TICKETHOLDER AWARDS 2019 PART II

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read part II below and part I here. Click here for photos.

BEST ACTOR IN A PLAY 2019

TIM CUMMINGSDaniel’s Husband, Fountain Theatre

RUNNERS-UP: Ron Bottita, Loot, Odyssey; Gilbert Glenn Brown, The Mountaintop, Marshall; Dempsey Bryk, punkplay, Circle X; Seamus Dever, The Abuelas, Antaeus; Zackary Stone Gearing, Hir, Odyssey; Zackary Stone Gearing, punkplay, Circle X; Nicholas Hormann, Loot, Odyssey; Tom Ormeny, The End of Sex, Victory; Michael Manuel, Frankenstein, ANW; Will Thomas McFadden, 1984, Actors’ Gang; Will Thomas McFadden, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Rob Nagle, Apple Season, Moving Arts; Rob Nagle, The Judas Kiss, Boston Court; Bruno Oliver, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Accidental Death of an Anarchist, Actors’ Gang

BEST ACTRESS IN A PLAY

DYLAN JONES4.48 Psychosis, Son of Semele Ensemble

RUNNERS-UP: Tessa Auberjonois, Eight Nights, Antaeus; Denise Blasor, The Abuelas, Antaeus; Tovah Feldshuh, Sisters in Law, Wallis; Liza Fernandez, Apple Season, Moving Arts; Lianne Harvey, An Inspector Calls, Wallis; Susan Priver, A Streetcar Named Desire, Odyssey; Carolyn Ratteray, The Mountaintop, Marshall; Samantha Sloyan, The Thanksgiving Play, Geffen; Maura Tierney, Witch, Geffen Playhouse; Diane Wiest, Happy Days, CTG/Taper

BEST SOLO PERFORMANCE (TIE)

HERSHEY FELDERMonsieur Chopin, San Diego Repertory Theatre

RUNNERS-UP: Mike Birbiglia, The New One, CTG/Ahmanson; Helder Guimaraes, Invisible Tango, Geffen Playhouse; Bill Irwin, On Beckett, Douglas; Tova Katz, See You at the Funeral, Broadwater Mainstage; John Leguizamo, Latin History for Morons, CTG/Ahmanson; David Mynne, A Christmas Carol, Wallis; Deirdre O’Connell, Dana H., CTG/Douglas; Ruben Santiago-Hudson, Lackawanna Blues, CTG, Taper

BEST ACTOR IN A MUSICAL

RICHARD TOPOLIndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Keith Allen, Deadly, Sacred Fools; Will Bozier, Swan Lake, CTG/Ahmanson; James Delisco Beeks, Jesus Christ Superstar, Pantages; Aaron LaVigne, Jesus Christ Superstar, Pantages; Ryan Melia, The Old Man and the Old Moon, Wallis; Andrew Monaghan, Swan Lake, CTG/Ahmanson; Liam Mower, Cinderella, CTG/Ahmanson; Andy Robinson, Julius Weezer, Troubadour

BEST ACTRESS IN A MUSICAL

JACQUE LYNN COLTON, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Caroline Bowman, Frozen, Pantages; Betty Buckley, Hello, Dolly!, Pantages; Alex Hairston, Summer, Pantages; Caroline Innerbichler, Frozen, Pantages; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Dan’yelle Williamson, Summer, Pantages

BEST SUPPORTING ACTOR IN A PLAY (TIE)

BOB TURTONViolence: The Misadventures of Spike Spangle, FarmerThe Actors’ Gang

RUNNERS-UP: Ron Bottitta, Hir, Odyssey; Chad Coe, The End of Sex, Victory; Bill Brochtrup, Daniel’s Husband, Fountain; Rob Brownstein, Anne, a New Play, Museum of Tolerance; JD Cullum, The Cripple of Inishmaan, Anteaus; Seamus Dever, Cripple of Inishmaan, Anteaus; Arye Gross, Eight Nights, Antaeus; Stephen Guarino, Handjob, Echo; Joe Hernandez-Kolski, Waiting for Waiting for Godot, Sacred Fools; Justin Huen, Apple Season, Moving Arts; Carl J. Johnson, Driving Wilde, Theatre of NOTE; Brandon Rachal, Native Son, Antaeus/CTG at the Douglas; Tom Szymanski, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Will Von Vogt, Witch, Geffen Playhouse; Josh Zuckerman, Eight Nights, Antaeus

BEST SUPPORTING ACTRESS IN A PLAY

MELISSA SULLIVANA Streetcar Named Desire, Odyssey Theatre Ensemble

RUNNERS-UP: Anne Gee Byrd, Cripple of Inishmaan, Anteaus; Irene De Bari, The Abuelas, Antaeus; Mary-Pat Green, Cripple of Inishmaan, Anteaus; Alexandra Henrikson, The Thanksgiving Play, Geffen; Sadie Kuwano, punkplay, Circle X; Mara Klein, The Judas Kiss, Boston Court; Mildred Marie Langford, Native Son, Antaeus/CTG at the Douglas; Mary Gordon Murray, Anne, a New Play, Museum of Tolerance; Jenny O’Hara, Daniel’s Husband, Fountain; Zoe Yale, Eight Nights, Antaeus

BEST SUPPORTING ACTOR IN A MUSICAL

HARRY GROENER, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Julius Weezer, Troubadour; John Colella, The Producers, Celebration; Andrew Diego, The Producers, Celebration; Paris Fitzpatrick, Cinderella, CTG/Ahmanson; Ben Ferguson, The Old Man and the Old Moon, Wallis; F. Michael Haynie, Frozen, Pantages; Paul Louis Lessard, Jesus Christ Superstar, Pantages; P.T. Mahoney, In Circles, Odyssey; Steven Rattazzi, Indecent, CTG/Ahmanson; Morgan Rusler, Julius Weezer, Troubadour; Michael A. Shepperd, The Producers, Celebration; Alan Vincent, Cinderella, CTG/Ahmanson; Dan Weschler, The Old Man and the Old Moon, Wallis

BEST SUPPORTING ACTRESS IN A MUSICAL

ADINA VERSON, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Madelaine Brennan, Cinderella, CTG/Ahmanson; Elizabeth A. Davis, Indecent, CTG/Ahmanson; Victoria Hoffman, Julius Weezer, Troubadour; Beth Kennedy, Julius Weezer, Troubadour; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Mary Ann Welshans, The Producers, Celebration; Brittney S. Wheeler, Deadly, Sacred Fools

BEST ENSEMBLE CAST IN A PLAY (TIE)

