The Winners at the 50th Annual ‘LA Drama Critics Circle’ Awards Ceremony Held at the Pasadena Playhouse

The 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019. (Photo by Better Lemons)

The LA Drama Critics Circle (LADCC) held their 50th Annual Awards ceremony at the landmark Pasadena Playhouse where Better Lemons was in attendance to live tweet the evening’s festivities and entertainment, Monday, April 8, 2019.

Wenzel Jones presided over the festivities, and Christopher Raymond served as music director with musical performances by Kristin Towers Rowles, Constance Jewell Lopez, and Zachary Ford.

There were four recipients of the 2018 Production award: Cambodian Rock Band (South Coast Repertory), Come From Away (Center Theatre Group/Ahmanson Theatre), Cry It Out (Echo Theater Company), and Sell/Buy/Date (Geffen Playhouse / Los Angeles LGBT Center).

Better Lemons’ Chief Operating Officer Stephen Box (Left,) Publisher Enci Box, and Playwright & Screenwriter Steven Vlasak at the 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019.

The Antaeus Theatre Company received the most awards, with three of its productions winning a combined seven trophies. Celebration Theatre’s Cabaret took home six awards, the most awards for a single production, including one for Revival. Tom Hanks received a lead actor award for his performance as Falstaff in The Shakespeare Center of Los Angeles production of Henry IV in a competitive category. 17 awards were presented in other categories with 17 productions taking home the honors.

In its inaugural this year, the Theater Angel award was presented to Yvonne Bell in recognition of her “long career devoted to fostering theater in Los Angeles … [and] successful fundraising campaigns” to help open several cultural institutions, such as The Museum of Contemporary Art and the California Science Center.

Eight previously announced special awards were presented, including the Margaret Harford Award for sustained excellence in theater to Sacred Fools Theater Company and the Ted Schmitt Award for the world premiere of an outstanding new play to Lauren Yee for Cambodian Rock Band.

The LADCC was established in 1969  “to foster and reward merit in the American Theater and encourage theater in Los Angeles,” the LADCC site quotes from an announcement in the L.A. Times of that year.

Here is the list of award recipients as announced during Better Lemons’ live coverage on Twitter:

Featured photo by Enci Box – Theatre patrons in the courtyard of the Pasadena Playhouse for the 50th Annual LA Drama Critics Circle Awards, Pasadena, California, Monday, April 8, 2019. Enci Box contributed to this story and photos.


STAGES OF DOUBT: AN ANALYSIS OF THE KENNEDY ASSASSINATION IN AMERICAN THEATRE – PART 4

To read Part 1 of this series, please click here.

To read Part 2 of this series, please click here.

To read Part 3 of this series, please click here.

One of the wilder interpretation of the history of the assassination must surely be The Life and Times of Lee Harvey Oswald Or, The Most Unnatural Murder and Dastardly Assassination of John F. Kennedy by that Bloodthirsty Villain Lee Harvey Oswald (or someone else), as represented by our best hand-carved Marionettes and life-like Mannequins of Choicest Linden Wood.

Conceived, written and directed by Vít Horejš and performed by the Czechoslovak-American Marionette Theatre, this 2017 production at La MaMa Experimental Theater was part Howdy-Doody Show part Greek Tragedy with nine puppeteer-performers, a chorus of a dozen demonic ventriloquist dummies and a cast of over 50 Marionettes.

The whimsy one normally expects from puppetry was apparent in portraying the John Kennedy puppet a knight in shining armor, Jackie as a royal princess, and Joe Kennedy a King. Lyndon Johnson was depicted as a cook, John Connelly in cowboy regalia and Castro as a boasting spirit with an insanely long beard.

Oswald was more recognizable, garbed as seen in the infamous photo taken in the backyard of their home on Neely Street by Marina, with Oswald holding the rifle that would kill Kennedy and the pistol that was used to kill Dallas police officer J.D. Tippit some 45 minutes after the assassination.

The work touched on numerous conspiracy theories but committed to none of them, nor did it limit itself to the events at Dallas, but explored the assassinations of Bobby Kennedy and Rev. Martin Luther King as well.

The focus of the production seemed to be that as the characters on stage were manipulated by the puppeteers so destiny moved the historical figures towards their historical fates.

A assortment of musical productions have endeavored to capture the essence and consequences of the assassination. In 1983 Leslie Bricusse and Allan J. Friedman opened One Shining Moment: A musical Celebration of John F. Kennedy. Destined to be reworked often up through 2012 the multi-media production used actual footage to display the Kennedys world from the start of his presidential bid until November of ’63.

In 1997 Dublin, Ireland saw the opening of JFK: A Musical Drama, music by Will Holt, with book and lyrics by Holt and Tom Sawyer. The hope was to take the show to the Great White Way, which was not an impossibility as in 1970. Holt and Gary William Friedman were the talents behind the hit show The Me Nobody Knows, one of the first rock musicals to reach Broadway.

The show opened with the widowed Jackie informing the audience that she intended to tell them the story of her husband, before the historians “get it wrong.”

The musical concerned itself with the struggle of the three Kennedy sons – Joe, John and Bobby to live up to their father’s ambitions for them. Later their struggle would be to break free of those ambitions. The play hints that John’s fate was sealed by his decision to withdraw from Vietnam, a favorite myth put forth by the conspiracymongers.

What the CT community point to in substantiating their claim that Kennedy was ready to pull the US forces out of Vietnam is an interview with Walter Cronkite on September 2, 1963 in which Kennedy made the following statement:

“I don’t think that unless a greater effort is made by the Government [of South Vietnam] to win popular support that the war can be won out there. In the final analysis, it is their war. They are the ones who have to win it or lose it.”

You’ll find this quote in scores of pro-conspiracy books and hear it in the film JFK, but you are never given the complete quote, Kennedy goes on to say:

‘But I don’t agree with those who say we should withdraw. That would be a great mistake. I know people don’t like Americans to be engaged in this kind of an effort. Forty-seven Americans have been killed in combat with the enemy, but this is a very important struggle even though it is far away.”

Would Kennedy have pulled us out of Viet Nam if he had lived is impossible to say, but prior to his assassination there was no indication on his part that he intended to do so.

