The 30th Annual 'LA Stage Alliance Ovation Awards' Nominations Announced


Nominees for the 30th Annual LA STAGE Alliance Ovation Awards were announced on Tuesday, November 5, 2019, on @ This Stage. The ceremony will take place Monday, January 13, 2020, at the  Theatre at Ace Hotel in downtown Los Angeles.

Center Theatre Group Leads With 20 nominations for their productions of Lackawanna Blues (5), and Linda Vista (4) at the Mark Taper Forum; Ain’t Too Proud (1) at the Ahmanson Theatre; and Dana H. (7), and Quack (2) at the Kirk Douglas Theatre, along with Best Season. Fountain Theatre follows with 19 nominations for their productions of "Cost of Living" (9), "Daniel’s Husband" (6), "Hype Man: A Break Beat Play" (3), and Best Season., Geffen Playhouse Garners 18 nominations for their productions of "Charles Dickens’ A Christmas Carol" (8), "Lights Out: Nat “King” Cole" (8), "Mysterious Circumstances" (2), and "Black Super Hero Magic Mama" (1)., La Mirada Theatre for the Performing Arts garnered 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1), and tied with the Pasadena Playhouse who received 14 nominations for their productions of "Singin’ in the Rain" (11), "Beauty and the Beast" (2), and "A Night with Janis Joplin" (1). And Sophina Brown gets 10 nominations for her production of "August Wilson’s Two Trains Running."

Ovation Honors, which recognizes outstanding achievement in areas that are not among the standard list of nomination categories, have been awarded to Romero Moseley (Music Composition for a Play, Hype Man: A Break Beat Play at Fountain Theatre, and Dillon Nelson & Erin Walley (Puppet Design, Argonautika, A Noise Within.)

During the 2018–2019 voting season, 278 productions were registered for awards consideration by 124 producing organizations, and 3,838 individual artists were evaluated. This year’s 272 voters cast a total of 6,462 ballots.


The 30th Annual LA Stage Alliance Ovation Awards Nominations


BEST SEASON

BOSTON COURT PASADENA
Everything That Never Happened
Ladies
The Judas Kiss

CENTER THEATRE GROUP
Dana H.
Lackawanna Blues
Linda Vista
Quack
Sweat
Valley of the Heart

FOUNTAIN THEATRE
Cost of Living
Daniel’s Husband
Hype Man: a Break Beat Play


BEST PRODUCTION OF A PLAY – Intimate Theatre

ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

THE WOLVES
The Echo Theater Company


BEST PRODUCTION OF A PLAY – Large Theatre

CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANA H.
Center Theatre Group

LACKAWANNA BLUES
Center Theatre Group

LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

LINDA VISTA
Center Theatre Group


BEST PRODUCTION OF A MUSICAL – Intimate Theatre

LIZZIE, THE MUSICAL
Chance Theater

THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

THE PRODUCERS
Celebration Theatre


BEST PRODUCTION OF A MUSICAL – Large Theatre


BEST PRESENTED PRODUCTION


ACTING ENSEMBLE OF A PLAY

AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

COST OF LIVING
Fountain Theatre

DANIEL’S HUSBAND
Fountain Theatre

LINDA VISTA
Center Theatre Group

RADIANT VERMIN
Door Number 3 Theatre

THE BEAUTY QUEEN OF LEENANE

Angela Nicholas

THE WOLVES
The Echo Theater Company


ACTING ENSEMBLE OF A MUSICAL

LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

LIZZIE, THE MUSICAL
Chance Theater

RAGTIME
Pasadena Playhouse

SINGIN’ IN THE RAIN

La Mirada Theatre for the Performing Arts

WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


CHOREOGRAPHY

EDGAR GODINEAUX & JARED GRIMES
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ABDUR-RAHIM JACKSON
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JEFFREY SCOTT PARSONS
DAMES AT SEA
Sierra Madre Playhouse