Stephen Borrello, Joely Fisher, Andy Garcia, Rose McIver, Louis Mustillo, Danny Pino, Tony Plana, Richard Riehle, Bradley Snedeker; Key Largo, Geffen Playhouse

Hugo Armstrong, John Bobek, Austin Durant, Leo Marks, Ramiz Monsef, Helen Sadler, Alan Tudyk; Mysterious Circumstances, Geffen Playhouse

RUNNERS-UP: John Apicella, Noel Arthur, Paul Baird, Gabriela Bonet, Claudia Elmore, Turner Frankosky, Troy Guthrie, Steve Hofvendahl, Connor Kelly-Eiding, Michael Khachanov, Alex Knox, Mehrnaz Mohammadi, Madalina Nastase, Liza Seneca, Janellen Steininger, George Villas; The Caucasian Chalk Circle, Antaeus Theatre Company

Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, Montae Russell; Between Riverside and Crazy, Fountain Theatre

James A. Alfred, A. Russell Andrews, Francois Battiste, Harvy Blanks, Amari Cheatom, Anthony Chisholm, Brian D. Coats, Steven Anthony Jones, Patrese D. McClain; Nija Okoro, Keith Randolph Smith, Ray Anthony Thomas; Jitney, Center Theatre Group, Mark Taper Forum

Crystal Diaz, Elinor Gunn, Liesel Hanson, Faith Imafidon, Cindy Lin, Nadia Marina, Lynn Odell, Alina Phelan, Briana Price, Nicole Gabriella Scipione, Yolanda Snowball, Jenny Soo, Nancy Stone, Tania Verafield; For The Love Of (or the Roller Derby Play), Theatre of NOTE / Center Theatre Group, Kirk Douglas Theatre

Ian Barford, Tim Hopper, Sally Murphy, Caroline Neff, Chantal Thuy, Cora Vander Broek, Troy West; Linda Vista, Center Theatre Group, Mark Taper Forum

Ro Boddie, Max Casella, Micaela Diamond, Peter Jacobson, Jason Kravits, Nellie McKay, Saul Rubinek, Miriam Silverman, Joey Slotnick, Sam Vartholomeos, CJ Wilson, A Play is a Poem, Center Theatre Group, Mark Taper Forum

Scott Cote, Peyton Crim, Brandon J. Ellis, Angela Grovey, Ned Noyes, Jamie Ann Romero, Evan Alexander Smith, Yaegel T. Welch; The Play That Goes Wrong, Center Theatre Group, Ahmanson Theatre

Sile Bermingham, Reed Michael Campbell, Brian Foyster; The Ruffian on the Stair, Los Angeles LGBT Center

Will Brittain, Eli Gelb, Harry Groener, Kimberly Jurgen, Idina Menzel, Jeff Skowron, Skintight, Geffen Playhouse

BEST ENSEMBLE CAST IN A MUSICAL

Nick Adams, Nick Blaemire, Audrey Cardwell, Eden Espinosa, Thatcher Jacobs, Bryonha Marie Parham, Max von Essen; FalsettosCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Chelle Denton, Beth Kennedy, Janelle Lillian, Luis “L.T.” Martinez, Mike Sulprizio, Cloie Wyatt Taylor, Matt Walker, Dave C Wright, A Christmas Carole King, Troubadour Theater Company

The ensemble of Matthew Bourne’s Cinderella, Center Theatre Group, Ahmanson Theatre

Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi, Dan Weschler; The Old Man and the Old Moon, Wallis Annenberg Center for the Performing Arts

The ensemble of Matthew Bourne’s Swan Lake, Center Theatre Group, Ahmanson Theatre

BEST CABARET / CONCERT PERFORMANCE

DEIDRIE HENRYLady Day at Emerson’s Bar & GrillGarry Marshall Theatre

RUNNERS-UP: Michael Churven and George McGrath, Party of Two, Groundlings Theatre

NEW DISCOVERY 2019

RUNNERS-UP: Reed Michael Campbell, The Ruffian on the Stair, Los Angeles LGBT Center; Olivia Elsease Hardy, Summer, Pantages; Thatcher Jacobs, Falsettos, CTG/Ahmanson; Michael Rishawn, Handjob, Echo; Jarrod Takle, Circa: Humans, Wallis

BEST PLAYWRIGHT

Tracy LettsLinda Vista, Center Theatre Group, Mark Taper Forum

RUNNERS-UP: Sir David Hare, The Judas Kiss, Boston Court; Larissa Fasthorse, The Thanksgiving Play, Geffen; Hershey Felder, A Paris Love Story, Wallis; Stephen Adly Guirgis, Between Riverside and Crazy, Fountain; Dave Hanson, Waiting for Waiting for Godot, Sacred Fools; Joshua Harmon, Skintight, Geffen; E.M. Lewis, Apple Season, Moving Arts; Taylor Mac, Hir, Odyssey; Jennifer Maisel, Eight Nights, Antaeus; Michael McKeever, Daniel’s Husband, Fountain; Vince Melocchi, Andy Warhol’s Tomato, PRT; Gregory S. Moss, punkplay, Circle X; Erik Patterson, Handjob, Echo; Vanessa Claire Stewart, Deadly, Sacred Fools; Paula Vogel, Indecent, CTG/Ahmanson; Gay Walch, The End of Sex, Victory; Stephanie Alison Walker, The Abuelas, Antaeus

BEST ADAPTATION OR TRANSLATION

Michael MitnickMysterious Circumstances, Geffen Playhouse

RUNNERS-UP: Alistair Beaton, The Caucasian Chalk Circle, Antaeus; Nick Blaemire, Anne, a New Play, Museum of Tolerance; Matthew Bourne, Cinderella, CTG/Ahmanson; Nick Dear, Frankenstein, ANW; Jeffrey Hatcher and Andy Garcia, Key Largo, Geffen; Lucas Hnath, Dana H., CTG/Douglas; Jon Laskin and Michael Aquilante, Accidental Death of an Anarchist, Actors’ Gang; Jennifer Lee, Frozen, Pantages; Jonathan Shapiro, Sisters in Law, Wallis; Jen Silverman, Witch, Geffen Playhouse; Michael Gene Sullivan, 1984, Actors’ Gang; Matt Walker, A Christmas Carole King, Troubadour; Matt Walker, Julius Weezer, Troubadour; Jacqueline Wright, Driving Wilde, Theatre of NOTE