JFK: A Musical Drama offered an array of historical characters on stage other than the Kennedy clan; Bull Connor, Medger Evers, LBJ, Fidel Castro, Nixon and others. After a good deal of reworking it crossed the pond to Broadway in 1998. Critics found it so scant on dialogue many regarded it more of a operetta than a musical. The show did not find favor and soon closed, inspiring one Irish wag to quip “Can you remember where you were when they shut JFK?”

But the most distinctive as well as the most insightful musical involving the assassination must go to Stephen Sondheim’s Assassins with book by John Weidman. This 1990 show was concerned not with just the story of JFK, but with the phenomenon of political violence in this country. To that end it presented the history of the men and women who assassinated a U.S. President or made the attempt. Some like John Wilkes Booth are well known to most Americans others like Charles Guiteau, Leon Czolgosz, Giuseppe Zangara and Samuel Byck are not.

The final scene takes place on the sixth floor of the Texas School Book Depository where a hesitant and undecided Lee Harvey Oswald is confronted by the ghost of Booth and other assassins who entice him slowly to the window and convince him that pulling the trigger on his Mannlicher-Carcano is the answer to all his pain.

Photo: The cast of “The Magic Bullet Theory.” Credit: Amani/Wood Photograph

L.A.’s Sacred Fools Theater offered a “Dr. Strangelove” redo on the events in their 2012 black comedy The Magic Bullet Theory by Terry Tocantins and Alex Zola. This misconceived mixture of political murder and merry mayhem began with Charlie Harrelson appearing before the Warren Commission with the truth about the assassination of JFK. The father of actor Woody Harrelson, Charlie Harrelson killed US District Judge Jon H. Wood. During a six hour standoff with Texas police prior to his arrest the coked out Harrelson threatened suicide and claimed to have murdered JFK. He admitted later that the statement was made in “an effort to elongate my life.” Nevertheless he became a favorite suspect for the CT community. Tocantins and Zola took a Monty Python approach to the overabundance of conspiracy theories, presenting bumbling glassy knoll shooters, a dim-witted Oswald and clichéd Mafia hit men who all but sweated ragu sauce. The punch line of this show was that JFK’s shooting wasn’t so much the result of a conspiracy as a boo-boo.

…to be continued


Now Registered on the Better Lemons Calendar – February 11 – 17, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Accidental Death Of An Anarchist

“In this piece of classic international theatre from 1970, Fo writes of a madman, who invades a police station interrogation room where an anarchist accused of bombing a railway station has recently “accidentally” fallen out of a window. Donning various disguises and voices, the madman manipulates policemen into a truth-inducing hysteria. This world-renowned farce is produced in honor of one of The Actors’ Gang inspirations and mentors, Dario Fo. Famed artist Ralph Steadman, known for his iconic images a lifetime of illustration, magazine and other work, including his longtime collaboration with Hunter S. Thompson, has created a logo that helps to bring this production context. Also, a Dario Fo – Ralph Steadman exhibition will be on view throughout the run of Accidental Death of an Anarchist.”

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Anderson Lena and the Things That Don’t Matter

“In 2012, researchers at Northwestern University concluded that when we recall a memory, we’re not actually the recalling the memory, but rather the memory of the last time we remembered it, thus irreparably distorting our perception of the past. This is a play about that. With an offbeat yet authentic voice (and a structure to match), “Anderson Lena and the Things That Don’t Matter” explores the unsettlingly distinct possibility that objective truth is about as real as a fluffy pink unicorn. It starts off simply enough: a girl dancing alone in her bedroom. But, much like life, this story is nowhere near as simple as it should be. Three characters, two timelines, and one room later, you’ll leave questioning every memory you ever held dear. But, you know, in a cool way.”

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RAGTIME: THE MUSICAL

“The great American musical has returned to LA for its first major production in 20 years. Nominated for 13 Tony Awards including Best Musical, Ragtime tells the story of three families at the turn of the 20th Century in pursuit of the American dream. The award-winning score uses ragtime rhythms to paint a portrait of the people who built this country with the hopes for a brighter tomorrow.”

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Ohad Naharin/Batsheva Dance Company: Venezuela

“Batsheva returns with Venezuela, a new work which explores the dialogue and conflict between movement and the content it represents. Venezuela is a multifaceted piece where the endless possibilities of a choreographer’s craft are at play and compel the audience to challenge their own notion of freedom of choice.”

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Attack of the Second Bananas

“Who killed beloved stage stars Ruby Moss and Andrea Hammond? Find out as the LAPD detective on the case pieces together the clues. Attack of the Second Bananas is a comedy noir about the ultimate price of fame. Running time is 90 minutes with no intermission. WORLD PREMIERE.”

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Fifty Words

“Adam (Eric Larson) and Jan (Olga Konstantulakis) are alone together for the first time in almost 10 years. Without the buffer of their nine-year-old son (who is away at his first-ever sleepover), this smoothly scripted multi-layered play reveals how closely love and hate can be linked in marriage … how with each problem experienced as parents, each subsequent layer that’s revealed shows yet another problem in their marriage. The play is an incisive close-up of the emotional battleground of contemporary relationships and the lengths to which a couple will go to save it.”

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How We’re Different from Animals

“Over three years in the making, ÉLAN Ensemble’s inaugural production is the culmination of the company’s work, adapting Miranda July’s book of short stories No One Belongs Here More Than You. The show breathes life into July’s quirky, lonely, odd, lovable characters in an oddly hilarious tapestry that reflects the complexity, isolation, and unexpected connectivity of life in Los Angeles.”

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Home

“Writer/performer Nancy Ma’s coming-of-age tale about growing up sandwiched between two cultures. Desperately seeking approval from her Chinese Toisan immigrant family, Nancy journeys away from her home in New York City’s Chinatown in search of the American dream — only to learn that you can only find “home” when you accept where you come from. Feb. 28 – March 24 at The Los Angeles Theatre Center, 514 S. Spring St., Los Angeles, CA 90013; $24- $38; For reservations and information, call (866) 811-4111 or go to http://thelatc.org.”

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The Joy Wheel

“Life is changing for Frank and Stella. On the day of Frank’s retirement party, this once loving and simple couple find themselves pulled in different directions as the winds of change blow through Joy, Illinois. The world is not what it was. Joy is not what it was. Stella is shaken, but inspired, by her best friend becoming a liberated, sexualized, independent woman, while Frank decides to emulate his doomsday prepper friend by building an underground bunker that once was the family swimming pool. It’s as if all of them are riding the Joy Wheel, hanging on to someone else so they can stay their ground.”

