Spotlight Series: Meet Ashley Griffin, an L.A. Actor Who Moved to NYC to Follow Her Theatre Dreams


This Spotlight focuses on Ashley Griffin, an actor in Los Angeles since the age of five who moved to New York City to follow her theatre dreams - and is now both writing and acting in shows.


Shari Barrett (SB): What would you like readers to know about your theatrical background, beginning in Los Angeles which led you to decide to move to NYC?

Ashley Griffin (Ashley): I'm a 5th generation Californian (possibly 6th), but I'm the first actor/dramatist in my family. I grew up at the wonderful rep company, The Santa Monica Playhouse, and made my theatrical debut when I was 5. I worked professionally as a child actor in theater, film and TV and attended the Hamilton Academy of Music Performing Arts High School. I adore Los Angeles theatre, but was always a bit frustrated because it's much more challenging to do theatre in LA than in NYC since there aren't as many theatrical productions in LA and Broadway and touring shows rarely audition here.

Ashley Griffin playing Denise off-Broadway in the revival of "Dubarry Was a Lady," directed by Evan Peters

It’s my experience that the culture is much more TV/Film focused here which was never my true performing interest. But I did appear quite a bit in productions at the Will Geer Theaticum Botanicum (making my Shakespeare debut when I was still a young child), as well as at Royce Hall, The Santa Monica Playhouse, the Morgan-Wixson Theater, and in touring productions, including taking the wonderful show Mary-Mary to the UK where I played Mary-Mary in London, Warwick and Stratford-Upon-Avon.

But at the end of the day, it always felt like if you wanted to do Film/TV you needed to be in LA, and if you wanted to do theatre, you needed to be in NYC. After doing a good amount of Film/TV, I realized my heart was always still within the theater. So, I went to college at NYU's Tisch School of the Arts and stayed in the city after graduating, but I'm occasionally still doing work in LA when the right opportunity presents itself.

(SB):  What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(Ashley): I'm a Broadway person, and I was literally on my way to a show when I was told Broadway was being shut down. In addition, I had just finished directing The Middleman at the Hudson Theater where we were fortunate to be able to complete our run, and was in meetings about productions I had coming down the pipeline which have obviously been postponed. We're still trying to figure out next steps for three shows of mine in the wake of the shutdown.

Ashley Griffin playing the lead role of Arcadia in "Trial" off-Broadway, directed by Lori Petty. Photo by Micah Joe

(SB):  How was the shutdown communicated with the cast and production team?

(Ashley): By the time we received an email about the closure, most of us had already seen it on the news.

(SB): Are plans in place to present that production at a future date, or is the cancellation permanent?

(Ashley): It depends. Some are being shut down permanently, some are figuring out how to reschedule, and some are in limbo. A lot will depend on when the shutdown actually ends, which is basically out of our hands.

(SB): What future productions on your schedule are also affected by the shutdown?

(Ashley): I have three specific shows that have been directly affected, but since none of them have been officially announced yet, I can’t really say anything specific about them. I can say one is meant to go up this fall.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

Ashley Griffin playing the lead role of Astrid in development with "Snow" off-Broadway at Playwrights Horizons. Photo by Micah Joel

(Ashley): I'm fortunate that I'm a writer, so I'm working to get as much writing done as I can. I'm in talks to be a part of some virtual readings of projects, and my collaborators and I are meeting online to work and make future plans. I run a podcast for the Onstage Network and I've been doing episodes of that.

I am also taking some dance classes online whenever I can, and really enjoy Kathryn Morgan’s wonderful classes on YouTube. I also love Claudia Dean, anything from the Royal Ballet, and Westside Academy of Dance where I grew up studying - special shout out to Celeste Amos, Chason Greenwood, and Johnny Chong's classes - and I'm very excited to stream Ashley Shaw's class from Matthew Bourne's New Adventures Company.

(SB): What thoughts would you like to share with the rest of the LA Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Ashley): I think this is a great opportunity to showcase work online and bring it to the attention of people outside our normal communities. I think this could be a great time for LA theatre to be seen and appreciated by audiences all over the country, and hopefully when we're all back, the online experience can be a doorway to better supporting live theatre in the Los Angeles area.

If anyone's interested in virtual Arts classes in acting / writing / directing / Shakespeare / business of theatre, I'd love to offer my services. You can reach me on Twitter, Instagram, YouTube, Facebook, my podcast on Onstage Network, and of course through my website.


This article first appeared on Broadway World.



Spotlight Series: Meet Dana Weisman, A Musical Theatre Actor Who Longs to Get Back Onstage ASAP


This Spotlight focuses on Dana Weisman, a musical theatre actor who longs to get back on the stage and entertain audiences as soon as possible!


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Dana Weisman (Dana): It seems like I have been involved with theatre my whole life. Originally from New York, I began taking dance lessons at around 7 years old and then became a company member in a local children’s theatre troupe when I was around 10.  Like many young girls at the time, I was captivated by the musical Annie when it opened on Broadway and would have given my right arm to be part of that experience. In my mid-teens I attended a performing arts camp called French Woods in the Catskills and further fanned my musical theatre ambition.

Roy Okida and Dana Weisman in "Somethings Afoot"

Then, after the movie Fame came out, I was given the opportunity to audition for the High School of Music & Art (now LaGuardia) and was accepted as a Vocal Arts major. We were classically trained, but for me one of the most fun and fulfilling parts of my high school years was being a member of M&A’s acclaimed Gospel Choir. While at M&A, I was also a part of a professional theatre company in Manhattan called The First All Children’s Theater. With this troupe, I had the opportunity of performing at the Kennedy Center in an original musical called The Trip when I was 16 years old.

