Audio Interview: Cathy Rigby and the cast of "Grumpy Old Men" AT THE LA MIRADA THEATRE

Fasten your seat belt, it’s going to be a grumpy ride! TV legend & Tony winner HAL LINDEN, the beloved CATHY RIGBY and Broadway’s KEN PAGE star in this new musical-comedy based on the classic 1993 film starring Jack Lemmon, Walter Matthau and Ann-Margret.  Two aging neighbors, Max and John, have been feuding for more than 50 years until the beautiful and charming Ariel moves in across the street — raising the rivalry to new heights.  Don’t miss this laugh-out-loud story of family, friendship, love and romance in a fresh new musical that’s guaranteed to delight!*

Enjoy this interview with Cathy Rigby and the cast of “Grumpy Old Men at the La Mirada Theatre for the Performing Arts, playing through Oct 13th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


"MEET THE PUBLICISTS" PANEL PODCAST

Better Lemons and Theatre West hosted “Meet the Publicists” featuring several of LA's premier publicists for a panel discussion of theatre publicity, marketing, and promotion.

The following publicists were on the panel:

Tim Choy (Davidson & Choy Publicity)
DAVIDSON & CHOY PUBLICITY (Press Representatives) resume includes the original Evita through The Book of Mormon and stints with American Ballet Theatre and Alvin Ailey American Dance Theater. Clients include Actor's Gang, Broad Stage, El Capitan Theatre, Ford Theatres, Hollywood Bowl, Lythgoe Pantos, Pasadena Playhouse, Segerstrom Center, Shakespeare Center LA, The Soraya, and Walt Disney Imagineering.

Lucy Pollak (Lucy Pollak Public Relations)
Lucy Pollak has been providing publicity services to the Los Angeles arts community for the past 27 years for companies including 24th STreet Theatre, Antaeus Theatre Company, The Echo Theater Company, Fountain Theatre, International City Theatre, L.A. Theatre Works, Latino Theater Company at the LATC, Los Angeles County Arts Commission, Odyssey Theatre Ensemble, Padua Playwrights, Theatre Planners, Will Geer's Theatricum Botanicum; numerous independent theater and dance productions; and large events and festivals such as the annual L.A. County Holiday Celebration at The Music Center.

From 1981 to 1990, she was production manager/staff producer at the Odyssey Theatre, where she co-produced over 100 productions with artistic director Ron Sossi.

She is the recipient of a Los Angeles Drama Critic's Circle Award (Master Class), an LA Weekly Award (Mary Barnes), four Drama-Logue Awards (Mary Barnes, Idioglossia, Accidental Death of An Anarchist, It's A Girl!), and a Women in Theatre Recognition Award. She has served on the boards of directors of the Los Angeles Theatre Alliance (now L.A. Stage Alliance), Women in Theatre and P.A.T.H. (Performing Arts Theatre for the Handicapped).

Philip Sokoloff
PHILIP SOKOLOFF has been a publicist for 24 years. He represents over 100 live attractions and several dozen feature films annually. His long-term clients include Theatre 40, Edgemar Center for the Arts, Sierra Madre Playhouse, Robey Theatre Company, Arena Cinelounge, Dean Productions and more.He is a member of the Public Relations Society of America. He has also produced for stage and television and has been an actor for 49 years.

Lynn Tejada (Green Galactic)
For 25 years, Green Galactic Founder Lynn Tejada has been the go-to publicist in Los Angeles for alternative art and culture producers, representing clients on a local, regional, national, and international scale. Since 1994, her promotions and client-base has included music of all sorts, theatre, art, film, dance, and more.

Tejada is also drawn to helping charities and nonprofit clients – she currently sits on the board of Linda Carmella Sibio's Bezerk Productions, Dance Camera West and on the advisory board of Lauren Segal's Give A Beat. She is also on the Honorary Board of Flea's Silverlake Conservatory of Music and sat on the board of humanitarian nonprofit NextAid for many years.


Lights Change: A Conversation with Writer Jacqueline Wright

About 10 years ago when I was an intern-turned-associate literary manager at Ensemble Studio Theatre/Los Angeles, I encountered the brilliant dramaturgical mind of Jacqueline Wright. What excites me about her work is that she is a writer and performer who constantly expands our minds as witnesses of the art-making experience. For her, like me, audiences are not just passive consumers of creative work - they are collaborators and, as collaborators, we writers make them work: we don't always tell stories that are linear, cause and effect, character psychology driven, - you name the normative convention often on view in the mainstream. Jacqueline's background in experimentalism makes her a nimble dramatist who weaves into and out of narrative structures, point of views, modalities of storytelling, and genres.

This is no exception in her provocative work Driving Wilde, currently playing at Theatre of NOTE in Hollywood. I caught the piece and engaged in a hearty conversation with Jacqueline afterwards amongst the seats which were just filled with enthusiastic patrons of the show. If you listen closely, you'll hear and feel the verve of the audience that exited the theatre a few moments prior, indubitably changed, challenged, and expanded by the experience they just received during Driving Wilde.

I would be remiss not to give you the tools to see this show yourself, for it is a must see. More information is available at TheatreOfNote.com

And now, Lights Change with my buddy Jacqueline and me:


Steven Sabel's Twist on the Trade: Social Theatre

I’ve never been big on social theatre. Not that I don’t think that theatre can and sometimes should make people think, but I’m a classicist who believes in subtlety. No one ever changed their mind about much of anything by being hit over the head, or force fed with a message. The best way to affect social change through performance is doing a show containing those “ah-ha” moments that strike audience members on their drive home from the theater. The classic masters were – well – masters at this.

Aristophanes sent a message of peace to his fellow Athenians, while highlighting the power of the feminine force through humorous metaphor with his “Lysistrata” without losing its entertainment value by drilling home his message to the populace.

Shakespeare was able to make his point about anti-Semitism by giving Shylock his famous speech, wrapped inside a mostly comic play he knew would appeal to his audience. In fact he almost pandered to their views, and then sort of snuck his message in under the radar. He does this equally well in tragic terms with “Othello,” adding another layer of subtlety by making “the savage Moor” the most eloquent and intelligent speaker in the play, perhaps the entire canon.

