jeff Rizzo and Eric Andrist. It is an 8-part SATB 1 & 2 choir version of a well-known pop song from the 70’s, which I cannot mention until it is ready. Fifty great LA singers sent in vocal/visual tracks to be edited together by David Engel. It should be ready soon.

As mentioned, I was shooting 3 songs for Sunday’s Krtizerland show, from composers Randy Newman, Cole Porter, and Noel Coward. And I am redesigning my professional website. It’s time and I have the time now.

Otherwise, like so many, I am eagerly watching the online concert events like Sondheim’s 90th Celebration and Jason Robert Brown’s Subculture show, highlights of the last 2 days (as I write this). And I am trying to stay in touch with my friends in our circle to make sure everyone is okay.

(SB):  Are there any other thoughts would you like to share with the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Robert): Be Kind - to yourself first and to everyone around you, friends, family, and strangers alike. There is no roadmap for this current madness, but we as artists are more used to the kind of uncertainty that everyone is experiencing right now, and are suited to help however we can. This time is a reminder of the Native American adage that “No one wins unless the whole tribe wins.” We are all part of a tribe, both in the theater world and the rest of the world. No one is safe unless everyone is, and kindness goes a long way in making someone’s day, and in relieving some of the stress that breaks down immune systems. The smallest gestures make an enormous difference.

(SB): I so agree with you on bringing kindness into the world. Before the pandemic at the opening night of Daniel's Husband at the Fountain Theatre, director Simon Levy gave me a badge that says “Make America Kind Again” which I proudly wear every day. I wish I had hundreds of them so I could give one to each person who has reacted so positively to its message.

(Robert): I also encourage everyone to mine your solitude for its gifts of self-learning and resting, which is something we don’t do enough of when the wheels are turning full-speed. The digital world has made resting and recharging a forgotten art, one we all need to do to create our best work and, of course, to stay healthy.

You can find me by name on Facebook and Instagram. You can also watch some great videos of my many Cabaret performances on my self-named YouTube Channel, as well as a few bootlegged videos from productions of Company, Chess and Sunday in the Park With George, plus a recording of some unsung Sherman Brothers.


This article first appeared on Broadway World.



Spotlight Series: Meet Michael Mullen, An Award-Winning Costume Designer and Actor


This Spotlight focuses on Michael Mullen, an award-winning and always busy costume designer, writer and actor who often steps onstage in a variety of roles, both male and female.


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Michael Mullen (MM): I’m a costume designer, actor, and writer who lives in Hollywood with my dog Choo Choo. I’ve worked in the L.A. theatre scene for many years now, and have received several awards and nominations for my work both onstage and off from such organizations as Ovation, L.A. Drama Critics Circle, L.A. Weekly, N.A.A.C.P., Scenie, Stage Raw, Robby, Broadway World, Ticket Holder, Eddon, and Desert Theatre League. I hope to keep working and doing what I love for many years to come, and I’m very happy to be a part of L.A.’s wonderful theatre community.

(SB): I know you are always busy costuming shows around town, so what production(s) were you involved with when word went out that those shows had to be closed or postponed?  

(MM): I was involved with a few shows when this whole Coronavirus pandemic started directly affecting theatre.  I costume designed Andrew Lippa’s The Wild Party at Morgan-Wixson Theatre (directed by my good friend Kristin Towers-Rowles) which was slated to open March 14th. I was at the theatre for final dress rehearsal on March 12th and the show was in great shape and ready for an audience. After the performance was over, Michael Heimos, the President of Morgan-Wixson’s board, came onto the stage to address the audience, cast, and crew to announce the run of the show was being postponed until later when it would be deemed safe to do theatre again. Everyone involved with the show was very sad over this news, but we all knew that this was the necessary and safe decision to make.

That night, the cast and crew stayed in the theatre and had an impromptu pizza Karaoke party to console each other that went on until the wee hours of the morning. Kristin (our director) organized a nice dinner for all the cast and crew at a restaurant called The Upper West for Friday, March 13th - which would’ve been our first and only preview performance. It was a lovely night of yummy food, drinks, and bonding. And now everything is on hold.

Michael Mullen in “The Importance of Being Earnest” at Crown City Theatre

Across town, I had a production of Romeo and Juliet (directed by Dana Martin) and All’s Well That End’s Well (directed by Nike Doukas) at a school called Art of Acting that had both just opened on March 11th. These two productions (which I costume designed) were both great, but unfortunately had to close early due to the Coronavirus situation as well. Everyone involved was sad of course, but understood why that decision had to be made.