After high school, I attended Northwestern as a Theatre major for a couple of years before transferring to NYU’s Tisch School of the Arts (Circle-In-The-Square) as I had decided I wanted to earn a BFA. After college followed long years of waiting tables at MANY restaurants up and down Manhattan. You can definitely “Betcha your life a waitress earns her pay!”

In between waiter gigs and other odd jobs, I took classes and built my resume doing lots of regional and summer stock theatre. I made lifetime friends at all these jobs and seemed at times to move closer to my goal of a Broadway gig - but then would slide back. It became frustrating as I saw many of my friends move on to Broadway and my confidence eventually began to erode. I learned there is no question one needs to have an unflagging, burning desire coupled with talent and being in the right place at the right time in order to succeed in this biz. But I seemed to never have all three at the same time.

Dana Weisman as Frau Blucher

Eventually, after a break-up, I decided to move to Los Angeles where my brother was living and try out a change of scenery and maybe pursue the TV/film side of the biz. Shortly after being in LA, I met my husband Jon, a native Angelino, and my fate to become a West Coast transplant was sealed. After getting married, I decided to pursue my other strong interest - psychology - and in between raising a family of three, I earned my graduate degree and became a licensed MFT.

However, as almost any theatre person can attest, once you are bitten by the theatre bug, it is impossible to truly get rid of the itch to be involved in the business in some way, shape or form. After years of singing lullabies to my children, I decided I wanted to get back to singing in another capacity. A few wonderful years singing with the famed Angel City Chorale was followed by my LA theatre debut with Kentwood Players at the Westchester Playhouse. Since then, I have been performing in many other venues around LA, The Blank Theatre, The West Coast Jewish Theatre, and the Cupcake Theatre, to name a few, and also trying to break into the television / commercial / film / VO side as well.

Dana Weisman in "Broadway Bound"

(SB): I remember being amazed at your performance in Broadway Bound with The West Coast Jewish Theatre, quoting from my Broadway World review: "And what dedication to her craft was on display by Dana Weisman (understudy for Maria Spassoff), taking the stage with a broken leg in a boot and walking on crutches as Kate's sister Blanche Morton. But as soon as the initial surprise wore off in a matter of seconds, the lovely scene with Blanche visiting the family home, dressed to the nines by Shon Le Blanc in a lovely dressy suit and fur coat, reflected how well she has done for herself." A truly masterful performance! What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show? 

(Dana): Luckily, I was in between shows at the time the “Safe At Home” quarantine began. I had recently ended a run at the Simi Valley Cultural Arts Center as Donna in Mamma Mia and was auditioning for my next opportunity. I had a callback in the works but unfortunately, the show was postponed as we started to see the ripple effect all over LA of theaters closing and schedules being put up in the air indefinitely. Post show confidence is always a great booster for moving forward to one's next goals. So while I wasn't part of a show in the works at the time the quarantine began, any momentum I was hoping to build upon post Mamma Mia has had to be suspended indefinitely.

Dana Weisman as Donna in "Mamma Mia"

(SB): If you missed Dana in “Mamma Mia” in Simi Valley, here is my review of that fabulous production.

Regarding that callback, how was the shutdown communicated with you?

(Dana): News of this particular shutdown was communicated online via Facebook, emails, and other social media. That said, I knew it was coming and had contemplated perhaps not even attending the original audition because by that time, shutdowns were already taking place all over town. But I am glad that I did though as it always feels good to get out and turn in a mini-performance and get to do what you love, even in nerve-wracking audition circumstances.

(SB): Do you know if plans are in place to present that production at a future date, or is the cancellation permanent?

(Dana): As far as I know, this particular production will commence in the future but no dates have been announced as yet. I certainly hope and pray that CoViD-19 and future precautions do not effectively “kill” live theatre, and I look forward to the day when auditions and live performances can resume. But I know that smaller theaters and theatre companies will have their budgets affected by the shutdown, and that all shows will be pushed back and schedules will have to be altered and reworked. I have a daughter who is attending Northwestern University in the fall as a freshman but, as with theatre, schedules are up in the air and may look like something completely new that we have not yet seen as we get closer to the start of the next semester.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

Dana Weisman with "Sunday in the Park" cast

(Dana): So far, I have taken advantage of this time by cocooning at home with my family by resting, cooking, baking, watching TV, taking safe distancing walks, meditating and attempting to get some much-needed sleep. Lots of self-care. However, I will say that it can be difficult maintaining motivation as lethargy is not easy to stave off when the rule of the day is to stay at home and mostly indoors. As a theatre person - and generally a “people person” - the distance created by interacting onscreen is not always as fulfilling as the live experience. But if this is the new normal, we will all need to adjust.

Moving into this next phase, I hope to begin keeping up personally by honing my audition songbook, learning monologues, and reading plays. There are so many online classes for just about any aspect of the theatre -- auditions, dance, acting -- I hope to begin taking part in many of them. Some groups I participate in are doing online play readings, and I am planning to also take part in those. Keeping up with my fellow actors in Zoom chats is also a much-needed balm.

(SB): It’s been fun being in a few of the Zoom meetings with you! Any more thoughts would you like to share with the rest of the LA Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Dana): It is difficult to maintain hope and positivity during such unprecedented and anxious times. But theatre isn’t going anywhere. I think it’s best to just take a little rest and time to recalibrate and emerge with renewed vigor once it is safe to again “go live.” As we have all seen, the Arts in all forms are what people are turning to in these crazy times to keep going and to be inspired. They provide solace, laughter, a creative outlet, and catharsis even when shared via distance and online.

Forgive my corny sign-off but it’s true: “The sun will come out tomorrow!”


This article first appeared on Broadway World.