How Wearing a Mask Could Help the Theatre Industry and Your Local Economy


The following was posted on facebook by film and theatre actress Kitty Swink, who is a member of the Antaeus Theatre Company in Los Angeles. With her permission I'm reposting for all to read and share.

Kitty copied and slightly edited this and shared from multiple of her dear and fabulously talented colleagues.


Please read this...this is personal!!!

Our industry is gone, and it will be a very long time before it recovers. Hope you all are enjoying the beach and theme parks while we just sit home and hope our jobs come back. Stop being selfish. Stay home. Wear a mask.

Yesterday, Broadway formally announced the rest of the year is canceled and Cirque du Soleil has filed for bankruptcy protection. Lincoln Center is closed. Multiple orchestras and opera companies have cancelled seasons. Smaller regional companies , venues and organizations are in jeopardy. Even community theatres , bands, orchestras, free lance gigs have gone away. So when you see your entertainment friends begging you to wear masks and stay home, understand that we are helplessly watching our industry crumble before our eyes because the country is doing so poorly at reducing the spread. This IS personal for us.

If you plan on watching ‘Hamilton’ today... or if you loved the ‘Chicago’ movie... or if ‘Sound of Music’ or Nutcracker is a holiday tradition for you. THEY ALL started on a stage.

Now Broadway is shut down till Jan 2021. Major performing arts presenters are closed for the next season.

ALL of the following people are out work.

It’s not just the actors or musicians.

For those of you not in the theatre or music community, please understand the scope of Broadway/Off-Broadway being shut down. Frankly, this affects all theatre and music anywhere. It travels much further than the stage boards where you see the brilliant performers giving you an amazing show. You also have:

- Tour managers
- Production managers
- Tour accountants
- Stage managers
- Company managers
- House managers
- General managers
- Stage Techs
- House crew
- Runners
- Truck and Bus drivers
- Promoter reps
- Caterers
- Production Assistants
- Dressers / Wardrobe
- Hair/Makeup
- Carpenters
- Electrics
- FOH Sound Engineers, Monitor Engineers & techs
- Lighting Designers and Techs
- Props
- Musicians
- Ushers
- Bartenders
- Box office treasurers
- Porters
- Cleaners
- Matrons
- Merchandise
- Security
- Marketing
- Producers
- Directors
- Choreographers
- Authors
- Orchestrators/Arrangers
- Interns
- Press Agents
- Casting Directors
- Set Designers
- Costume Designers
- Hair/Makeup Designers
- Lighting Designers
- Sound Designers
- Prop Designers
- All the design assistants
- Vocal/dialect coaches
- Child wranglers
- Doormen

Now go out of the theatre district and see the jobs this shutdown also affects:

- All the costume shops where the costumes are made
- The millinery shops where the hats/headpieces are made
- The cobblers where all the custom shoes are made
- The wigmakers
- The fabric/bead/feather shops- while these may reopen they will suffer huge losses with no shows requiring anything for this entire year.
- Scenic shops where the sets are built
- Prop shops where the props are made
- Sound and Lighting shops where the lights & mics are rented from
- Design studios where the sets, costumes, props, etc are dreamed up to make the directors vision a reality
- Rehearsal spaces for the show to be worked out before it appears for your pleasure
- Merchandise vendors, concessions
- Advertising agencies & press agencies
- Talent agencies and managers
- Union offices
- Producer & general management offices

Now venture even deeper into the shutdown and see the business that is lost in the theatre district from just the people in the industry not working on a show (then on top of that the loss of audience members buying stuff at)

- Delis
- Restaurants
- Post-show bars
- Coffee shops
- Hotels
- Garages
- Gyms
- Physical therapists

If that list seems long - it is! And that’s just New York. That’s not even taking into account all the theatre around this country. For most of us - this is our whole life!!
Wear a damn mask!



Spotlight Series: Meet Peter Miller – a Musical Theater and Voiceover Actor Who Spends Time as a Theme Park Carnival Barker


This Spotlight focuses on Peter Miller, a Musical Theater and Voiceover Actor Who Spends Time as a Theme Park Carnival Barker.


