Spotlight Series: Meet Multi-Talented Triple-Threat Actor John Devereaux from Hamilton Touring Company


This Spotlight focuses on John Devereaux, a multi-talented triple-threat actor who I shared the stage with in Little Shop of Horrors at the Westchester Playhouse after he arrived in Los Angeles from Houston, and who has gone on to charm audiences across the country in touring productions of Rent and Hamilton. John also appeared locally in Dreamgirls at the Pasadena Playhouse, Spamilton at the Kirk Douglas Theatre, and during the Hollywood Fringe Festival in the world premiere of Recorded in Hollywood, among many other productions.

I was so looking forward to seeing him take the stage in Hamilton at the Hollywood Pantages Theatre soon, but unfortunately the national tour in which he was appearing had to shut down along with the rest of the world’s theaters. So what’s he up to now?


Shari Barrett (SB): What would you like readers to know about your theatrical background?

John Devereaux as Collins in "Rent"

John Devereaux (John): I grew up in Houston, Texas and moved to LA in 2012 to continue my career in performance, beginning with studying Improv at The Groundlings. I’ve been fortunate enough to be a part of a number of professional productions working with some of the best in the area, including McCoy/Rigby Entertainment, Center Theatre Group, and 5-Star Theatricals. I’ve also toured with the 20th Anniversary Tour of Rent and currently with the Angelica Tour of Hamilton.

John Devereaux on the Angelica Tour of "Hamilton"

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(John): I was in Miami with the Angelica Tour of Hamilton when we got word that our shows would be postponed/cancelled 

(SB): How was the shutdown communicated with the cast and production team?

(John): I do believe our company managers did the best they could in the moment with everything going on and there is probably nothing more challenging than managing a touring theatre company. After we had two meetings after two of our evening shows, we were implementing new procedures to keep the company safe (not doing backstage tours, not signing at the stage door, etc.), which left us wondering what was going to happen to the rest of our tour schedule. Then the cancellation of our next city, Jacksonville, was announced publicly on the Hamilton Instagram story before we found out ourselves. Knowing there was work to be done during that time, including the spread of information, I can see why we might have been the last to know. It was just a sad moment personally for me.

John Devereaux backstage in "Dreamgirls" at the Village Theatre

(SB):  Are plans in place to present that production at a future date, or is the cancellation permanent?

(John): Dates are being rescheduled as word comes in. It may not be the company/tour that was originally supposed to do the engagement, but Hamilton will still happen in those cities at a later time.

(SB): That’s great to know that I may get the chance to see you in the show then! Were there other future productions on your schedule also affected by the shutdown?

(John): None as of yet. As of March, I’m scheduled to stay on the Hamilton tour at least through June 2021. But for now, I am coping with all of this by creating bits of humor online. Funny videos mostly on Instagram.

John Devereaux in"Spamilton" at the Kirk Douglas Theatre

(SB): I have been enjoying many of them on your Facebook page! It’s great to see so many creative people bringing humor to the forefront during this pandemic.  

(John): To members of the Los Angeles Theatre community and those across the country, please remember our industry will bounce back. Ours is a business of escapism, people are going to need something else than a screen to entertain them once this is all done. We’re going to get through this.

In the meantime, take a breath. Spend time with the people you love or doing the other things you love or finding new things to love! To those for whom performance was their escape, it’s okay to feel that emptiness. It’s okay if there’s nothing there to replace it right now because this is a time to focus on the other parts of our lives that inform our performances; our art. Life is but an opportunity to be and as long as there is breath in our lungs, we can breathe life into anything.


This article first appeared on Broadway World.



The 34th Annual 'Robby Award' Winners Announced


The 34th Annual Robby Awards show scheduled for March 23, 2020, has been canceled due to the Coronavirus and social distancing.

Here is the list of the winners for the best in Los Angeles area theatre for 2019.  With the Robby Awards, a few categories resulted in a tie vote, even with critic Rob Stevens as the only voter.

The Pasadena Playhouse’s production of "Ragtime" won Best Musical as well as three other awards. The Ahmanson Theatre’s production of "Indecent" also won four awards, including Best Drama. Best Comedy was awarded to Odyssey Theatre Ensemble’s "Loot" which also won two other awards.

A Noise Within led all producing companies with five awards spread over three of their productions—"Argonautika," "The Glass Menagerie," and "Frankenstein." The Geffen Playhouse won three awards, one each for their productions of "Key Largo," "Skintight," and "Witch."

Among 99-seat theatres, Celebration Theatre won two awards for its production of "The Producers," Boston Court Pasadena won two awards for "The Judas Kiss," and Antaeus Theatre Company won two awards for "The Cripple of Inishmaan," while two awards were given to shows at the annual Hollywood Fringe Festival.


The Robby Awards


Teri Ralston Award for Best Musical
Ragtime, Pasadena Playhouse

Virginia Capers Award for Best Director of a Musical
David Lee, Ragtime, Pasadena Playhouse

Michael G. Hawkins Award for Best Actor in a Musical
Marc Ginsburg, Ragtime, Pasadena Playhouse

Michelle Nicastro Award for Best Actress in a Musical
Shannon Warne, Ragtime, Pasadena Playhouse

Gary Beach Award for Best Supporting Actor in a Musical
Michael A. Shepperd, The Producers, Celebration Theatre

Lisa Robinson Award for Best Supporting Actress in a Musical
Lauren Van Kurin, Earth to Karen, Hollywood Fringe Festival

Dom Salinaro Award for Best Choreography
Christine Negherbon, Holiday Inn, Musical Theatre West

Elan McMahan Award for Best Musical Direction
Gregory Nabours, Scissorhands, The Fuse Project

