Ovation Awards Playwrights Roundtable

On the brink of their big night, I checked in with four of this year’s Ovation Awards nominated playwrights: Malcolm Barrett for Brain Problems with Ammunition Theatre Company; Jami Brandli for Bliss (or Emily Post Is Dead) at Moving Arts; Jonathan Caren for Canyon at Latino Theatre Company in association with IAMA Theatre; and Nate Rufus Edelman for Desert Rats at Latino Theatre Company.

You've been nominated for an Ovation! Major congrats! How do you feel about this exciting moment?

MALCOLM BARRETT: It’s a pretty amazing feeling considering this is my first full-length play, made all the more meaningful by being recognized for a story as personal as this: the journey of a man trying to cope with death via his imagination, based on a buddy of mine, Thomas Mejia who suffered from multiple AVM's. I think it was both therapeutic and cathartic for both of us to go through this process.

JAMI BRANDLI: I feel very blessed, extremely grateful and, of course, honored.

JONATHAN CAREN: Before I even answer that question, I want to acknowledge the many world premieres of plays that are happening in Los Angeles these days. It’s exciting to know that LA is becoming a hub where plays can gestate. I look at Kemp Powers career, starting off at Rogue Machine, and then bringing his play One Night in Miami across the country and then even to the Donmar in London. I think every aspiring playwright in LA should take that in. I’m very happy to be a part of the larger movement here.

NATE RUFUS EDELMAN: Surprised. I caught the majority of the other plays nominated and they’re really good. It’s an honor to be nominated alongside them.

How did your LA production come about? If it was a regional or world premiere, how was that experience of seeing this work put up for the first time?

MALCOLM BARRETT: I first shared a couple of pages of it for my company’s writing workshop, it was my way of coping. After the reading those first couple pages aloud, Bernardo Cubria, who would later become the director, encouraged me to continue writing. It was a tremendous experience to have it up on its feet for the first time. I never actually got to see it as I was always in it and seeing the audience’s reactions as a performer is always surreal, but it was always enjoyable seeing my friends eyes light up from the stage. It wasn’t until we had our understudy performance that I realized that this play had legs, that it wasn’t relying on my particular performance to carry the writing, which can be a fear when trying to create work you’re featured in.

JAMI BRANDLI: Moving Arts' Artistic Director, Darin Anthony, first gave BLISS (or Emily Post is Dead!) a workshop in 2016 and committed to a future production. As luck would have it, two more theaters wanted to produce the play. So, in 2018, BLISS (or Emily Post is Dead!) received a rolling world premiere with Moxie Theater in San Diego, then Promethean Theatre in Chicago and finally with Moving Arts here in Los Angeles. I had a very unique experience in that I got to see three different productions, which ties in nicely with the next question…

JONATHAN CAREN: It was a world premiere. I workshopped the play with IAMA two years prior to this production. I first got to know IAMA when they did my play THE RECOMMENDATION in 2014. They were incredibly generous to me with space and time to develop it with their ensemble, and when the Latino Theater Company got involved, things took on a whole different energy. The collaboration brought disparate audiences together, which was the most exciting part of the experience.

NATE RUFUS EDELMAN: Desert Rats went through years of development from Los Angeles to London. The Latino Theater Company produced it at the right time with the right cast and crew. It has been my favorite experience in the theater.

Tell us a little about your role in the rehearsal process? What did you learn about the work through production?

MALCOLM BARRETT: My role in the rehearsal process was to listen. Serving as playwright and lead actor, you have to pick and choose when and where to wear which hat. We had over a year of rewrites and readings - that’s where I was the playwright. Once we got deep into rehearsal I had to let go of being a playwright so that I could allow the actors to do what they do, myself included. That was a lot me learning when to shut up and get out the way.

JAMI BRANDLI: Although the San Diego and Chicago productions of BLISS (or Emily Post is Dead!) were solid, I realized there were some areas of the play I wanted to revise and Moving Arts was more than game to work with me on my revision. So I took full advantage of the collaborative experience during rehearsals and the dramaturgical notes from Darin Anthony (the director), Chuma Gault (the assistant director) and Cece Tio (the head producer) were, quite simply, invaluable. The cast and creative crew were truly stellar, and their talent and vision helped me to bring my play to the next level. The play is now set for future productions, and I am forever grateful--especially since BLISS has another production this February at Defunkt Theatre in Portland, OR.

JONATHAN CAREN: I loved working with Whitney White. She challenged me to keep pushing each character’s perspective up against each other. Keep tightening the screws. All the actors brought personal antidotes and perspectives that I considered and sometimes even wove into the text. This was a long collaborative process and to me, feels like a tapestry of colliding worlds and viewpoints, that may never find common ground, but buttress up against each other in our sprawling city.