JOHN PENNINGTON
A PICTURE OF DORIAN GRAY
A Noise Within

STEPHANIE SHROYER
ARGONAUTIKA
A Noise Within

JOHN TODD
THE WORLD GOES ‘ROUND
Reprise 2.0


MUSIC DIRECTION

DARRYL ARCHIBALD
RAGTIME
Pasadena Playhouse

MATT GOULD
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

KEITH HARRISON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JENNIFER LIN
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

GERALD STERNBACH
THE WORLD GOES ‘ROUND
Reprise 2.0


BOOK FOR AN ORIGINAL MUSICAL

DENNIS HACKIN
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DOUG HAVERTY
A CAROL CHRISTMAS
The Group Rep

FLORIAN KLEIN
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


LYRICS/COMPOSITION FOR AN ORIGINAL MUSICAL

MICHELE BROURMAN, CHIP ROSENBLOOM & JOHN TORRES
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

BRUCE KIMMEL
A CAROL CHRISTMAS

The Group Rep

ERIK RANSOM & THOMAS ZAUFKE
SHOOTING STAR – A REVEALING NEW MUSICAL
Shooting Star Productions


PLAYWRITING FOR AN ORIGINAL PLAY

MALCOLM BARRETT
BRAIN PROBLEMS
Ammunition Theatre Company

JAMI BRANDLI
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

JONATHAN CAREN
CANYON
IAMA Theatre Company

ELIZA CLARK
QUACK
Center Theatre Group

NATE RUFUS EDELMAN
DESERT RATS
The Latino Theater Company

LUCAS HNATH
DANA H.
Center Theatre Group

ANNA MOENCH
MAN OF GOD
East West Players


DIRECTION OF A MUSICAL

JOCELYN BROWN
LIZZIE, THE MUSICAL
Chance Theater

JOSEPH LEO BWARIE
THE ROOT BEER BANDITS
Garry Marshall Theatre

DAVID LEE
RAGTIME
Pasadena Playhouse

SPENCER LIFF
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

GRIFFIN MATTHEWS
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts


DIRECTION OF A PLAY

MICHAEL ARDEN
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ALANA DIETZE
THE WOLVES
The Echo Theater Company

WILL THOMAS MCFADDEN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

MICHELE SHAY
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN VREEKE
COST OF LIVING
Fountain Theatre

LES WATERS
DANA H.
Center Theatre Group


LEAD ACTOR IN A MUSICAL

CLIFTON DUNCAN
RAGTIME
Pasadena Playhouse

MARC GINSBURG
RAGTIME
Pasadena Playhouse

DULÉ HILL
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

MICHAEL STARR
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

JAMIE TORCELLINI
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts


LEAD ACTRESS IN A MUSICAL

KIMBERLY IMMANUEL
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

SARA KING
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

APRIL NIXON
THE COLOR PURPLE
Greenway Arts Alliance

MONIKA PEÑA
LIZZIE, THE MUSICAL
Chance Theater

SHANNON WARNE
RAGTIME
Pasadena Playhouse


LEAD ACTOR IN A PLAY

TIM CUMMINGS
DANIEL’S HUSBAND
Fountain Theatre

JEFFERSON MAYS
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

ROB NAGLE
THE JUDAS KISS
Boston Court Pasadena

RUBEN SANTIAGO-HUDSON
LACKAWANNA BLUES
Center Theatre Group

FELIX SOLIS
COST OF LIVING
Fountain Theatre

BOB TURTON
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater


LEAD ACTRESS IN A PLAY

CHERISE BOOTHE
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

DEIDRIE HENRY
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

CASEY KRAMER
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

MILDRED LANGFORD
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

ELLEN LAUREN
BACCHAE
The Getty Villa

ANGELA NICHOLAS
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

DEIDRE O’CONNELL
DANA H.
Center Theatre Group

KATY SULLIVAN
COST OF LIVING
Fountain Theatre


FEATURED ACTOR IN A MUSICAL

RICK BATALLA
JULIUS WEEZER
Troubadour Theater Company

JOSH GRISETTI
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

ADAM LENDERMON
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

DYLAN SAUNDERS
RAGTIME
Pasadena Playhouse

MICHAEL SHEPPERD
THE PRODUCERS
Celebration Theatre

PHILLIP TARATULA
BEAUTY AND THE BEAST
La Mirada Theatre for the Performing Arts

DANIEL J. WATTS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTRESS IN A MUSICAL