John Raitt Award for Best Music and Lyrics
Brooke deRosa, Gunfight at the Not-So-OK Saloon, Trial Run Productions

Nan Martin Award for Best Drama
Indecent, Ahmanson Theatre

Martin Benson Award for Best Director of a Drama (Tie)
Julia Rodriguez-Elliott, Argonautika, A Noise Within
Rebecca Taichman, Indecent, Ahmanson Theatre

Ray Stricklyn Award for Best Actor in a Drama
Rob Nagle, The Judas Kiss, Boston Court Pasadena

Sally Kemp Award for Best Actress in a Drama
Deborah Strang, The Glass Menagerie, A Noise Within

Richard Doyle Award for Best Supporting Actor in a Drama
Kasey Mahaffy, The Glass Menagerie, A Noise Within

Belinda Balaski Award for Best Supporting Actress in a Drama
Jenny O’Hara, Daniel’s Husband, The Fountain Theatre

Carole Cook Award for Best Comedy
Loot, Odyssey Theatre Ensemble

Ron Link Award for Best Director of a Comedy
Bart DeLorenzo, Loot, Odyssey Theatre Ensemble

Tom Troupe Award for Best Actor in a Comedy (Tie)
Harry Groener, Skintight, Geffen Playhouse
Evan Jonigkeit, Witch, Geffen Playhouse

Lu Leonard Award for Best Actress in a Comedy
Elizabeth Arends, Loot, Odyssey Theatre Ensemble

Albert Lord Award for Best Supporting Actor in a Comedy
JD Cullum, The Cripple of Inishmaan, Antaeus Theatre Company

Dee Croxton Award for Best Supporting Actress in a Comedy
Anne Gee Byrd, The Cripple of Inishmaan, Antaeus Theatre Company

Michael Devereaux Award for Best Playwriting
David Hare, The Judas Kiss, Boston Court Pasadena

John Iacovelli Award for Best Scenic Design
John Lee Beatty, Key Largo, Geffen Playhouse

Best Projection Design
Aaron Rhyne, Anastasia, Hollywood Pantages Theatre

Paulie Jenkins Award for Best Lighting Design
Christopher Akerlind, Indecent, Ahmanson Theatre

Garland Riddle Award for Best Costume Design
E. B. Brooks, The Producers, Celebration Theatre

Steve ”Canyon” Kennedy Award for Best Sound Design
Robert Oriol, Frankenstein, A Noise Within

Lies and Legends Award for Best Ensemble Award
Matt Darriau, Elizabeth A. Davis, Joby Earle, Patrick Farrell, Harry Groener,
Lisa Gutkin, Mimi Lieber, Steven Rattazzi, Richard Topol, Adina Verson,
Indecent, Ahmanson Theatre

Billy Barnes Award for Best Cabaret Performance
Daniel Thomas Bellusci, Brittney Bertier, Ellie Birdwell, Bruce Kimmel,
Kerry O’Malley, Jenna Lea Rosen, Robert Yacko,
L’Wonderful, L’Marvelous, Legrand, Kritzerland at Vitello’s

Special Award for Props and Puppet Design
Erin Walley and Dillon Nelson, Argonautika, A Noise Within

Robby Living Legend Award
Teri Ralston


TICKETHOLDER AWARDS 2019 PART II

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read part II below and part I here. Click here for photos.

BEST ACTOR IN A PLAY 2019

TIM CUMMINGSDaniel’s Husband, Fountain Theatre

RUNNERS-UP: Ron Bottita, Loot, Odyssey; Gilbert Glenn Brown, The Mountaintop, Marshall; Dempsey Bryk, punkplay, Circle X; Seamus Dever, The Abuelas, Antaeus; Zackary Stone Gearing, Hir, Odyssey; Zackary Stone Gearing, punkplay, Circle X; Nicholas Hormann, Loot, Odyssey; Tom Ormeny, The End of Sex, Victory; Michael Manuel, Frankenstein, ANW; Will Thomas McFadden, 1984, Actors’ Gang; Will Thomas McFadden, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Rob Nagle, Apple Season, Moving Arts; Rob Nagle, The Judas Kiss, Boston Court; Bruno Oliver, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Accidental Death of an Anarchist, Actors’ Gang

BEST ACTRESS IN A PLAY

DYLAN JONES4.48 Psychosis, Son of Semele Ensemble

RUNNERS-UP: Tessa Auberjonois, Eight Nights, Antaeus; Denise Blasor, The Abuelas, Antaeus; Tovah Feldshuh, Sisters in Law, Wallis; Liza Fernandez, Apple Season, Moving Arts; Lianne Harvey, An Inspector Calls, Wallis; Susan Priver, A Streetcar Named Desire, Odyssey; Carolyn Ratteray, The Mountaintop, Marshall; Samantha Sloyan, The Thanksgiving Play, Geffen; Maura Tierney, Witch, Geffen Playhouse; Diane Wiest, Happy Days, CTG/Taper

BEST SOLO PERFORMANCE (TIE)

HERSHEY FELDERMonsieur Chopin, San Diego Repertory Theatre

RUNNERS-UP: Mike Birbiglia, The New One, CTG/Ahmanson; Helder Guimaraes, Invisible Tango, Geffen Playhouse; Bill Irwin, On Beckett, Douglas; Tova Katz, See You at the Funeral, Broadwater Mainstage; John Leguizamo, Latin History for Morons, CTG/Ahmanson; David Mynne, A Christmas Carol, Wallis; Deirdre O’Connell, Dana H., CTG/Douglas; Ruben Santiago-Hudson, Lackawanna Blues, CTG, Taper