NATE RUFUS EDELMAN: I production manage the plays at the Los Angeles Theatre Center, which is operated by the Latino Theater Company. Desert Rats rehearsed and ran in tandem with my friend Oliver Mayer’s Member Only. It was a lot of work balancing dual roles, but I was able to be very present in the rehearsal room, share thoughts, and rewrite. I also teach and help run a Summer Youth Conservatory at the LATC with Angie Scott, the director of Desert Rats. We were able to hire alumni of that program to work on the play as the stage manager, assistant director, costume designer, and production assistant. It was particularly rewarding to give these bright young adults their first professional gigs. Rehearsals were like a very happy family making a play for ourselves. I’m extra happy people seemed to dig the production.

Though our reputation is growing, not everyone knows how vibrant the theatre-making scene in Los Angeles really is. Please share your perspective on making theatre in Los Angeles.

MALCOLM BARRETT: There’s clearly a lot of talent here as New York and Los Angeles are the a Mecca for young actors but it gets overshadowed by Broadway and by LA’s film and television scene. But as our theatre communities grow so has the city’s reputation for it’s work on the stage.

JAMI BRANDLI: I feel Los Angeles has entered into "a golden age" with theater, especially developing new plays. In addition to Moving Arts, I've had the great fortune to develop my plays with The Inkwell Theater, The Road Theatre Company, Chalk Rep, Antaeus Theatre Company, The Playwrights Union and HUMANITAS as a 2019 PLAY LA Winner. Every organization has their own exciting approach to new play development, which has helped me grow as a playwright and breathe more life into my plays. I've been *very* lucky in that two more of my plays have been produced here in LA because of this development: Through the Eye of a Needle with The Road Theatre Company and Sisters Three with The Inkwell Theater.

JONATHAN CAREN: The biggest problem with LA theater is that it used to be completely overshadowed by the film industry. Now, I think the problem has more to do with geography. There are great shows happening in Venice, but I don’t think I can get to an 8pm curtain on a weeknight from Echo Park. I’d love to see more co-pros and even transfers where a show doesn’t have to move to another city, but to another part of Los Angeles. We’re that damn big.

NATE RUFUS EDELMAN: I’m from Eagle Rock and, while I have spent years away from Los Angeles in Ireland and New York, Los Angeles and its theater community are my home. The diversity and talent of the theater scene in LA is immense. I am lucky to be friends with great artists, designers, and other playwrights who constantly inspire me.

What advice would you give to a young playwright living and creating in Los Angeles?

MALCOLM BARRETT: Write. See plays. Find your community, find people who are smarter than you, and work with them.

JAMI BRANDLI: Go see all types of LA theater! From 99 seat to CTG to The Hollywood Fringe Festival and everything in between. I can't stress this enough. Then, once you're familiar with LA's amazing theater community, introduce yourself to theaters that would be a good match for your work and inquire about development opportunity. If there isn't a development program, perhaps the theater has a writers group or they're looking for volunteers (volunteer if you have the chance!). The important thing is to show up and support first, and then inquire. There are so many new play development opportunities in LA, but you have to be proactive about it.

Goodness, aren't we all so lucky to be a part of this incredible theater community? I know I am, and I'll never take it for granted.

Thanks for much for the interview!

JONATHAN CAREN: I started out by volunteering at The Elephant and Black Dahlia theaters as an usher. I assisted Matt Shakman on a show back when he ran the Black Dahlia and now he runs The Geffen. I’ve worked with sound designer Jeff Gardner multiple times after first meeting him at The Elephant. Just show up because theaters depend on volunteers. They need you. If you want to put in the time and energy, someone will take you up on the task, but be pro-active. Find a way to show that you are dependable and follow through consistently. Don’t just help once. Do it for a year. Then you’ll know what it’s like to be a company member and soon enough you’ll become a part of the community.

NATE RUFUS EDELMAN: Have patience. Be authentic and humble. Explore and engage with the theater community. Write plays you love. Others will too.


TICKETHOLDER AWARDS 2019 PART II

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read part II below and part I here. Click here for photos.

BEST ACTOR IN A PLAY 2019

TIM CUMMINGSDaniel’s Husband, Fountain Theatre

RUNNERS-UP: Ron Bottita, Loot, Odyssey; Gilbert Glenn Brown, The Mountaintop, Marshall; Dempsey Bryk, punkplay, Circle X; Seamus Dever, The Abuelas, Antaeus; Zackary Stone Gearing, Hir, Odyssey; Zackary Stone Gearing, punkplay, Circle X; Nicholas Hormann, Loot, Odyssey; Tom Ormeny, The End of Sex, Victory; Michael Manuel, Frankenstein, ANW; Will Thomas McFadden, 1984, Actors’ Gang; Will Thomas McFadden, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Rob Nagle, Apple Season, Moving Arts; Rob Nagle, The Judas Kiss, Boston Court; Bruno Oliver, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Accidental Death of an Anarchist, Actors’ Gang

BEST ACTRESS IN A PLAY

DYLAN JONES4.48 Psychosis, Son of Semele Ensemble

RUNNERS-UP: Tessa Auberjonois, Eight Nights, Antaeus; Denise Blasor, The Abuelas, Antaeus; Tovah Feldshuh, Sisters in Law, Wallis; Liza Fernandez, Apple Season, Moving Arts; Lianne Harvey, An Inspector Calls, Wallis; Susan Priver, A Streetcar Named Desire, Odyssey; Carolyn Ratteray, The Mountaintop, Marshall; Samantha Sloyan, The Thanksgiving Play, Geffen; Maura Tierney, Witch, Geffen Playhouse; Diane Wiest, Happy Days, CTG/Taper