BEST DIRECTION OF A PLAY

Matt Shakman, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: Darin Anthony, Apple Season, Moving Arts; Daniel Aukin, Skintight, Geffen; Matt Bretz and Lisa Sanaye Dring, punkplay, Circle X; Dexter Bullard, Linda Vista, CTG/Taper; Emily Chase, Eight Nights, Antaeus; Guillermo Cienfuegos, Between Riverside and Crazy, Fountain; Gregg T. Daniel, The Mountaintop, Marshall; Michael John Garces, The Thanksgiving Play, Geffen; Maria Gobetti, The End of Sex, Victory; Doug Hughes, Key Largo, Geffen; Rhonda Kohl, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Simon Levy, Daniel’s Husband, Fountain; Marti Lyons, Witch, Geffen Playhouse; Matthew McCray, 4.48 Psychosis, Son of Semele; Will Thomas McFadden, Accidental Death of an Anarchist, Actors’ Gang; Michael Michetti, The Judas Kiss, Boston Court; Michael Michetti, Frankenstein, ANW; Tim Robbins, 1984, Actors’ Gang; Ruben Santiago-Hudson, Jitney, CTG/Taper; Stephanie Shroyer, The Caucasian Chalk Circle, Antaeus; Jacob Sidney, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Les Waters, Dana H., CTG/Douglas

BEST DIRECTION OF A MUSICAL

Rebecca Taichman, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Matthew Bourne, Cinderella, CTG/Ahmanson; Matthew Bourne, Swan Lake, CTG/Ahmanson; Stuart Carden with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Michael Grandage, Frozen, Pantages; Michael Matthews, The Producers, Celebration; Des McAnuff, Summer, Pantages; Jamie Robledo, Deadly, Sacred Fools; David Schweizer, In Circles, Odyssey; Timothy Sheader, Jesus Christ Superstar, Pantages; Matt Walker, A Christmas Carole King, Troubadour

BEST MUSICAL SCORE

Lisa Gutkin and Aaron Halva, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Falconer, The Play That Goes Wrong, CTG/Ahmanson; Ryan Thomas Johnson, Deadly, Sacred Fools; Robert Oriol, Frankenstein, ANW; Nellie McKay, A Play is a Poem, CTG/Taper; Members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Arturo Sandoval, Key Largo, Geffen; Stephanie Shroyer with the members of the cast, The Caucasian Chalk Circle, Antaeus

BEST MUSICAL DIRECTION

Kenneth J. Grimes, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Derick Finley, A Christmas Carole King, Troubadour; Shawn Gough, Jesus Christ Superstar, Pantages; Ryan Thomas Johnson, Deadly, Sacred Fools; Amanda Morton, Summer, Pantages; Abdul Hamid Royal, Lady Day at Emerson’s Bar & Grill, Marshall; Anthony Zediker, The Producers, Celebration

BEST CHOREOGRAPHY

Matthew Bourne, Swan LakeCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Ashford, Frozen, Pantages; Matthew Bourne, Cinderella, CTG/Ahmanson; Kate Coleman, In Circles, Odyssey; David Dorfman, Indecent, CTG/Ahmanson; Nadine Ellis, Janet Roston, The Producers, Celebration; Drew McOnie, Jesus Christ Superstar, Pantages; Sergio Trujillo, Summer, Pantages; Matt Walker, and Suzanne Julie Narbonne, Julius Weezer, Troubadour

BEST SET DESIGN (TIE)

Brett J. Banakis, Mysterious Circumstances, Geffen Playhouse

John Lee BeattyKey Largo, Geffen Playhouse

RUNNERS UP: Andrew Boyce, Dana H., CTG/Douglas; Lez Brotherston, Cinderella, CTG/Ahmanson; Alex Calle, The Mountaintop, Marshall; Francois-Pierre Couture, Frankenstein, ANW; Joel Daavid, A Streetcar Named Desire, Odyssey; Alexander Dodge, Anastasia, Pantages; Hershey Felder, A Paris Love Story, Wallis; Lydia Fine with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; David Gallo, Jitney, CTG/Taper; Stephen Gifford, The Producers, Celebration; Lauren Helpern, Skintight, Geffen; Nigel Hook, The Play That Goes Wrong, CTG/Ahmanson; Christopher Oram, Frozen, Pantages; Stephanie Kerley Schwartz, Apple Season, Moving Arts; Sibyl Wickersheimer, punkplay, Circle X

BEST COSTUME DESIGN

E.B. Brooks, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: E. B. Brooks, The Producers, Celebration; Lez Brotherston, Cinderella, CTG/Ahmanson; Lez Brotherston, Swan Lake, CTG/Ahmanson; Angela Calin, The Caucasian Chalk Circle, Antaeus; Wendell C. Carmichael, The Abuelas, Antaeus; Linda Cho, Anastasia, Pantages; Linda Cho, Key Largo, Geffen; Ann Closs-Farley, Driving Wilde, Theatre of NOTE; Ann Closs-Farley, In Circles, Odyssey; Ann Closs-Farley, punkplay, Circle X; Diane Graebner, The Judas Kiss, Boston Court; Alex Jaeger, Eight Nights, Antaeus; Diane Laffrey, Witch, Geffen Playhouse; Shon LeBlanc, A Streetcar Named Desire, Odyssey; Garry Lennon, Frankenstein, ANW; Linda Muggeridge, Deadly, Sacred Fools; Christopher Oram, Frozen, Pantages; Emily Rebholz, Indecent, CTG/Ahmanson; Roberto Surace, The Play That Goes Wrong, CTG/Ahmanson

BEST LIGHTING DESIGN

Jared A. SayegFrankenstein, A Noise Within

RUNNERS-UP: Christopher Akerlind, Indecent, CTG/Ahmanson; Christopher Ash, A Paris Love Story, Wallis; Neil Austin, Cinderella, CTG/Ahmanson; Howard Binkley, Summer, Pantages; Martha Carter, Apple Season, Moving Arts; Paule Constable, Swan Lake, CTG/Ahmanson; Bart Cortright with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Lee Curran, Jesus Christ Superstar, Pantages; Rick Fisher, An Inspector Calls, Wallis; Elizabeth Harper, Mysterious Circumstances, Geffen; David Hernandez, The Judas Kiss, Boston Court; Donald Holder, Anastasia, Pantages; Peter Kaczorowski, Key Largo, Geffen; Natasha Katz, Frozen, Pantages; Karyn D. Lawrence, Eight Nights, Antaeus; Rose Malone, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Tom Ontiveros, Lady Day at Emerson’s Bar & Grill, Marshall; Andrew Schmedake, Native Son, Antaeus/CTG at the Douglas; Paul Toben, Dana H., CTG/Douglas

BEST SOUND DESIGN (TIE)