LEDISI
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

GISELA ADISA
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

BRYCE CHARLES
RAGTIME
Pasadena Playhouse

AMBER IMAN
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

JENNIFER KNOX
DAMES AT SEA
Sierra Madre Playhouse

RUBY LEWIS
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse

ZONYA LOVE
LIGHTS OUT: NAT “KING” COLE
Geffen Playhouse


FEATURED ACTOR IN A PLAY

TOBIAS FORREST
COST OF LIVING
Fountain Theatre

TIM HILDEBRAND
THE BEAUTY QUEEN OF LEENANE
Angela Nicholas

WESLEY MANN
ROSENCRANTZ AND GUILDENSTERN ARE DEAD
A Noise Within

ALEX MORRIS
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

ROB NAGLE
THE LITTLE FOXES
Antaeus Theatre Company

MAURY STERLING
THE JOY WHEEL
Ruskin Group Theatre Co

ADOLPHUS WARD
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


FEATURED ACTRESS IN A PLAY

JENNY O’HARA
DANIEL’S HUSBAND
Fountain Theatre

NIJA OKORO
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

XOCHITL ROMERO
COST OF LIVING
Fountain Theatre

JAQUITA TA’LE
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

JOCELYN TOWNE
THE LITTLE FOXES
Antaeus Theatre Company

CORA VANDER BROEK
LINDA VISTA
Center Theatre Group

DENISE YOLÉN
SCRAPS
The Matrix Theatre Company


COSTUME DESIGN – Intimate Theatre

NAILA ALADDIN-SANDERS
TOO HEAVY FOR YOUR POCKET
Sacred Fools Theater Company

ALLISON DILLARD
BLISS (OR EMILY POST IS DEAD!)
Moving Arts

ELENA FLORES
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

DIANNE GRAEBNER
THE JUDAS KISS
Boston Court Pasadena

TERRI LEWIS
THE LITTLE FOXES
Antaeus Theatre Company

RACHAEL LORENZETTI
LIZZIE, THE MUSICAL
Chance Theater

MYLETTE NORA
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown


COSTUME DESIGN – Large Theatre

KATE BERGH
RAGTIME
Pasadena Playhouse

JESSICA CHAMPAGNE-HANSEN
THE ROOT BEER BANDITS
Garry Marshall Theatre

JENNY FOLDENAUER
ARGONAUTIKA
A Noise Within

CARLTON JONES
WITNESS UGANDA
Wallis Annenberg Center for the Performing Arts

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

SHON LEBLANC
SINGIN’ IN THE RAIN
La Mirada Theatre for the Performing Arts

KAREN PERRY
BLACK SUPER HERO MAGIC MAMA
Geffen Playhouse


FIGHT DIRECTION

JEN ALBERT
SUCKERPUNCH
Coeurage Theatre Company

AARON AOKI & THOMAS ISAO MORINAKA
VIETGONE
East West Players

AHMED BEST
SCRAPS
The Matrix Theatre Company

MICHAEL CALACINO
ROPE
Actors Co-op

ANDY LOWE
MAN OF GOD
East West Players

MIKE MAHAFFEY
DEFINITION OF MAN
DConstruction Arts

JESSE JAMES THOMAS
TWO NOBLE KINSMEN
The Porters of Hellsgate


LIGHTING DESIGN – Intimate Theatre

CHU-HSUAN CHANG
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JENNIFER EDWARDS
DANIEL’S HUSBAND
Fountain Theatre