Sophocles used a dressing of anti-tyranny for his fellow democratic Athenians to sneak in his messages regarding loyalty to a higher power and the bonds of family over government and society when he wrote “Antigone.” Jean Anouilh used the classic Greek tragedy 2,385 years later to sneak those messages past the Nazi regime in occupied France.

Moliere used his comedies to take stabs at hypocrites of all sorts, and though he was regularly condemned by the religious, political, and medical profession leaders of his time because his attacks hit them too close to home, he was popular with the public who consumed his works with fervor. He wrote 31 of the 85 plays performed at the theatre in the Palais-Royal in Paris over a 14 year period. In today’s modern French, a tartuffe is a hypocrite, and a harpagon is a greedy miser – names of two of Moliere’s most famous characters that have now become part of the French lexicon. How’s that for making an impact?

Too many of today’s playwrights lack the creative subtlety to send their social message to an unsuspecting audience. Instead they write directly to the audience they already have. They preach to the choir. This does not affect any social change. It convinces no one of anything. It merely creates an echo chamber of like-minded people congratulating themselves and each other for sharing the same view – often a tunnel vision view. There is nothing clever about that, and thus not very interesting. It may have some entertainment value, but it isn’t opening new minds to new points of view. If anything, it only pushes potential new audiences away. In essence, a hammer head message accomplishes the exact opposite of what social theatre should be aimed at doing – opening the message to new minds through subtlety.

Much of today’s social theatre is a result of social theatre, in that a group of like-minded friends get together and say: “let’s put on a play!” The play is their social outlet, not unlike a bowling league or softball team. Rehearsals become a place to hang out with friends, and performances become not much more than a precursor to socializing at a local bar or house party. The audience is composed of friends and family members like the backyard productions we used to put on for our parents as kids. Any social message contained in the material actually takes a back seat to the true intent of the gathering: maintaining a social calendar for the participants. It’s a “play” date for grown-ups.

Benedict Knitterbatch

All of that is fine indeed. As I mentioned, some people join bowling leagues, others join softball teams. Some people form book clubs, knitting circles, and model airplane societies. We are social animals, and we like to surround ourselves with like-minded people who share our same interests. The difference is in the professed intent. I’ve never heard of a knitting circle with a “mission” to affect social change through the scarves and beanies they create.

On occasion, the casual hobbyist can turn their past time into some extra dollars. I know several people who place their creations on Etsy, E-bay, or other sites to make a little money by sharing their artistic hobby with others. Unlike actors, very few of these people profess to be aspiring to a career in their chosen social outlet or hobby. People who knit just aren’t that pretentious. Either that, or they have a keener sense of their own realities.

If you are an actor, it is time to examine your reality. Is your social theatre truly reaching the unenlightened masses? Is your social theatre just social theatre, filling your nights and weekends with play dates - or are you truly working toward that career by doing projects that either increase your aptitude, strengthen your skills, advance your professional network, or get you seen by a greater audience?

Have fun. It’s called a play for a reason. But if you’re just playing around with friends, then call it what it is, and build a career doing something else. No subtlety here.


Now Registered on the Better Lemons Calendar – August 12 - 18, 2019

Theatrical shows NOW registered on the Better Lemons calendar!
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

THE LONESOME WEST, BY MARTIN MCDONAGH

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VALERIE PERRI AND JACK & BENNY LIPSON: ALL IN THE FAMILY

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SYLUS 2020!

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EVITA

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IMPRO THEATRE'S SHAKESPEARE UNSCRIPTED AT NORTH COAST REP

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THE ADVENTURES OF PETER RABBIT

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HANDJOB

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FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION

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DIRTY TRICKS W/ THE NEW BAD BOYS OF MAGIC

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ATHENA

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LAST SWALLOWS

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PODCAST: Interview of "Coin & Ghost's" Rob Adler and Zachary Reeve Davidson, 2nd Season and 'Bad Hamlet' at 'New American'

An interview with Artistic Director and C0-Producer, Zachary Reeve Davidson, and Director, Rob Adler, of Coin & Ghost, on their world premiere play, "Bad Hamlet: An Irreverent, Interactive, Inventive Bootleg," which opens today at New American Theatre in Hollywood and their second season, MYTH-REMEMBERED.

Davidson and Adler, discuss the interactive aspect of "Bad Hamlet," which is based on the legend of “the bad quarto," and explores the "intersection of Shakespeare, memory, modern technology and Los Angeles."

"Bad Hamlet" kicks off Coin & Ghost's MYTH-REMEMBERED, which includes Cecilia Fairchild's "Mama, Mama, Can't You See," directed by Davidson, a simultaneously "modern war story and a spirit dance on the outside edge of death," and "Breakfast in Moscow," directed by Alex Demers, which is based on Chekhov’s "Three Sisters" and reimagined as a rock-opera using music from the 1979 Supertramp album, "Breakfast in America."

In addition to Davidson, the "Bad Hamlet" ensemble includes Casey Dunn, Julián Juaquín, Akshaya Pattanayak, Chris Schultz, Hannah Trujillo, Lauren Vitz, Marguerite French, and Elisa Rosin.

"Bad Hamlet" is every Thursday, Friday, and Saturday at 8:00 p.m. from Thursday, July 25, 2019, through Saturday, August 24, 2019. Tickets are $25 for general admission. They will also offer a healthy mix of Pay-What-You-Can (PWYC) tickets for certain shows, which includes the Preview on July 25, 2019, as well as every ticket during the second and third weekends, August 1 - 10, 2019. For tickets and more information visit Coin & Ghost.

The New American Theatre is located at 1312 N. Wilton Place, Los Angeles, CA 90028. Suggested age limit is 16-years or older due to adult themes and conversations. Mobile phone use will be encouraged for this production.


The 'Brisk Festival' at The Broadwater is Underway

The Brisk Theatre Festival is underway at The Broadwater, featuring short plays, in English and in Spanish, up to 10 minutes in length and running through August 11, 2019, with eight programs consisting of six to seven plays each, several of which were created by Hollywood Fringe Festival veteran producers and other participants.

The festival opened on July 11, 2019, and two of the eight programs have been presented with six programs remaining, with several of the shows created by Hollywood Fringe Festival veteran producers and participants.