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Church Basement Ladies

“The Glendale Centre Theatre is America’s longest-running continuously family-owned theatre in the round. Now in its 72nd year, GCT has just opened its second show of the 2019 season: Church Basement Ladies!”

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The Pack at The Pico

“The Pico will be presenting a monthly reading series of original short comedies by Emmy® nominated and Drama Desk Award-winning writer Eugene Pack. Every month, The Pack at the Pico will feature a new evening of material and a revolving noteworthy cast.”

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Geronimo: Life on the Reservation

“Return engagement of the critically acclaimed seldom told story of Geronimo’s life as a POW on the Fort Sill Indian Reservation. Starring veteran performer Rudy Ramos (Yellowstone, Ironsides, The High Chaparral, Dr. Quinn, Medicine Woman: The Movie, The Enforcer, Defiance, Colors), helmed by respected actor/director Steve Railsback (The Visitors – dir. Elia Kazan; Helter Skelter, From Here to Eternity, The X-Files), and written by award-winning novelist Janelle Meraz Hooper (As Brown As I Want: The Indianhead Diaries, Custer and His Naked Ladies), GERONIMO focuses on the resiliency, humor, and genius of the great Apache leader, bringing his final years to life on the stage in a dramatic recounting of a fascinating, largely forgotten chapter in American history. Two shows only!”

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Pirates of Penzance

“The Gilbert and Sullivan classic Pirates of Penzance sails into Glendale Centre Theatre March 15!”

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Rex & Bob’s Excellent Misadventure

“Rex & Bob’s Excellent Misadventure is the story of The Music Man’s and My Fair Lady’s two leading men. What happens when they switch lives?”

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Nunsence

“The mega musical returns to the Glendale Centre Theatre! Pure nunsense!”

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Four Weddings and an Elvis

“Come enjoy four weddings in Las Vegas with the King himself! This musical comedy is a treat for the whole family.”

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More Guns! A Musical Comedy about the NRA s

“The National Rifle Association is here to save the day – through song and dance! Praise the lord and NRA-men! Ron Barkley is the head lobbyist for the NRA, and his life is real tough — his daughter is a liberal socialist with a penchant for protests, and for some reason, the entire country is up in arms about gun control. But when Ron prays to God for divine intervention, he receives a magical gun that turns people – into guns. Because after all, if you’ve got problems, the solution is always More Guns! With songs like “Semi-Automatically”, “Everybody Do The Lobby!” and “Liberal Love”, MORE GUNS! is a satire of the NRA, the “woke” left, and all those boring moderates in between. This is a show for the whole family, and by whole family we mean adults only (16+)”

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Birdland Blue

“At Broadway and 52nd Street in New York City, the nightclub Birdland was the legendary center of the jazz world, where the glitterati of Broadway, Hollywood and the sports world regularly filled its 500 seats. In August, 1959, the biggest star in jazz was Miles Davis, who earlier that year recorded Kind of Blue, regarded then and now as the most innovative and best jazz album of all time. The Miles Davis Sextet, as constituted that summer, was regarded as the best jazz combo ever. Birdland Blue is a behind-the-scenes look at Miles on one evening that August. He flirts with a beautiful reporter for a jazz magazine. He copes with division within his ranks, as two of his musicians (Julius “Cannonball” Adderley and John Coltrane) are on the verge of leaving the Sextet to start their own groups. He deals with substance abuse problems, his own and that of one of his musicians. He argues with the club owner/manager over proper compensation. His biggest challenge may be coming from a violent, crooked, racist cop.”

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Julius Caesar

“From the presenters of the Griffith Park Free Shakespeare Festival, join us indoors at the ISC Studio at Atwater Crossing.
Beware the Ides of March! Rome teeters on the brink of civil war as Caesar’s ambition for a crown threatens the stability of the Republic. Part ghost story, part political murder thriller, ancient Rome comes to vivid life in ISC’s first ever mounting of one of the greatest hits of the Elizabethan stage. Inspired by Orson Welles’s 1937 Mercury Theater production, this pared down version of the text immerses the audience in the multiplicities of the conspiracy to save Rome and even gives the spectators a voice in the action. Audience participation encouraged (but not enforced!)”

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The Apple Tree

“When the Winslow sisters are forced to return home to confront their past, they must choose either to hold tight to anger or open their arms to change. ‘In the process of letting go you will lose many things from the past, but you will find yourself.’-Deepak Chopra. This is the world premiere of The Apple Tree and the inaugural production of Firefly Theatre Group.”

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🍋


Lemon Butter: The Third Annual Oscar® Film Week Returns to ‘Culina’ at ‘The Four Seasons’ to Benefit the ‘Lollipop Theater Network’

Culina at the Four Seasons Hotel Los Angeles at Beverly Hills will once again feature a Dinner and a Movie or a Pronto Market Lunch and Matinee of the eight 2019 “Best Picture” Oscar®-nominated films in their Third Annual Oscar® Film Week,  from Tuesday, February 19, 2019, through Saturday, February 23, 2019.

Photo by Monique A. LeBleu
The 3rd Annual Oscar Film Week at Culina at the Four Seasons, Beverly Hills, California, Saturday, February 9, 2019.

The package includes a very special Culina Three-Course Prix-Fixe Dinner by Chef de Cuisine Luca Moriconi, or the Culina Pronto Market Lunch and matinee, leading up to this year’s 91st Academy Awards. Dinner is served in their dining room, where an adjacent private off-patio screening room awaits for the day’s scheduled Oscar®-nominated film screening.

The 3rd Annual Oscar Film Week at Culina at the Four Seasons Hotel Los Angeles at Beverly Hills will partially benefit the Lollipop Theater Network, a non-profit 501 (c) (3) organization dedicated to bringing the magic of movies to children confined to hospitals nationwide due to chronic or life-threatening illnesses.

“Working with leading motion picture studios, the Lollipop Theater Network delivers the season’s biggest blockbusters while they are still in theaters directly to those children and their families at the hospital, bringing the joy, magic, and momentary escape of the movies to those who need it most.”

