How Wearing a Mask Could Help the Theatre Industry and Your Local Economy


The following was posted on facebook by film and theatre actress Kitty Swink, who is a member of the Antaeus Theatre Company in Los Angeles. With her permission I'm reposting for all to read and share.

Kitty copied and slightly edited this and shared from multiple of her dear and fabulously talented colleagues.


Please read this...this is personal!!!

Our industry is gone, and it will be a very long time before it recovers. Hope you all are enjoying the beach and theme parks while we just sit home and hope our jobs come back. Stop being selfish. Stay home. Wear a mask.

Yesterday, Broadway formally announced the rest of the year is canceled and Cirque du Soleil has filed for bankruptcy protection. Lincoln Center is closed. Multiple orchestras and opera companies have cancelled seasons. Smaller regional companies , venues and organizations are in jeopardy. Even community theatres , bands, orchestras, free lance gigs have gone away. So when you see your entertainment friends begging you to wear masks and stay home, understand that we are helplessly watching our industry crumble before our eyes because the country is doing so poorly at reducing the spread. This IS personal for us.

If you plan on watching ‘Hamilton’ today... or if you loved the ‘Chicago’ movie... or if ‘Sound of Music’ or Nutcracker is a holiday tradition for you. THEY ALL started on a stage.

Now Broadway is shut down till Jan 2021. Major performing arts presenters are closed for the next season.

ALL of the following people are out work.

It’s not just the actors or musicians.

For those of you not in the theatre or music community, please understand the scope of Broadway/Off-Broadway being shut down. Frankly, this affects all theatre and music anywhere. It travels much further than the stage boards where you see the brilliant performers giving you an amazing show. You also have:

- Tour managers
- Production managers
- Tour accountants
- Stage managers
- Company managers
- House managers
- General managers
- Stage Techs
- House crew
- Runners
- Truck and Bus drivers
- Promoter reps
- Caterers
- Production Assistants
- Dressers / Wardrobe
- Hair/Makeup
- Carpenters
- Electrics
- FOH Sound Engineers, Monitor Engineers & techs
- Lighting Designers and Techs
- Props
- Musicians
- Ushers
- Bartenders
- Box office treasurers
- Porters
- Cleaners
- Matrons
- Merchandise
- Security
- Marketing
- Producers
- Directors
- Choreographers
- Authors
- Orchestrators/Arrangers
- Interns
- Press Agents
- Casting Directors
- Set Designers
- Costume Designers
- Hair/Makeup Designers
- Lighting Designers
- Sound Designers
- Prop Designers
- All the design assistants
- Vocal/dialect coaches
- Child wranglers
- Doormen

Now go out of the theatre district and see the jobs this shutdown also affects:

- All the costume shops where the costumes are made
- The millinery shops where the hats/headpieces are made
- The cobblers where all the custom shoes are made
- The wigmakers
- The fabric/bead/feather shops- while these may reopen they will suffer huge losses with no shows requiring anything for this entire year.
- Scenic shops where the sets are built
- Prop shops where the props are made
- Sound and Lighting shops where the lights & mics are rented from
- Design studios where the sets, costumes, props, etc are dreamed up to make the directors vision a reality
- Rehearsal spaces for the show to be worked out before it appears for your pleasure
- Merchandise vendors, concessions
- Advertising agencies & press agencies
- Talent agencies and managers
- Union offices
- Producer & general management offices

Now venture even deeper into the shutdown and see the business that is lost in the theatre district from just the people in the industry not working on a show (then on top of that the loss of audience members buying stuff at)

- Delis
- Restaurants
- Post-show bars
- Coffee shops
- Hotels
- Garages
- Gyms
- Physical therapists

If that list seems long - it is! And that’s just New York. That’s not even taking into account all the theatre around this country. For most of us - this is our whole life!!
Wear a damn mask!