Warren DavisApple Season, Moving Arts

Alex HawthornKey Largo, Geffen Playhouse

RUNNERS-UP: Eric Carstensen, A Paris Love Story, Wallis; Mikhail Fiksel, Dana H., CTG/Douglas; Mikhail Fiksel with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Jeff Gardner, The Abuelas, Antaeus; Jeff Gardner, Eight Nights, Antaeus; Jeff Gardner, Native Son, Antaeus/CTG at the Douglas; Paul Groothuis, Cinderella, CTG/Ahmanson; Matt Hubbs, Indecent, CTG/Ahmanson; Peter Hylenski, Frozen, Pantages; Cricket S. Myers, The Producers, Celebration; Robert Oriol, Frankenstein, ANW; Gareth Owen, Summer, Pantages; Robert Arturo Ramirez, The Mountaintop, Marshall; Jonathan Snipes, Mysterious Circumstances, Geffen; Daniel S. Tator, A Christmas Carole King, Troubadour

BEST STUNT / FIGHT CHOREOGRAPHY

Edgar Landapunkplay, Circle X Theatre Company

RUNNERS-UP: Ronnie Clark, Apple Season, Moving Arts; Dane Oliver, Hir, Odyssey; Steve Rankin, Witch, Geffen Playhouse; Steven Simon and Edgar Landa, Waiting for Waiting for Godot, Sacred Fools

BEST CGI / VIDEO DESIGN

Christopher AshA Paris Love StoryWallis Annenberg Center for the Performing Arts

RUNNERS-UP: Adam R. Macias, The Arbuelas, Antaeus; Adam R. Macias, Native Son, Antaeus/CTG at the Douglas; Duncan McLean, Cinderella, CTG/Ahmanson; Kaitlyn Pietras and Jason H. Thompson, Mysterious Circumstances, Geffen; Kaitlyn Pietras and Jason H. Thompson, Key Largo, Geffen; Aaron Rhyne, Anastasia, Pantages

SPECIAL EVENTS and PERFORMANCES

Nellie McKay, performing her original music in the otherwise dastardly A Play is a Poem, Center Theatre Group, Mark Taper Forum 

SPECIAL ACHIEVEMENTS

Michael Curry, Puppet Design, Frozen, Pantages Theatre
Ann Closs-Farley, Hair Design, punkplay, Circle X Theatre Company
Charles G. LaPointe, Wig and Hair Design, Summer, Pantages Theatre

BEST SCENE-STEALING DERRIERE OF 2019

Will BrittainSkintight, Geffen Playhouse


TICKETHOLDER AWARDS 2019 PART I

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read it below and click here for photos.

Choosing my honorees this year is a real bitch. Almost as many tears shed as Carrie Ann Inaba eliminating a sports figure she finds hot. Yet there’s not much else good to write home about in 2019 besides theatre in El Lay. Between the mess we’re making of our planet and the eye-opening disintegration of everything I’ve championed and held dear all my life, thank Terpsichore it’s been a spectacular year for the creation of theatrical art to help ease the pain and frustration of living in our Trumpian nightmare. And even though I have a whole heap of productions to honor this year, with part of my time spent in New Orleans hosting an exhibit of my paintings and medical issues to tackle that seem to come with the territory at age 348, there were also a lot of noteworthy productions I sadly missed. In my world, it’s definitely been a year to praise some monumental directorial work and a plethora of spectacular ensemble casts; choosing winners in both categories has not been an easy task. And what do you think of the Geffen Playhouse? After too long a period of less-than exciting fare, the announcement in 2017 that Matt Shakman had been hired as the complex’s artistic director guaranteed a positive change and without a doubt, the turn around has been staggering. Two of the company’s casts are tied here for Best Ensemble, two of its masterful set designs are as well, and five of my top production choices for 2019 were presented at the Geffen, including my second, third, ninth, and tenth pick for Best Play and second choice of Best Revival. If I gave an annual award for Best Season, surely the Geffen Playhouse would win this year. As a matter of fact, maybe I should initiate such a thing. As a matter of fact, I think I will. 

THE 2019 TICKETHOLDER AWARD
FOR BEST SEASON

Geffen Playhouse; Matt Shakman, resident puppetmaster

BEST PRODUCTION OF 2019

Linda Vista, Center Theatre Group, Mark Taper Forum
The Thanksgiving Play, Geffen Playhouse
RUNNERS-UP: The Abuelas, Antaeus; Andy Warhol’s Tomato, Pacific Resident Theatre; Apple Season, Moving Arts; Dana H., CTG/Douglas; The End of Sex, Victory Theatre Center; For The Love Of (or the Roller Derby Play), Theatre of NOTE/CTG at the Douglas; 4.48 Psychosis, Son of Semele; Frankenstein, A Noise Within; Handjob, Echo Theatre Company; The Mountaintop, Garry Marshall Theatre; On Beckett, CTG/Douglas; The Play That Goes Wrong, CTG/, Ahmanson; Sisters in Law, Wallis Annenberg Center

BEST REVIVAL PRODUCTION

JitneyCenter Theatre Group, Mark Taper Forum 
FalsettosCenter Theatre Group, Ahmanson Theatre
RUNNERS-UP: The Caucasian Chalk Circle, Antaeus Theatre Company; Cats, Pantages; The Cripple of Inishmaan, Anteaus Theatre Company; Happy Days, CTG/Mark Taper Forum; Hello, Dolly!, Pantages; Jesus Christ Superstar, Pantages; Loot, Odyssey Theatre Ensemble; The Ruffian on the Stairs, Los Angeles LGBT Center; Lady Day at Emerson’s Bar & Grill, Garry Marshall Theatre

BEST MUSICAL PRODUCTION

Indecent, Center Theatre Group, Ahmanson Theatre

Now Registered on the Better Lemons Calendar – December 31, 2019 - January 5, 2020 - HAPPY NEW YEAR!


Music, Theatrical, One-Person, and Comedy shows, Jazz, and Toni Morrison Classics now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


Songs for Lincoln

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Day After Day

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Huckleberry Towers

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The Outsider

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The Bluest Eye

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WinterFest 2020

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The Little Match Girl

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The Film Music of Elmer Bernstein at The Autry

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Not A Genuine Black Man

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It's Only Lipstick

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Verdi Chorus' Fox Singers in Songs of Fantasy

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King Arthur by Henry Purcell

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Loves Me/Loves Me Not - short plays centered around love

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Chemo Barbie

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Luciana Souza, The Book of Longing

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The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


Now Registered on the Better Lemons Calendar – July 29 - August 4, 2019

Theatrical shows, Cabaret, Dance, and Music Programs  NOW registered on the Better Lemons calendar!