There were 350 plays submitted for consideration and of those selected for performance, 34 are in English and 20 are in Spanish. Most of the productions are produced by local theatre companies in Los Angeles, but there are also artists heralding from Mexico, Florida, and Australia in this first edition of the festival.

The best plays are to be chosen by a jury of professionals including casting directors, producers, directors, actors, writers, managers, and agents. Those chosen go on to compete in a finals weekend on Saturday, August 10, and Sunday, August 11, 2019. The best play in English and the best play in Spanish are to receive an award of $500 each.

The festival was founded by Christian Rodrigo, a Spanish producer, director, and member of The Actors Gang. Rodrigo and Mexican producer and actor Ramon Valdez will be taking the Brisk Theatre Festival to Mexico, Barcelona, and Madrid later this year and in 2020, partnering with Full Emotion, a production company that has been producing films, television, and theater for more than 12-years.

Here is a list of the remaining performances:

From Salvador Casados' "Shakespeare Love" at the 2019 Brisk Festival, at The Broadwater, Los Angeles. Photo courtesy of The Brisk Festival.

The Orange Program, with shows in English. from July 18 - 21, 2018:

"Interventions," written by Greg Lam, and directed by Hollywood Fringe veteran Megan Frances who brought "Hott Line" (2016) to Fringe, tells of a couple on a hike who find that their "special plans" are interrupted by a succession of Time Travelers.

"Grown," written and directed by Soda Persi, features Corey Lynn Howe and Adam Briggs–all Fringe veterans and of Theatre Unleashed–who together bring to Brisk a piece about the nuances of love.

"People Will Talk," directed by Todd Felderstein, and written by Scott Mullen–who brought his play "Piñata" (2017) to Fringe–, is about a surprising connection between two people, challenged by life's obstacles, who meet one night on the ledge of a 12-story office building. A story of "life, the art of listening, and everyday miracles."

Additional shows are "Anything For My Mother," "Noir Man," and "Evidences of a Contemporary Love."

The Yellow Program, with shows in English, from July 18 - 21, 2018:

"Recess," written by Cara Emily Krantz, and directed by Roe Moore who co-produced "Buzz'd Out! LIVE" at last year's Hollywood Fringe, is a tale of two children on a playground who imagine what life would be like as adults, perhaps even together.

"Jill Takes A Leap," directed by Frida De Lackner and written by Mullen, also features multi-Fringe show veteran Asia Lynn Pitts from "Mouthy Bitch" (2016), "Blackballed: The Rise and Fall of Negro League Baseball," (2018) and this year's "Olivia Wilde Does Not Survive the Apocalypse," and is about a woman trying to figure out if she's living her best life.

Additional shows are "You me. Me you," "A Streetcar Derailed," "The Heart to Heart," and "Vote for Me."

The Green Program, with shows in English, from July 25 - 28, 2018:

"To The Roof," written by Cynthia Faith Arsenault, also directed by Frances, and is about elevator riders who become more than passing strangers.

"Captive Audience," written and directed by Raymond-Kym Suttle and hot off his Fringe show this year "Yes. No. Maybe" with actress Dee Dee Stevens, together along with actor Kevin Alain bring to Brisk a piece on how "being a stand-up comedian can bring out the worst in some people. So, be careful who you captivate."

"The Landing," written and directed by Fringe veteran Prakriti Maduro, who brought "Frida Kahlo: Viva La Vida" from Venezuela to the Hollywood Fringe in 2019, brings to Brisk her show "The Landing." brings a story about a woman who appears in the middle of an empty plane, midair, and the sudden arrival of her husband.

"RIP I.N.C.," written and directed by Harim Sanchez–a Sacred Fools member and a four-show Fringe veteran who brought his show "Pagliaccis" to the Hollywood Fringe in 2017--, "follows a world where grim reapers are just cubicle workers sent out to harvest souls, and it's not as 'grim' as one would make it out to be."

Additional shows are "The Gringos are Coming," "Creeper Sunrise," and "Dog Barks, Bodybuilder Slaps."

From Ken Levine's "The Hookup," a finalist at the 2019 Brisk Festival, at The Broadwater, Los Angeles. Photo courtesy of The Brisk Festival.

The Brown Program, with shows in Spanish, from July 25 - 28, 2018:

Shows are "Pastel de Naranja," "El Asunto del Chocolate,"  "La Razon," "Somos Super Fans," "La Gran Familia," and "Cuatro."

In the Pink Program, with shows in English, from August 1 - 4, 2019:

"Fandango,"  written by Karissa Montaner, and directed by Guy Picot who brought "Cookie and the Monster" (2015), "Disasteroid!" (2018), and "Earth to Karen" this year to Fringe tells of "two estranged sisters, forced to unite and discuss the fate of their deceased father's Tapas restaurant, become heels deep in one hell of a flamenco reckoning!"

Additional shows are "Performance Review," "Dead Man's Curve," "The Next Ivan Sharanski," "Spoiler," "Doctor's Orders," and "The Silent Woman."

In the Red Program, with shows in Spanish, from August 1 - 4, 2019:

"A Dos Tumbas de Ti," written by Nancho Novo and directed by Marcel Rasquin, also features Maduro, along with Karla Solarte, about two sisters wake up in their own funeral, having died on the same night but in different accidents. They discover the bizarre circumstances of their untimely death and unveil a secret that might take them straight to the grave for a second time."

Additional shows are "Sexoral," "After Life Vacation," "Crash ¿Quien Tiene La Culpa?" "La Taza que me Mira desde la Meza," and "Mrs. Fox' Zoo."


The Brisk International Theatre Festival is underway at The Broadwater, 1078 Lillian Way, Hollywood, 90038. Tickets for program blocks are $15 - $22. For showtimes visit their website.

Better Lemons Fringe 2019 Certified Audience LemonMeter Rated Shows

How does a show receive an Audience LemonMeter rated certificate? With 10 audience reviews!

A show receives a LemonMeter rating with 3 reviews but only gets certified after 10 reviews. Why? Because it takes a lot more reviews then just your friends or family to make a show Sweet. We want producers and production participants to encourage audience reviews, so they can get an honest feedback, which would help their show grow. And when a show receives 10+ audience reviews, we reward those productions with a certificate because they encouraged their audiences to get involved, regardless of the outcome of the LemonMeter rating.