BRIAN GALE
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN GAROFALO
COST OF LIVING
Fountain Theatre

JARED SAYEG
THE LITTLE FOXES
Antaeus Theatre Company

ANDREW SCHMEDAKE
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company

JAYMI SMITH
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena


LIGHTING DESIGN – Large Theatre

ELIZABETH HARPER
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

THOMAS ONTIVEROS
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

JARED SAYEG
RAGTIME
Pasadena Playhouse

JARED SAYEG
THE WORLD GOES ‘ROUND
Reprise 2.0

JENNIFER SCHRIEVER
LACKAWANNA BLUES
Center Theatre Group

BEN STANTON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

PAUL TOBEN
DANA H.
Center Theatre Group


SCENIC DESIGN – Intimate Theatre

FRANCOIS-PIERRE COUTURE
EVERYTHING THAT NEVER HAPPENED
Boston Court Pasadena

JOEL DAAVID
A STREETCAR NAMED DESIRE
Dance On Productions, LLC

STEPHEN GIFFORD
THE PRODUCERS
Celebration Theatre

MATTHEW G. HILL
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

JOHN IACOVELLI
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JOHN IACOVELLI
THE LITTLE FOXES
Antaeus Theatre Company

DEANNE MILLAIS
DANIEL’S HUSBAND
Fountain Theatre


SCENIC DESIGN – Large Theatre

BRETT J. BANAKIS
MYSTERIOUS CIRCUMSTANCES
Geffen Playhouse

MIKE BILLINGS
HEISENBERG
Rubicon Theatre Company

ANDREW BOYCE
DANA H.
Center Theatre Group

TOM BUDERWITZ
RAGTIME
Pasadena Playhouse

DANE LAFFREY
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

DANE LAFFREY
QUACK
Center Theatre Group

TODD ROSENTHAL
LINDA VISTA
Center Theatre Group


SOUND DESIGN – Intimate Theatre

MALIK ALLEN
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre

JEFF GARDNER
AMERICAN SAGA – GUNSHOT MEDLEY: PART 1
Rogue Machine

JEFF GARDNER
AUGUST WILSON’S TWO TRAINS RUNNING
Sophina Brown

JEFF GARDNER
SCRAPS
The Matrix Theatre Company

ADAM MACIAS
ROPE
Actors Co-op

CHRISTOPHER MOSCATIELLO
RADIANT VERMIN
Door Number 3 Theatre

CRICKET MYERS
THE LAST FIVE YEARS: A MULTISENSORY EXPERIENCE
After Hours Theatre Company