BEST ACTOR IN A MUSICAL

RICHARD TOPOLIndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Keith Allen, Deadly, Sacred Fools; Will Bozier, Swan Lake, CTG/Ahmanson; James Delisco Beeks, Jesus Christ Superstar, Pantages; Aaron LaVigne, Jesus Christ Superstar, Pantages; Ryan Melia, The Old Man and the Old Moon, Wallis; Andrew Monaghan, Swan Lake, CTG/Ahmanson; Liam Mower, Cinderella, CTG/Ahmanson; Andy Robinson, Julius Weezer, Troubadour

BEST ACTRESS IN A MUSICAL

JACQUE LYNN COLTON, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Caroline Bowman, Frozen, Pantages; Betty Buckley, Hello, Dolly!, Pantages; Alex Hairston, Summer, Pantages; Caroline Innerbichler, Frozen, Pantages; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Dan’yelle Williamson, Summer, Pantages

BEST SUPPORTING ACTOR IN A PLAY (TIE)

BOB TURTONViolence: The Misadventures of Spike Spangle, FarmerThe Actors’ Gang

RUNNERS-UP: Ron Bottitta, Hir, Odyssey; Chad Coe, The End of Sex, Victory; Bill Brochtrup, Daniel’s Husband, Fountain; Rob Brownstein, Anne, a New Play, Museum of Tolerance; JD Cullum, The Cripple of Inishmaan, Anteaus; Seamus Dever, Cripple of Inishmaan, Anteaus; Arye Gross, Eight Nights, Antaeus; Stephen Guarino, Handjob, Echo; Joe Hernandez-Kolski, Waiting for Waiting for Godot, Sacred Fools; Justin Huen, Apple Season, Moving Arts; Carl J. Johnson, Driving Wilde, Theatre of NOTE; Brandon Rachal, Native Son, Antaeus/CTG at the Douglas; Tom Szymanski, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Will Von Vogt, Witch, Geffen Playhouse; Josh Zuckerman, Eight Nights, Antaeus

BEST SUPPORTING ACTRESS IN A PLAY

MELISSA SULLIVANA Streetcar Named Desire, Odyssey Theatre Ensemble

RUNNERS-UP: Anne Gee Byrd, Cripple of Inishmaan, Anteaus; Irene De Bari, The Abuelas, Antaeus; Mary-Pat Green, Cripple of Inishmaan, Anteaus; Alexandra Henrikson, The Thanksgiving Play, Geffen; Sadie Kuwano, punkplay, Circle X; Mara Klein, The Judas Kiss, Boston Court; Mildred Marie Langford, Native Son, Antaeus/CTG at the Douglas; Mary Gordon Murray, Anne, a New Play, Museum of Tolerance; Jenny O’Hara, Daniel’s Husband, Fountain; Zoe Yale, Eight Nights, Antaeus

BEST SUPPORTING ACTOR IN A MUSICAL

HARRY GROENER, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Julius Weezer, Troubadour; John Colella, The Producers, Celebration; Andrew Diego, The Producers, Celebration; Paris Fitzpatrick, Cinderella, CTG/Ahmanson; Ben Ferguson, The Old Man and the Old Moon, Wallis; F. Michael Haynie, Frozen, Pantages; Paul Louis Lessard, Jesus Christ Superstar, Pantages; P.T. Mahoney, In Circles, Odyssey; Steven Rattazzi, Indecent, CTG/Ahmanson; Morgan Rusler, Julius Weezer, Troubadour; Michael A. Shepperd, The Producers, Celebration; Alan Vincent, Cinderella, CTG/Ahmanson; Dan Weschler, The Old Man and the Old Moon, Wallis

BEST SUPPORTING ACTRESS IN A MUSICAL

ADINA VERSON, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Madelaine Brennan, Cinderella, CTG/Ahmanson; Elizabeth A. Davis, Indecent, CTG/Ahmanson; Victoria Hoffman, Julius Weezer, Troubadour; Beth Kennedy, Julius Weezer, Troubadour; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Mary Ann Welshans, The Producers, Celebration; Brittney S. Wheeler, Deadly, Sacred Fools

BEST ENSEMBLE CAST IN A PLAY (TIE)

Stephen Borrello, Joely Fisher, Andy Garcia, Rose McIver, Louis Mustillo, Danny Pino, Tony Plana, Richard Riehle, Bradley Snedeker; Key Largo, Geffen Playhouse

Hugo Armstrong, John Bobek, Austin Durant, Leo Marks, Ramiz Monsef, Helen Sadler, Alan Tudyk; Mysterious Circumstances, Geffen Playhouse

RUNNERS-UP: John Apicella, Noel Arthur, Paul Baird, Gabriela Bonet, Claudia Elmore, Turner Frankosky, Troy Guthrie, Steve Hofvendahl, Connor Kelly-Eiding, Michael Khachanov, Alex Knox, Mehrnaz Mohammadi, Madalina Nastase, Liza Seneca, Janellen Steininger, George Villas; The Caucasian Chalk Circle, Antaeus Theatre Company

Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, Montae Russell; Between Riverside and Crazy, Fountain Theatre

James A. Alfred, A. Russell Andrews, Francois Battiste, Harvy Blanks, Amari Cheatom, Anthony Chisholm, Brian D. Coats, Steven Anthony Jones, Patrese D. McClain; Nija Okoro, Keith Randolph Smith, Ray Anthony Thomas; Jitney, Center Theatre Group, Mark Taper Forum

Crystal Diaz, Elinor Gunn, Liesel Hanson, Faith Imafidon, Cindy Lin, Nadia Marina, Lynn Odell, Alina Phelan, Briana Price, Nicole Gabriella Scipione, Yolanda Snowball, Jenny Soo, Nancy Stone, Tania Verafield; For The Love Of (or the Roller Derby Play), Theatre of NOTE / Center Theatre Group, Kirk Douglas Theatre