BEST SOLO PERFORMANCE (TIE)

HERSHEY FELDERMonsieur Chopin, San Diego Repertory Theatre

RUNNERS-UP: Mike Birbiglia, The New One, CTG/Ahmanson; Helder Guimaraes, Invisible Tango, Geffen Playhouse; Bill Irwin, On Beckett, Douglas; Tova Katz, See You at the Funeral, Broadwater Mainstage; John Leguizamo, Latin History for Morons, CTG/Ahmanson; David Mynne, A Christmas Carol, Wallis; Deirdre O’Connell, Dana H., CTG/Douglas; Ruben Santiago-Hudson, Lackawanna Blues, CTG, Taper

BEST ACTOR IN A MUSICAL

RICHARD TOPOLIndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Keith Allen, Deadly, Sacred Fools; Will Bozier, Swan Lake, CTG/Ahmanson; James Delisco Beeks, Jesus Christ Superstar, Pantages; Aaron LaVigne, Jesus Christ Superstar, Pantages; Ryan Melia, The Old Man and the Old Moon, Wallis; Andrew Monaghan, Swan Lake, CTG/Ahmanson; Liam Mower, Cinderella, CTG/Ahmanson; Andy Robinson, Julius Weezer, Troubadour

BEST ACTRESS IN A MUSICAL

JACQUE LYNN COLTON, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Caroline Bowman, Frozen, Pantages; Betty Buckley, Hello, Dolly!, Pantages; Alex Hairston, Summer, Pantages; Caroline Innerbichler, Frozen, Pantages; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Dan’yelle Williamson, Summer, Pantages

BEST SUPPORTING ACTOR IN A PLAY (TIE)

BOB TURTONViolence: The Misadventures of Spike Spangle, FarmerThe Actors’ Gang

RUNNERS-UP: Ron Bottitta, Hir, Odyssey; Chad Coe, The End of Sex, Victory; Bill Brochtrup, Daniel’s Husband, Fountain; Rob Brownstein, Anne, a New Play, Museum of Tolerance; JD Cullum, The Cripple of Inishmaan, Anteaus; Seamus Dever, Cripple of Inishmaan, Anteaus; Arye Gross, Eight Nights, Antaeus; Stephen Guarino, Handjob, Echo; Joe Hernandez-Kolski, Waiting for Waiting for Godot, Sacred Fools; Justin Huen, Apple Season, Moving Arts; Carl J. Johnson, Driving Wilde, Theatre of NOTE; Brandon Rachal, Native Son, Antaeus/CTG at the Douglas; Tom Szymanski, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Will Von Vogt, Witch, Geffen Playhouse; Josh Zuckerman, Eight Nights, Antaeus

BEST SUPPORTING ACTRESS IN A PLAY

MELISSA SULLIVANA Streetcar Named Desire, Odyssey Theatre Ensemble

RUNNERS-UP: Anne Gee Byrd, Cripple of Inishmaan, Anteaus; Irene De Bari, The Abuelas, Antaeus; Mary-Pat Green, Cripple of Inishmaan, Anteaus; Alexandra Henrikson, The Thanksgiving Play, Geffen; Sadie Kuwano, punkplay, Circle X; Mara Klein, The Judas Kiss, Boston Court; Mildred Marie Langford, Native Son, Antaeus/CTG at the Douglas; Mary Gordon Murray, Anne, a New Play, Museum of Tolerance; Jenny O’Hara, Daniel’s Husband, Fountain; Zoe Yale, Eight Nights, Antaeus

BEST SUPPORTING ACTOR IN A MUSICAL

HARRY GROENER, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Julius Weezer, Troubadour; John Colella, The Producers, Celebration; Andrew Diego, The Producers, Celebration; Paris Fitzpatrick, Cinderella, CTG/Ahmanson; Ben Ferguson, The Old Man and the Old Moon, Wallis; F. Michael Haynie, Frozen, Pantages; Paul Louis Lessard, Jesus Christ Superstar, Pantages; P.T. Mahoney, In Circles, Odyssey; Steven Rattazzi, Indecent, CTG/Ahmanson; Morgan Rusler, Julius Weezer, Troubadour; Michael A. Shepperd, The Producers, Celebration; Alan Vincent, Cinderella, CTG/Ahmanson; Dan Weschler, The Old Man and the Old Moon, Wallis

BEST SUPPORTING ACTRESS IN A MUSICAL

ADINA VERSON, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Madelaine Brennan, Cinderella, CTG/Ahmanson; Elizabeth A. Davis, Indecent, CTG/Ahmanson; Victoria Hoffman, Julius Weezer, Troubadour; Beth Kennedy, Julius Weezer, Troubadour; Katrina Lyndon, Swan Lake, CTG/Ahmanson; Mary Ann Welshans, The Producers, Celebration; Brittney S. Wheeler, Deadly, Sacred Fools