For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Our Lady of 121st Street

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An Evening with Vickie Shaw

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Edgar Allan Poe

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The Spitfire Grill

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Derina Harvey Band

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Yi-Nuo Wang, piano

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Cirque FLIP Fabrique

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Burton Cumming

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Pablo Sáinz-Villegas’ AMERICANO Trio

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Rosanne Cash with John Leventhal

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We Shall Overcome – A Celebration of Dr. Martin Luther King, Jr., featuring Damien Sneed

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Benjamin Baker, violin

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Colin Mochrie and Brad Sherwood: The Scared Scriptless Tourd Sherwood: The Scared Scriptless Tour

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Don't Let the Pigeon Drive the Bus! (The Musical)

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Joan Osborne/The Weepies

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Marc Cohn

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Lea Salonga

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Little Women

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ADIOS DOLORES

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Witch

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Skintight

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Fallen Saints: Salem

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American Standard

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Too Much Light Makes The Baby Go Blind (30 Plays in 60 Minutes)

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Painting Churches

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LAb Works Play Festival

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SkyPilot Runway - Honeymoon Suite

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Nick Dear's Frankenstein

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Beast on the Moon

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Concrete Rose by LaDarrion Williams - Staged Reading

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Amadeus at North Coast Repertory Theatre

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Now Registered on the Better Lemons Calendar – April 8 - 14, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Son of a Bitch

“Lee Atwater changed the American political playbook. Through his wedge issue tactics, smear campaigning, and diabolical media strategy, he orchestrated George H.W. Bush's 1988 Presidential campaign and became one of Washington's elite power players. But, by age 40, Lee Atwater was dead, his spectacular career over in a flash, and his legacy just another story to spin. SON OF A BITCH chronicles Atwater's transformation from a scrappy Southern strategist, to the “lying, character-assassinating, knife-fighting son of a bitch” he eventually became. Spanning the course of ten years, the play examines the legitimacy of Atwater's “crimes”. Was he a “bad boy”, a victim of his time, or the product of American ambition?”

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Visit their Better Lemons Registered Calendar Page for ticket and show information.

Why did the chicken cross the road?

“‘Why did the chicken cross the road?' follows each of the words in that joke as a character. Throughout the play's two acts, each word tries to figure out their meaning as individual words and within the joke, as they all attempt to reach the ‘real world'. The play is as ridiculous as the joke, but nonetheless, it is rooted in very serious themes. The words are a joke to the entire world, but that becomes the most meaningful part of who they are, and the most redemptive. After a sold-out run in London last year, ‘Why did the chicken cross the road' is proud to have its American premiere at HFF!”

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VICTORIA GORDON - LIVE AT THE HOLLYWOOD FRINGE

“Cabaret, classic showtunes, and comedy–what more do you need? Absolutely nothing, so join Victoria Gordon and her three-piece band for an hour of beloved standards and hilarious vignettes.”

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Sorry About My Friend

“Sorry About My Friend is making its premiere run at HFF. Inspired by true events, the play follows the journey of college students, Alyssa and Rachel, through their tumultuous years as roommates at Texas Tech University in Lubbock from 2006-2010. This quirky odd couple, with perfectionist Rachel and wild child Alyssa, learns even fast friendship has its hiccups. A dramedy in eight vignettes, clocking in at an hour, Sorry About My Friend visits the fall and spring semesters of each year at school.
In the era of female empowerment, come celebrate the complicated beauty and power of female friendship. Obsessive Rachel plays by the rules while wisecracking Alyssa writes her own rulebook. Will the girls' differences build a bond like Thelma and Louise or burn down a city like Joan and Bette? Please join us June 10th- 29th at the Stephanie Feury Studio Theatre – 5636 Melrose Avenue, Los Angeles, CA 90038 – for a show that will make you thankful you've already graduated. ”

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A Year in Dragonfly

“WORLD PREMIERE OF A Year in Dragonfly, a one-woman show dictating the survival story of her journey after being brutally attacked by the man she loved. Told in all original spoken word and song, she narrates her navigation back from the darkest corners of fear, shame, and depression associated with domestic abuse.”

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Revoluciones

“A highly theatrical fever-dream that employs magical realism to tell the kaleidoscope journey of a strong and passionate woman facing an impossible tragedy. A desperate mother searches for her disappeared son amidst a totalitarian regime in an unnamed Latin American country. Produced by the Latino Theater Company in association with Mexico's Foro Shakespeare, an independent non-profit space that generates and develops projects of direct social impact through the performing arts. Presented in Spanish with English supertitles.”

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One Slight Hitch

“It is Courtney's wedding day, and her mom, Delia is making sure that everything is perfect. The groom is perfect, the dress is perfect, and the decorations (assuming they arrive) will be perfect. Then, like in any good farce, the doorbell rings. And all hell breaks loose. So much for perfect.”

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The Root Beer Bandits - a Rootin' Tootin Wild West Musicale

“The marshallARTS Family Series presents The Root Beer Bandits –A Rootin' Tootin' Wild West Musicale, at the Garry Marshall Theatre in a new, updated pull-out-all-the-stops version complete with live band, added songs, a revised book, and all-new costumes for its 15th anniversary...When Polly delivers a letter to Sheriff Bailey of Sarsaparilla City, they discover that Copper Penny is scheming to steal the city's famous root beer supply. With Sally Sue Tucker, a trailblazing female entrepreneur named helping her, and Sheriff Bailey, Polly sets things right and makes it clear that everyone is capable of greatness, no matter what their circumstances may be. Hold onto yer hats, ‘cuz laughs are sure to be a-plenty in this high-paced vaudevillian show including a chase, a Ho' Down, a sing-off at high noon, and although the show has a surprise ending, its no surprise that girl power saves the day!”

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FAMOUS

“Set in 1994, Famous takes audiences into a world ruled by sex, money, and power taken at any cost. Just nominated for his first Oscar, Jason Mast is throwing a celebratory party at his Hollywood Hills home that serves as the backdrop for an intricate plan to confront his past with the night unfolding at an adrenaline-rushed pace. Driven by a devastating need to expose the truth, Jason's attempt to control the outcome of the evening ignites a chain of events that push the boundaries of real friendship and reveals the true cost of fame.”