Ian Barford, Tim Hopper, Sally Murphy, Caroline Neff, Chantal Thuy, Cora Vander Broek, Troy West; Linda Vista, Center Theatre Group, Mark Taper Forum

Ro Boddie, Max Casella, Micaela Diamond, Peter Jacobson, Jason Kravits, Nellie McKay, Saul Rubinek, Miriam Silverman, Joey Slotnick, Sam Vartholomeos, CJ Wilson, A Play is a Poem, Center Theatre Group, Mark Taper Forum

Scott Cote, Peyton Crim, Brandon J. Ellis, Angela Grovey, Ned Noyes, Jamie Ann Romero, Evan Alexander Smith, Yaegel T. Welch; The Play That Goes Wrong, Center Theatre Group, Ahmanson Theatre

Sile Bermingham, Reed Michael Campbell, Brian Foyster; The Ruffian on the Stair, Los Angeles LGBT Center

Will Brittain, Eli Gelb, Harry Groener, Kimberly Jurgen, Idina Menzel, Jeff Skowron, Skintight, Geffen Playhouse

BEST ENSEMBLE CAST IN A MUSICAL

Nick Adams, Nick Blaemire, Audrey Cardwell, Eden Espinosa, Thatcher Jacobs, Bryonha Marie Parham, Max von Essen; FalsettosCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Chelle Denton, Beth Kennedy, Janelle Lillian, Luis “L.T.” Martinez, Mike Sulprizio, Cloie Wyatt Taylor, Matt Walker, Dave C Wright, A Christmas Carole King, Troubadour Theater Company

The ensemble of Matthew Bourne’s Cinderella, Center Theatre Group, Ahmanson Theatre

Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi, Dan Weschler; The Old Man and the Old Moon, Wallis Annenberg Center for the Performing Arts

The ensemble of Matthew Bourne’s Swan Lake, Center Theatre Group, Ahmanson Theatre

BEST CABARET / CONCERT PERFORMANCE

DEIDRIE HENRYLady Day at Emerson’s Bar & GrillGarry Marshall Theatre

RUNNERS-UP: Michael Churven and George McGrath, Party of Two, Groundlings Theatre

NEW DISCOVERY 2019

RUNNERS-UP: Reed Michael Campbell, The Ruffian on the Stair, Los Angeles LGBT Center; Olivia Elsease Hardy, Summer, Pantages; Thatcher Jacobs, Falsettos, CTG/Ahmanson; Michael Rishawn, Handjob, Echo; Jarrod Takle, Circa: Humans, Wallis

BEST PLAYWRIGHT

Tracy LettsLinda Vista, Center Theatre Group, Mark Taper Forum

RUNNERS-UP: Sir David Hare, The Judas Kiss, Boston Court; Larissa Fasthorse, The Thanksgiving Play, Geffen; Hershey Felder, A Paris Love Story, Wallis; Stephen Adly Guirgis, Between Riverside and Crazy, Fountain; Dave Hanson, Waiting for Waiting for Godot, Sacred Fools; Joshua Harmon, Skintight, Geffen; E.M. Lewis, Apple Season, Moving Arts; Taylor Mac, Hir, Odyssey; Jennifer Maisel, Eight Nights, Antaeus; Michael McKeever, Daniel’s Husband, Fountain; Vince Melocchi, Andy Warhol’s Tomato, PRT; Gregory S. Moss, punkplay, Circle X; Erik Patterson, Handjob, Echo; Vanessa Claire Stewart, Deadly, Sacred Fools; Paula Vogel, Indecent, CTG/Ahmanson; Gay Walch, The End of Sex, Victory; Stephanie Alison Walker, The Abuelas, Antaeus

BEST ADAPTATION OR TRANSLATION

Michael MitnickMysterious Circumstances, Geffen Playhouse

RUNNERS-UP: Alistair Beaton, The Caucasian Chalk Circle, Antaeus; Nick Blaemire, Anne, a New Play, Museum of Tolerance; Matthew Bourne, Cinderella, CTG/Ahmanson; Nick Dear, Frankenstein, ANW; Jeffrey Hatcher and Andy Garcia, Key Largo, Geffen; Lucas Hnath, Dana H., CTG/Douglas; Jon Laskin and Michael Aquilante, Accidental Death of an Anarchist, Actors’ Gang; Jennifer Lee, Frozen, Pantages; Jonathan Shapiro, Sisters in Law, Wallis; Jen Silverman, Witch, Geffen Playhouse; Michael Gene Sullivan, 1984, Actors’ Gang; Matt Walker, A Christmas Carole King, Troubadour; Matt Walker, Julius Weezer, Troubadour; Jacqueline Wright, Driving Wilde, Theatre of NOTE

BEST DIRECTION OF A PLAY

Matt Shakman, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: Darin Anthony, Apple Season, Moving Arts; Daniel Aukin, Skintight, Geffen; Matt Bretz and Lisa Sanaye Dring, punkplay, Circle X; Dexter Bullard, Linda Vista, CTG/Taper; Emily Chase, Eight Nights, Antaeus; Guillermo Cienfuegos, Between Riverside and Crazy, Fountain; Gregg T. Daniel, The Mountaintop, Marshall; Michael John Garces, The Thanksgiving Play, Geffen; Maria Gobetti, The End of Sex, Victory; Doug Hughes, Key Largo, Geffen; Rhonda Kohl, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Simon Levy, Daniel’s Husband, Fountain; Marti Lyons, Witch, Geffen Playhouse; Matthew McCray, 4.48 Psychosis, Son of Semele; Will Thomas McFadden, Accidental Death of an Anarchist, Actors’ Gang; Michael Michetti, The Judas Kiss, Boston Court; Michael Michetti, Frankenstein, ANW; Tim Robbins, 1984, Actors’ Gang; Ruben Santiago-Hudson, Jitney, CTG/Taper; Stephanie Shroyer, The Caucasian Chalk Circle, Antaeus; Jacob Sidney, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Les Waters, Dana H., CTG/Douglas