BEST ENSEMBLE CAST IN A PLAY (TIE)

Stephen Borrello, Joely Fisher, Andy Garcia, Rose McIver, Louis Mustillo, Danny Pino, Tony Plana, Richard Riehle, Bradley Snedeker; Key Largo, Geffen Playhouse

Hugo Armstrong, John Bobek, Austin Durant, Leo Marks, Ramiz Monsef, Helen Sadler, Alan Tudyk; Mysterious Circumstances, Geffen Playhouse

RUNNERS-UP: John Apicella, Noel Arthur, Paul Baird, Gabriela Bonet, Claudia Elmore, Turner Frankosky, Troy Guthrie, Steve Hofvendahl, Connor Kelly-Eiding, Michael Khachanov, Alex Knox, Mehrnaz Mohammadi, Madalina Nastase, Liza Seneca, Janellen Steininger, George Villas; The Caucasian Chalk Circle, Antaeus Theatre Company

Victor Anthony, Joshua Bitton, Lesley Fera, Liza Fernandez, Matthew Hancock, Marisol Miranda, Montae Russell; Between Riverside and Crazy, Fountain Theatre

James A. Alfred, A. Russell Andrews, Francois Battiste, Harvy Blanks, Amari Cheatom, Anthony Chisholm, Brian D. Coats, Steven Anthony Jones, Patrese D. McClain; Nija Okoro, Keith Randolph Smith, Ray Anthony Thomas; Jitney, Center Theatre Group, Mark Taper Forum

Crystal Diaz, Elinor Gunn, Liesel Hanson, Faith Imafidon, Cindy Lin, Nadia Marina, Lynn Odell, Alina Phelan, Briana Price, Nicole Gabriella Scipione, Yolanda Snowball, Jenny Soo, Nancy Stone, Tania Verafield; For The Love Of (or the Roller Derby Play), Theatre of NOTE / Center Theatre Group, Kirk Douglas Theatre

Ian Barford, Tim Hopper, Sally Murphy, Caroline Neff, Chantal Thuy, Cora Vander Broek, Troy West; Linda Vista, Center Theatre Group, Mark Taper Forum

Ro Boddie, Max Casella, Micaela Diamond, Peter Jacobson, Jason Kravits, Nellie McKay, Saul Rubinek, Miriam Silverman, Joey Slotnick, Sam Vartholomeos, CJ Wilson, A Play is a Poem, Center Theatre Group, Mark Taper Forum

Scott Cote, Peyton Crim, Brandon J. Ellis, Angela Grovey, Ned Noyes, Jamie Ann Romero, Evan Alexander Smith, Yaegel T. Welch; The Play That Goes Wrong, Center Theatre Group, Ahmanson Theatre

Sile Bermingham, Reed Michael Campbell, Brian Foyster; The Ruffian on the Stair, Los Angeles LGBT Center

Will Brittain, Eli Gelb, Harry Groener, Kimberly Jurgen, Idina Menzel, Jeff Skowron, Skintight, Geffen Playhouse

BEST ENSEMBLE CAST IN A MUSICAL

Nick Adams, Nick Blaemire, Audrey Cardwell, Eden Espinosa, Thatcher Jacobs, Bryonha Marie Parham, Max von Essen; FalsettosCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rick Batalla, Chelle Denton, Beth Kennedy, Janelle Lillian, Luis “L.T.” Martinez, Mike Sulprizio, Cloie Wyatt Taylor, Matt Walker, Dave C Wright, A Christmas Carole King, Troubadour Theater Company

The ensemble of Matthew Bourne’s Cinderella, Center Theatre Group, Ahmanson Theatre

Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi, Dan Weschler; The Old Man and the Old Moon, Wallis Annenberg Center for the Performing Arts

The ensemble of Matthew Bourne’s Swan Lake, Center Theatre Group, Ahmanson Theatre

BEST CABARET / CONCERT PERFORMANCE

DEIDRIE HENRYLady Day at Emerson’s Bar & GrillGarry Marshall Theatre

RUNNERS-UP: Michael Churven and George McGrath, Party of Two, Groundlings Theatre

NEW DISCOVERY 2019

RUNNERS-UP: Reed Michael Campbell, The Ruffian on the Stair, Los Angeles LGBT Center; Olivia Elsease Hardy, Summer, Pantages; Thatcher Jacobs, Falsettos, CTG/Ahmanson; Michael Rishawn, Handjob, Echo; Jarrod Takle, Circa: Humans, Wallis