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Side Man

“A staged reading of Side Man will be performed as a selection in Sierra Madre Playhouse's ongoing Off the Page series of play readings.
The story: Set in 1953 and traveling to 1985, this lovely and poignant memory play unfolds through the eyes of Clifford, the only son of Gene, a jazz trumpet player, and Terry, an alcoholic mother. alternating between their New York City apartment and a smoke-filled music club, Clifford narrates the story of his broken family and the decline of jazz as popular entertainment. Clifford recalls the key moments in his life, such as the day when he, fresh out of college, picked up his first unemployment check and was congratulated by Gene and his bandmates. Gene's music career on the big band circuit ultimately crumbles with the advent of Elvis and rock-n-roll. Terry begs him to get a nine-to-five job to support the family, but Gene refuses to enter the “straight world” of regular paychecks, mortgages, and security. For Gene, who knows jazz better than his own son, music is not just a job; it's his life. their marriage slowly dissolves and young Clifford is witness to it all. as things worsen, Clifford assumes the role of parent and throws the hopeless Gene out of his mother's apartment. When an adult Clifford visits Gene in a rundown jazz club after years of separation, he requests that the old man play his mother's favorite song, the old standard 'Why Was I Born?'”

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Miss Coco Peru: Have You Heard?

“The return of the legendary Miss Coco Peru in her latest solo show. Miss Coco loves to reminisce. In fact, she's very good at it. In 'Have You Heard?,' Coco performs some of her favorite monologues and songs spanning her long career, as well as some new stuff too. Whether you've heard all or some of these stories or you're a Coco virgin, come see why Lily Tomlin called Coco, “one of the last great storytellers,” and experience the trailblazing Queen who elevated drag whilst still wearing sensible heels.”

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Richard III: Hour of the Tyrant

“A radical edit of Shakespeare's text, one that focuses on 'What makes a nation submit to a tyrant?' Yet fundamentally this remains a character piece, an exploration of the tragedy that is the life of one of the Bard's greatest villains.”

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Transference

“In Transference, a woman awakens from hypnotherapy and remembers all of her past lives…and that her therapist has been the love of her life in every lifetime. This world premiere dark romantic comedy tells the story of a woman hoping to get it right at long last, or at least not get murdered this time. Expert psychology gives way to pithy metaphysical repartee gives way to death threats. It's truly a love story that explores the most important question in any relationship: How long can you hold a grudge? ”

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Next to Normal

“Launching the season of family is the Pulitzer Prize-winning musical, “Next to Normal” by Tom Kitt and Brian Yorkey. The production open April 12, 2019 and is directed by Artistic Director Craig Tyrl. 'Next to Normal' tells the story of Diana Goodman and her family, struggling to find happiness and normality against a twenty-year backdrop of bi-polar disorder, depression, and grief. The musical examines mental illness and its powerful impact on the family unit. ”

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Anna in the Tropics

“Nilo Cruz's poignant and poetic 2003 Pulitzer Prize-winning play captures 1929 Florida at a time when cigars were still rolled by hand and lectors were employed to educate and entertain the immigrant workers. The arrival of a new lector is cause for celebration, but when he reads Anna Karenina to the cigar rollers, he unwittingly becomes a catalyst in the lives of his avid listeners, for whom Tolstoy, the tropics and the American dream prove a volatile combination.”

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DR. NYMPHO VS. THE SEX ZOMBIES

“Celebration, under the artistic direction of Michael A. Shepperd, Cherry Poppins and Orgasmico present a very special guest production, the 2018 Hollywood Fringe Festival award-winning burlesque rock musical (Best Musical, Best World Premiere & Bechdal Wallace Award), DR. NYMPHO VS. THE SEX ZOMBIES ... Every family has issues. No issues run deeper than those of the brilliant pathologist and matriarch Dr. Nimfa Delacroix. She was a nymphomaniac in the past but now lives a “normal life” with her nuclear 21st-century family. All of her demons must be confronted however, when the outbreak of a deadly STD launches in Atlanta, turning its residents into zombies that promises the end of civilization. Can Nimfa unite her family? Can she overcome her past? Can she save the world? Find out in 'DR. NYMPHO VS THE SEX ZOMBIES!'”

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The Rape of Lucrece

“One of history's darkest crimes is one of Shakespeare's darkest works. Parental Discretion Advised, Graphic Content The ancient Roman legend of Lucretia is said to have been the catalyst for the Empire to become a Republic. Shakespeare takes a glimpse into the depraved mind of Tarquin as he assaults his friend Collatine's wife, Lucrece, who takes her own life out of shame. Listen in to our own radio adaptation of this violent, profound, and beautifully-written epic. ”

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Lock Your Heart, Elder P.

“What if your 'person' comes along right when you've been forbidden to find one? A Mormon tragedy in one act. Elder P. happily accepted the call to serve a Mormon mission in Sweden. He started out with the best of intentions: to serve the Lord faithfully, chastely, and exclusively for two years. He promised to lay aside all personal relationships for that entire time, subjecting himself instead to the constant scrutiny of a 24/7 working missionary companion. Then she showed up…”

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Back Bog Beast Bait

“A shack in a swamp. A woman hires two gunslingers to help her defend her home against a mysterious and ravenous beast intent on destroying the human race. Everyone feels the presence of the beast, but no one can prove it's real. Maybe the only way to protect ourselves is to lay our bodies bare on the altar and call forth our worst fears, our biggest regrets, and the baddest evil we can dream up. This production of Back Bog Beast Bait comes to you from Scavengers, a collective of artists who value the gritty, sensory worlds Sam Shepard spent his life meticulously creating.”
Better Lemons readers receive $5 off with the discount code ANWLemon when you purchase your tickets.”

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Neighborhood Watch

“When the head of a Neighborhood Watch program gets fed up with the goings-on in her neighborhood, she takes things into her own hands. A comedy about what goes on in the neighborhood and who's watching.”

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The Living Room

“A comedy about death, conceived in grief, birthed by Amrita Dhaliwal & Gemma Soldati. These Accountants of Death work tirelessly to record the death toll. Confined to The Living Room, the occupational hazards wear on these two clowns as they learn the meaning of life and death. An absurd and physical jaunt brimming with existential phone calls, impaired dancing and the love of a goldfish. Students of Dr. Brown, Spymonkey's Aitor Basauri, Paolo Coletto and Teacher's for Cirque du Soleil's, John Gilkey's Idiot Workshop in Los Angeles, Amrita Dhaliwal and Gemma Soldati have devised a clown show inspired by their loss of loved ones. Devised and developed at The Lyric Hyperion Theatre, this show rides the very fine line between comedy and tragedy. Employing physical and absurdist theatre techniques, this show leaves the audience laughing and crying and thrust out into the night to ponder it all.”

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Tapping My Way To The Nuthouse

“Santa Monica Playhouse Benefit Series and Jassem Inc present in collaboration with Jessica Lynne Johnson a preview or a premiere of Lynne Jassem's (From Homo to Como) latest show Tapping My Way To The Nuthouse. A one performance only special event...A burgeoning neurotic evolves into a full-fledged tap dancing, mime, storytelling, multimedia, nutcase…Come watch the trip!   DOES INSANITY WIN? Take the travails of a burgeoning nutcase…throw in a little OCD, mix with a bissel paranoia…and you are up and down in the world of tap and mime and characters galore…a multi-media dance journey through the insanity of showbiz.”