Kelsey Nisbett, Left, Peter Miller, as the Padre, and Susan Stangl. in The Kentwood Players production of "Man of La Mancha" at the Westchester Playhouse. Photo by Shari Barrett.

Shari Barrett (SB): What would you like readers to know about your own theatrical background?

Peter Miller (PM): I've been doing local theater in LA County since 1984.  I've also dabbled in stand-up comedy and I'm presently working as a voice actor. And I also run carnival games at a theme park for money.

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(PM): I was not actually involved in any stage productions at the time as I had mainly been submitting voiceover auditions.  There was a show set for this summer at Theatre Palisades, A Comedy of Tenors which was to feature members of their original Lend Me a Tenor production in which I participated as an opera singer. I had my eye on it and I had cleared my schedule to be a part of it, but who knows if/when it's going to happen now. I can only hope it's still going to get done. Unfortunately, that's not for me to predict.  Maybe I'll consult my Magic 8-Ball.

(SB): I know you attend a lot of theatrical productions around town. Did you get to attend any productions just prior to the citywide shutdown?

(PM): The night before it was announced, Susan Stangl had invited me to her final dress rehearsal for Vanya and Sonia and Masha and Spike at the Westchester Playhouse and I almost didn't go. Thankfully my circumstances changed, I found someone to sit for my pet octopus, and I was able to go after all. And that was the last dress rehearsal and only performance open to the public before the production was forced to close just before opening. That and The Full Monty in Orange County were the last shows I saw before the shutdown.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?  

(PM): Well the biggest laugh I ever got on a stage was when I took my clothes off in The Full Monty, but I'm not sure the internet is ready for that (you think Kim Kardashian broke the internet?). So I'm occasionally going live and reading excerpts from famous plays with some oddball casting.  Last week I read part of The Odd Couple with Boris Karloff as Oscar and Bela Lugosi as Felix.

(SB): I am so sorry I missed that one. I am sure your impersonations were spot on! What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(PM): While I haven't done a lot of stage work lately, I've been seeing shows almost every weekend before all this went down.  Part of it was to enjoy a good theatrical experience but it was mainly so I could spend time with friends and loved ones.  I almost looked more forward to the time hanging out with friends afterward than the shows.

All I'm gonna say is folks, once the proper authorities (and I mean the CDC as opposed to politicians) decide that it's OK to uhhh... (hey what's the opposite of Social Distancing?) … well, whatever they wanna call it, once this is all over, don't be too afraid to go out and enjoy one of the best communal experiences in the world – live theatre!  Trust me gang, it's worth it. All I can say is stay strong everyone; we will get through this!


This article first appeared on Broadway World.



Spotlight Series: Meet Anzu Lawson - an Asian-American Actress, Playwright, Stand-Up Comic, and Yoko Ono Doppelganger


With the current theatre world on hiatus, I have created a Spotlight Series of interviews with some of am the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the arts alive in the City of the Angels. And like all of us, how are they dealing with the abrupt end of productions in which they were involved?

This Spotlight focuses on Anzu Lawson, an Asian-American Actress, Playwright, Stand-Up Comic, and Yoko Ono doppelganger who I first met during the 2014 Hollywood Fringe Festival.


Shari Barrett (SB): What would you like readers to know about your personal theatrical background?

Anzu Lawson (Anzu): I’m an Asian-American Actress, Playwright, and Stand-Up Comic who has been performing my One Woman Show called Dear Yoko to sold out theatres here in Los Angeles. It was an official selection for 2019 Binge Fringe Festival, the 2020 SOLOFEST & the 2020 Crazy Woke Asians Solo Performance Festival.

I also penned & starred in an all-original musical called Dear John, Why Yoko? which garnered my first Best Actress nomination at the 2014 Hollywood Fringe Festival for my role as “Yoko Ono.”

(SB): And I am happy to share links to my reviews of both your shows during which you absolutely amazed me with your authentic portrayal of a woman so erroneous hated the world over for her involvement with John Lennon.

(SB): Were you involved with any production(s) when word went out that you needed to immediately postpone/cancel a show?

