Spotlight Series: Meet Anzu Lawson - an Asian-American Actress, Playwright, Stand-Up Comic, and Yoko Ono Doppelganger


With the current theatre world on hiatus, I have created a Spotlight Series of interviews with some of am the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the arts alive in the City of the Angels. And like all of us, how are they dealing with the abrupt end of productions in which they were involved?

This Spotlight focuses on Anzu Lawson, an Asian-American Actress, Playwright, Stand-Up Comic, and Yoko Ono doppelganger who I first met during the 2014 Hollywood Fringe Festival.


Shari Barrett (SB): What would you like readers to know about your personal theatrical background?

Anzu Lawson (Anzu): I’m an Asian-American Actress, Playwright, and Stand-Up Comic who has been performing my One Woman Show called Dear Yoko to sold out theatres here in Los Angeles. It was an official selection for 2019 Binge Fringe Festival, the 2020 SOLOFEST & the 2020 Crazy Woke Asians Solo Performance Festival.

I also penned & starred in an all-original musical called Dear John, Why Yoko? which garnered my first Best Actress nomination at the 2014 Hollywood Fringe Festival for my role as “Yoko Ono.”

(SB): And I am happy to share links to my reviews of both your shows during which you absolutely amazed me with your authentic portrayal of a woman so erroneous hated the world over for her involvement with John Lennon.

(SB): Were you involved with any production(s) when word went out that you needed to immediately postpone/cancel a show?

(Anzu): I was playing the role of YEN opposite Al Pacino with a huge, talented cast in a Benefit Staged Reading for Al Pacino’s charity in the David Rabe play called “The Basic Training Of Pavlo Hummel” that garnered Al his first Tony Award on Broadway in 1977. Al Pacino and director Robert Allan Ackerman revived it on stage to help raise funds and awareness for one of Al’s charities to help war veterans. We performed it Sunday, March 8th at The Wallis Annenberg in association with The Shakespeare Center of Los Angeles. There were talks of doing it again, but the very next day the Wallis Annenberg closed its doors due to the Corona Pandemic. Here’s a link to a Broadway World article about that amazing production

(SB): How has the shutdown affected your current and future production plans?

(Anzu): I had to make some hard decisions. This has been an extremely unforeseeable event affecting every single human on this planet and not knowing how long we will be quarantined, has many artists unsure if they can even afford to do their show, even with rescheduled dates. I feel bad, but I am canceling all my show commitments until there is a vaccine.

I heard the remaining solo artists involved in the 2020 SOLOFEST dates at The Whitefire Theatre, in which I have participated, have been offered to have their performances streamed online. Personally, as good a solution as that may sound, performing to an empty theatre is not the ideal situation when a) audience interaction and response is a huge part of the experience as a solo performer and b) the main world focus is on live coronavirus news updates. I appreciate everyone trying to rally together to find a solution but I think people everywhere will need more time. Every person is processing what is happening very differently.

As for my future plans, I was about to fly to Chicago’s Cinespace Studios to film another episode of Chicago Med on which I have a recurring role, and I was counting on that money to pay for my 2020 Fringe solo show dates. Unfortunately, I had to cancel my entire participation in the 2020 Hollywood Fringe and am trying my very best to get my invested monies and deposits back. Even though 2020 Hollywood Fringe has been moved to October (much like Stage Coach and Coachella) at this time, I do not have the heart to ask my friends to hurry and get over their Coronavirus/social distancing fear by October to buy tickets and sit in a crowded theater while there is no income coming in for most, nor a readily available vaccine on the horizon.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

(Anzu): Thank God for the internet and the free classes being offered by so many teachers and studios. I am also grateful for the funny memes on social media keeping me light-hearted and smiling through all this uncertainty. This pandemic has given all of us a “pause button” to reassess our beliefs, our tribes, our creative visions for ourselves as well as for the world. We are being forced to look at our individual contribution to humanity, not only as humans but as artists. This will forever change us as a society, hopefully for the best.

Personally, I’m in research mode. I started revisiting scripts and thinking deeply about what I want to say as an artist from here on out. I am forced to sit still, get grounded and put pen to paper.

(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Anzu): Never forget there is always a silver lining and now more than ever, we artists are being called upon to be the beacon for a new humanity. We will get through this but only together and only by thinking of each other. Feed your soul now and get ready to create! Inspire! And be daring with your artistic voice. We have a huge responsibility ahead of us to shine bigger light and tell new stories that will ever remind us there is nothing more valuable than our ability to care for each other. As Yoko Ono always said, “We are all connected together. We are all one.”

I invite everyone to follow me on IG/FB/Twitter @AnzuLawson and read more about my credits on my IMDB profile. I also want to give a shout out to my director Jessica Lynn Johnson who offers free Solo show creative writing classes now on ZOOM.

(SB): Thank you Anzu. I am hoping to focus a spotlight on Jessica Lynn Johnson in the near future so more people learn about her outstanding contributions to the L.A. Theatre world.


This article first appeared on Broadway World.



'Hollywood Fringe Festival' Postpones Until October 2020


2 minute read

The 2020 Hollywood Fringe Festival (Fringe) scheduled for June 2020 has been postponed until October 2020 for the safety of the community and to help halt the spread of the coronavirus through social distancing.

The annual festival, whose venue partners span throughout Hollywood and Theatre Row, has tentatively set the new dates for October 1 through October 25, 2020. Final confirmation of all dates will be made by August 1, 2020, based on pending updates by federal, state and local health officials in the coming weeks.

“With the directive to cancel or postpone in-person events and meetings, we are working to provide safe solutions to keep our community active and engaged. We know how necessary the arts are in times like these,” The Hollywood Fringe Festival said in a statement.

The festival is offering reimbursements of paid registration fees where needed at this time, which are refundable up until September 1, 2020, and officials suggest that all current Fringe participating productions contact their individual venues for rescheduling arrangements or cancellations.

For those who can and wish to, the Fringe is also asking for the donation of registration fees to help them maintain operations and that these, and any gifts, to the festival are tax-deductible.

Plans are in development for a program to support shows with the "Fringe marketing/technology infrastructure" and there is a call for anyone who wishes to participate in the development process, and volunteers can sign up here to join their ongoing efforts. A survey has been posted as well to help inform the festival producers going forward.

The Fringe is currently developing plans to provide its ongoing networking and promotional opportunity events as virtually as possible through Virtual “Office Hours” Networking, a virtual Cabaret, Twitter chats, online workshops, and other activities.

Complimentary registration will soon be available on their website for any free online meet-up, workshop or project that relates to the festival and any collaborative related efforts.