SOUND DESIGN – Large Theatre

PHILIP ALLEN
LACKAWANNA BLUES
Center Theatre Group

PHILIP ALLEN
RAGTIME
Pasadena Playhouse

ROBERT ARTURO RAMIREZ
LADY DAY AT EMERSON’S BAR & GRILL
Garry Marshall Theatre

MIKHAIL FIKSEL
DANA H.
Center Theatre Group

HOWARD HO
MAN OF GOD
East West Players

ROBERT ORIOL
ARGONAUTIKA
A Noise Within

JOSHUA D. REID
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse


VIDEO/PROJECTION DESIGN – Intimate Theatre

MATTHEW G. HILL
THE MIRACULOUS JOURNEY OF EDWARD TULANE
24th Street Theatre

DAVID MURAKAMI
BRONCO BILLY – THE MUSICAL
Skylight Theatre Company

DALLAS NICHOLS
SEÑOR PLUMMER’S FINAL FIESTA
Rogue Artists Ensemble

CIHAN SAHIN
ACCIDENTAL DEATH OF AN ANARCHIST
The Actors’ Gang Theater

NICHOLAS SANTIAGO
COST OF LIVING
Fountain Theatre


VIDEO/PROJECTION DESIGN – Large Theatre

HANA KIM
RAGTIME
Pasadena Playhouse

LUCY MACKINNON
CHARLES DICKENS’ A CHRISTMAS CAROL
Geffen Playhouse

YEE EUN NAM
THE MOTHER OF HENRY
The Latino Theater Company


OVATIONS HONORS RECIPIENTS


MUSIC COMPOSITION FOR A PLAY

ROMERO MOSLEY
HYPE MAN: A BREAK BEAT PLAY
Fountain Theatre


PUPPET DESIGN

DILLON NELSON & ERIN WALLEY
ARGONAUTIKA
A Noise Within


Rachel Myers accepts her Ovation Award for Scenic Design (Large Theatre) for "Skeleton Crew" (Geffen Playhouse) at 29th Annual LA STAGE Alliance Ovation Awards, Theatre at Ace Hotel, Downtown Los Angeles, Monday, January 28, 2019. Photo by Monique A. LeBleu.

Sponsors of this year’s Ovation Awards are DOMA Development Corporation; DOMA Theatre Company; Requiem Media Productions, LLC; SE7EN Waves Entertainment, LLC; Venture Hills Entertainment, LLC; UCLA School of Theater, Film and Television; F&D Scene Changes LTD; Ken Werther Publicity; Bakers Man Productions; Rosebrand; Zodiac Entertainment, LLC; Perpetua Holdings, LLC; Behind the Mask, Inc.; and Millennia Development, Inc.

LA STAGE Alliance is a nonprofit arts service organization dedicated to building awareness, appreciation, and support for the performing arts in greater Los Angeles. The LA STAGE Alliance Ovation Awards, founded in 1989, are the only peer-judged theatre awards in Los Angeles. Voters are LA theatre professionals who are chosen through a vigorous application process each year by the Ovation Rules Committee. More information can be found at www.ovationawards.com.

The 30th Annual LA STAGE Alliance Ovation Awards will be Monday, January 13, 2020, at the Theatre at Ace Hotel. Tickets on sale soon.

 


Audio Interview: Sharon Lawrence - Sylvia Costas Sipowicz in the ABC drama series NYPD Blue stars in "A Kid Like Jake" at the Pasadena Playhouse

Pearle’s acclaimed play is a study of intimacy and parenthood, and the fantasies that accompany both.*

Enjoy this interview with Sharon Lawrence and the cast of “A Kid Like Jake” at the Pasadena Playhouse, running until Nov 3rd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Now Registered on the Better Lemons Calendar – September 16 - 22, 2019

Theatrical shows, Film Festivals, Fringe Festivals, Dance, and Shakespeare NOW registered on the Better Lemons calendar!

For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Rooftop Screams at the Montalban

The Addams Family

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Evil Dead

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Hocus Pocus

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Dawn of the Dead

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The Mummy

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Ghostbusters

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Beetlejuice

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Get Out

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Coco

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Theatrical Festivals, Shows, and Dance Performances

Gem of the Ocean

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Driving Wilde

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To Dad With Love: A Tribute to Buddy Ebsen

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Charlotte Stay Close

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My Name is Mommy

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Jack and the Giant

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Fools

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Fertile

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Yoga Play

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Titus Andronicus

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Tonoccus McClain: Living A Why Not Life

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Buried Child

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The Chinese Lady

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Little Shop of Horrors

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Measure for Measure

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I Never Saw Another

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The Music Man

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Never is Now

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Miss Lilly Gets Boned

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The Dumb Waiter

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Barrymore

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Romeo and Juliet

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HalfTruths, Full Plate

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Milkcrate Monologues Vol. 1

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TST Sum Poetry

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Conversations 'Bout the Girls

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Art is Useless When You're Being Mauled by a Bear

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Fourth Annual Binge Fringe Festival of FREE Theatre

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Masoch and Desade

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4.48 Psychosis by Sarah Kane

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Peter & the Wolf Presented by LA Youth Ballet