Photo by Monique A. LeBleu
The Polpo Grigliato of tender charred octopus, smoked potatoes, green beans, watercress, and cauliflower purée frisée Culina at the Four Seasons, Beverly Hills, California, Saturday, February 9, 2019.

With thirty-seven-seats, the unique dining and intimate movie experience combine the luxury of fully reclining leather chairs with a side table for cocktails and snacks, a plush blanket, and old-time fresh machine-popped complimentary popcorn which guests can customize with specialty seasonings. Themed cocktails and wine by the glass or bottle can be ordered from the bar service and movie theater boxed candy is also available for purchase.

The adjacent cozy cocktail patio just outside the theater and dining room, surrounded by lush greens, water wall fountain and warm lamps, or the cocktail bar and lounge of warm woods, red lounge chairs, and gold appointments and wine cellar, make for perfect après film conversation.

Chef Moriconi has created a three-course prix-fixe menu that includes a chose of an Antipasti, such as the Burrata Invernale prepared with beets, mustard greens, red wine vinegar, and duck prosciutto, the Zuppa Ribollita made of Tuscan vegetables, Borlotti beans, garlic, and roasted ciabatta, or the Polpo Grigliato of tender charred octopus, smoked potatoes, green beans, watercress, and cauliflower purée frisée. There is the Secondi course as well, which includes three choices starting with the Nastri al Cinghiale, a rich dish featuring handmade pappardelle, braised wild boar sugo, and pecorino, the Pollo al Marsala accompanied by white asparagus, celery root, potato purée, and marsala jus, or the Branzino Alla Matin-Ara with roasted branzino, fingerling potatoes, artichoke Taggiasca olives, cherry tomatoes, and asparagus. For Dolci, a choice of the Crème Caramel served with citrus lemon sorbet and coconut meringue or the Tiramisu prepared with espresso meringue and chocolate crisp.  The three-course prix-fixe menu is $59 per person, which includes the screening.

Photo by Monique A. LeBleu
The Nastri al Cinghiale, of handmade pappardelle, braised wild boar sugo, and pecorino at Culina at the Four Seasons, Beverly Hills, California, Saturday, February 9, 2019.

Guests attending either of the Saturday Matinee Screenings will enjoy the Culina Pronto Market Lunch which is a specially curated Farmers Market inspired buffet including a selection of salads, cheese, and charcuterie with a choice of protein, along with specialty desserts, fresh fruit and other delectable treats.  The Culina Pronto Market Lunch is $35 per person, which includes the screening.

Notable highlights from the dinner menu, off-prix-fixe, menu items is the Pappardelle Ripiene. Chef Moriconi’s own creation of Pappardelle pasta–wide, flat pasta filled with Tuscan Kale and ricotta encased ravioli-style–then tossed in fresh sage butter and topped with a saffron sauce, Parmigiano Reggiano, and crispy Tuscan Kale. The Risotto is served table-side, hot from a cheese wheel with scrapes of cheese from within the wheel. Two of the dishes–the Tortelli Lucchesi of roasted beef with prosciutto stuffed pasta, thyme, braised beef sugo, and the Nastri al Cinghiale, featuring handmade pappardelle, braised wild boar sugo, and Pecorino cheese (the latter included as part of prix-fixe)–are both dishes close to Chef Moriconi’s heart and home based on local and family dishes from his native Tuscany. Both of the meat dishes paired beautifully with the 2015 Tenuta di Valgiano Palistorti Colline Lucchesi, Tuscany, suggested.

A crowd-pleaser with its toasted meringue and popular for special occasions for Dolci is the Mango Vanilla Baked Alaska with Grand Marnier Flambé which bursts with the fruit and richness of the liquor. But the “Cococado,” with its creamy, light avocado ice cream, vegan brownie, and chocolate avocado mousse, is a star! For the chocolate avocado mousse, bananas are added to create a smooth, truffle-like texture combined with avocado. This vibrantly decorated “Cococado” boasts a mere 295 calories for the entire shareable dessert! Both desserts are also off-prix-fixe menu and on the standard dessert menu.

The 3rd Annual Four Seasons Culina Oscar Film Week Schedule:

Tuesday, February 19, 2019: “A STAR IS BORN

Dinner at 6:00 pm followed by Movie at 8:00 pm

“In “A Star Is Born,” Bradley Cooper and Lady Gaga fuse their considerable talents to depict the raw and passionate tale of Jack and Ally, two artistic souls coming together, on stage and in life. Theirs is a complex journey through the beauty and the heartbreak of a relationship struggling to survive.” – A Star is Born

Wednesday, February 20, 2019: “THE FAVOURITE

Dinner at 6:00 pm followed by Movie at 8:00 pm

“Early 18th century England is at war with the French.  Nevertheless, duck racing and pineapple eating are thriving.  A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper.  When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah.  Sarah takes Abigail under her wing and Abigail sees a chance at return to her aristocratic roots.  As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion.  Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way. ” – The Favourite

Thursday, February 21, 2019: “VICE

Dinner at 6:00 pm followed by Movie at 8:00 pm

“The story of Dick Cheney (Christian Bale), the most powerful Vice President in history, and how his policies changed the world as we know it. VICE explores the epic story about how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice-President to George W. Bush (Sam Rockwell), reshaping the country and the globe in ways that we still feel today.”  – Vice

Friday, February 22, 2019: “BLACKKKLANSMAN

Movie at 5:30 pm followed by Dinner at 8:00 pm

“It’s the early 1970s, a time of great social upheaval as the struggle for civil rights rages on. Ron Stallworth (John David Washington) becomes the first African-American detective on the Colorado Springs Police Department, but his arrival is greeted with skepticism and open hostility by the department’s rank and file. Undaunted, Stallworth resolves to make a name for himself and a difference in his community. He bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. Posing as a racist extremist, Stallworth contacts the group and soon finds himself invited into its inner circle…cultivates a relationship with the Klan’s Grand Wizard, David Duke (Topher Grace) embarking on an “undercover investigation growing ever more complex.” – BlacKkKlansman

Friday, February 22, 2019: “BOHEMIAN RHAPSODY

Dinner at 6:30 pm followed by Movie at 8:30 pm

“Bohemian Rhapsody is an enthralling celebration of Queen, their music, and their extraordinary lead singer Freddie Mercury (Rami Malek), who defied stereotypes and convention to become one of history’s most beloved entertainers. Following Queen’s meteoric rise, their revolutionary sound and Freddie’s solo career, the film also chronicles the band’s reunion, and one of the greatest performances in rock history.” – Bohemian Rhapsody