BEST DIRECTION OF A MUSICAL

Rebecca Taichman, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Matthew Bourne, Cinderella, CTG/Ahmanson; Matthew Bourne, Swan Lake, CTG/Ahmanson; Stuart Carden with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Michael Grandage, Frozen, Pantages; Michael Matthews, The Producers, Celebration; Des McAnuff, Summer, Pantages; Jamie Robledo, Deadly, Sacred Fools; David Schweizer, In Circles, Odyssey; Timothy Sheader, Jesus Christ Superstar, Pantages; Matt Walker, A Christmas Carole King, Troubadour

BEST MUSICAL SCORE

Lisa Gutkin and Aaron Halva, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Falconer, The Play That Goes Wrong, CTG/Ahmanson; Ryan Thomas Johnson, Deadly, Sacred Fools; Robert Oriol, Frankenstein, ANW; Nellie McKay, A Play is a Poem, CTG/Taper; Members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Arturo Sandoval, Key Largo, Geffen; Stephanie Shroyer with the members of the cast, The Caucasian Chalk Circle, Antaeus

BEST MUSICAL DIRECTION

Kenneth J. Grimes, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Derick Finley, A Christmas Carole King, Troubadour; Shawn Gough, Jesus Christ Superstar, Pantages; Ryan Thomas Johnson, Deadly, Sacred Fools; Amanda Morton, Summer, Pantages; Abdul Hamid Royal, Lady Day at Emerson’s Bar & Grill, Marshall; Anthony Zediker, The Producers, Celebration

BEST CHOREOGRAPHY

Matthew Bourne, Swan LakeCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Ashford, Frozen, Pantages; Matthew Bourne, Cinderella, CTG/Ahmanson; Kate Coleman, In Circles, Odyssey; David Dorfman, Indecent, CTG/Ahmanson; Nadine Ellis, Janet Roston, The Producers, Celebration; Drew McOnie, Jesus Christ Superstar, Pantages; Sergio Trujillo, Summer, Pantages; Matt Walker, and Suzanne Julie Narbonne, Julius Weezer, Troubadour

BEST SET DESIGN (TIE)

Brett J. Banakis, Mysterious Circumstances, Geffen Playhouse

John Lee BeattyKey Largo, Geffen Playhouse

RUNNERS UP: Andrew Boyce, Dana H., CTG/Douglas; Lez Brotherston, Cinderella, CTG/Ahmanson; Alex Calle, The Mountaintop, Marshall; Francois-Pierre Couture, Frankenstein, ANW; Joel Daavid, A Streetcar Named Desire, Odyssey; Alexander Dodge, Anastasia, Pantages; Hershey Felder, A Paris Love Story, Wallis; Lydia Fine with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; David Gallo, Jitney, CTG/Taper; Stephen Gifford, The Producers, Celebration; Lauren Helpern, Skintight, Geffen; Nigel Hook, The Play That Goes Wrong, CTG/Ahmanson; Christopher Oram, Frozen, Pantages; Stephanie Kerley Schwartz, Apple Season, Moving Arts; Sibyl Wickersheimer, punkplay, Circle X

BEST COSTUME DESIGN

E.B. Brooks, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: E. B. Brooks, The Producers, Celebration; Lez Brotherston, Cinderella, CTG/Ahmanson; Lez Brotherston, Swan Lake, CTG/Ahmanson; Angela Calin, The Caucasian Chalk Circle, Antaeus; Wendell C. Carmichael, The Abuelas, Antaeus; Linda Cho, Anastasia, Pantages; Linda Cho, Key Largo, Geffen; Ann Closs-Farley, Driving Wilde, Theatre of NOTE; Ann Closs-Farley, In Circles, Odyssey; Ann Closs-Farley, punkplay, Circle X; Diane Graebner, The Judas Kiss, Boston Court; Alex Jaeger, Eight Nights, Antaeus; Diane Laffrey, Witch, Geffen Playhouse; Shon LeBlanc, A Streetcar Named Desire, Odyssey; Garry Lennon, Frankenstein, ANW; Linda Muggeridge, Deadly, Sacred Fools; Christopher Oram, Frozen, Pantages; Emily Rebholz, Indecent, CTG/Ahmanson; Roberto Surace, The Play That Goes Wrong, CTG/Ahmanson

BEST LIGHTING DESIGN

Jared A. SayegFrankenstein, A Noise Within

RUNNERS-UP: Christopher Akerlind, Indecent, CTG/Ahmanson; Christopher Ash, A Paris Love Story, Wallis; Neil Austin, Cinderella, CTG/Ahmanson; Howard Binkley, Summer, Pantages; Martha Carter, Apple Season, Moving Arts; Paule Constable, Swan Lake, CTG/Ahmanson; Bart Cortright with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Lee Curran, Jesus Christ Superstar, Pantages; Rick Fisher, An Inspector Calls, Wallis; Elizabeth Harper, Mysterious Circumstances, Geffen; David Hernandez, The Judas Kiss, Boston Court; Donald Holder, Anastasia, Pantages; Peter Kaczorowski, Key Largo, Geffen; Natasha Katz, Frozen, Pantages; Karyn D. Lawrence, Eight Nights, Antaeus; Rose Malone, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Tom Ontiveros, Lady Day at Emerson’s Bar & Grill, Marshall; Andrew Schmedake, Native Son, Antaeus/CTG at the Douglas; Paul Toben, Dana H., CTG/Douglas