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Audio Interview: Ben Ahlers - Liam in NBC’s The Village stars in "Good Boys" at Pasadena Playhouse

As a senior at St. Joseph’s Prep, Brandon Hardy has the world at his feet. He is handsome, athletic, smart, and a shining example of the perfect private school student, just like his father was. But when a sex tape becomes the talk of the locker room, the comfortable lives of the Hardy family threaten to shatter.*

Enjoy this interview with Ben Ahlers - Liam in NBC’s The Village staring in “Good Boys” at The Pasadena Playhouse, running until Jul 21st. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Now Registered on the Better Lemons Calendar – June 26 - July 2, 2019

Theatrical shows registered on the Better Lemons calendar, including Hollywood Fringe Festival Encore! Producers and Best of Broadwater Award recipients.
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

Dancing at Lughnasa

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A Wrinkle in Time

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Diary of Anne Frank

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The Center of the Universe

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The Young Artist Project

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The Nerd, by Larry Shue

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Goldfish

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The Direction Home

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King Lear

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DIRTY TRICKS w/ The New Bad Boys of Magic

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The Ruffian on the Stair

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Bakersfield Mist

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Billie Holiday: Front and Center

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Renovations for Six

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URBAN DEATH for kidz

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Naked Came the Neighbor

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Good Boys

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An American Saga Revival - Gunshot Medley: Part I

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The Same Room

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Yes. No. Maybe

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Raised by Wolves

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Stitching Stardust

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FERTILE: A Conversation About the Expectation of Procreation

"WINNER Producers' Encore Award & NOMINEE Best Solo Performance 2019 Hollywood Fringe Festival!

Jenny has a plan. A plan to get pregnant. Everyone says, time is running out - she just turned 35, after all. So, when those pesky urine tests keep coming back negative, Jenny decides to take action to fix the problem. That's when she runs into real problems - and real questions about fertility AND motherhood. As Jenny faces the world of “mom options” – egg freezing, in-vitro, adoption, and more – the conversation about the expectation heats up. Taking into account a whirlwind of outside opinions from her friends, her doctors, a beloved neighbor – and even God – Jenny must ultimately look within to discover what motherhood means to her, what it means to be Fertile."

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Siren Call

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Jamba Juice: The Musical

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LOVE, MADNESS, AND SOMEWHERE IN BETWEEN

"'Love, Madness and Somewhere in Between' is a no holds barred glimpse into a mystical journey filled with love, pain, insanity, and redemption. Scattered along the way is a sprinkling of ironic comic commentary that can only come from a true survivor. “Jimmy” is not so much a hero but more a human being traversing an abusive childhood, a descent into alcoholism and finally plunging into a world of fantastical personifications which dwell amidst humanity's darkest sins. Will closure, forgiveness, and healing come in the unlikely form of the “angel warriors” – patients on the pediatric cancer ward of Children's Hospital? Does Pure Love, in fact, transform and redeem, or are some lives beyond salvation? The show had its world premiere at Theatre West on January 27th, 2019. It ran 6 performances at Hollywood Fringe 2019 and won the Encore! Producers' Award. The show has been extended for three more performances."

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday, February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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Mandy Picks A Husband

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Blackboxing

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A Bit Much

"While on a first date, Stacy's date innocently asks her if she wants red or white wine. This “trick” question immediately sets off a tsunami of Stacy's insecurities, fueled by a history of being shot down after speaking her mind. In the instant it takes to answer that “red or white?” question, Stacy takes us on a hilarious journey of her failed relationships with men, starting in the fifth grade, when she beat her first boyfriend at wall ball during recess. After that he broke up with her. So begins an unintentionally competitive pattern with men that whenever Stacy wins at life, she loses at love. With both sides of Stacy's psyche weighing in like a comical Greek chorus, Stacy tries to figure out what men really want in a women before she answers that all important first date question, 'Would you like red or white wine?'"