That same weekend, I had In My Mind’s Eye (which I costume designed) close at Group Rep Theatre, but the production was scheduled to close that particular weekend anyway as it had come to the end of its scheduled run. The show was directed by Bruce Kimmel and written by Group Rep’s Artistic Director, Doug Haverty. It was sad to see the show end, but at least it was able to complete its full run before everything started shutting down.

(SB): You mentioned about the way in which The Wild Party cast and crew found out about the postponement. But what about the other productions at Art of Acting?

Michael Mullen in “The Legend of Georgia McBride” at Secret Rose. Photo credit: Chris Greenwell

(MM): As I recall, the cast of the two shows at Art of Acting were notified by email from the School Director, Johnny Yoder. I personally learned that the Art of Acting shows were closing early when I went to the school on March 12th during the afternoon to deal with some costume repairs for both productions. It was sad to receive all of this news about all three shows which I had costumed that were opening in mid-March. My heart broke, especially for all of the actors.

(SB):  Are plans in place to present the productions at a future date, or is the cancellation permanent? 

(MM): The plan for The Wild Party is for it to open and have a run later this year when it is safe to do so. Everyone involved is very happy about that and I think audiences will love the show since it’s fun, sexy, and very entertaining.  It’s weird to think that the set, props, costumes, wigs, and lights are all just sitting there in the theatre like a ghost light waiting to be used, but they will all get their glory and chance to shine eventually!

Romeo And Juliet and All’s Well That Ends Well at Art of Acting are sadly done for good. They were truly deserving of much longer runs.

(SB):  What future productions on your schedule are also affected by the shutdown?

(MM): I was costume designing several other productions that were supposed to open over the next few months, but unfortunately all have been cancelled and/or postponed until later (yet to be decided) dates when it is safe to do theatre again. Among these projects are A Little Night Music with Knot Free Productions, Guess Who’s Coming To Dinner with Ruskin Group, Imogene at Parson’s Nose, Art Of Acting’s productions of Distracted, Our Lady Of 121st Street, and Landscape Of The Body, and Love’s Labour’s Lost with Shakespeare By The Sea, as well as a few Hollywood Fringe shows. It has been announced that The Hollywood Fringe Festival (which was scheduled to happen in June 2020) is tentatively postponed until the month of October this fall. My 19-week-long costume design class at A Place Called Home has also been cancelled due to the building closing down until further notice.

(SB): That was quite a packed schedule!  I don’t know how you manage to work on so many shows at the same time and do them all so well. So for now, how are you keeping the Arts alive while at home by using social media or other online sites?

Michael Mullen and Choo Choo

(MM): I’m teaching acting/improv classes for kids on Zoom now, reading plays, following the news, Facebooking, talking with family and friends on the phone, watching a lot of T.V. and film, hanging out with my dog Choo Choo, and eating A LOT! And since the Hollywood Fringe Festival is now postponed until the fall, I’ve decided to try and write a play or at least find one to produce and act in myself. I mean, why not, right?! And masks! I should be making masks for people to wear! Bedazzled themed masks would be fun, huh?

(SB): Absolutely!

(MM): It’s tough to be alone and not see people because I’m a social person, but I’ll be okay. We’ll all get through this tough time, and I can’t wait to hug everyone when this Coronavirus nightmare is over.

I just want to remind all my fellow theatre folk that we are all in this together and that we will all be making theatre again when it is safe to do so. In the meantime, it’s important for all of us to stay healthy and safe, practice social distancing, get plenty of rest, and wash our damn hands!  It’s also important for us all to connect with each other and reach out if we get lonely. I’m here for anyone who wants to talk.  And I guess people are starting to do play readings on Zoom! I think that’s great! I encourage doing that for sure! Zoom Zoom, baby!

What I’m looking forward to the most, after this Coronavirus nightmare is over, is the resurgence of theatre across the world and especially here in Los Angeles. Theatre makes the world a better place. ❤️ Much love, everyone.

(SB) I am on the same page with you and can’t wait to get back to reviewing shows. #TheatreInspires


This article first appeared on Broadway World.



The 34th Annual 'Robby Award' Winners Announced


The 34th Annual Robby Awards show scheduled for March 23, 2020, has been canceled due to the Coronavirus and social distancing.