BEST SOUND DESIGN (TIE)

Warren DavisApple Season, Moving Arts

Alex HawthornKey Largo, Geffen Playhouse

RUNNERS-UP: Eric Carstensen, A Paris Love Story, Wallis; Mikhail Fiksel, Dana H., CTG/Douglas; Mikhail Fiksel with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Jeff Gardner, The Abuelas, Antaeus; Jeff Gardner, Eight Nights, Antaeus; Jeff Gardner, Native Son, Antaeus/CTG at the Douglas; Paul Groothuis, Cinderella, CTG/Ahmanson; Matt Hubbs, Indecent, CTG/Ahmanson; Peter Hylenski, Frozen, Pantages; Cricket S. Myers, The Producers, Celebration; Robert Oriol, Frankenstein, ANW; Gareth Owen, Summer, Pantages; Robert Arturo Ramirez, The Mountaintop, Marshall; Jonathan Snipes, Mysterious Circumstances, Geffen; Daniel S. Tator, A Christmas Carole King, Troubadour

BEST STUNT / FIGHT CHOREOGRAPHY

Edgar Landapunkplay, Circle X Theatre Company

RUNNERS-UP: Ronnie Clark, Apple Season, Moving Arts; Dane Oliver, Hir, Odyssey; Steve Rankin, Witch, Geffen Playhouse; Steven Simon and Edgar Landa, Waiting for Waiting for Godot, Sacred Fools

BEST CGI / VIDEO DESIGN

Christopher AshA Paris Love StoryWallis Annenberg Center for the Performing Arts

RUNNERS-UP: Adam R. Macias, The Arbuelas, Antaeus; Adam R. Macias, Native Son, Antaeus/CTG at the Douglas; Duncan McLean, Cinderella, CTG/Ahmanson; Kaitlyn Pietras and Jason H. Thompson, Mysterious Circumstances, Geffen; Kaitlyn Pietras and Jason H. Thompson, Key Largo, Geffen; Aaron Rhyne, Anastasia, Pantages

SPECIAL EVENTS and PERFORMANCES

Nellie McKay, performing her original music in the otherwise dastardly A Play is a Poem, Center Theatre Group, Mark Taper Forum 

SPECIAL ACHIEVEMENTS

Michael Curry, Puppet Design, Frozen, Pantages Theatre
Ann Closs-Farley, Hair Design, punkplay, Circle X Theatre Company
Charles G. LaPointe, Wig and Hair Design, Summer, Pantages Theatre

BEST SCENE-STEALING DERRIERE OF 2019

Will BrittainSkintight, Geffen Playhouse


JOAN OF ART: An Outdoor Concert, An Indoor Concert, A Musical Parody of a Hit TV Comedy and A Great Musical From Broadway

One thing that I love about the summer is an outdoor concert and this Saturday evening the always fabulous RICKIE LEE JONES will be performing live at Burton Chace Park, 13650 Mindanao Way, Marina del Rey. Tickets are free and the concert starts at 7:00pm and runs till 8:30.

Now in its 19th year, the Marina del Rey Summer Concerts present exciting symphonic and pop concerts. Enjoy a serene sunset by the water while listening to great music. Bring some food along in case you get the munches.

For a full list of their concerts go to EventBrite.com/o/marina-del-rey-summer-concerts-19961789196. No tickets are required for these concerts.

Now if you’d rather be indoors, then head on out to the Forum in Inglewood to either Friday or Saturday night to see ADAM LAMBERT with QUEEN. I’ve seen this concert and it is fantastic. Adam has the same charisma that Freddie Mercury had and the dude can sing.

The Forum is located at 3900 West Manchester Blvd, Inglewood CA To purchase tickets and for more information. go to MSG.com.

If you’d like theatre of a different kind then I’m happy to report that one of my favorite musicals has returned to Los Angeles. The powerful, beautifully written musical MISS SAIGON starting this Thursday, July 18th will be playing at the Hollywood Pantages Theatre, 6233 Hollywood Blvd, Los Angeles.

MISS SAIGON is based on Puccini’s opera Madame Butterfly and similarly tells the tragic tale of a doomed romance involving an Asian woman abandoned by her American lover. The setting of the plot is relocated to 1970’s Saigon during the Vietnam War and Madam Butterfly’s story of marriage between an American lieutenant and a geisha i replaced by a romance between a United States Marine and a 17 year old South Vietnamese bargirl.

The music is absolutely haunting.

For tickets and information go to HollywoodPantages.com

Finally for some lighter fare then i recommend you head over to the Kirk Douglas Theatre to see FRIENDS! THE MUSICAL PARODY. This is the comedic musical that lovingly pokes fun at TV’S Friends, celebrating the adventures of your favorite group of 20 something friends as they navigate the pitfalls of work, life and love in 1990’s Manhattan.

The show has gotten rave review from all over the country.

To purchase tickets and for more information go to CenterTheatreGroup.org The Kirk Douglas Theatre is located in Culver City at 9820 Washington Blvd. This 317 Theatre is absolutely beautiful and a great place to experience theatre.

Whatever you choose to do this summer weekend, make it a great one.


Now Registered on the Better Lemons Calendar – February 25 - March 10, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Trojan Women

“Archway Theatre's immersive post-modern retelling of the aftermath of the Trojan War. Priam, Hector, and Paris are all dead. Queen Hecuba and the women of Troy are now the spoils of war, and must await their fate at the hands of the conquering Greeks.”