(Anzu): I was playing the role of YEN opposite Al Pacino with a huge, talented cast in a Benefit Staged Reading for Al Pacino’s charity in the David Rabe play called “The Basic Training Of Pavlo Hummel” that garnered Al his first Tony Award on Broadway in 1977. Al Pacino and director Robert Allan Ackerman revived it on stage to help raise funds and awareness for one of Al’s charities to help war veterans. We performed it Sunday, March 8th at The Wallis Annenberg in association with The Shakespeare Center of Los Angeles. There were talks of doing it again, but the very next day the Wallis Annenberg closed its doors due to the Corona Pandemic. Here’s a link to a Broadway World article about that amazing production

(SB): How has the shutdown affected your current and future production plans?

(Anzu): I had to make some hard decisions. This has been an extremely unforeseeable event affecting every single human on this planet and not knowing how long we will be quarantined, has many artists unsure if they can even afford to do their show, even with rescheduled dates. I feel bad, but I am canceling all my show commitments until there is a vaccine.

I heard the remaining solo artists involved in the 2020 SOLOFEST dates at The Whitefire Theatre, in which I have participated, have been offered to have their performances streamed online. Personally, as good a solution as that may sound, performing to an empty theatre is not the ideal situation when a) audience interaction and response is a huge part of the experience as a solo performer and b) the main world focus is on live coronavirus news updates. I appreciate everyone trying to rally together to find a solution but I think people everywhere will need more time. Every person is processing what is happening very differently.

As for my future plans, I was about to fly to Chicago’s Cinespace Studios to film another episode of Chicago Med on which I have a recurring role, and I was counting on that money to pay for my 2020 Fringe solo show dates. Unfortunately, I had to cancel my entire participation in the 2020 Hollywood Fringe and am trying my very best to get my invested monies and deposits back. Even though 2020 Hollywood Fringe has been moved to October (much like Stage Coach and Coachella) at this time, I do not have the heart to ask my friends to hurry and get over their Coronavirus/social distancing fear by October to buy tickets and sit in a crowded theater while there is no income coming in for most, nor a readily available vaccine on the horizon.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

(Anzu): Thank God for the internet and the free classes being offered by so many teachers and studios. I am also grateful for the funny memes on social media keeping me light-hearted and smiling through all this uncertainty. This pandemic has given all of us a “pause button” to reassess our beliefs, our tribes, our creative visions for ourselves as well as for the world. We are being forced to look at our individual contribution to humanity, not only as humans but as artists. This will forever change us as a society, hopefully for the best.

Personally, I’m in research mode. I started revisiting scripts and thinking deeply about what I want to say as an artist from here on out. I am forced to sit still, get grounded and put pen to paper.

(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Anzu): Never forget there is always a silver lining and now more than ever, we artists are being called upon to be the beacon for a new humanity. We will get through this but only together and only by thinking of each other. Feed your soul now and get ready to create! Inspire! And be daring with your artistic voice. We have a huge responsibility ahead of us to shine bigger light and tell new stories that will ever remind us there is nothing more valuable than our ability to care for each other. As Yoko Ono always said, “We are all connected together. We are all one.”

I invite everyone to follow me on IG/FB/Twitter @AnzuLawson and read more about my credits on my IMDB profile. I also want to give a shout out to my director Jessica Lynn Johnson who offers free Solo show creative writing classes now on ZOOM.

(SB): Thank you Anzu. I am hoping to focus a spotlight on Jessica Lynn Johnson in the near future so more people learn about her outstanding contributions to the L.A. Theatre world.


This article first appeared on Broadway World.



The Show Must Go Online: Registered this week NEW Online Virtual and Future Shows on Better Lemons Calendar!


Calling all Artists


Better Lemons will now include all Online Live Events and Online Pre-recorded Events in our Calendar!

The first virtual event has registered on the Better Lemons! Be sure to register your virtual theater or performance events that are streaming at a specific time and date on our Event Registration page.

Better Lemons has over 75 shows NOW registered! If you have pre-recorded art since practicing social distancing, please send us the link and we will add your show to our Video page.

For shows with a LemonMeter rating, visit our LemonMeter page!