Saturday Matinee, February 23, 2019: “BLACK PANTHER

Lunch at 10:30 am followed by Movie at 12:00 noon

“Marvel Studios’ “Black Panther” follows T’Challa (Chadwick Boseman) who, after the death of his father, the King of Wakanda (T’Chaka; John Kani) returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king. But when a powerful old enemy reappears, T’Challa’s mettle as king—and Black Panther—is tested when he is drawn into a formidable conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people and their way of life.” – Black Panther

Saturday Matinee, February 23, 2019: “ROMA

Lunch at 1:30 pm followed by Movie at 3:00 pm

“The most personal project to date from Academy Award®-winning director and writer Alfonso Cuarón (Gravity, Children of Men, Y Tu Mama Tambien), ROMA follows Cleo (Yalitza Aparicio) a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City. Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.” – Roma

Saturday, February 23, 2019: “GREEN BOOK

Dinner at 6:00 pm followed by Movie at 8:00 pm

“When Tony Lip (Viggo Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Mahershala Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime. ” – Green Book

The 3rd Annual Oscar Film Week at Culina at the Four Seasons Hotel Los Angeles at Beverly Hills is February 19, 2019, through Sunday, February 23, 2019. The 3rd Annual Oscar Film Week Dinner and a Movie is $59 per person and The 3rd Annual Oscar Film Week Pronto Market Lunch and Matinee Movie is $35 per person. For more information and to make reservations, please call Culina at the Four Seasons Hotel Los Angeles at Beverly Hills directly at 310-860-4000.

Featured photo by Monique A. LeBleu
The “Cococado” with chocolate avocado mousse, vegan brownie, and avocado ice cream at Culina at the Four Seasons, Beverly Hills, California, Saturday, February 9, 2019.


Now Registered on the Better Lemons Calendar – February 3 – 10, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Two Trains Running at Matrix

The team behind last year’s acclaimed Ovation, LADCC, and Stage Raw award-nominated production of August Wilson’s “King Hedley II” returns to the Matrix with another installment of the Pulitzer Prize-winning playwright’s “American Century Cycle” the playwright’s decade-by-decade exploration of the black experience in 20th century America. It’s 1969 in Pittsburgh’s Hill District, where the regulars of Memphis Lee’s restaurant struggle to cope with the turbulence of a world that is rapidly changing around them.

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USC School of Dramatic Arts presents: CHILDREN OF THE SUN

Maxim Gorky’s darkly comic play is set in Russia on the eve of the revolution. The country’s new middle class flounders about, philosophizing and flirting, blind to their impending annihilation. Protasov wants only to immerse himself in his experiments and is oblivious to the advances of the half-crazed widow and his best friend’s pursuit of his wife, let alone the cholera epidemic and the starving mob.

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USC School of Dramatic Arts presents: GNIT

Meet Peter Gnit, a recklessly aspiring, self-deluded anti-hero. This twisted adaption of Henrik Ibsen’s Peer Gynt is a rollicking and cautionary tale that challenges what we think we know about this classic character. At this unique moment in U.S. history, the questions and problems raised are alive with relevance.

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USC School of Dramatic Arts presents: SWIMMERS

Coyotes evading police. Billboards predicting the end of the world. It’s been a strange day at the office, and it’s only 9 a.m. Moving floor by floor from the basement to the roof, scenes between employees in a corporate office explore the angst-ridden relationships between those that people often take most advantage of: their coworkers.

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USC School of Dramatic Arts presents: THE TWO GENTLEMEN OF VERONA

Young Proteus only has eyes for his hometown sweetheart, Julia. But one look at the beautiful Silvia on a trip to Milan changes everything. Now he’s smitten with his best friend’s lover and his sweetheart has no intention of going away quietly. Events spin out of control as romantic rivals face off in this wild comic tale.

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USC School of Dramatic Arts presents: HOLY GHOSTS

Coleman Shedman arrives at the rural meeting house of a southern Pentecostal sect with a lawyer in tow, seeking to retrieve his runaway wife (and the possessions she has taken with her). But his wife, Nancy, is unwilling to forsake the love and protection of her new “husband,” the Reverend Obediah Buckhorn, and return to the brutal, hard-drinking Coleman. Rich with atmosphere and the feel of Southern rural life, the play blends humor and poignancy as it probes into the circumstances and stories of the various cult members.

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USC School of Dramatic Arts presents: THE BUSYBODY

First performed in 1709, this brilliantly witty and fast-paced comedy follows the characters Miranda and Isabinda as they attempt to arrange marriages to the men they love. Meanwhile, the hapless “busy body” Marplot tries to help his friends, but his valiant efforts only succeed in leading them closer towards disaster.

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USC School of Dramatic Arts presents: SUNDAY IN THE PARK WITH GEORGE

Inspired by the painting “A Sunday Afternoon on the Island of La Grande Jatte” by Georges Seurat, Stephen Sondheim and James Lapine’s stunning musical masterpiece, merges past and present into beautiful, poignant truths about life, love and the creation of art. One of the most acclaimed musicals of our time, this moving study of the enigmatic painter, Georges Seurat, won a Pulitzer Prize and was nominated for an astounding 10 Tony Awards, including best musical.

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USC School of Dramatic Arts presents: ROUGH MAGIC

Roberto Aguirre-Sacasa’s action-adventure-fantasy conjures a mythical, magical meta-universe in which evil sorcerer Prospero steps out of the pages of Shakespeare’s The Tempest and threatens death and destruction in modern-day Manhattan. To combat this supernatural foe, a quartet of unlikely heroes (including a dramaturg with magical powers) will emerge from the ashes to save the city and its citizens from complete and utter destruction.

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USC School of Dramatic Arts presents: QUEEN MARGARET

Margaret of Anjou becomes the central character of her own story in this edit of William Shakespeare’s first tetralogy of history plays (Henry VI, Parts 1 -3; and Richard III). Intrigue, betrayal, romance and revenge play out as Margaret evolves from daughter to bride to queen to avenging warrior and grieving widow. Our BFA sophomores tell her tale of resilience, resolve and charisma.