Here is the list of the winners for the best in Los Angeles area theatre for 2019.  With the Robby Awards, a few categories resulted in a tie vote, even with critic Rob Stevens as the only voter.

The Pasadena Playhouse’s production of "Ragtime" won Best Musical as well as three other awards. The Ahmanson Theatre’s production of "Indecent" also won four awards, including Best Drama. Best Comedy was awarded to Odyssey Theatre Ensemble’s "Loot" which also won two other awards.

A Noise Within led all producing companies with five awards spread over three of their productions—"Argonautika," "The Glass Menagerie," and "Frankenstein." The Geffen Playhouse won three awards, one each for their productions of "Key Largo," "Skintight," and "Witch."

Among 99-seat theatres, Celebration Theatre won two awards for its production of "The Producers," Boston Court Pasadena won two awards for "The Judas Kiss," and Antaeus Theatre Company won two awards for "The Cripple of Inishmaan," while two awards were given to shows at the annual Hollywood Fringe Festival.


The Robby Awards


Teri Ralston Award for Best Musical
Ragtime, Pasadena Playhouse

Virginia Capers Award for Best Director of a Musical
David Lee, Ragtime, Pasadena Playhouse

Michael G. Hawkins Award for Best Actor in a Musical
Marc Ginsburg, Ragtime, Pasadena Playhouse

Michelle Nicastro Award for Best Actress in a Musical
Shannon Warne, Ragtime, Pasadena Playhouse

Gary Beach Award for Best Supporting Actor in a Musical
Michael A. Shepperd, The Producers, Celebration Theatre

Lisa Robinson Award for Best Supporting Actress in a Musical
Lauren Van Kurin, Earth to Karen, Hollywood Fringe Festival

Dom Salinaro Award for Best Choreography
Christine Negherbon, Holiday Inn, Musical Theatre West

Elan McMahan Award for Best Musical Direction
Gregory Nabours, Scissorhands, The Fuse Project

John Raitt Award for Best Music and Lyrics
Brooke deRosa, Gunfight at the Not-So-OK Saloon, Trial Run Productions

Nan Martin Award for Best Drama
Indecent, Ahmanson Theatre

Martin Benson Award for Best Director of a Drama (Tie)
Julia Rodriguez-Elliott, Argonautika, A Noise Within
Rebecca Taichman, Indecent, Ahmanson Theatre

Ray Stricklyn Award for Best Actor in a Drama
Rob Nagle, The Judas Kiss, Boston Court Pasadena

Sally Kemp Award for Best Actress in a Drama
Deborah Strang, The Glass Menagerie, A Noise Within

Richard Doyle Award for Best Supporting Actor in a Drama
Kasey Mahaffy, The Glass Menagerie, A Noise Within

Belinda Balaski Award for Best Supporting Actress in a Drama
Jenny O’Hara, Daniel’s Husband, The Fountain Theatre

Carole Cook Award for Best Comedy
Loot, Odyssey Theatre Ensemble

Ron Link Award for Best Director of a Comedy
Bart DeLorenzo, Loot, Odyssey Theatre Ensemble

Tom Troupe Award for Best Actor in a Comedy (Tie)
Harry Groener, Skintight, Geffen Playhouse
Evan Jonigkeit, Witch, Geffen Playhouse

Lu Leonard Award for Best Actress in a Comedy
Elizabeth Arends, Loot, Odyssey Theatre Ensemble

Albert Lord Award for Best Supporting Actor in a Comedy
JD Cullum, The Cripple of Inishmaan, Antaeus Theatre Company

Dee Croxton Award for Best Supporting Actress in a Comedy
Anne Gee Byrd, The Cripple of Inishmaan, Antaeus Theatre Company

Michael Devereaux Award for Best Playwriting
David Hare, The Judas Kiss, Boston Court Pasadena

John Iacovelli Award for Best Scenic Design
John Lee Beatty, Key Largo, Geffen Playhouse

Best Projection Design
Aaron Rhyne, Anastasia, Hollywood Pantages Theatre

Paulie Jenkins Award for Best Lighting Design
Christopher Akerlind, Indecent, Ahmanson Theatre

Garland Riddle Award for Best Costume Design
E. B. Brooks, The Producers, Celebration Theatre

Steve ”Canyon” Kennedy Award for Best Sound Design
Robert Oriol, Frankenstein, A Noise Within