Online Live


Victoria Gordon

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Future Upcoming Live


Hearts for the Arts

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A Chorus Line

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Always...Patsy Cline

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The Holiday Gem

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THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED)

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Lights Change: A Conversation with Writer Jacqueline Wright

About 10 years ago when I was an intern-turned-associate literary manager at Ensemble Studio Theatre/Los Angeles, I encountered the brilliant dramaturgical mind of Jacqueline Wright. What excites me about her work is that she is a writer and performer who constantly expands our minds as witnesses of the art-making experience. For her, like me, audiences are not just passive consumers of creative work - they are collaborators and, as collaborators, we writers make them work: we don't always tell stories that are linear, cause and effect, character psychology driven, - you name the normative convention often on view in the mainstream. Jacqueline's background in experimentalism makes her a nimble dramatist who weaves into and out of narrative structures, point of views, modalities of storytelling, and genres.

This is no exception in her provocative work Driving Wilde, currently playing at Theatre of NOTE in Hollywood. I caught the piece and engaged in a hearty conversation with Jacqueline afterwards amongst the seats which were just filled with enthusiastic patrons of the show. If you listen closely, you'll hear and feel the verve of the audience that exited the theatre a few moments prior, indubitably changed, challenged, and expanded by the experience they just received during Driving Wilde.

I would be remiss not to give you the tools to see this show yourself, for it is a must see. More information is available at TheatreOfNote.com

And now, Lights Change with my buddy Jacqueline and me:


Now Registered on the Better Lemons Calendar – August 12 - 18, 2019

Theatrical shows NOW registered on the Better Lemons calendar!
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

THE LONESOME WEST, BY MARTIN MCDONAGH

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VALERIE PERRI AND JACK & BENNY LIPSON: ALL IN THE FAMILY

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SYLUS 2020!

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EVITA

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IMPRO THEATRE'S SHAKESPEARE UNSCRIPTED AT NORTH COAST REP

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THE ADVENTURES OF PETER RABBIT

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HANDJOB

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FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION

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DIRTY TRICKS W/ THE NEW BAD BOYS OF MAGIC

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ATHENA

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LAST SWALLOWS

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Better Lemons Fringe 2019 Certified Audience LemonMeter Rated Shows

How does a show receive an Audience LemonMeter rated certificate? With 10 audience reviews!

A show receives a LemonMeter rating with 3 reviews but only gets certified after 10 reviews. Why? Because it takes a lot more reviews then just your friends or family to make a show Sweet. We want producers and production participants to encourage audience reviews, so they can get an honest feedback, which would help their show grow. And when a show receives 10+ audience reviews, we reward those productions with a certificate because they encouraged their audiences to get involved, regardless of the outcome of the LemonMeter rating.

So we celebrate these shows and we want to give them recognition and hopefully get more audiences into their seats.

CONGRATULATIONS TO THESE 2019 FRINGE PRODUCTIONS, THAT RECEIVED 10+ AUDIENCE REVIEWS:

TALES FROM THE POWDER ROOM (1st Place Audience Choice Award)
RAISED BY WOLVES (2nd Place Audience Choice Award)
IF WE RUN (2nd Place Audience Choice Award)
HOLLYWOODN'T (3rd Place Audience Choice Award)
THE BULLY PROBLEM
AMERICAN STRANGER THE MUSICAL
AN EXCUSE TO BEHAVE BADLY
FERTILE: A Conversation About the Expectation of Procreation
THE NARCISSIST NEXT DOOR
BUNNY THE ELF LIVE!
MANDY PICKS A HUSBAND
CRACK WHORE, BULIMIC GIRL-NEXT-DOOR
A BIT MUCH
BIRTHDAY
YES. NO. MAYBE.
THANK YOU FOR LOVING ME
(IM)PERFEKT
TRANSFERENCE
LEAVING PRINCE CHARMING
BECOMING PEACE: A One Woman Dramedy about Power, Culture, Violence and Nonviolence
ASK A BLACK WOMAN
OCTOPI WALL STREET
MIL GRUS

To receive a certificate for Audience SWEET LemonMeter rated show, ask audience members to leave a review of your show. They have 30 days after the show closes to leave a review.