BEST PLAYWRIGHT

Tracy LettsLinda Vista, Center Theatre Group, Mark Taper Forum

RUNNERS-UP: Sir David Hare, The Judas Kiss, Boston Court; Larissa Fasthorse, The Thanksgiving Play, Geffen; Hershey Felder, A Paris Love Story, Wallis; Stephen Adly Guirgis, Between Riverside and Crazy, Fountain; Dave Hanson, Waiting for Waiting for Godot, Sacred Fools; Joshua Harmon, Skintight, Geffen; E.M. Lewis, Apple Season, Moving Arts; Taylor Mac, Hir, Odyssey; Jennifer Maisel, Eight Nights, Antaeus; Michael McKeever, Daniel’s Husband, Fountain; Vince Melocchi, Andy Warhol’s Tomato, PRT; Gregory S. Moss, punkplay, Circle X; Erik Patterson, Handjob, Echo; Vanessa Claire Stewart, Deadly, Sacred Fools; Paula Vogel, Indecent, CTG/Ahmanson; Gay Walch, The End of Sex, Victory; Stephanie Alison Walker, The Abuelas, Antaeus

BEST ADAPTATION OR TRANSLATION

Michael MitnickMysterious Circumstances, Geffen Playhouse

RUNNERS-UP: Alistair Beaton, The Caucasian Chalk Circle, Antaeus; Nick Blaemire, Anne, a New Play, Museum of Tolerance; Matthew Bourne, Cinderella, CTG/Ahmanson; Nick Dear, Frankenstein, ANW; Jeffrey Hatcher and Andy Garcia, Key Largo, Geffen; Lucas Hnath, Dana H., CTG/Douglas; Jon Laskin and Michael Aquilante, Accidental Death of an Anarchist, Actors’ Gang; Jennifer Lee, Frozen, Pantages; Jonathan Shapiro, Sisters in Law, Wallis; Jen Silverman, Witch, Geffen Playhouse; Michael Gene Sullivan, 1984, Actors’ Gang; Matt Walker, A Christmas Carole King, Troubadour; Matt Walker, Julius Weezer, Troubadour; Jacqueline Wright, Driving Wilde, Theatre of NOTE

BEST DIRECTION OF A PLAY

Matt Shakman, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: Darin Anthony, Apple Season, Moving Arts; Daniel Aukin, Skintight, Geffen; Matt Bretz and Lisa Sanaye Dring, punkplay, Circle X; Dexter Bullard, Linda Vista, CTG/Taper; Emily Chase, Eight Nights, Antaeus; Guillermo Cienfuegos, Between Riverside and Crazy, Fountain; Gregg T. Daniel, The Mountaintop, Marshall; Michael John Garces, The Thanksgiving Play, Geffen; Maria Gobetti, The End of Sex, Victory; Doug Hughes, Key Largo, Geffen; Rhonda Kohl, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Simon Levy, Daniel’s Husband, Fountain; Marti Lyons, Witch, Geffen Playhouse; Matthew McCray, 4.48 Psychosis, Son of Semele; Will Thomas McFadden, Accidental Death of an Anarchist, Actors’ Gang; Michael Michetti, The Judas Kiss, Boston Court; Michael Michetti, Frankenstein, ANW; Tim Robbins, 1984, Actors’ Gang; Ruben Santiago-Hudson, Jitney, CTG/Taper; Stephanie Shroyer, The Caucasian Chalk Circle, Antaeus; Jacob Sidney, Waiting for Waiting for Godot, Sacred Fools; Bob Turton, Violence: The Misadventures of Spike Spangle, Farmer, Actors’ Gang; Les Waters, Dana H., CTG/Douglas

BEST DIRECTION OF A MUSICAL

Rebecca Taichman, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Matthew Bourne, Cinderella, CTG/Ahmanson; Matthew Bourne, Swan Lake, CTG/Ahmanson; Stuart Carden with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Michael Grandage, Frozen, Pantages; Michael Matthews, The Producers, Celebration; Des McAnuff, Summer, Pantages; Jamie Robledo, Deadly, Sacred Fools; David Schweizer, In Circles, Odyssey; Timothy Sheader, Jesus Christ Superstar, Pantages; Matt Walker, A Christmas Carole King, Troubadour

BEST MUSICAL SCORE

Lisa Gutkin and Aaron Halva, IndecentCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Falconer, The Play That Goes Wrong, CTG/Ahmanson; Ryan Thomas Johnson, Deadly, Sacred Fools; Robert Oriol, Frankenstein, ANW; Nellie McKay, A Play is a Poem, CTG/Taper; Members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Arturo Sandoval, Key Largo, Geffen; Stephanie Shroyer with the members of the cast, The Caucasian Chalk Circle, Antaeus

BEST MUSICAL DIRECTION

Kenneth J. Grimes, In Circles, Odyssey Theatre Ensemble

RUNNERS-UP: Derick Finley, A Christmas Carole King, Troubadour; Shawn Gough, Jesus Christ Superstar, Pantages; Ryan Thomas Johnson, Deadly, Sacred Fools; Amanda Morton, Summer, Pantages; Abdul Hamid Royal, Lady Day at Emerson’s Bar & Grill, Marshall; Anthony Zediker, The Producers, Celebration

BEST CHOREOGRAPHY

Matthew Bourne, Swan LakeCenter Theatre Group, Ahmanson Theatre

RUNNERS-UP: Rob Ashford, Frozen, Pantages; Matthew Bourne, Cinderella, CTG/Ahmanson; Kate Coleman, In Circles, Odyssey; David Dorfman, Indecent, CTG/Ahmanson; Nadine Ellis, Janet Roston, The Producers, Celebration; Drew McOnie, Jesus Christ Superstar, Pantages; Sergio Trujillo, Summer, Pantages; Matt Walker, and Suzanne Julie Narbonne, Julius Weezer, Troubadour