Lies and Legends Award for Best Ensemble Award
Matt Darriau, Elizabeth A. Davis, Joby Earle, Patrick Farrell, Harry Groener,
Lisa Gutkin, Mimi Lieber, Steven Rattazzi, Richard Topol, Adina Verson,
Indecent, Ahmanson Theatre

Billy Barnes Award for Best Cabaret Performance
Daniel Thomas Bellusci, Brittney Bertier, Ellie Birdwell, Bruce Kimmel,
Kerry O’Malley, Jenna Lea Rosen, Robert Yacko,
L’Wonderful, L’Marvelous, Legrand, Kritzerland at Vitello’s

Special Award for Props and Puppet Design
Erin Walley and Dillon Nelson, Argonautika, A Noise Within

Robby Living Legend Award
Teri Ralston


Rare Ennio Morricone Tribute Concert at 'The Autry' Sunday, January 27, 2019

What started out as an annual birthday celebration with close musician friends, family, and other appreciators in the backyard of show organizer Henry Stanny, soon grew into a full concert tribute to the Oscar®-winning Italian composer Ennio Morricone at the Autry Museum of the American West (The Autry.)

Originally scheduled for this weekend on Sunday, January 27, 2019, at 5 p.m., a second show was then added at 1:00 p.m. at The Autry, where now both shows are currently sold out.

Morricone soundtrack fans span from classic and spaghetti western films to recent years' Quentin Tarantino film enthusiasts, creating a wide swath of appreciators here in the U.S., as well as here in Southern California. Considered one of the world's greatest living film composers, Morricone's world fame came with Sergio Leone's westerns, a few being “A Fistful of Dollars,” “The Good, The Bad, & The Ugly,” and “Once Upon a Time in The West,” and more with films like “The Battle of Algiers,” “Cinema Paradiso,” “Malena,” “The Untouchables,” “Once Upon a Time in America,” “The Mission,” and Tarantino's “The Hateful Eight.”

According to Stanny, who works at Laemmle Theatres and has an extensive collection and historical knowledge of film soundtracks and liner note history, the concept of the show birthed from discussions with his wife, Nancy Hoven, from his desire to hear collections of Morricone's music that is not often included in the contemporary tribute concert repertoire, for a birthday party at their home.

"I asked [Nancy] if I could hear some of the stuff that I have never heard from any of these great composers, in my backyard [for my birthday], and she said "Why don't we do that!?," said Stanny. "And we did that for a number of years."

Stanny's friend, Tom Griep, who was a co-director of the USC Film Scoring Department at one time, took to the task of organizing musicians for these annual backyard fêtes. Per Stanny, flutist Sara Andon, played for 18,000 people in Kraków Morricone's music from "Hamlet," "Then she'd come and do the same piece in my backyard." He had also met cellist Circe Diaz-Gomero at the Golden State Pops Orchestra in San Pedro after seeing her play.

"I'd always go there and look at her as she was this cellist in the first row," Stanny said of Diaz-Gomero. "Your eye always went to her because she would go totally into the music and move about and you would just be dazzled by her playing. Stuff like that happened until I got 11 people on my show, and they're all amazing. It broke my pocketbook, but it was really amazing."

Starting about six years ago, Stanny, who paid professional musicians to play, first attracted about 35 guests to his backyard birthday concerts. Over the years attendance grew to over 70 plus, up to the last one. This weekend, The Autry will accommodate 215 seats for each of the scheduled sold out performances, allowing Stanny to enjoy his favorite selections of music with even more fellow appreciators.

Host Bruce Kimmel, along with a total of nine musicians and two guests soloists comprise the orchestra for the program. Featured are Musical Director and pianist Thomas Griep, flutist Sara Andon, violinist  Nathalie Bonin, cellist Diaz-Gamero, on trumpet will be Drew Ninmer, on guitar Omri Lahav, with vocalists Maegan McConnell and Robert Yacko. Special guests Mark Tschanz and Italian pop star Veronika Coassolo will do a piece from "Django Unchained."

The full concert featuring the music of this legendary film composer is performed by this select ensemble of world-class musicians and singers, with “an emphasis on famous Westerns like 'A Fistful of Dollars' and 'Once Upon a Time in the West,''' according to the websites program highlights, as well as some obscure and rare gems.

