Now Registered on the Better Lemons Calendar – September 2 - 8, 2019

Theatrical shows and Staged Readings NOW registered on the Better Lemons calendar!

For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Marilyn Monroe: The Last Interview

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Love in Bloom

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The Edgar Allan Show

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The Mystery Of Irma Vep - A Penny Dreadful

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Night of the Living Dead

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Little Women

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Tyrus

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Pit of Goblins

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Representative Misbehavior

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I Dig Rock and Roll Music

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Poker at the Pantages

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A Kid Like Jake

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Never Ever Land

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Red Thread

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Second Saturday Series

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Now Registered on the Better Lemons Calendar – June 26 - July 2, 2019

Theatrical shows registered on the Better Lemons calendar, including Hollywood Fringe Festival Encore! Producers and Best of Broadwater Award recipients.
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Dancing at Lughnasa

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A Wrinkle in Time

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Diary of Anne Frank

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The Center of the Universe

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The Young Artist Project

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The Nerd, by Larry Shue

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Goldfish

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The Direction Home

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King Lear

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DIRTY TRICKS w/ The New Bad Boys of Magic

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The Ruffian on the Stair

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Bakersfield Mist

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Billie Holiday: Front and Center

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Renovations for Six

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URBAN DEATH for kidz

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Naked Came the Neighbor

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Good Boys

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An American Saga Revival - Gunshot Medley: Part I

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The Same Room

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Yes. No. Maybe

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Raised by Wolves

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Stitching Stardust

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FERTILE: A Conversation About the Expectation of Procreation

"WINNER Producers' Encore Award & NOMINEE Best Solo Performance 2019 Hollywood Fringe Festival!

Jenny has a plan. A plan to get pregnant. Everyone says, time is running out - she just turned 35, after all. So, when those pesky urine tests keep coming back negative, Jenny decides to take action to fix the problem. That's when she runs into real problems - and real questions about fertility AND motherhood. As Jenny faces the world of “mom options” – egg freezing, in-vitro, adoption, and more – the conversation about the expectation heats up. Taking into account a whirlwind of outside opinions from her friends, her doctors, a beloved neighbor – and even God – Jenny must ultimately look within to discover what motherhood means to her, what it means to be Fertile."

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Siren Call

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Jamba Juice: The Musical

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LOVE, MADNESS, AND SOMEWHERE IN BETWEEN

"'Love, Madness and Somewhere in Between' is a no holds barred glimpse into a mystical journey filled with love, pain, insanity, and redemption. Scattered along the way is a sprinkling of ironic comic commentary that can only come from a true survivor. “Jimmy” is not so much a hero but more a human being traversing an abusive childhood, a descent into alcoholism and finally plunging into a world of fantastical personifications which dwell amidst humanity's darkest sins. Will closure, forgiveness, and healing come in the unlikely form of the “angel warriors” – patients on the pediatric cancer ward of Children's Hospital? Does Pure Love, in fact, transform and redeem, or are some lives beyond salvation? The show had its world premiere at Theatre West on January 27th, 2019. It ran 6 performances at Hollywood Fringe 2019 and won the Encore! Producers' Award. The show has been extended for three more performances."

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday, February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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Mandy Picks A Husband

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Blackboxing

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A Bit Much

"While on a first date, Stacy's date innocently asks her if she wants red or white wine. This “trick” question immediately sets off a tsunami of Stacy's insecurities, fueled by a history of being shot down after speaking her mind. In the instant it takes to answer that “red or white?” question, Stacy takes us on a hilarious journey of her failed relationships with men, starting in the fifth grade, when she beat her first boyfriend at wall ball during recess. After that he broke up with her. So begins an unintentionally competitive pattern with men that whenever Stacy wins at life, she loses at love. With both sides of Stacy's psyche weighing in like a comical Greek chorus, Stacy tries to figure out what men really want in a women before she answers that all important first date question, 'Would you like red or white wine?'"