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James and the Giant Peach

Roald Dahl’s James and the Giant Peach features a wickedly tuneful score by the Tony & Academy Award-winning team of Benj Pasek and Justin Paul (Dear Evan Hansen, La La Land, The Greatest Showman)and a curiously quirky book by Timothy Allen McDonald…When James is sent by his conniving aunts to chop down their old fruit tree, he discovers a magic potion that results in a tremendous peach and launches a journey of enormous proportions.

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Ada and the Engine

As the British Industrial Revolution dawns, young Ada Byron Lovelace (daughter of the flamboyant and notorious Lord Byron) sees the boundless creative potential in the “analytic engines” of her friend and soul-mate, Charles Babbage, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge – a world she might not live to see. A music-laced story of love, friendship, and the edgiest dreams of the future. Jane Austen meets Steve Jobs in this poignant pre-tech romance heralding the computer age.

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Man Of God

A hidden discovery in a hotel bathroom changes the lives of four Korean American Christian girls on a mission trip to Thailand. Samantha is hurt that someone she trusted could betray her. Jen is worried about how this might affect her college applications. Kyung-Hwa thinks everyone should adjust their expectations. Mimi’s out for blood. Amid the neon lights and go-go bars in Bangkok, the girls plot revenge in this funny, feminist thriller.

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Venus in Fur

Thomas Novachek is a playwright/director looking for the perfect actress to play the lead in his adaptation of Leopold Sacher Mashoch’s novella, Venus in Furs. He hasn’t had much luck and is ready to call it a day when a very late arrival bursts into the room in a wave of chaos. This actress appears to be the worst of a bad lot. Despite his protestations, she manages to cajole him into letting her read and from that point on the night veers into titillating and uncharted territory where Thomas’ biases and desires are laid bare. Venus in Fur is about human relationships, gender power dynamics and the matrix of stereotypes and assumptions that root seeming subversions. Its dark comedy and sexually charged scenarios provide fertile soil for exploration of subconscious and culturally mired desires, motivations, and expectations.

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Othello

The Bard’s most intimate of family tragedies about the terrible force of love and the breakdown of a man who has everything—power, position, and passion—only to find his world decimated through intense mind games with his ensign. Prescient in its searing social commentary of prejudice, betrayal, and thwarted ambition, Shakespeare’s thunderous drama examines who we trust and the price we pay for choosing wrong.

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The Twins of GillyGate

We find our twins on the eve of their 18th birthday in the kingdom of GillyGate. One is set to take the throne while the other sits in her tower with only a dragon to keep her company. Unbeknownst to both, a prophecy is about to unfold much to the dismay of their uncle, Lord Grimbert, who will do anything to stop a woman from taking the throne with the help of his trusty talking high horse. A musical tale woven together by a misfit traveling ensemble, this show will take you back to the Ren Faire. Full of bawdy, drunken fun mixed with some good ol’ audience interaction, this show is fun for your whole family!…well maybe not your kids.

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The Chekhov Comedies

See Chekhov as you have never seen him before! Combine 5 short comedies, 25 characters, and 4 female actors, and you get 1 night of hilarity!

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Little Shop of Horror

For the misfits of Skid Row, life is full of broken dreams and dead ends. Seymour Krelborn is a meek and dejected assistant at a floral shop who happens upon a strange plant, which he affectionately names “Audrey II” after his crush at the shop. Little does he know that this strange and unusual plant will develop a soulful R&B voice, a potty mouth, and an unquenchable thirst for human blood. As Audrey II grows bigger and meaner, the carnivorous plant promises limitless fame and fortune to Seymour, as long as he continues providing a fresh supply of blood … Featuring an electrifying early 1960s-style score from Alan Menken and book and lyrics by Howard Ashman.

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Canyon

In a backyard deep within a canyon during Labor Day weekend 2016 — before everything in America changed — we meet a newlywed couple and a Mexican father and son as they all try their best to find a better view. IAMA Theatre Company partners with the Latino Theater Company to present an immersive staging of this driving new play that takes a look at what happens when two families are rocked by an unpredictable accident that changes their lives forever. A look at gender, citizenship, and the costs of trying to live a conventional American life

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Too Much Sun

The West Coast premiere of the acclaimed off-Broadway hit by Nicky Silver (Broadway’s The Lyons). Celebrated actress Audrey Langham reaches her breaking point while rehearsing Medea in Chicago — walking off the stage, out of the production and into her married daughter’s summer house in Cape Cod, where her unexpected and unwelcome arrival sets off a chain of events alternately hilarious and harrowing.

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Phalaris’s Bull: Solving the Riddle of the Great Big World

Harvard-educated molecular biologist, visual artist and provocative visionary philosopher, Steven Friedman has the answers to life’s big questions. Using personal narrative, poetry, art, and science, he delivers a spell-binding performance reflecting his prismatic, transformative and deeply consoling vision of the world. Friedman offers a solution to the worlds pain based not on belief or faith but on logical rigor a philosophy starting from Kierkegaards story of an ancient torture device, Phalariss bull, that turns the terrible sounds of pain into music. To create is to enter Phalariss bull, and our pain becomes beauty.

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🍋


Lemon Butter: Best of L.A.’s Theatre Adjacent Restaurants and Bars – February Edition


Lemon Butter is a bi-weekly column featuring choice restaurants, lounges, Happy Hours, and other spots where hospitality is offered, that are convenient to theatre venues throughout Los Angeles. For distances and times given traffic and parking are not factored in. Where available, contact all hospitality venues for valet or parking information and/or reservations.


Café Gratitude

Walking distance to the Stephanie Feury Theatre,  Thymele Arts, and Studio/Stage Theatre is vegan restaurant Café Gratitude in Larchmont Village.

Their fresh, healthy menu includes salads like the “Fantastic”, a Torta Española Chopped Salad with a chickpea frittata, roasted red pepper, escabeche, cashew mozzarella, sun-dried tomato pesto, and toasted almonds, an assortment of Bowls such as the “Humble,” an Indian Curry Bowl with red lentil dal, spinach, roasted garnet yams, coconut mint chutney, spicy tomato jam, and brown rice or quinoa, or entrees like the “Elated,” with Mole Abuelita Enchiladas made with mole tempeh, corn, black beans, roasted tomatillo sauce, cashew queso fresco, avocado, coleslaw, and escabeche.