So we celebrate these shows and we want to give them recognition and hopefully get more audiences into their seats.

CONGRATULATIONS TO THESE 2019 FRINGE PRODUCTIONS, THAT RECEIVED 10+ AUDIENCE REVIEWS:

TALES FROM THE POWDER ROOM (1st Place Audience Choice Award)
RAISED BY WOLVES (2nd Place Audience Choice Award)
IF WE RUN (2nd Place Audience Choice Award)
HOLLYWOODN'T (3rd Place Audience Choice Award)
THE BULLY PROBLEM
AMERICAN STRANGER THE MUSICAL
AN EXCUSE TO BEHAVE BADLY
FERTILE: A Conversation About the Expectation of Procreation
THE NARCISSIST NEXT DOOR
BUNNY THE ELF LIVE!
MANDY PICKS A HUSBAND
CRACK WHORE, BULIMIC GIRL-NEXT-DOOR
A BIT MUCH
BIRTHDAY
YES. NO. MAYBE.
THANK YOU FOR LOVING ME
(IM)PERFEKT
TRANSFERENCE
LEAVING PRINCE CHARMING
BECOMING PEACE: A One Woman Dramedy about Power, Culture, Violence and Nonviolence
ASK A BLACK WOMAN
OCTOPI WALL STREET
MIL GRUS

To receive a certificate for Audience SWEET LemonMeter rated show, ask audience members to leave a review of your show. They have 30 days after the show closes to leave a review.


The Better Lemons 2019 Fringe Audience and Critics Choice Awards

As of this post, the critics and the audiences have spoken, resulting in almost 99 Hollywood Fringe productions receiving a SWEET #LemonMeter rating and 19 Fringe productions receiving #DoubleSWEET ratings (both critics and audience members agreeing on a sweet production).

It takes three reviews from critics or three reviews from the audience to generate a #LemonMeter rating.

The Better Lemons Fringe Audience and Critics Choice Awards, as well as the DoubleSweet Awards are based on the number of reviews submitted before the time of publication.

The shows with the most reviews receive the Audience and the Critics Choice Awards. The Awards are based on the number of reviews, regardless of the #LemonMeter rating of Sweet, Sweet and Sour, or Sour.

CONGRATULATIONS TO ALL THESE WINNERS who have registered their shows on Better Lemons and encouraged audiences and critics to voice their opinion about their show, regardless of the outcome!

Audience Choice Awards:

1st Place
TALES FROM THE POWDER ROOM

2nd Place
RAISED BY WOLVES
IF WE RUN

3rd Place
HOLLYWOODN'T

Critics Choice Awards:

1st Place
BOXING LESSONS
THE BULLY PROBLEM

2nd Place
POCKETS
SCARLETT FEVER
FERTILE: A Conversation About the Expectation of Procreation
THE SAME ROOM

3rd Place
(IM)PERFEKT
TRANSFERENCE
MIL GRUS
TATTERED CAPES
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
WIGFIELD
SON OF A BITCH
THE SCORPION AND THE FROG: A TIME-KILLER

The DoubleSweet Awards are based on the SWEET #LemonMeter rating by both Critics AND Audience members as of Friday noon, June 5th.

DoubleSweet Awards:

(in order of most audience reviews)

RAISED BY WOLVES
IF WE RUN
HOLLYWOODN'T
THE BULLY PROBLEM
FERTILE: A Conversation About the Expectation of Procreation
THE NARCISSIST NEXT DOOR
BUNNY THE ELF LIVE!
A BIT MUCH
CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR
(IM)PERFEKT
TRANSFERENCE
MIL GRUS
START SWIMMING
SUPPORTIVE WHITE PARENTS
SAVING CAIN
BATTER UP: MY BRAIN ON BASEBALL
CIRQUE DU GISELLE
THE LAST CROISSANT
PIT OF GOBLINS
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
TATTERED CAPES
45 MILLIGRAMS
HOW I BECAME A SUPERHERO


Now Registered on the Better Lemons Calendar – June 26 - July 2, 2019

Theatrical shows registered on the Better Lemons calendar, including Hollywood Fringe Festival Encore! Producers and Best of Broadwater Award recipients.
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Dancing at Lughnasa

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A Wrinkle in Time

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Diary of Anne Frank

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The Center of the Universe

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The Young Artist Project

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The Nerd, by Larry Shue

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Goldfish

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The Direction Home

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King Lear

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DIRTY TRICKS w/ The New Bad Boys of Magic

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The Ruffian on the Stair

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Bakersfield Mist

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Billie Holiday: Front and Center

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Renovations for Six

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URBAN DEATH for kidz

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Naked Came the Neighbor

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Good Boys

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An American Saga Revival - Gunshot Medley: Part I

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The Same Room

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Yes. No. Maybe

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Raised by Wolves

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Stitching Stardust

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FERTILE: A Conversation About the Expectation of Procreation

"WINNER Producers' Encore Award & NOMINEE Best Solo Performance 2019 Hollywood Fringe Festival!

Jenny has a plan. A plan to get pregnant. Everyone says, time is running out - she just turned 35, after all. So, when those pesky urine tests keep coming back negative, Jenny decides to take action to fix the problem. That's when she runs into real problems - and real questions about fertility AND motherhood. As Jenny faces the world of “mom options” – egg freezing, in-vitro, adoption, and more – the conversation about the expectation heats up. Taking into account a whirlwind of outside opinions from her friends, her doctors, a beloved neighbor – and even God – Jenny must ultimately look within to discover what motherhood means to her, what it means to be Fertile."

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Siren Call

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Jamba Juice: The Musical

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LOVE, MADNESS, AND SOMEWHERE IN BETWEEN

"'Love, Madness and Somewhere in Between' is a no holds barred glimpse into a mystical journey filled with love, pain, insanity, and redemption. Scattered along the way is a sprinkling of ironic comic commentary that can only come from a true survivor. “Jimmy” is not so much a hero but more a human being traversing an abusive childhood, a descent into alcoholism and finally plunging into a world of fantastical personifications which dwell amidst humanity's darkest sins. Will closure, forgiveness, and healing come in the unlikely form of the “angel warriors” – patients on the pediatric cancer ward of Children's Hospital? Does Pure Love, in fact, transform and redeem, or are some lives beyond salvation? The show had its world premiere at Theatre West on January 27th, 2019. It ran 6 performances at Hollywood Fringe 2019 and won the Encore! Producers' Award. The show has been extended for three more performances."