Now Registered on the Better Lemons Calendar – April 22 - 28, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Greenwood 1964

“GREENWOOD 1964 is a powerful, educational two man one act show which takes us into an actual trip made by Sidney Poitier and Harry Belafonte. Two very great friends and once industry's most successful sought after duo. Sidney Poitier the first Black to win an Academy Award for best actor and Harry Belafonte, activist and first music artist ever to sell a million copies in the US & England. The show takes place in Greenwood Mississippi 1964, a time in which Dr. King called it “The year of promise” due to the rise of racial tension versus the quest for social equality. This brilliantly crafted fictional debate between Mr. Poitier and Mr. Belafonte eloquently explores the individual approaches on how to achieve liberation for people of color. The action takes place inside of an attic “safe-house” in the racially charged segregated deep south of Mississippi. Both men have traveled down to drop a bundle of cash for relief funds and show moral support for the civil rights workers who have been killed trying to register black voters.”

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Sins

“Can we ever stop paying for the past? Can the person we want to ever escape the person we are now and were then? What price must be paid for not only our own crimes, but those of people close to us? Sins is a frank look at what we all deal with when we cannot overcome our own failings...This show includes prop guns, gunshots, and themes of gun violence. This show includes scenes of domestic violence, gun violence, and strong language.”

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Saving Cain

“A far-right, Pentecostal helicopter-mom struggles to keep her hell-raising son on the path of righteousness as he enters his first public school. When a powerful addiction takes over her son's life, she must accept that you can't save everyone, and that not every miracle can be left up to God.”

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Flights of Fancy

“Imagination or reality? Elegant stagecraft or just, well… Complications? Stephanie and her best friend Tommy are flying home together, but nothing is what it seems. As we are thrown back and forth between the rehearsals for a play Stephanie has written about her troubles and her increasingly turbulent flight home, we start to wonder: can we be saved through our art or is a crash landing inevitable? ”

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Women Beyond Borders

“Rubicon Theatre continues the company's 21st “Coming of Age” season with the World Premiere of WOMEN BEYOND BORDERS, a play inspired by and loosely based on the remarkable journey of Lorraine Serena and a dynamic group of California-based artists who founded the non-profit Women Beyond Borders (WBB). Determined to “make art as if the world matters,” Serena and her friends fell upon the idea of box as metaphor: hope chest, treasure chest, womb, coffin, etc. They replicated a miniature wooden box no bigger than the size of a human heart and sent the boxes to curators and friends in other countries with the goal of encouraging dialogue, collaboration and community among women and honoring creativity. The founders of WBB were astonished at what came back to them – eloquent expressions of the enormous depth and variety, but also the universality, of women's experiences throughout the world.”

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All in the Timing at North Coast Repertory Theatre

“Award-winning playwright David Ives, described by The New York Times as “wizardly, magical, funny, and original,” has penned six one-act comedies that examine various attempts at relationships and communication with hilarious results. Using inspired language and wordplay, Ives takes delight in pushing audiences' smart buttons and teasing their brains. Join us for non-stop laughter and brilliant witticisms.”

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She Kills Monsters at North Coast Rep Theatre School

“A comedic romp into the world of fantasy role-playing games, She Kills Monsters tells the story of high schooler Agnes Evans as she deals with the death of her younger sister, Tilly. When Agnes stumbles upon Tilly's Dungeons & Dragons notebook, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.”

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John Denver Tribute at North Coast Repertory Theatre

“Jim Curry, returns to North Coast Repertory Theatre to perform the music of the late John Denver. The music “is like an old friend, outlasting trends and standing the test of time,” says Mr. Curry. Join acclaimed performer Jim Curry for this tribute to the music of one of the most beloved singer/songwriters ever to grace the stage.”

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Tuesday Night Comics at North Coast Rep

“Tuesday Night Comics is arguably the funniest night of comedy in San Diego. Mark Christopher Lawrence taps into his extensive list of talented comedian friends and shares the North Coast Rep stage with them. The show is comprised of talent from all over the country with late-night television credits as well as credits from Comedy Central, HBO, SHOWTIME, ETC…RATED R ”

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Taken at Midnight at North Coast Repertory Theatre

“Based on true events in 1931 Berlin, a courageous mother resists the rising Nazi party in order to free her imprisoned son. This riveting drama explores the heroic battle of the weak against the powerful, the truth against the lies, and mothers against murderers. ”

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The Price

“In Arthur Miller's riveting masterpiece, two estranged brothers must try to make peace with their past when they meet to dispose of their late father's belongings.”