BEST SET DESIGN (TIE)

Brett J. Banakis, Mysterious Circumstances, Geffen Playhouse

John Lee BeattyKey Largo, Geffen Playhouse

RUNNERS UP: Andrew Boyce, Dana H., CTG/Douglas; Lez Brotherston, Cinderella, CTG/Ahmanson; Alex Calle, The Mountaintop, Marshall; Francois-Pierre Couture, Frankenstein, ANW; Joel Daavid, A Streetcar Named Desire, Odyssey; Alexander Dodge, Anastasia, Pantages; Hershey Felder, A Paris Love Story, Wallis; Lydia Fine with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; David Gallo, Jitney, CTG/Taper; Stephen Gifford, The Producers, Celebration; Lauren Helpern, Skintight, Geffen; Nigel Hook, The Play That Goes Wrong, CTG/Ahmanson; Christopher Oram, Frozen, Pantages; Stephanie Kerley Schwartz, Apple Season, Moving Arts; Sibyl Wickersheimer, punkplay, Circle X

BEST COSTUME DESIGN

E.B. Brooks, Mysterious CircumstancesGeffen Playhouse

RUNNERS-UP: E. B. Brooks, The Producers, Celebration; Lez Brotherston, Cinderella, CTG/Ahmanson; Lez Brotherston, Swan Lake, CTG/Ahmanson; Angela Calin, The Caucasian Chalk Circle, Antaeus; Wendell C. Carmichael, The Abuelas, Antaeus; Linda Cho, Anastasia, Pantages; Linda Cho, Key Largo, Geffen; Ann Closs-Farley, Driving Wilde, Theatre of NOTE; Ann Closs-Farley, In Circles, Odyssey; Ann Closs-Farley, punkplay, Circle X; Diane Graebner, The Judas Kiss, Boston Court; Alex Jaeger, Eight Nights, Antaeus; Diane Laffrey, Witch, Geffen Playhouse; Shon LeBlanc, A Streetcar Named Desire, Odyssey; Garry Lennon, Frankenstein, ANW; Linda Muggeridge, Deadly, Sacred Fools; Christopher Oram, Frozen, Pantages; Emily Rebholz, Indecent, CTG/Ahmanson; Roberto Surace, The Play That Goes Wrong, CTG/Ahmanson

BEST LIGHTING DESIGN

Jared A. SayegFrankenstein, A Noise Within

RUNNERS-UP: Christopher Akerlind, Indecent, CTG/Ahmanson; Christopher Ash, A Paris Love Story, Wallis; Neil Austin, Cinderella, CTG/Ahmanson; Howard Binkley, Summer, Pantages; Martha Carter, Apple Season, Moving Arts; Paule Constable, Swan Lake, CTG/Ahmanson; Bart Cortright with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Lee Curran, Jesus Christ Superstar, Pantages; Rick Fisher, An Inspector Calls, Wallis; Elizabeth Harper, Mysterious Circumstances, Geffen; David Hernandez, The Judas Kiss, Boston Court; Donald Holder, Anastasia, Pantages; Peter Kaczorowski, Key Largo, Geffen; Natasha Katz, Frozen, Pantages; Karyn D. Lawrence, Eight Nights, Antaeus; Rose Malone, For The Love Of (or the Roller Derby Play), Theatre of NOTE / Kirk Douglas; Tom Ontiveros, Lady Day at Emerson’s Bar & Grill, Marshall; Andrew Schmedake, Native Son, Antaeus/CTG at the Douglas; Paul Toben, Dana H., CTG/Douglas

BEST SOUND DESIGN (TIE)

Warren DavisApple Season, Moving Arts

Alex HawthornKey Largo, Geffen Playhouse

RUNNERS-UP: Eric Carstensen, A Paris Love Story, Wallis; Mikhail Fiksel, Dana H., CTG/Douglas; Mikhail Fiksel with members of the PigPen Theatre Co., The Old Man and the Old Moon, Wallis; Jeff Gardner, The Abuelas, Antaeus; Jeff Gardner, Eight Nights, Antaeus; Jeff Gardner, Native Son, Antaeus/CTG at the Douglas; Paul Groothuis, Cinderella, CTG/Ahmanson; Matt Hubbs, Indecent, CTG/Ahmanson; Peter Hylenski, Frozen, Pantages; Cricket S. Myers, The Producers, Celebration; Robert Oriol, Frankenstein, ANW; Gareth Owen, Summer, Pantages; Robert Arturo Ramirez, The Mountaintop, Marshall; Jonathan Snipes, Mysterious Circumstances, Geffen; Daniel S. Tator, A Christmas Carole King, Troubadour