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday, February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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Mandy Picks A Husband

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Blackboxing

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A Bit Much

"While on a first date, Stacy's date innocently asks her if she wants red or white wine. This “trick” question immediately sets off a tsunami of Stacy's insecurities, fueled by a history of being shot down after speaking her mind. In the instant it takes to answer that “red or white?” question, Stacy takes us on a hilarious journey of her failed relationships with men, starting in the fifth grade, when she beat her first boyfriend at wall ball during recess. After that he broke up with her. So begins an unintentionally competitive pattern with men that whenever Stacy wins at life, she loses at love. With both sides of Stacy's psyche weighing in like a comical Greek chorus, Stacy tries to figure out what men really want in a women before she answers that all important first date question, 'Would you like red or white wine?'"

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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The Winners at the 10th Annual Hollywood Fringe Festival Awards 2019

The 10th Annual Hollywood Fringe Festival Awards Ceremony was presented Sunday, June 30, 2019, at the Montalbán Theatre. Here are all of the winners of the Community Awards.

Top Of The Fringe

The Last Croissant

International

Hide Your Fires: Butoh Lady Macbeth

Fringe First (World Premiere)

Pockets

Cabaret & Variety

Blackboxing

Comedy

Olivia Wilde Does Not Survive The Apocalypse

Dance & Physical Theatre

Tattered Capes

Ensemble Theatre

The Last Croissant

Immersive Theatre

Vote For Murder!

Musicals And Operas

Pockets

Solo Performance

Mr. Yunioshi


The 10th Annual Hollywood Fringe Festival Awards 2019 Have Been Announced, Awards Ceremony Tonight!

The 10th Annual Hollywood Fringe Festival Awards Ceremony is tonight, Sunday, June 30, 2019, at 6 p.m. at the Montalbán Theatre!

Here are all the nominees for the community and sponsored awards.

Fringe Freaks (community-voted awards) Nominees

Top Of The Fringe
Klingon Tamburlaine
Mr. Yunioshi
Pockets
The Bully Problem
The Last Croissant

International
Hide Your Fires: Butoh Lady Macbeth
Pretty, Witty Nell
Start Swimming
What Am I Even Doing?
What I Never Told You

Fringe First (World Premiere)
45 Milligrams
Blackboxing
Pockets
Son of A Bitch
The Bully Problem

Cabaret & Variety
Batter Up! My Brain On Baseball
Blackboxing
Pick Of The Fringe – Cabaret Show
Squeeze My Cabaret
The Color Collective

Comedy
Come Back!
Crabbe And Goyle Are Dead
Olivia Wilde Does Not Survive The Apocalypse
The Mayor’s Debate Of Tranquillity Nebraska
Stuff I Think Is Funny And Good

Dance & Physical Theatre
Cirque Du Giselle
Four Clowns Presents: Shakedown At The Dusty Spur!
Mil Grus
Scarlett Fever
Tattered Capes

Ensemble Theatre
Grail Project
Saving Cain
Son of A Bitch
The Last Croissant
The Death of Sam Mobean

Immersive Theatre
Disrobed
Life Plan, Or Living Your Best Life In A Collapsing World
Matt: The Gathering
The Pod
Vote For Murder!

Musicals And Operas
Earth To Karen
Pockets
Public Domain: The Musical
Supportive White Parents
The Bully Problem

Solo Performance
Fertile
Meet Me In Mizzery
Mr. Yunioshi
Pit Of Goblins
Temple Tantrum

Sponsored Awards Nominees

2019 Unleashed Awards
Scarlet Fever
Meg Jo, Beth Amy & Louisa
Haddon Park
Sorry About My Friend
The Mayor’s Debate Of Tranquillity Nebraska

2cents Theatre Distinctive Voices Award
The Death Of Sam Mobean
Dear Jeff
Butcher Holler Here We Come
The Institute For The Opposite Of Longing
Scarlett Fever

Aunt Lyla’s Fave Fringe Flyer
Winner announced tonight! Honorable Mentions:

No More Toys
The Mayors Debate Of Tranquility, Nebraska
Cave Girl: The Musical
If We Run
Start Swimming

Fight The Power Award
Greenwood 1964
Start Swimming
No Child Left Behind
Falling On Deaf Eyes
The Bully Problem

No Room In The Green Room Award
Silent Joy
Borracho: Spanish For Drunken Bum
Tattered Capes
The Bully Problem
The Circle Table

O Face Award For Orgasmic Achievement In Theatre: “Most Orgasmic Performance”
Blaire Chandler – The Duchess & The Stripper
Yokko – Hide Your Fires: Butoh Lady Macbeth
Jim Hanna –The Mayor’s Debate Of Tranquillity Nebraska
Elisabeth Hower –Four Clowns Presents: Shakedown At The Dusty Spur!
Macy Idzakovich – Flower Society

Showorks Don’t Wait. Create! Award
Oracles & Miracles
Supportive White Parents
The Duchess & The Stripper
Earth To Karen
The Bully Problem

Soaring Solo Artist Award
Squeeze My Cans by Cathy Schenkelberg
Dear Jeff by Callie Ott
Mr. Yunioshi by Jonathan Cho
Mandy Picks A Husband by Amanda Broomell
The One-Man Improvised Musical by Conor Hanney

Standout Song Award
“Smellay Lahk A Turkay” Blackboxing
“Wanted” Pockets
“Love Triangles” Pocketmon
“The Futures Lit” One Hump Heart
“Slapfoc” The Bully Problem

Steve Kent Award
Earth Stories: Our Climate And Our Future
In Conclusion
Ghost Town
Mr Yunioshi
The Last Croissant

The Diverse Diva Award
Squeeze My Cans by Cathy Schenkelberg
(IM)PERFEKT by Jannica Olin
Chrissy Meth by Crystal Bush
Loose Underwear by Dagmar Stansova
Corina: From Lapdance to Sundance by Corina Calderon

The Golden Key
The Pod
Tales By Candlelight
Best Night Ever
Internal
Vote For Murder!