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Cemetery of Tortured Souls

“Zombie Joe's Underground Theatre Group proudly presents their All-New Horror-Theatre Spectacular haunted by The Golden Age of Hollywood in 1930's. While the only escape from The Great Depression were the movies, there was no escape for those entrapped by the glitter of Tinseltown: These restless spirits of stars and villains from yesteryear rise from their forgotten graves – to wander their final resting place and re-live their final moments in eternal damnation!”

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What Matters Now?/! (Another Political Pop-Up of the Theatrical Kind)

“Open Fist's annual “political pop-up” features a rotating roster of short plays by writers from across the country that explore our nation's current social and political climate and how the past year has affected us. Finding it hard to get off the couch and get to the theater? ”

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CATS!

“The record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory”. Winner of 7 Tony Awards® including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn. The original score by Andrew Lloyd Webber (Phantom, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!...Now and Forever.”

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THE MEATBALL CHRONICLES

“The Meatball Chronicles follows one woman through humorous and sometimes heart wrenching meals that align with stories of her childhood, her relationships with men, and in particular, her complicated relationship to her mother.
Mansini crafts this piece in a way that transcends her own story into universal themes that anyone who has a family can love. As she kneads the dough and thickens the sauce through each Italian recipe, the stories associated with those recipes reveal the complex ways that families cope, laugh, grieve, and show their love through food.”

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The Judas Kiss

“In spring of 1895, Oscar Wilde was larger than life. His masterpiece, The Importance of Being Earnest, was a hit in the West End and he was the toast of London. Yet by summer he was serving two years in prison for gross indecency. Punished for “the love that dare not speak its name,” Wilde remained devoted to his beloved, Lord Alfred “Bosie” Douglas. The Judas Kiss revolves around two pivotal moments in his life: the day when, cajoled by Bosie into an ill-fated trial, he decides to stay in England and face imprisonment, and a night when, after his release two years later, the lover for whom he risked everything betrays him again. David Hare's masterful play pulses with the ecstasy and anguish of an enamored heart.”

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Native Voices at the Autry Presents Pure Native

“Brewster's back! Rising from the ashes with a slick plan for a bottled water plant on reservation land. There's mixed agreement and opposition from family and friends, including an old flame with a grudge—but is he the secret ingredient for success? This play was workshopped as Corn Soup. Native Voices at the Autry is devoted to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights..”

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THE ELEPHANT MAN

“'The Elephant Man' is based on the life of John Merrick who lived in London during the latter part of the 19th Century. A horribly deformed young man who has been a freak attraction in traveling side shows, John is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of the famous young doctor, Fredrick Treves, Merrick is educated and introduced to London society. Through their eyes, he is changed from sensational object of pity, to an urbane and witty favorite of the aristocracy and literati. It his dream that he will become a man like any other…but unbeknownst to him, he exceeds even that.”

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JOAN and WHAT DID THEY SAY - An Evening of One Acts

“An Evening Of One Acts: JOAN and WHAT DID THEY SAY
JOAN is an imaginary tale of Joan Crawford's journey through the Bardo and her adjustment to the fact that her soul will move onto the unknown. During this dream state Joan reflects on–her life–her career–her enemies–her loves–those that helped create the film legend she became.
WHAT DID THEY SAY explores gender and sexuality in an unconventional family dramedy, taking place in Los Angeles today. As experienced in today's rough political climate, families don't always share the same values. Family members can be rough among themselves, and where Julian's dad is gay, and his older sister Harper identifies as a dyke, his twin sibling Felicia struggles to understand Julian's gender identity.”

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LA DRAMA CRITICS CIRCLE AWARDS

“The Los Angeles Drama Critics Circle (LADCC), which presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago, has begun the gala celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018).
The LADCC is further thrilled to announce that this historic occasion will take place on Monday, April 8, 2019 at one of the region's most historic and beautiful theatres, Pasadena Playhouse, at 39 S. El Molino Avenue in Pasadena.”

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The Mother of Henry

“In the working class melting pot that was Boyle Heights in the 1960s, five diverse employees in the return department at Sears form a tight bond as they cope with upheaval in their personal lives, their community and the rapidly changing world around them. Connie, a Latinx single working class mother, realizes her agency and discovers her true identity when the anxieties of war, civil unrest and political assassinations plaguing the country tragically affect her own life. Infused with period music and magical realism.”

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The Shape of Things

“Neil LaBute's 2001 drama “The Shape of Things” is set in a small university town in the American Midwest and centers on the lives of four young students who become emotionally and romantically involved. How far would you go for love? For art? What would you be willing to change? What price might you pay? Such are the painful questions explored in the play. A young student drifts into an ever-changing relationship with an art major while his best friend's engagement crumbles, unleashing a drama that peels back the skin of two modern-day relationships.”

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The MisMatch Game

“For a record-breaking 15th year, it's time once again to “get ready to match the stars” with a new edition of Dennis Hensley's The MisMatch Game. The side-splitting parody of the ‘70s game show has set the rafters ringing with laughter since its debut in 2004. The show the LA Times calls, “witty, ribald … an adventure in surrealist era bending” returns to the Los Angeles LGBT Center's Renberg Theatre for two hilarious shows.”