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Spring Awakening

“Teens Take on the Multiple Tony Award-winning, Coming-of-Age Musical 'SPRING AWAKENING' at the Stella Adler Theatre. Directed by 14-year-old George Baron and Featuring a Young Adult Cast.”

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Houdini in "The Grim Game"

“Everyone is invited to step back into 1919 — one hundred years ago — and see this lost classic as it was meant to be seen, with live accompaniment by the doyen of silent film musicians, Michael Mortilla, and violinist Nicole Garcia. This exciting event will be introduced by Houdini expert John Cox (www.wildabouthoudini.com). Michael will talk about the importance of music in the silent era. The Grim Game is a silent drama that showcases Houdini's astonishing, world-famous talents as an escapologist, stunt performer and aviator. The film presents a series of Houdini's trademark stunts and escapes and builds to an airplane pursuit climaxed by a mid-air collision.”

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Oracles and Miracles

“Oracles and Miracles, by Norelle Scott, based on the best-selling novel Oracles and Miracles by Stevan Eldred-Grigg, follows the journey of two working-class sisters growing up in Christchurch, New Zealand. Born in 1929 they are children of the Depression. They grow to adulthood through the time of the Second World War, and become mothers in the Baby Boom of the early fifties. Nick-named Ginnie and Fag the sisters are driven by the hope of a better life, consumed with love stories, romantic ideals, and luxuries they can only dream of. Told with humor, passion, insight, and authenticity, ‘Oracles and Miracles' celebrates the lives of courageous women..”

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Catastrophe!

“'Catastrophe!' is a comic exploration of the modern world as seen through the eyes of the clown. Philadelphia theatre artist Hank Curry explores the pitfalls and pratfalls of modern life as he tries on several unique identities, each with their own troubles and travails. Run away and join the circus of modern society with this new play that reveals and celebrates the commonalities that make us human in ways that can be challenging but are ultimately joyful.”

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DOGS: The Musical

“A musical comedic ode to our favorite pets, and a loving parody of musicals, 'DOGS' is about a pack of stray pit bulls that get separated and adopted. Although they fight their new domestic lives, they learn to stop worrying and love humans. 'DOGS' follows a pack of pit bull mixes as they live proudly on the street… until they're found by the pound and put into adoption. When the alpha of the pack reveals to his new owners that he and dogs everywhere can speak, humans realize they're no longer on top of the food chain.

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Ripple

“The last century has undergone a sensational transformation inspired by our innate desire to provide a brighter future for the generations to come. But what happens when one generation's hope for the future steals the hope of another's?”

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HOLLYWOODN'T

“Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday, February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast.”

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ASSMONKEY

“ASSMONKEY: In Conversation is a hilariously fast faced and upfront tale of anxiety, crutches and the characters you discover when you're on road to recovery. The show takes a sideways look at mental health and ways in which we may hit the self destruct button. ASSMONKEY merges comedy genres through stand up, spoken work, silly songs and character work. Abetted by some “semi” scientific research, you'll encounter some bizarre renditions of personalities from Sophia's past, from doctors to yoga teachers. We'll take you on an uplifting journey from addiction to self help and wellbeing. Expect silliness, wank jokes, bad costumes, flailing and maybe even a little tenderness.”

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meg jo beth amy & louisa

“From the team that brought you the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe, 'LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII' comes their next project…Not Your Marmee's Little Women. Assigned with the super boring task of writing a morality tale for girls, Louisa May Alcott finds herself in a state of writer's block. That is until she turns to figures and stories from her own life. Lines between fact and fiction begin to blur, as 'Little Women' is played out upon the stage. Louisa must confront her characters, family, and a demanding public. Life may be the best inspiration, but what if you are afraid to learn who you are? ”

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I Could Take a Nap, but Killing Myself would be more Productive

“School president, award-winning debater, perfect GPA, dreamy boyfriend. What doesn't 18-year-old Sofia have? The strength to keep living. After taking her life, Sofia is stuck in limbo and relives her last memories in an effort to understand what went wrong. The stage becomes a life-sized version of her journal as she makes her way through the incidents preceding her death. We meet her family and friends in her journal; explored through home videos, original music, and theater. Step inside the mind of modern adolescence.”

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FERTILE: A Conversation About the Expectation of Procreation

“Jenny has a plan. A plan to get pregnant. Everyone keeps telling her that time is running out, she just turned 35, after all. So, when those pesky urine tests keep coming back negative, Jenny decides to take action and fix the problem. That's when she runs into real problems and real questions about fertility and motherhood. As Jenny faces the world of “mom options” – egg freezing, in-vitro, adoption, and more – the conversation about the expectation of procreation really begins. Taking into account a whirlwind of outside opinions from her mom, her friends, doctors, a beloved neighbor – and even God – Jenny must ultimately look within to discover what motherhood means to her, what it means to be Fertile.”

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Ashton's Audio Interview: The cast of “The Root Beer Bandits” at Garry Marshall Theatre

“The Root Beer Bandits has a cast full of comic archetypes from California's past that illustrate the state's history. And although they are fictional -- each of them represents a different idea of the laws of the land and how to achieve the American dream.* Enjoy this interview with the cast of “The Root Beer Bandits” at Garry Marshall Theatre, playing through Apr 28th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here. *Joseph Leo Bwarie

REAL WOMAN Blanca Araceli HAS Voice & Moves

REAL WOMEN HAVE CURVES will open the second season of the recently re-christened Garry Marshall Theatre on October 10, 2018. We had the chance to chat with the busy Blanca Araceli, one of the five in the all-female ensemble of REAL WOMEN HAVE CURVES.

Thank you for taking the time for this interview, Blanca.

What forces of nature brought your talents to REAL WOMEN?

I met Josefina López in 2010 when I went to see a show at CASA 0101, and started teaching dance in her theater. She invited me to audition for a couple of her plays. Later she mentioned that auditions were going to be at the Pasadena Playhouse for REAL WOMEN HAVE CURVES, and I got the part of Carmen. I immediately fell in love with the play.

What works of Josefina are you familiar with, either on stage or in film?

I had the opportunity to work on her play A CAT NAMED MERCY and REAL WOMEN HAVE CURVES a couple of times, among others; and I took several of her workshops.

Would you describe your character that you play in REAL WOMEN?