The Inkwell Theater Playwright’s Promise Award
The Institute For The Opposite Of Longing” By Lindsay Beamish and Vanessa Peters
Butcher Holler Here We Come” By Casey Wimpee
To Richard!” By Jessica Durdock Moreno
The Circle Table” By Eric Moore

The Outdoor Voices Festival “conversation Creation” Award
Cave Girl: The Musical
Blackboxing
Silent Joy
Crack Whore, Bulimic, Girl Next Door
TBD Fifth Nominee

The Paul Koslo Memorial/Met theatre Award
A Time Traveler’s Guide To The Present
Mr. Yunioshi
The Grail Project
Scarlet Fever
Pho Girl

TPP’s Trope Buster!
Batter Up! My Brain On Baseball
Blackboxing
Butcher Holler Here We Come
Mr. Yunioshi
Sins
-----------------------------------------------------------------------------------------------
The Montalbán Theatre is at 1615 Vine St, Los Angeles, CA 90028. The Hollywood Fringe Festival Closing Night Party after the awards ceremony at St. Felix, 1602 N Cahuenga Blvd, Los Angeles, CA 90028.


Now Registered on the Better Lemons Calendar – June 18 - 25, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

PEACH BOY - A Musical Staged Reading

“The Group Rep presents a musical staged reading of PEACH BOY, based on a 200-year-old favorite fairy tale character Momotaro, book and lyrics by Tony Pinizzotto, music by Phil Luna, directed by Hisato Masuyama. PEACH BOY is a timeless tale of love, adventure, and coming-of-age; crafted to excite as it restores your faith in never being told you’re too old to dream.”

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StoryTime

“The Group Rep presents StoryTime, a story salon produced by Patricia Willson, featuring fresh, live personal stories as entertainment - - an evening of joy, sadness, and a touch of comedy on Sunday, July 14 at 7:00 pm, at the Lonny Chapman Theatre in North Hollywood, CA, at the edge of the NoHo Theatre & Arts District.”

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Tuesday Night Comics at North Coast Rep

“Tuesday Night Comics is arguably the funniest night of comedy in San Diego. Mark Christopher Lawrence taps into his extensive list of talented comedian friends and shares the North Coast Rep stage with them. The show is comprised of talent from all over the country with late-night television credits as well as credits from Comedy Central, HBO, SHOWTIME, ETC…RATED R.”

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Two Naked Angels

“Two Naked Angels - A Pair of Thought Provoking One-Act Plays
LOST VOICES – Three Women live ordinary lives. Behind their eyes lurks a secret each has kept buried in the deepest part of their souls until today. Today they can no longer hide their voices. Today, 7.6 Billion peoples lives hang in the balance and these three women don’t even know it.”

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We Should Hang Out Sometime

“'Experience an interactive evening with Josh Sundquist, featuring a live performance of the hilarious storytelling and comedy that has earned him over 200 million views online. Bestselling author, comic, and Paralympian Josh Sundquist tracked down all the girls he'd ever tried to date to ask why they rejected him. He shares the results of his semiscientific investigation (and yes, it's a true story) in this one-of-a-kind live performance that blends interactive storytelling with standup comedy. From a disastrous mini-golf date involving a backward prosthetic foot to a misguided 'grand gesture' at a Miss America pageant, it’s a story about looking for love—or at least a girlfriend—in all the wrong places. ”

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Accidental Joy

“Joy Perkins, a 40-year old disgruntled underachiever, has resigned herself to a life of regret and unfulfilled potential. But when world-famous guru, Niev Lapel, comes to town, Joy is determined to take one final stab at getting what she deserves and becomes a guru herself. Laden with adult language and situations, catchy original songs, and four or five murders, Accidental Joy: A New Musical, is a visionary, third-eye-opening dark comedy that speaks to the central role we play in forging our own destinies.
The Montalbán is proud to partner with Infinity Grove Entertainment to present Los Angeles audiences with a special opportunity to experience an enhanced workshop production of Accidental Joy: A New Musical, coming to the theatre for one-night-only on Saturday, June 29, 2019. Book by Marcus Terrell Smith, music by Robbie McDonald, and lyrics by both, Accidental Joy is a dark comedy musical about one woman’s incredible journey to find the guru within, and the four or five hilarious murders that follow her along the way...Deviating from the standard theater development process, Accidental Joy invites audiences to take part in a completely unique and entertaining workshop production experience using minimal sets and costumes. While these presentations of new shows are usually done for small focus groups, Accidental Joy is changing the trend in LA fashion.”

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Sum Comedy - The Set Off

“Who has the funniest set in LA?
Come check out 7 comedians compete to be The Set Off Champ!
7 minute sets, 7 Comedians, 7 minutes to crack up the audience.
Special Guest Headliner Every Night!”

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Towne Street Theatre's TST Summer Series Presents: Nights of Sum Poetry!

“Towne Street Theatre's TST Summer Series Presents: Nights of Sum Poetry! We are calling all spoken word artists, writers, rappers, and wordsmiths of LA who are looking to perform and share their truths and narratives to push the culture. The showcase will consist of spoken word theatre performance themed Push The Culture followed by an open mic, available to audience members who would like to perform!”

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TST Literary Series: The Awakening of LA Muse

“Our next Literary Series selection is The Awakening of La Muse by S.R. Strickland...Excerpts from the novel will be performed by professional actors. The Awakening of La Muse is about Muse, a sixteen-year-old American slave, driven by a secret that nurtures her spirit but binds her to a crippling silence, is petrified when she travels with her owners to Europe. The journey sweeps her from the rocky dirt roads of a plantation to the elegant avenues of Paris. In 1855, she escapes but soon learns a French bounty hunter is in pursuit. When the day of reckoning arrives, she battles for the right to liberty. A short talkback with the author immediately following the performance.”

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Reflections On A Lifetime in Theater - Nicole Cassesso & Damien Lorton

“For the first time ever, One More Productions co-founders, Damien Lorton and Nicole Cassesso will take the stage together to share colorful stories and songs from a lifetime spent in the theater...Nicole is the co-founder and Executive Director of One More Productions [and] has produced over 60 award-winning theatrical productions and special events, including co-creating and co-writing the audience favorite, The Holiday Gem...You probably recognize Damien as the voice of The GEM, Damien has been the Artistic Director of One More Productions for the past 15 years...”