According to Stanny, Morricone "has written more than 400 scores, and most of them are in Italian." For the Autry, half of the program is from his Westerns, and will feature songs "Ecstasy of Gold" from "The Good, the Bad, & the Ugly," main themes from "For a Few Dollars More" and a "Fistful of Dollars,"  "The Man With the Harmonica," from "Once Upon a Time in The West,"  "Run Man Run," from "The Big Gun Down," and "Gabriel's Oboe" from "The Mission," with rare pieces "Angel Face" from "A Pistol for Ringo," the main theme from "Duck You, Sucker," "The Ballad of Hank McCain" from "Machine Gun McCain," and "Ancora Qui" from "Django Unchained," just to name a few.

Also in the program is "Le Due Stagioni Della Vita." "It's from a movie hardly anybody ever saw. It was released in France, and came and went," said Stanny. "But because Morricone liked it he put it on his album ... it's really obscure, but it's really beautiful."

After the concert, there will be a no-host dinner and drinks gathering at Mimi's Café in Los Feliz around 8:00 p.m. in a reserved a room where music fans and patrons can mingle with the artists.

Mimi's is located at 2925 Los Feliz Blvd. 90039, a short drive from the Autry Museum of the American West.

  1. Poster Art Illustration courtesy of The Autry Museum of the American West;
  2. Photo of Henry Stanny courtesy of Henry Stanny.

TODAY! Shows Around the Southland to Bring Music into Your Holidays

Bob's Holiday Office Party

TODAY! Insurance agent Bob Finhead's whacked out friends and clients stop by his Neuterburg, Iowa (population 382) office for their annual holiday bash. The town mayor, the sheriff, the twin farmer sisters, the stoner, the town alcoholic, the town "party girl" and the pastor's "emotionally disturbed" wife have already RSVP'd for this year's event, but Bob has dreams of a bigger life and wants to escape their narrow-minded thinking.
Last show is today, Thursday, December 20, 2018.
Atwater Village Theatre, 3269 Casitas Ave. Los Angeles, CA. 90039

The Black Hole: A new Alt-Holiday Comedy

TODAY! Zombie Joe's Underground Theatre Group is presenting Michael Sargent's "off-beat holiday comedy about a new young hire who throws things out of orbit at The Black Hole – an underground club for men in L.A. just 12 days to 'X-Mas 1984.' Can longtime lovers Fred & Joey fight gravity? Or will they be sucked into The Black Hole?" Recommended for Ages 16 and up.
Last show is today, Thursday, December 20, 2018.
Zombie Joe's Underground Theatre Group at Z.J.U. 4850 Lankershim Blvd North Hollywood CA 91601 playing until Thursday, December 20, 2018.

Bob Baker's Nutcracker

"Bob Baker's adaptation of the ballet classic and one of Bob Baker Marionette Theater's most beloved shows since it's opening in 1969! For the first time outside of its original location, the imagination dwells in a space specially outfitted for optimal holiday and puppetry joy." The Bob Baker Marionette Theater will feature over 100 handcrafted puppets from the Sugarplum Fairy and her Promenading Cakes, through the Waltzing Flowers, and all "the wonders beyond the Mysterious Door!"
Now through December 30, 2018.
The Pasadena Playhouse  - 39 S. El Molino Avenue, Pasadena, CA 91101

A Christmas Carol

A Carol Christmas is a new musical version of the immortal Charles Dickens classic set in America right now. Instead of a man named Scrooge we have a woman named Carol, a successful, driven, demanding, Home-Shopping Network maven who cares nothing for Christmas and wants her staff to work right through the holidays. All of the characters you know and love — Marley, Cratchit, Fred, and Tiny Tim are women in this fun, charming, and touching family-friendly new musical."
Playing now until December 30, 2018.
The Group Rep/The Lonny Chapman Theatre - 10900 Burbank Blvd
N. Hollywood, CA 91601

A Christmas Story

TODAY! In 1983, the movie "A Christmas Story" was released--now a classic in its genre-- was based on radio personality and author Jean Shepherd's first volume of stories, his 1960's radio shows, and his iconic character, Ralphie Parker. Shepherd wrote the screenplay with Leigh Brown and director Bob Clark [best known for the Porky's trilogy] Now the Sierra Madre Playhouse is presenting the stage adaptation of A Christmas Story as its holiday attraction. The Parker family gets its Christmas tree. Ralphie's dad, The Old Man, wins a very special prize in a contest. Ralphie is pursued by a girl in his class. Ralphie is pursued by the class bully. And, most famously, Ralphie sets off on a campaign to acquire his most-desired Christmas present, a Red Ryder BB air rifle.
Playing today, Thursday, December 20, through December 30, 2018.
“You'll put your eye out, kid.”
The Sierra Madre Playhouse - 87 West Sierra Madre Blvd., Sierra Madre, CA 91024