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Mamma Mia!

“East West Players presents an all-P.O.C. production of the beloved musical Mamma Mia! The magic of ABBA's disco-era hits brings us to a Greek island paradise where a mother, a daughter, and three possible dads take a trip down the aisle you'll never forget!”

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Sunbathe in Darkness

“In the distant past of 2007, Casey writes fanfiction for the hit Alfie Wunderkid series of books. She writes really, really, really bad fanfiction. On purpose. The plot makes no sense, the characters are inconsistent, the dialogue is at the level of a second grader who swears, and… it's hugely popular. As the fanfiction comes to life, what started out as a joke slowly morphs into a way for her to cope...with absentee parents, an overbearing sister, and having only one friend who, let's just be honest, is a bit of a douche.”

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Masters of the Dark Realm

“Fantasy collides with reality when Force of Nature presents the world premiere of Thomas J. Misuraca's 'Masters of the Dark Realm.' When a group of long-time friends end their fantasy role-playing game, Masters of the Dark Realm, they seek out new quests in the real world.
Will a tragedy bring them together to slay their dragons, or cause their fellowship to fall apart?”

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BLUE KISS

“An SAT tutoring session takes a shocking turn when the teacher realizes that his new student is not who she claimed to be, in this intense nerve-racking drama.”

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Treason

“A dark comedy on the danger and absurdity of American politics.
Taking inspiration from the family drama of Arthur Miller and the gallows humor of Martin McDonagh, TREASON explores the entitled toxicity of our current president and his surrounding culture without relying on recent headlines. Synopsis- On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.”

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Chrissy Meth ~ A Dance with the Devil and a Journey Back to Self

“Chrissy Meth is a solo show written & performed by Crystal Bush with direction & development by Jessica Lynn Johnson. It centers around a motherless child “Crystal” who grows up in the western suburbs of Chicago, she finds herself stumbling from one abusive relationship to the next, pushing her into a deep drug addiction. Somehow, from the depths, of being lost forever, she finds hope and begins to put the pieces back together. Through the use of song, multimedia, humor and multiple characters, she explores, questions and challenges beliefs and social mores surrounding identity, and self-esteem while showing that it's never too late to comeback and find one's self-worth. ”

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VIOLENCE: The Misadventures of Spike Spangle, Farmer

“Originally written and performed in 1986, this no-holds-barred satire of militarism and media manipulation tells the story of Spike Spangle, a down on his luck farmer who gets sucked into a whirlwind of celebrity and patriotism. He joins Superman on billionaire Max Enormous' Celebrity Space Shuttle and a nefarious plot leads to the deification of Spike Spangle as an American hero.”

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Tap Dancing My Way To The Nuthouse

“A burgeoning neurotic evolves into a full-fledged tap dance, mime, story-telling, multimedia nutcase… Come watch the trip! Does insanity win?”

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Tales By Candlelight

“A collaborative storytelling experience, driven by scent; a parcel received in the mail with a unique story-based candle.”

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Los Angeles Women's Theatre Festival: Defining Moments

“Four women writer-performers will perform their stories, excerpted from larger pieces. Karen. A. Clark in The Women. In this encore excerpt and through music, poetry and storytelling, Ms. Clark reflects on the women in her family, particularly her mother, who provided a “wow” factor. Barbara Cole in Surviving Chrysalis. One woman reconciles aging in her journey toward self-actualization in this funny excerpt. Bellina Logan in Confessions of a Mulatto Child. This excerpted piece chronicles a bi-racial child's life with her acerbic English actor/mother and the deep bond they forged. Amy Milano in Dancing with Crazies. In this excerpt from her life experiences, one woman searches for a place to call home after being uprooted from place to place as a child. Anna Maria Horsford and Ted Lange host.”

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Now Registered on the Better Lemons Calendar – January 14 - 27, 2019

Theatrical shows and Workshops registered on the Better Lemons calendar! For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

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