Spotlight Series: Meet Bill Brochtrup Who Rose to Fame on NYPD Blue, L.A. Stages, and is now the Artistic Director of the Antaeus Theatre Company


This Spotlight focuses on Bill Brochtrup who rose to TV stardom as PAA John Irvin on the ABC television drama NYPD Blue and continues to dazzle audiences as an actor, most recently in the Ovation Award-wining Daniel's Husband at the Fountain Theatre, and planning programming for the Antaeus Theatre Company in Glendale as its Artistic Director. And when he can, Bill enjoys traveling around the world and hiking in some of the most beautiful places on Earth.


Fountain Theatre Company's "Daniel's Husband" with Bill Brochtrup and Tim Cummings. Photo by Ed Krieger

Shari Barrett (SB):  What would you like readers to know about your theatrical background?

Bill Brochtrup (Bill): I started working in Los Angles theatre as soon as I got to town in the mid-1980s and that led directly to my work in film and television. But I’ve always returned to the Theatre, first as an actor and more recently as Artistic Director of the Antaeus Theatre Company. I’ve seen LA theatre grow and deepen and thrive, and I’ve been very lucky to experience what a close knit and warm community this is.

(SB):  What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(Bill): Antaeus had just opened a new production of Shakespeare’s Measure for Measure, which is an extremely pertinent and timely play. Word of mouth was going very well and we had a number of sold out performances coming up, so it was a blow to everyone involved to have to shut it down.

(SB):  How did you communicate the shutdown with your cast and production team?

Opening Night of Antaeus Theatre Company's Native Son at CTG'S BLOCK PARTY with Bill Brochtrup, Ana Rose O'Halloran and Kitty Swink

(Bill): Early on I met with Co-Artistic Director Kitty Swink and our Executive Director Ana Rose O’Halloran to talk about our options — and it was pretty clear that for the safety of our actors, staff, and audiences we needed to close the show.  We spoke first to the play's directors, Armin Shimerman and Elizabeth Swain, and then I wrote a difficult email to the cast and production team.  Everyone understood because it was becoming increasingly clear what the world would be up against.  With sickness, death, and true hardship on the horizon for many people, closing a play is a small thing — but it was sad news nevertheless.

(SB):  Are plans in place to present that production at a future date, or is the cancellation permanent?

(Bill): At this point it’s hard to say what we’ll do in the future because we just can’t be certain of any kind of timeline.  I will say that the set is still standing and the costumes are still in the dressing room, so it remains a possibility — I’d love for more people to be able to see our wonderful actors.

(SB):  What future productions on your schedule are also affected by the shutdown?

(Bill): We had just finished casting our next production, William Saroyan’s The Time of Your Life which was meant to begin rehearsal this month. We’re still determining how we’re going to proceed. And we were in the midst of finalizing Antaeus’ next season, which will be our 30th and some of those plans are now in flux. We will obviously be following all guidelines from the county and state about when we can reopen and get things going again.

(SB):  How are you keeping the Arts alive while at home by using social media or other online sites?

(Bill): Antaeus has numerous programs and many of those have been able to move online fairly seamlessly — a number of our Academy classes are meeting that way as is the Antaeus Playwrights Lab. We have weekly Zoom check-ins with our Company members, another with our staff, and we have also already enjoyed a really fun virtual Happy Hour with some donors and supporters.

(SB):  You mentioned what a close knit and warm community our L.A. Theatre world is. What thoughts would you like to share with them while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Bill): We believe that live theatre is about artists and audiences coming together in person to create a community, so we’re really looking forward to the time when we can gather together in real life. Antaeus isn’t going anywhere and we’ll be back with a vengeance as soon as we’re able.

(SB): I totally agree. Nothing can compare to being part of an assembly of people experiencing the magic of live theatre together. It’s so symbiotic, making each performance unique and special in its own right. Any other thoughts to share?

(Bill): On a personal note, I’m so proud to be a part of the LA Theatre scene in all of its vibrancy and diversity. I believe we’ll come through this stronger and more unified than ever.

(SB): Amen!


Featured headshot by Rory Lewis


This article first appeared on Broadway World.