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Two Noble Kinsmen

“The Porters of Hellsgate Theatre Company presents William Shakespeares The Two Noble Kinsmen, directed by Will Block. Kinsmen offers a simple, poignant message in the most gloriously messy wrapper: be good to each other says Block. Shakespeare and Fletcher channel Chaucer's original work to tremendous effect, declaring Stop. Look around. Reach out...The Two Noble Kinsmen will be the Porters twenty-ninth production along the road to completing Shakespeare's canon.”

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Double Falsehood

“The Porters of Hellsgate Theatre Company presents Double Falsehood by Lewis Theobald, adapted from Cardenio, the lost play of Shakespeare and Fletcher, directed by Thomas Bigley...'Double Falsehood' is produced with the Porters ambition of crossing every "t" and dotting every "i" along the road to completing Shakespeare's canon.”

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Vote for Murder!

“A New Immersive Game Experience! Solve and collect clues, perform tasks, commit murders, save your fellow classmates, and interrogate suspects to find which candidate is trying to steamroll their peers on their way to the top. Are you in cahoots with a killer? Or is your candidate the next victim? This is a sandbox-style immersive experience co-operative game (RPG) inspired by Clue, Mafia, and other party games.”

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Bad Hamlet

“Coin & Ghost, LA’s theatrical home for remixed mythologies, is thrilled to announce its second season: MYTH-REMEMBERED. The emerging theatre company will launch its season with the World Premiere of Bad Hamlet, an irreverent, interactive, and inventive play that places Shakespeare’s masterpiece directly up against the many interpretations of it, whether accurate, misremembered, or re-invented entirely. Devised by the ensemble and directed by Rob Adler.”

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Permanent Collection

“Staged reading of a play. Written by Thomas Gibbons. Directed by Barbara Schofield. Sterling North, the new Black director of the Morris Foundation precipitates turmoil when he insists that the Foundation museum display its stored artworks of African origin with greater prominence and in greater quantity, dismissing those who oppose him as racist. He is even prepared to go to court to challenge the will of the museum’s founder, Alfred Morris, to pursue the objective of promoting the exposure of North’s beloved African artists. Nothing is as simple as it looks. Was Morris a racist? Who decides who should see art? Who decides what we can see? Who has that right? Can a museum itself be a unified work of art? Should the last will and testament of a private collector be sacrosanct?”

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Beauty and the Beast - Gem Theatre

“Spend the holidays at home at The GEM and step into the enchanted world of Broadway’s modern classic, Disney’s Beauty and the Beast!...The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed into his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will doomed for all eternity. This “tale as old as time” is filled with fun for the whole family; with spectacular music, costumes, sets and grand production numbers. Be our guest and experience the magic of this timeless fairytale!”

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Crazy Horse: A Dream of Thunder

“”The American Dream has come to dominate the culture of this continent, but is it the only dream worth pursuing? Are there other dreams that might promote our success and survival better? Crazy Horse: A Dream of Thunder explores this through the lens of a single figure of the Wild West, the legendary Lakota warrior Crazy Horse, who finds himself fleeing the Indian agency in 1877 even after his pivotal victory at Little Bighorn and the destruction of General Custer. Portraying other characters in his life with a feather, shawl, or war bonnet, this thoughtful hero takes the audience on a vision quest, gathering clues from his past to unlock a future for his people. Winner of a Kansas City Fringe award & a Best of Kansas City award, this solo show is written & performed by Sam Wright and directed by Nicholas Collett.”

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TST Variety Show

“Looking for a fun night out at the theatre? The TST Variety Show is the place for you! Singing, Dancing, Sketch and Audience Interaction.
About this Event TST presents a Variety Show like NO other! Singing – Check, Sketch – Check, Dancing – Check, Audience Interaction - Check
It's Spectacular! It's Amazing! It's Incredible! It's the TST Variety Show Night - One Night ONLY.”

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The Last Days of Don Juan

“The Classical Theatre Lab’s production of The Last Days of Don Juan is presented with the support of the City of West Hollywood’s Arts Division.
The Last Days of Don Juan is the earliest known dramatic appearance of literature’s most famous (or infamous) romantic rogue. He is possibly the first of the red hot lovers. The Seducer from Seville goes from place to place, city to city, town to town, village to village, deceiving, deflowering, despoiling and devastating beautiful maiden after beautiful maiden. He is aided and abetted in his adventures by his loyal servant Catalina, who time and again helps Don Juan escape angry pursuers...This libertine lord of lust finds his fortunes begin to change after he slays the angry father of one of his conquests in a sword fight. Not long after, Don Juan finds himself opposed by supernatural forces that seek to punish him for his wicked, wicked ways. Can he seek repentance and find forgiveness in time?”

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Caucasian Chalk Circle

“Bertolt Brecht's satiric comedy of war, love and justice. Deep in the Caucasus Mountains of Georgia, a humble kitchen maid named Grusha risks her life to rescue an abandoned baby from civil war. But when the child’s aristocratic mother returns to claim him, the entire social order of a corrupt and violent world is put on trial.”

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Conversations About the GIRLS! Yes, those GIRLS! - TST Summer Series

“As part of the Towne Street Theatre Summer Series, we are proud to present this wonderful play written and directed by Sonia Jackson
Conversations ‘Bout the Girls, a fresh, inspiring performance piece, is about the relationship women have with their breasts. It brings into view the mysterious, sometimes misunderstood, and often controversial realm of women’s bodies and body images. Only 2 days so be sure to see it while its up! Great way to spend a summer night or afternoon, in the heart of Hollywood!”

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You're A Grand Old Rag

“Immigration and What it Means to Be an American
As seen through the works of the Theatre’s original
Yankee Doodle Dandy and iconic Patriot.”

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MAMMA MIA!