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Los Angeles Women's Theatre Festival

“The overall theme of the Festival will be I, Woman and the theme of the Opening Night GALA will be In Tribute To. The Champagne GALA and Awards Ceremony will take place on March 22, 2019 at 7:00 p.m. nd will be directed by Denise Dowse (Imposters) and hosted by Starletta DuPois (The Notebook) and Kym Whitley (Young and Hungry). The event will honor five women of exceptional achievement and contribution to the world of theatre (Eternity Awardee- Jenifer Lewis; Integrity Awardee- Leslie Ishii; Maverick Awardee- Sandra Tsing Loh; Rainbow Awardee- Whitney Weston; and posthumously, Infinity Awardee-Carol Channing. There will be special live performances in addition to the awards presentation.”

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IN RESPONSE: Year of the Woman (Still)

“Past and present issues of women including current the #MeToo movement are explored through a collection of dramatic, humorous and thought-provoking, monologues, poems and dance. All the material is written by women. Sunday performances are followed by an audience talkback.”

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Church Basement Ladies

“Church Basement Ladies, a celebration of the church basement kitchen and the women who work there, features four distinct characters and their relationships as they organize the food and the problems of a rural Minnesota church. From the elderly matriarch of the kitchen to the young bride-to-be learning the proper order of things, the show and music give us a touching, funny look at their lives as we see them handle a record breaking Christmas dinner, the funeral of a dear friend, a Hawaiian Easter Fundraiser, and a steaming hot July wedding. They stave off potential disasters, share and debate recipes, instruct the young, and keep the Pastor on due course while thoroughly enjoying, (and tolerating) each other. Funny and down to earth, you will recognize these ladies as they begin to see the Church year unfold from below the House of God.”

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The Sunshine Experience

“So do a little dance! Make a little love! Get down tonight with The Sunshine Experience – the nation's premier tribute to KC and the Sunshine Band. “Shake, Shake Shake Your Booty” to their funky tunes and fall in love with KCSB's triple-platinum sound all over again! ‘Cause “That's the way–uh huh, uh huh–I like it!” The Sunshine Experience delivers a high-energy, adrenaline-pumping show with spot-on musical arrangements and amazing choreography.”

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A Terrible Show for Terrible People

“A Terrible Show for Terrible People is a raunchy and rambunctious, non-verbal solo clown performance that is both boner- and vomit-inducing. Physical comedian Bonnie He takes the audience through a voyeuristic window into personal tragedy, triumph, and titillation. Mostly titillation. Hehe. TIT-illation. You're not just watching a Terrible Show – you're participating in the destruction of common decency.”

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HEISENBERG

“LAGUNA PLAYHOUSE is thrilled to present a co-production with the Rubicon Theatre Company, the critically acclaimed (LA Times Critics' Choice) production of HEISENBERG, written by Simon Stephens (The Curious Incident of the Dog in the Night-Time) directed by Katherine Farmer (South Pacific, Gulf View Drive) and starring Faline England (Valentine's Day) & Joe Spano (Hill Street Blues and NCIS). Comments Artistic Director Ann E. Wareham and Executive Director Ellen Richard, “What a special opportunity to co-produce this critically acclaimed production with the Rubicon Theatre Company. Simon Stephens has written a funny, tender and quirky love story that celebrates human relationships in all their complexity. Faline England and Joe Spano are giving masterful performances under the brilliant direction of the gifted Katharine Farmer.”

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The Second Coming of Klaus Kinski

“Fresh off an LA Stage Alliance Ovation nomination for Lead Actor in a Play, WTFN brings back Andrew Perez in the Encore Award-winning THE SECOND COMING OF KLAUS KINSKI!...resurrected for 3 consecutive Friday nights — March 22, 29 & April 5 at the Pico Playhouse...Klaus Kinski is one of the most celebrated and controversial actors in the history of world cinema. The reckless abandon with which he approached both life and art left him tortured, demonized and worshipped. He now resurrects to shake your souls with one last command performance. THE SECOND COMING OF KLAUS KINSKI.”

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Lin-Manuel Miranda to Get a 'Star' on the Hollywood Walk of Fame at the Hollywood Pantages

Multi-Tony Award®-winning "Hamilton" and "In The Heights" writer, composer, and actor, Lin-Manuel Miranda, in then-Secretary Jack Lew's office—or as Miranda writes—, "the room where it happens," on March 14, 2016. Photo credit Public Domain.

Multi-Tony Award® winning Lin-Manuel Miranda, the lyricist, composer, singer and actor who cultivated a signature rap and musical story-telling style in his shows “In the Heights” and “Hamilton”, is to be honored with a star on the Hollywood Walk of Fame in front of the Hollywood Pantages Theatre in Los Angeles, on Friday, November 30, 2018, at 11:30 a.m.
Satirist singer-songwriter "Weird Al" Yankovic and Renée Elise Goldsberry, the latter whose role as Angelica Schuyler in “Hamilton” won her a Tony Award® for Best Actress in a Featured Role–Musical, will be guest speakers.
The presentation will be live-streamed on WalkofFame.com.
The Hollywood Pantages Theatre is across from the Metro Red Line Station near Hollywood and Vine and there is metered street parking and paid lot parking in the area as well.

Miranda is due in movie theatres during this holiday season with Disney's "Mary Poppins Returns," alongside Emily Blunt, on December 19, 2018.
Hamilton won a total of 11 Tony Awards®, including awards for Best Musical, with Best Original Musical Score and Best Book (Musical) to Miranda, as well as receiving the Pulitzer Prize for Drama, in 2016.
Both of Miranda's shows, “In the Heights” in 2010 and “Hamilton” in 2017, made their way to the landmark Hollywood Pantages Theatre in Los Angeles after their stints on Broadway.
The ceremony will be in front of the Hollywood Pantages, located at 6243 Hollywood Blvd., and Miranda's new Star will be unveiled and installed in a designated spot, just adjacent to the theater at 6231 Hollywood Blvd., in front of Starline Tours.