Just as any Latina mother that comes from their country with the dream to find a better live for their families. She has strong values, tradition and, at the same time, feels she's the pillar of the family. Works hard to keep things going, and just like any other mother, tends to be a bit dramatic or manipulative when it's convenient. Extremely funny, open minded in many ways and loves chisme (gossip)!

Does this character remind you of anyone you know in your personal life?

My mom, my aunties, and many moms that I know, especially Latinas.

You've done over forty plays. You said you played Carmen before?

Yes, I played Carmen before at the Pasadena Playhouse in 2015. In 2016, we did a series of readings for schools, in which I played the same role.

What shows have you seen at the Garry Marshall Theatre (formerly the Falcon)?

This is my first time at this theater acting or as an audience.

You were the voice of Emcee in the Oscar-winning Coco. I know voice work sometimes is recorded without everyone involved in the particular scene. Did you record Emcee by yourself or with some of the performers you introduced?

I recorded the voice first. Then they showed me the final image of the character. I was told that it got the shape based on my voice. I recorded along with the directors and the producer.

How long after you did your recordings, did you actually get to experience the finished Coco on the big screen?

I recorded in January of 2017, and got invited to the premiere on November 8 at El Capitan Theater.

I couldn't believe I was crying watching a cartoon. What was your initial reaction to Coco?

I was so happy and honored to be able to share with the world our great tradition, folklore and culture. Mexico is the real winner in this movie.

You've been the director and choreographer for Tierra Blanca Dance Company since 1996. What changes have you noticed in the Los Angeles dance and theatre community in the twenty-something years since you started?

In 1996, there were few Mexican dance companies. I was not aware of all the great diversity that there was in L.A. But, now with all the media, a lot of different Mexican Folk companies were formed, and we get to know other cultures through their folk dance companies. People are more aware of the different cultures. This helps people to understand where other people come from and, therefore, more barriers are down once you get to see and understand a country with a dance.

You're the choreographer for the short Jalisco. When did you start learning your traditional folklorico dancing?

When I was 17 years old, at the Instituto Cultural Cabañas in Guadalajara. I belonged to the Ballet Folkorico de las Americas.

Did you want to be a dancer or an actor when you were growing up? Or both?

I wanted to be a lawyer, but I started dancing. Dancing took me to acting.

Any plans to revive your one-woman show that you played at the Bohemian Café?

Yes, actually I am writing and working on my first one-woman show in English. Hopefully in 2019, I will have it ready.

And what's next for you, Blanca Araceli?

In theater, I just finished doing the Short and Sweet festival on September 28, 29 and 30. Then comes Pastorela El Ermitaño in December 2018, and TOO MANY TAMALES also in December 2018. As choreographer, I am working with The Rogue Company in their current play. SEñOR PLUMMER'S FINAL FIESTA, still running with several shows with my dance company to celebrate dia de muertos (October and November). And, finally, I got booked in the role of Carmen for a production that will take place in Texas in the spring of 2019.

Thank you again for your time, Blanca!

For ticket availability and show schedule through November 18, 2018; log onto GarryMarshallTheatre.org


Garry Marshall Theatre Appoints New Managing Director

FOR IMMEDIATE RELEASE
Garry Marshall Theatre Appoints New Managing Director
September 12, 2018 – BURBANK, CAGarry Marshall Theatre's Board of Directors is proud to announce that Kurt J. Swanson has joined the new nonprofit's leadership team as Managing Director.
“We're thrilled to welcome Kurt to the Garry Marshall Theatre,” says Artistic Director, Dimitri Toscas. “His extensive knowledge of nonprofit development and theatre management is bolstered only by his first-hand understanding of the local community and what makes it tick. His leadership style is inspiring and he's quickly become a valued member of our team.”
Swanson is the theatre's first official Managing Director in its year-long history after relaunching as the nonprofit Garry Marshall Theatre in the summer of 2017.
The role of Managing Director was created after the departure of Executive Director Sherry Greczmiel at the end of the inaugural season. Swanson will lead the organization's charge in fundraising, infrastructure development, and brand-building while guiding the theatre in the best-practice business principles that pertain to nonprofit live performance.
“I feel very fortunate to have been able to capitalize on my long-time performing arts and theatre background with my business and fiscal skills that have been honed over several decades,” says Swanson. “This is my ‘home town theatre' since I've lived nearly two decades in the neighborhood and have always admired this performing space.”
Alongside the Artistic team of Dimitri Toscas and Joseph Leo Bwarie, Swanson will be a major player in the continuation of programming during the Garry Marshall Theatre 2018/2019 Season, which begins on October 12 with a new production of Real Women Have Curves by Josefina López.
With over 30 years of continuous nonprofit business management of performing arts, nonprofit, and social services organizations, Swanson has a long history of bold, dynamic leadership and collaboration. He has served numerous theatres and nonprofits across the country – including the The Broad Stage (Santa Monica) as General Manager, Steppenwolf Theatre Company (Chicago) as Interim Business Manager, Arts Services Associates (Milwaukee) assigned as Business Manager for Theatre X, and Box Office Manager for Skylight Theatre in Milwaukee. He also served as Operations Director of CASA of Los Angeles and Executive Director of Animal Samaritans in the Coachella Valley.
Swanson's appointment culminates a three-month search process, which considered a significant candidate pool from Los Angeles and across the country. The search was conducted by the Garry Marshall Theatre Board of Directors.
About Kurt Swanson
Chicago native Kurt Swanson has been involved in theatre since his years as a musician for High School plays. His performance skill garnered statewide awards and earned him scholarships. He served in a variety of administrative positions with social service and arts organizations in Milwaukee and Chicago, including serving as a founding member of the “Second Tier” collaborative arts organization in Milwaukee, and as manager of Theatre X, an internationally touring ensemble theatre. In Chicago, he served as finance manager for Steppenwolf theatre during the time of its mainstage, experimental and Broadway productions, often interacting with major stars and virtually every sector of professional theatre production. He has served as senior staff to major nonprofits in the Coachella Valley and Los Angeles, and served on the board of Syzygy Theatre Group.
About Garry Marshall Theatre
Garry Marshall Theatre is a nonprofit organization providing innovative performances, educational opportunities, and storytelling activities for all ages, year-round. Located in the heart of Burbank and Toluca Lake's entertainment industry, the critically acclaimed and Ovation Award-winning 130-seat theatre was founded in 1997 as the Falcon Theatre by Hollywood legend Garry Marshall. Reestablished as the Garry Marshall Theatre in 2017, the theatre continues to cultivate new artists and experiences that spark ideas and build community.
MEDIA CONTACT:
Chelsea Sutton, Marketing & Publicity
Garry Marshall Theatre
[email protected]
o: 818.955.8004 | c: 951.757.5102