“Get swept away by the infectious music, uplifting story, and dazzling dance numbers that have made MAMMA MIA! a worldwide phenomenon. As wedding festivities commence on an idyllic Greek island, a young bride-to-be schemes to discover the identity of her father among three men from her mother’s past. With so many of ABBA’s timeless hits, including “Dancing Queen,” “Take a Chance,” “Money, Money, Money,” and “SOS,” this story of love and friendship is an unforgettable musical experience that will leave you dancing in the aisles! ”

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Shirley Valentine

“Known by many as the hit 1989 film starring Pauline Collins and Tom Conti. Our heroine is an ordinary English housewife. As she prepares chips and egg for dinner, she ruminates on her life and tells the wall about her husband, her children, her past, and an invitation from a girlfriend to join her on holiday in Greece to search for romance and adventure.”

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Beyond Glory

“Set against the backdrops of the Vietnam War, World War II and the Korean War, Beyond Glory tells the stirring, emotional, and heroic true stories of eight recipients of America’s highest military award, the Medal of Honor, told by one actor. Beyond Glory gathers these men together in the present to look back on the defining moments of their lives and to examine the meaning of courage, duty, and ultimately, humility. ”

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APPLE SEASON

“APPLE SEASON is produced by Moving Arts as a part of a National New Play Network Rolling World Premiere. Other partnering theaters are New Jersey Repertory Company (NJ) and Riverside Theatre (IA). Mr. Anthony and E. M. Lewis are long time collaborators, he has directed three premiere productions of E. M. Lewis’ work, plus two “Car Plays” and a one-act for the Samuel French Ten Minute Play Festival in New York...Lissie returns to her family's land after many years. A chance encounter with an old flame conjures memories she thought she'd escaped long ago. This striking new play explores family, desire, and whether to confront the tangled past -- or burn it to the ground."

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GOOD ENOUGH

“GOOD ENOUGH is the true journey of world renown author and story teller Ted McGrath. Playing 15 characters, McGrath takes us on an emotional roller coaster ride through addiction as he sabotages his family, his career and ultimately his life in the attempt to answer one question burning inside him his entire life: AM I GOOD ENOUGH? Now, having reclaimed his life and at the pinnacle of success, McGrath’s play asks each of us that same question: Are you 'Good Enough?'”

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Blithe Spirit by Noel Coward

“BLITHE SPIRIT has continued to be a smash hit comedy since it first premiered on the London and Broadway stages in 1941. This hilarious supernatural farce centers on fussy, cantankerous socialite and novelist Charles Condomine, who invites the eccentric “kooky medium” Madame Arcati to his house to conduct a séance, hoping to gather material for his next book. The scheme backfires when he is haunted by the ghost of his annoying and temperamental first wife, Elvira, who makes continual attempts to disrupt Charles's marriage to his second wife, Ruth, who cannot see or hear the ghost during the séance or afterwards. Boundless laughs and constant pandemonium ensue.”

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These Streets

“'These Streets' is a new play with original music, including musical performances. It’s 1961 at the height of the folk music scene in Greenwich Village. Eve Wilson moves to New York City with dreams of becoming a singer/songwriter. She stumbles upon the local open mic scene, where she meets other aspiring artists Ben Phillips, a talented singer and bartender struggling with stage fright, and Nancy Tate a writer who falls for Ben, proving to perhaps be the challenge he needs. She also meets folk singer Dennis McKinley. When she meets Dennis sparks fly until his new found career success creates tensions between them. Dennis then must rediscover who he is and what it is that matters to him most.”

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Twelfth Night

“A beloved Los Angeles tradition, the Festival is freewheeling, inclusive and a bit anarchic. It's an entire summer of mainstage performances, pre-show family events including workshops, a slate of extraordinary opening acts and diverting community events. Bring a blanket and a picnic to enjoy great theater in a great city. All free, all summer long. TWELFTH NIGHT. A cloud hangs over the country of Illyria as Countess Olivia mourns and Duke Orsino pines. But when Viola (a young woman with a big secret) washes onshore, it soon becomes clear that you can’t keep the human spirit down for long. Music, dance, and lovable misfits abound in one of the most beloved romantic comedies of all time, all set against the backdrop of the jazz era.”

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Pericles

“A summer season of free performances like no other! A beloved Los Angeles tradition, the Festival is freewheeling, inclusive and a bit anarchic. It's an entire summer of mainstage performances, pre-show family events including workshops, a slate of extraordinary opening acts and diverting community events. Bring a blanket and a picnic to enjoy great theater in a great city. All free, all summer long. PERICLES. Love is lost and found again in one of Shakespeare’s most spellbinding plays. The young Pericles sets out for adventure, but gets more than he bargains for. 25 years later, it’s his daughter’s turn to sail the high seas as she seeks to unravel the mystery of her birth. PERICLES is an epic tale, spanning continents and decades, complete with knights-errant, greek gods, pirates...and more than a little magic.”

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The Peter Sprague Trio at North Coast Rep

“Back by popular demand, the Peter Sprague jazz trio explores songs that resonate with the boomers. They start with The Beatles, Stevie Wonder, Bob Marley, Jimi Hendrix, James Taylor, and Cream, and then for balance they play “Georgia” or add Cole Porter. The vibe is contagious and the sound pulls you in.”

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Swiped The Musical

“'SWIPED “APPily Ever After' is a modern day love story about about the life of Polly, a meticulous planner that finds herself manifesting her very first relationship using online dating apps, and all the confusion, fear, and strangeness that comes along with it. Yes, it’s a comedy, and maybe we can even call it a contemporary fairytale, but really it’s story that every 21st century human being with dreams and goals and passions can relate to. Our main character, Polly, is just that 21st century human being. After Polly’s parents split up when she was nine years old, she decided that the only way she could control her destiny was to meticulously plan out every aspect of her life, but when her boss asks her to bring her boyfriend to the company mixer she realizes the one thing that she never meticulously planned for was a relationship. This is a girl that micromanaged and manifested her sleepovers, her line position in the nutcracker, her role in student government, and even the class senior prank. I mean who wouldn’t love to see 100 micro-pigs running down the halls of a high school on ditch day? Not anybody we’d like to know. How did she miss planning for a relationship? All of Polly’s dreams had come true and now it was time for her to find….ahem…. love…… the one thing that it’s kind of starting to look like she might have been avoiding this whole time. Do Polly’s master planning and manifesting skills find her the relationship that she’s set out to have? Come see SWIPED “APPily Ever After” to find out!”

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🍋