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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Voices from the Fringe: Writer/Performer Ross John Gosla

Returning to this year’s Fringe after his 2017 Producer’s Encore! Award-winning Desert Warrior: A Benghazi Story is writer/performer Ross John Gosla. He is premiering his new solo show, Sexual Misadventures of a Straight White Male: A Privilege Story.

Ross spoke with Better Lemons about the new piece and what he’s been involved with since we saw him last.

Better Lemons: What have you been up to since the 2017 Fringe?
Ross John Gosla: Wow, hard to believe it's been two years. Been keeping busy. I did a short run of Desert Warrior in January 2018, followed by a couple of one act plays. I was brought on staff full-time at the Complex Hollywood, where Monica Martin and team have been working at full speed to improve and renovate since she took over ownership last year.

I filmed an episode of the web series The Wasteland, in which I played a captured insurgent in a dystopian future. I shot a big commercial at the beginning of this year directed by an Academy Award-winner (NDA). Most recently, I provided the narration for the documentary Masculinity that Inspires Change that dropped on Amazon Prime this past May.

BL: Tell us a bit about the new piece. What was the inspiration?
RJG: The piece follows a privileged straight white male named "Ross" as he goes on an adventure through the Man Make Machine in order to become a real man in 2019. When the Weinstein scandal broke, I found myself quickly saying, "But I'm not like that," as I’m sure many men did. And we men tended to vocalize that sentiment loudly.

But as the narrative evolved, a resounding female voice said: "Shut up and let this play out." And as it did, the moment of epiphany came. I asked myself if there were any areas of sexual violation that I have committed, any lines crossed, any boundaries not respected. And in that introspection, I found a myriad of unchecked behavior — behavior that in a different set of life circumstances could very well lead to a Weinstein-esque persona.

From there, I applied the same formula I used with Desert Warrior. I took that behavior I revealed and a couple other seemingly unrelated events (my Taekwondo years, and a couple of key conversations with my Dad), put them into the brain mixer, and here we are!

BL: Your director, Steph Martinez, is a Fringe first-timer. What’s her background?
RJG: She is a blessing from Heaven. We met at the theater program at Arizona State in 2007. A similar training style — the program primarily utilizes Viewpoints as a tool to train actors and devise new work. We reconnected here in LA and are part of the same acting studio, Studio 24/7. A brilliant actress and artist, she has masterfully shaped the piece and kept me truthful in the work with insightful notes and questions. Most importantly, she has brought a perspective that is crucial to any conversation dealing with improving gender relations.

BL: What message do you hope to deliver with this piece?
RJG: Understanding and healing. I believe there are certain unifying male experiences that all men share. I'd like to think that if the show causes one other man to honestly examine his "gray areas," and he comes to recognize those times when he may not have actually had consent. Or he was false with his intentions, and learns from those mistakes and can foster a higher ideal in the future, that would be a powerful message indeed.

BL: How does it feel to be back at the Fringe as a performer?
RJG: I love the Fringe, it's my absolute favorite time of the year. You meet so many like-minded artists and make so many new friends. The electricity in the air is palpable — this year especially. All the participants seem extra pumped!

BL: What words of advice would you give to Fringe neophytes?
RJG: Dive in headfirst, have fun, hydrate, rest when needed; rinse and repeat.

BL: What other shows playing this year sound intriguing to you?
RJG: On my must-see list:
At the Complex:
It's Personal
Klingon Tamburlane
Pocketmon!
This Way Yonder
At the Broadwater:
Meet Me in Mizzery
At the McCadden:
No More Toys
At the Stephanie Feury:
George.

Sexual Misadventures of a Straight White Male: A Privilege Story plays June 14-
29 at the Complex Hollywood’s Flight Theatre, 6472 Santa Monica Blvd. Specific dates and showtimes, as well as ticketing information, can be found on the Fringe site.