Spotlight Series: Meet Holly Baker-Kreiswirth and Bill Wolski, the Dynamic Duo Who Call Little Fish Theatre Their “Home Away from Home”


Anyone who has attended a production at Little Fish Theatre in San Pedro has most likely met Holly Baker-Kreiswirth and Bill Wolski, the dynamic duo who call Little Fish Theatre their “Home Away from Home.” As well as appearing onstage together, the married couple also work behind-the-scenes with Holly managing the theatre's Press Relations and directing shows while Bill often takes on the roles of Director and Producer when not acting onstage.


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Bill Wolski (Bill): I'm a veteran of over a hundred plays and a whole host of other projects and performances. I cut my teeth on the small theatre circuit in greater Cleveland, Ohio, where I grew up. I'm primarily known for my work at Little Fish Theatre, which has been my artistic home since 2007, and for being the husband of the equally talented and prolific Holly Baker-Kreiswirth.

Holly Baker-Kreiswirth (Holly): I started out in television before I worked in theater; the very first paid job I had was in the acting category on Junior Star Search which led to various roles in shows such as Chicago HopeGia (HBO), and Private Practice. I studied theater in college, but took a 10-year break to work on a career in TV production, and then had my kid.  In my early 30s, I started with Palos Verdes Players as a sound tech, then worked my way up to directing, producing, and finally acting again.  When PVP sadly went down, Bill and I appeared onstage in The Tender Trap at Long Beach Playhouse (when we started dating!) and subsequently found our artistic home at Little Fish Theatre, where we produce Pick of the Vine and act in or direct roughly 1/3 of the productions every year.

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(Bill): I was working on a show called Becky's New Car, written by Steven Dietz, and directed by my wife. It was scheduled to open on April 9th. I was playing Becky's steadfast, not-as-dumb-as-he-looks husband, Joe.

(Holly): We were both deeply into rehearsals for Becky's New Car. I pre-block the shows I direct before rehearsals even begin; we had ten rehearsals under our belt with our lead actress, Amanda Karr, already off book.  Costumes/props were bought, lights/sound were being designed... everything was in motion.  Our stumble-through was the last rehearsal we had, and the show was already in great shape.

(SB): How was the shutdown communicated with the cast and production team?

(Bill and Holly): First, the sports teams postponed their seasons. Then, it was gatherings over 250 people. Then, gatherings over 50 people. Being a very intimate theater, there was still a possibility that LFT could limit ticket sales and hold performances, but the conclusion was reached that we didn't want to put our fan base and company members at risk. Emails went out to those involved that everything was going to be put on hold.

(SB): Are plans in place to present that production at a future date, or is the cancellation permanent?

(Bill): Becky's New Car will open at a later date, once we've been given the all-clear.

(Holly): We're thrilled that the work we've already put into the show will be seen by an audience someday.  I believe the message will resonate with them.

(SB): I have seen the show before and was really looking forward to seeing the production at Little Fish. So I am happy to hear that eventually that will happen. What future productions on your schedule are also affected by the shutdown?

(Bill and Holly): We are involved at LFT all the time in a volunteer capacity. The shutdown has affected our entire season. Shows and special events that have not yet been cast or started production may be canceled entirely to give the shows that were already in progress a chance to be performed.

(SB): I know Bill is an avid hiker, but how are the two of you keeping the Arts alive while at home by using social media or other online sites?

(Bill and Holly): Little Fish Theatre and its company members are doing a lot to bring theatre to a virtual audience. We're promoting and reaching out to our subscribers with videos and newsletters, and writing and sharing original content through our social media platforms. Specifically, we have a 5-part original web series called "Little Fish" that features hilarious portrayals of our artists.  We've produced multiple virtual readings of everything from comedic short plays to screenplays to a play about the shootings at Kent State 50 years ago this month.  And coming up next month we have a reading of a M*A*S*H* script donated to us by one of the writers, Ken Levine!  All of our readings are free -- we're so happy to be able to provide the arts to everyone in this format.

(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Bill and Holly): Please, be safe. Follow the rules and the health guidelines and limit the risk posed to yourself and your loved ones. In Shakespeare's time, theaters were closed due to the plague, and 400 years later, theatre is still alive and well. As long as there are stories to tell, there will be people to tell them. We'll all be together again soon enough. From our theater to yours, here's a big hug from Little Fish. We love you!

Here's how to stay in touch with Little Fish Theatre:


All production photos credit: Miguel Elliot


This article first appeared on Broadway World.