BEST STUNT / FIGHT CHOREOGRAPHY

Edgar Landapunkplay, Circle X Theatre Company

RUNNERS-UP: Ronnie Clark, Apple Season, Moving Arts; Dane Oliver, Hir, Odyssey; Steve Rankin, Witch, Geffen Playhouse; Steven Simon and Edgar Landa, Waiting for Waiting for Godot, Sacred Fools

BEST CGI / VIDEO DESIGN

Christopher AshA Paris Love StoryWallis Annenberg Center for the Performing Arts

RUNNERS-UP: Adam R. Macias, The Arbuelas, Antaeus; Adam R. Macias, Native Son, Antaeus/CTG at the Douglas; Duncan McLean, Cinderella, CTG/Ahmanson; Kaitlyn Pietras and Jason H. Thompson, Mysterious Circumstances, Geffen; Kaitlyn Pietras and Jason H. Thompson, Key Largo, Geffen; Aaron Rhyne, Anastasia, Pantages

SPECIAL EVENTS and PERFORMANCES

Nellie McKay, performing her original music in the otherwise dastardly A Play is a Poem, Center Theatre Group, Mark Taper Forum 

SPECIAL ACHIEVEMENTS

Michael Curry, Puppet Design, Frozen, Pantages Theatre
Ann Closs-Farley, Hair Design, punkplay, Circle X Theatre Company
Charles G. LaPointe, Wig and Hair Design, Summer, Pantages Theatre

BEST SCENE-STEALING DERRIERE OF 2019

Will BrittainSkintight, Geffen Playhouse


TICKETHOLDER AWARDS 2019 PART I

My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read it below and click here for photos.

Choosing my honorees this year is a real bitch. Almost as many tears shed as Carrie Ann Inaba eliminating a sports figure she finds hot. Yet there’s not much else good to write home about in 2019 besides theatre in El Lay. Between the mess we’re making of our planet and the eye-opening disintegration of everything I’ve championed and held dear all my life, thank Terpsichore it’s been a spectacular year for the creation of theatrical art to help ease the pain and frustration of living in our Trumpian nightmare. And even though I have a whole heap of productions to honor this year, with part of my time spent in New Orleans hosting an exhibit of my paintings and medical issues to tackle that seem to come with the territory at age 348, there were also a lot of noteworthy productions I sadly missed. In my world, it’s definitely been a year to praise some monumental directorial work and a plethora of spectacular ensemble casts; choosing winners in both categories has not been an easy task. And what do you think of the Geffen Playhouse? After too long a period of less-than exciting fare, the announcement in 2017 that Matt Shakman had been hired as the complex’s artistic director guaranteed a positive change and without a doubt, the turn around has been staggering. Two of the company’s casts are tied here for Best Ensemble, two of its masterful set designs are as well, and five of my top production choices for 2019 were presented at the Geffen, including my second, third, ninth, and tenth pick for Best Play and second choice of Best Revival. If I gave an annual award for Best Season, surely the Geffen Playhouse would win this year. As a matter of fact, maybe I should initiate such a thing. As a matter of fact, I think I will. 

THE 2019 TICKETHOLDER AWARD
FOR BEST SEASON

Geffen Playhouse; Matt Shakman, resident puppetmaster

BEST PRODUCTION OF 2019

Linda Vista, Center Theatre Group, Mark Taper Forum
The Thanksgiving Play, Geffen Playhouse
RUNNERS-UP: The Abuelas, Antaeus; Andy Warhol’s Tomato, Pacific Resident Theatre; Apple Season, Moving Arts; Dana H., CTG/Douglas; The End of Sex, Victory Theatre Center; For The Love Of (or the Roller Derby Play), Theatre of NOTE/CTG at the Douglas; 4.48 Psychosis, Son of Semele; Frankenstein, A Noise Within; Handjob, Echo Theatre Company; The Mountaintop, Garry Marshall Theatre; On Beckett, CTG/Douglas; The Play That Goes Wrong, CTG/, Ahmanson; Sisters in Law, Wallis Annenberg Center

BEST REVIVAL PRODUCTION

JitneyCenter Theatre Group, Mark Taper Forum 
FalsettosCenter Theatre Group, Ahmanson Theatre
RUNNERS-UP: The Caucasian Chalk Circle, Antaeus Theatre Company; Cats, Pantages; The Cripple of Inishmaan, Anteaus Theatre Company; Happy Days, CTG/Mark Taper Forum; Hello, Dolly!, Pantages; Jesus Christ Superstar, Pantages; Loot, Odyssey Theatre Ensemble; The Ruffian on the Stairs, Los Angeles LGBT Center; Lady Day at Emerson’s Bar & Grill, Garry Marshall Theatre

BEST MUSICAL PRODUCTION

Indecent, Center Theatre Group, Ahmanson Theatre

The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


The Winners at the 50th Annual 'LA Drama Critics Circle' Awards Ceremony Held at the Pasadena Playhouse

The 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019. (Photo by Better Lemons)

The LA Drama Critics Circle (LADCC) held their 50th Annual Awards ceremony at the landmark Pasadena Playhouse where Better Lemons was in attendance to live tweet the evening's festivities and entertainment, Monday, April 8, 2019.