It's a Wonderful Life

This 1940's live radio-style version of Frank Capra's timeless classic comes to life onstage at the Pasadena Playhouse this year, with Simon Helberg "as the down-on-his-luck George Bailey whose guardian angel shows him what his town would have been like had he'd never been born."
Playing now until Sunday, December 23, 2018
The Pasadena Playhouse  - 39 S. El Molino Avenue, Pasadena, CA 91101

The Nutcracker

The Los Angeles Youth Ballet will tell the story of The Nutcracker, originally written by E.T.A. Hoffmann and ballet score by Tchaikovsky, whose ballet "received its debut over 100 years ago in 1892." Spend an evening with family for this enchanting Holiday classic in the one of the City of Glendale's treasured landmark theatres.
Playing Friday, December 21, 2018 – Sunday, December 23, 2018.
Alex Theatre - 216 N Brand Blvd, Glendale, CA 91203

The Nutcracker

Los Angeles Ballet will present their annual production of The Nutcracker. "One snowy Christmas Eve, at a great townhouse where a party is in full swing, local magician Herr Drosselmeyer arrives with gifts for the children, including a wooden nutcracker for Clara, the oldest child. When the clock strikes midnight, an adventure begins and the Nutcracker comes to life, leading our heroine Clara into a war between mice and tin soldiers, and into the enchanted Land of Sweets where a dance festival awaits them as a reward for defeating the dastardly mouse army." Set to Tchaikovsky's iconic score, The Nutcracker features original choreography by Thordal Christensen and Colleen Neary, set design by Catherine Kanner, and costume design by Mikael Melbye.
Playing December 22 - 24, 2018, with two shows each day.

UCLA Royce Hall - 10745 Dickson Court, Los Angeles, CA 90095

Santasia

SANTASIA – A Holiday Comedy” by Shaun and Brandon Loeser, is celebrating its 19th year, the off-Broadway "laugh out loud annual holiday romp, is the perfect blend of Yuletide snark and sentiment, and has been compared to “The Carol Burnett Show”, “The Kids in the Hall”, “In Living Color”, “Saturday Night Live” and Vaudeville. This multi-media holiday special has it all including classic Rankin and Bass Claymation inspired movies, musical parodies, and heartfelt holiday moments.
Playing now until December 23, 2018.
Whitefire Theatre - 13500 Ventura Blvd., Sherman Oaks 91423

Special

Presented by Ol' Bait Shop Productions is the World Premiere comedy, "Special," that commemorates the 40th Anniversary of the worst variety show in television history with a behind-the-scenes imagined look of how "The Star Wars Holiday Special" came to be. Riding on the coattails of what was at that point the most popular movie of all time, it featured appearances by cast members, including Harrison Ford and Carrie Fisher, with guest stars, a "holographic" Jefferson Starship, a cartoon sequence with the first appearance of Boba Fett, a celebration of the Wookiee holiday Life Day (because there's no Christmas in Space), and Imperial Storm Troopers. What could possibly go wrong? Everything.
Playing now through January 13, 2019.
Theatre of NOTE - 1517 N Cahuenga Blvd, Los Angeles, CA 90028

Sugar Plum Fairy

"Sugar Plum Fairy is a thoroughly original story about a 12-year-old girl who dreams of dancing the lead in The Nutcracker with a cast of characters you won't forget," said Ashton Marcus. "...an offbeat holiday treat that Adults and Kids love! Join in if you like, (think G-rated “Rocky Horror” fun) and don't forget to wear your ugly holiday sweater, tutu or silly Hanukah hat. It's 75 minutes of madcap merriment that will send you home smiling!"
Playing now until Sunday, December 23, 2018.
Skylight Theatre - 1816 1/2 N Vermont Ave, Los Angeles, CA 90027

The Wonderful Winter of Oz

Panto at the Pasadena Civic Auditorium! The Lythgoe Family Panto will take you to the enchanted land of Oz through the British tradition of pantomime, in a retelling of the L. Frank Baum family classic, where audiences participation is part of the show, promising an "evening full of song, dance and holiday merriment, with Kermit the Frog as the Wizard!"Today, Thursday, December 20, 2018, through Sunday, December 30, 2018.
Pasadena Civic Auditorium - 300 E Green St, Pasadena, CA 91101