Café Gratitude – 639 N Larchmont Blvd, Los Angeles, CA 90004 – (323) 580-6383
Distance to Stephanie Feury Theatre  – 364 feet (1 min. walk.)
Distance to Studio/Stage Theatre– 1.1 miles via Melrose (3 min. drive)
Distance to Thymele Arts – 1.4 miles (3 min. drive)

KASS Restaurant + Wine Bar

Photo by Monique A. LeBleu – The Tortellini with ricotta cheese and green asparagus coulis at a Media Tasting, KASS Wine Bar + Restaurant, Los Angeles, California, January 29, 2019.

Debuting just this month and now open is KASS Wine Bar + Restaurant by Michelin starred Chef Christophe Émé.  KASS’ 40-seat dining room and wine bar on La Brea is just off of Wilshire’s Miracle Mile, close to Theatre Row, and conveniently close to the newly remodeled Lyric Theatre. A beautiful, intimate spot for quick bar bites featuring an assortment of French cheeses and charcuterie with a glass of wine before the show, a relaxing glass after on the patio, or an anytime leisurely lunch or dinner.

Émé, of Iron Chef America, serves a rotating menu based on market fresh produce with openers such as the salad of Baby Beets with black lentils and aged Comté cheese, a Farro Risotto with celery root, kale, and Morel mushrooms, or the grilled octopus with baby fennel, Yukon potato, and red bell pepper coulis. Some suggested entrees are a Farro Risotto with celery and morel mushrooms, Tagliatelle pasta with Braised organic Beeler pork ragù, Tortellini with ricotta cheese and green asparagus coulis,  a “Chicken Cooked in Clay” served with wild mushroom sauce and green asparagus, or an Oxtail Parmentier—a smooth-layed French cottage pie of potatoes, bone marrow and Burgundy truffles.  Some appetizers and openers, such as the Beet Salad, Ceviche or Kusshi oysters, and chilled desserts like the Chocolate Tart accompanied by chocolate sorbet, may be served on the restaurants unique and visually stunning chill plate—a water-filled concave envelope of glass.

Of their collection of wines—characterized as “Energetic,” “Fruity,” and “Muscular” for whites and “Bright,” “Juicy,” “Earthy,” and “Plush” for reds—available by the glass are a “muscular” white Domaine Dupasquier, Roussette de Savoie, Savoie 2013,  a “pink” such as the Vinca Minor, Carignan Rosé Sonoma County 2017, a “Bright” red Domaine de Majas, VdP Côtes Catalanes Carignan Blend Roussillon 2017, or an “earthy” red 2016 Brovia, Dolcetto d’Alba ‘Vignavillej.’

KASS Wine Bar + Restaurant – 320 S. La Brea Ave. Los Angeles, CA 90036 – (323) 413-2299

Distance to  Lyric Theatre – 0.9 miles via La Brea (17 min. walk/2 min. drive)
Distance to Theatre Row – 2.9 miles via La Brea/Melrose (7 min. drive)

Norah/Le Fête

Nearest the Marilyn Monroe at Lee Strasberg  and a short jaunt from Theatre Row, Norah provides elegant fare such as fresh oysters, Cauliflower Croquettes, or Cast Iron Corn Bread, to start, with entrees such as the Uni Butter-poached Shrimp with smoked tomato, scallions, and cilantro on toast, a wood-grilled Whole Sea Bream with chermoula, shaved celery, grapes, and sumac, or an 8oz American Wagyu Zabuton served with crispy fingerlings and black garlic chili oil. Dishes for vegans and pasta lovers, such as the Pumpkin Cavatelli, with Brussels sprouts, miatake mushrooms, pomegranate and ricotta salata, Maltagliati with fresh tomato, summer squash, shelling beans and ricotta, or Black Truffle Potato Gnocchi with truffle conserva and shaved black truffles.

At its adjacent lounge bar of cozy candle-lit elegance, Le Fête bar director David Kupchinsky serves craft cocktails such as his “Le Daiq” of Rhum JM, Calvados, Genepy des Alpes, house triple lime cordial and lime, the “Le Spritz” of Lillet Rose, Cava, house rhubarb-sage gastrique and tonic or the “Le Frappe” of Rhum JM, housemade Matcha coconut cream, orange juice, pineapple juice, and Small Hands pineapple gum syrup over crushed ice.

Norah/Le Fête gallery photos by Monique A. LeBleu.

Norah/Le Fête – 8279 Santa Monica Boulevard, West Hollywood, CA 90046 – (323) 450-4211

Distance to  Marilyn Monroe at Lee Strasberg – 0.4/0.7 miles via Santa Monica (8 min. walk/2 min. drive)
Distance to Theatre Row 2.2 miles via Santa Monica (4 min. drive)

Spoonfed/Bar Joe

Spoonfed opened just last year in July and is adjacent to most Theatre Row venues, including The Hudson, The Blank Theatre, The Complex, Oh My Ribs! TheatreStudio C, and The Broadwater.

This new and cozy burger bistro has a spacious bar and generous patio area decorated with an updated post-modern feel. For breakfast, the spacious patio enclosed bistro-style restaurant features items such as the Blueberry & Orange Ginger Ale Cakes with orange crème fraîche, bourbon maple syrup, the Stuffed Brioche French toast with peanut butter, caramelized bananas, with seasonal berries and maple syrup, or the Mediterranean Hash with skillet-roasted sweet potatoes with pearled onions, chickpeas, Santa Barbara olives, oven-dried tomatoes, and Mediterranean Four Spice, topped with two poached eggs or without (Vegan option.) For lunch or dinner they offer the Spoonfed Burger with Gruyère & Blue Cheese, bacon balsamic caramelized onions, Heirloom tomato, pickles, butter lettuce, and aioli on a potato bun, served with crinkle cut fries and curry ketchup, the Eggplant Sandwich with grilled cold-smoked eggplant, broccoli sprouts, heirloom tomato, pickled red onions, lemon avocado mash, grilled whole grain bread, or the Fuhgettaboutit flatbread pizza with prosciutto, mozzarella, tomato sauce, arugula, and shaved parmesan, just to name a few options.