Wenzel Jones presided over the festivities, and Christopher Raymond served as music director with musical performances by Kristin Towers Rowles, Constance Jewell Lopez, and Zachary Ford.

There were four recipients of the 2018 Production award: Cambodian Rock Band (South Coast Repertory), Come From Away (Center Theatre Group/Ahmanson Theatre), Cry It Out (Echo Theater Company), and Sell/Buy/Date (Geffen Playhouse / Los Angeles LGBT Center).

Better Lemons' Chief Operating Officer Stephen Box (Left,) Publisher Enci Box, and Playwright & Screenwriter Steven Vlasak at the 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019.

The Antaeus Theatre Company received the most awards, with three of its productions winning a combined seven trophies. Celebration Theatre's Cabaret took home six awards, the most awards for a single production, including one for Revival. Tom Hanks received a lead actor award for his performance as Falstaff in The Shakespeare Center of Los Angeles production of Henry IV in a competitive category. 17 awards were presented in other categories with 17 productions taking home the honors.

In its inaugural this year, the Theater Angel award was presented to Yvonne Bell in recognition of her "long career devoted to fostering theater in Los Angeles ... [and] successful fundraising campaigns" to help open several cultural institutions, such as The Museum of Contemporary Art and the California Science Center.

Eight previously announced special awards were presented, including the Margaret Harford Award for sustained excellence in theater to Sacred Fools Theater Company and the Ted Schmitt Award for the world premiere of an outstanding new play to Lauren Yee for Cambodian Rock Band.

The LADCC was established in 1969  “to foster and reward merit in the American Theater and encourage theater in Los Angeles,” the LADCC site quotes from an announcement in the L.A. Times of that year.

Here is the list of award recipients as announced during Better Lemons' live coverage on Twitter:

Featured photo by Enci Box - Theatre patrons in the courtyard of the Pasadena Playhouse for the 50th Annual LA Drama Critics Circle Awards, Pasadena, California, Monday, April 8, 2019. Enci Box contributed to this story and photos.


The Pasadena Playhouse To Host This Year's Drama Critics Circle Awards

The Los Angeles Drama Critics Circle (LADCC) has begun the celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018). The Awards will take place on Monday, April 8, 2019, at the historic Pasadena Playhouse, in Pasadena's Playhouse District.

Although the Pasadena Playhouse will be hosting the LADCC Awards for the very first time, returning once again is onstage host Wenzel Jones of IMRU, the LGBTQI Radio News Magazine on KPFK 90.7, as well as local composer-conductor Christopher Raymond as musical director for his second consecutive year. The entire production will be in the hands of stage manager Heatherlynn Gonzalez, veteran of more than a decade's worth of LADCC service.

One or more plaques will be presented in each of 18 categories and seven special awards will also be presented. Topping the nominations, the Antaeus Theatre Company has a total of 12 in various categories, including for the McCulloh Award for Revival (plays written between 1920 and 1993) for their productions of both "The Hothouse" and "The Little Foxes."A Noise Within has 10 nominations, including for Production for "A Picture of Dorian Gray." The Center Theatre Group has a total of nine nominations, including for Production of "Come From Away." Both the South Coast Repertory and East WestPlayers have seven nominations each. And the Celebration Theatre and the La Mirada Theatre for the Performing Arts, each with seven and six nominations, respectively, are uniquely both up for the McCulloh Award for Revival for their individual productions of "Cabaret."

Sergio Trujillo, is nominated for Choreography for both "Ain't Too Proud," Center Theatre Group, Ahmanson Theatre and "On Your Feet," Hollywood Pantages Theatre. Allison Dillard, is nominated for her work in Costume Design for both "Bliss, Or Emily Post Is Dead," Moving Arts and "Priscilla, Queen of the Desert," Celebration Theatre. Set Designer John Iacovelli, a winner of multiple LADCC awards for Scene Design, is nominated for "The Little Foxes", Antaeus Theatre Company.

The LADCC special award recipients are as follows:

  • The Polly Warfield Award for an excellent season in a small to mid-size theatre will be awarded to Echo Theater Company.
  • The Ted Schmitt Award for the world premiere of an outstanding new play goes to Lauren Yee for Cambodian Rock Band, originally produced by South Coast Repertory.
  • The Kinetic Lighting Award for distinguished achievement in theatrical design goes to sound designer Robert Oriol.
  • The Milton Katselas Award for distinguished achievement in direction goes to Cameron Watson.
  • The Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community will be presented to Native Voices at the Autry.

More of the complete list of nominees for the Los Angeles Drama Critics Circle Awards for theatrical excellence in 2018 is here.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The Pasadena Playhouse is at 39 S El Molino Ave, in Pasadena. Standard general admission tickets (a small service fee applies) are $40 and are now available. All purchased tickets will be held at Will Call and tickets are also available at the door. The event will begin at 6:30 p.m. with a pre-show reception in the courtyard. The show will commence at 7:30 p.m. and nominees will receive instructions via email regarding how to claim complimentary tickets.

For all other inquiries, email: criticsawards2019@gmail.com.