Bar Joe features craft cocktails such as their “Draft Pimm’s Cup” made with Pimm’s, Chartreuse, ginger, and cucumber, a “Carajillo Collins” of Grey Goose Vodka, Liquor 43, and cold brew coffee, or their spicy “It’s An Old Fashioned!” of Street Pumas Scotch, maple, cacao, and cayenne. Perfect for brunching before matinee performances are a range of white and pink sparkling wines, their “Bellini” of Ugni Blanc, peach cordial, and St. Germaine, their unique take on a “Mimosa” of Cremant, orange juice, and orange oil from their signature collection of artisian oils and essences—the latter of which are also featured in their generous list of Mocktails.

Spoonfed/Bar Joe gallery photos by Monique A. LeBleu.

Spoonfed/Bar Joe – 959 Seward St, Los Angeles, CA 90038 (corner of Seward and Romaine in Hollywood) – 9323) 347-7000

Distance to  The Hudson Theatres/Hudson Guild – 0.2 miles via Seward to Santa Monica (6 min. walk/ 1 min. drive)
Distance to The Blank Theatre, The Complex, Oh My Ribs! TheatreStudio C – 0.3 miles via Santa Monica (7 min. walk/1 min. drive)
Distance to The Broadwater – 0.5 miles via Santa Monica (10 min. walk/1 min. drive)

Wood & Vine

Walking distance from The Montaban and directly across from the Pantages is Wood & Vine, nestled at street level in the landmark Taft Building at one of the most famous corners in Hollywood. The restaurant has a direct and birdseye view of the Hollywood Pantages Theatre, designed with a loft view that also overlooks both the central dimly lit dining room and its spacious bar, as well as a lounge on the enclosed back patio with cozy seating around the central fire pit and conversation corner.

With plates for sharing, Chef Rick Sipovic’s menu features openers such as a “Kale Caesar” with anchovy vinaigrette, shaved egg, Reggiano, and sourdough croutons, Chef Sipovic’s own “Scotch Eggs” with pickled onion, beer mustard, and cornichon, or “Shrimp and Grits” with green chili cheddar grits, pan jus, and friese. For vegans, “Impossible Meatballs” served with spicy red sauce, plant-based spaghetti, and vegan mozzarella. And for dessert, “The Butterscotch” with house butterscotch, maple ice cream, and a sweet thyme crumble, Sour Cream Donut Holes dusted with cinnamon sugar and served with vanilla sauce, or a Peach Cobbler with smoked bourbon maple ice cream.

Craft cocktails are served throughout the space, such as the “Sage Advice” of Belvadere vodka, sage simple syrup, Campari, and grapefruit, “The Color Peach” with Hennesy, DiSarrono, Giffard Peche de Vigne, lemon, simple syrup and egg white, or “My Other Lover” with Mezcal, lime, simple syrup, peach bitters, sage and blueberries, or a Black Manhattan” of Larceny vodka, Amaro Averna, Angostura bitters, and black cherries.

Plates are shared family style and a 20% service charge is included in lieu of tip. The menu can evolve, so be sure to check with the restaurant for updates.

Wood & Vine gallery photos by Monique A. LeBleu.

Wood & Vine – 6280 Hollywood Blvd, Los Angeles, CA 90028 (at Vine Street at The Taft Building) – (323) 334-3360
Distance to  Pantages – 425 feet (across the street (2 min. walk)
Distance to The Montalban – 0.1 miles (3 min. walk)

PODCAST: A talk with 'Top of Fringe' Award-Winning 'RESA's Scott Golden, Matt Almos, and Scott Leggett at The Broadwater

UPDATE: 9-29-18 to add Preview Dates
Earning Top of Fringe this year at the Hollywood Fringe Festival, the team that earned last year’s Best Comedy Easy Targets at the festival, the Burglars of Hamm and Sacred Fools, for their productions “Easy Targets“, are bringing back director Todd Merrill’s interpretation and his ever-evolving reworked reworking of Lars Mattsun’s masterpiece Resa Fantastiskt Mystisk to The Broadwater Theatre.
Having brought back the show for the first time in 15 years – or perhaps its 19? – to the Hollywood Fringe Festival this past June, the Burglars of Hamm and their acclaimed production of this previously unknown masterpiece by Swedish playwright/provocateur and Strindberg contemporary, Lars Mattsun (1849-1912) returns once again to The Broadwater in an in an encore of encores.
Once you’ve seen an interpretation of Mattsun’s Resa Fantastiskt Mystisk – and because that is a mouthful, the showrunners agreed to just call it RESA – the experience is difficult to put into writing.
Although the hope was to get into the brilliant – if not enigmatic – mind of Merrill in a more personal interview, the often aloof and reclusive director was not available. But inspired and hungry with a desire for deeper insight on the piece, members of the show’s curators, the Burglars of Hamm of the Sacred Fools, obliged with more information about the inspiring, albeit mind twisting dichotomy that is RESA, for a group interview.
Speaking with show Producer Scott Golden, Burglars of Hamm Founding Partner Matt Almos, and Artistic Director of Sacred Fools and cast member Scott Leggett, they reveal some brief insights into Merrill, what makes him tick like an overwound clock, his never-ending research on Mattsun’s elusive piece, and why it is so difficult to get more information on the works of the Swedish master.
To summarize, in their words, “through Mattsun’s surreal theatricality and stunning wordplay, the audience is engulfed in the tale of a troubled young man named Philip, who follows a Mysterious Child into a world of art, sexuality, and madness.”
RESA has previously traveled in its historical run to Seattle, Edinburgh, and New York, and the team talks with unbridled excitement over the show’s return once again.
The following podcast was prerecorded at The Broadwater in Hollywood, home of Sacred Fools and The Burglars of Hamm, and is a spirited discussion on the show’s deep and meaningful material, with some hilarious results. Like the show at its core, produced was some very ripe fruit.
RESA returns for another encore run at The Broadwater on Friday, October 5, 2018, bringing with it its amazing and talented cast to make us laugh, cry, and then cry even more with laughter.
A serious piece aided by the director’s unique insights throughout, RESA is a must see. With hope, this interview may bring about more insight into that mind – just not from him. Be sure to keep those headphones on.

Lars Mattsun’s masterpiece Resa Fantastiskt Mystisk previews Saturday, September 29 and Sunday, September 30, at 8 p.m., and opens October 5 to November 3, 2018, at The Broadwater Theatre. Visit their website for showtimes and tickets.
For more podcasts like these visit Better Lemons on Soundcloud.