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HOLLYWOODN'T

"Lisa Verlo performs HOLLYWOODN'T a solo show and personal journey across Hollywood's unsettling sexual landscape, directed by and developed with Jessica Lynn Johnson. A musical memoir told with candor and insight into the life of an actress before women dared to speak up. With original songs co-written with Frank Simes, Musical Director for The Who, Lisa Verlo brings humor and a light heart to a heavy subject. Creative visuals and video projections add to the multimedia recounting of her experiences on the casting couches of LA. Hollywoodn't was featured, on Wednesday February 13, as part of SOLOFEST 2019 at the Whitefire Theatre, the largest solo theatre festival on the West Coast."

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'Pasadena Playhouse' Announces New Director of Development

Photo by Jackie Ortiz
NANCY GRIFFITH BAXTER

The Pasadena Playhouse has announced that Nancy Griffith Baxter is their new Director of Development, bringing with her more than 30 years of fundraising and wealth management experience.

Previously as Director of Gift Planning at LA Opera, legacy gift contribution revenue increased nine-fold during Baxter's time at the organization. Prior to the LA Opera, she was also recruited by her alma mater, Colorado College, to serve as Director of Gift Planning, pulling the program out of dormancy and growing its Legacy Society significantly towards raising over $15 million during the 2015-2016 fiscal year in new future gifts.

With a master's in Finance from Claremont Graduate University and a bachelor's in Political Science - International Relations at Colorado College, she's also an award-winning one-time Senior V.P. and Senior Philanthropic Investment Manager at Wells Fargo where she oversaw the investment team that brought and influenced $18 billion in charitable assets. With it, Baxter is looking forward to working with her new team at Pasadena's landmark and official State Theater of California.

“It's an honor to work with a dynamic leadership team at an institution with the amazing history and impact that [the] Pasadena Playhouse has had on both the local and national entertainment industry, including theater, film, and television,” said Baxter in a statement. “I look forward to working with the community to ensure the longevity of this amazing theater for another 100 years.”

In addition to coaching and building wealth teams around the US to attract and expand philanthropic business opportunities and clients, recruiting and managing investment management, and developing investment strategies for endowments, deferred gift programs, and private foundations, “a lover of the arts” Baxter also brings with her extensive and continued volunteerism in the performing arts. She has served as a board member with the Colburn School, as well as with LA Opera, Shakespeare Festival/LA (now Shakespeare Center of Los Angeles), Young & Healthy, the Rocky Mountain Women's Film Institute, and Woman's Educational Society of Colorado College.

In 1937, the Pasadena Playhouse was “officially recognized as the State Theater of California for its contribution and commitment to the dramatic arts”. Pasadena Playhouse recently hosted the LA Drama Critics Circle Awards where it recognized excellence in Los Angeles theatre and it continues its own tradition of excellence under Producing Artistic Director Danny Feldman.

"I am thrilled to welcome Nancy to the leadership team as we continue to take the Playhouse in a new and exciting direction,” said Feldman. “I know her wealth of energy and experience will be invaluable to us in garnering support from the Pasadena community and beyond.”

Featured Photo by Freed14, used via Creative Commons permissions, Wikipedia. The Pasadena Playhouse - State Theatre of California.


The Winners at the 50th Annual 'LA Drama Critics Circle' Awards Ceremony Held at the Pasadena Playhouse

The 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019. (Photo by Better Lemons)

The LA Drama Critics Circle (LADCC) held their 50th Annual Awards ceremony at the landmark Pasadena Playhouse where Better Lemons was in attendance to live tweet the evening's festivities and entertainment, Monday, April 8, 2019.

Wenzel Jones presided over the festivities, and Christopher Raymond served as music director with musical performances by Kristin Towers Rowles, Constance Jewell Lopez, and Zachary Ford.

There were four recipients of the 2018 Production award: Cambodian Rock Band (South Coast Repertory), Come From Away (Center Theatre Group/Ahmanson Theatre), Cry It Out (Echo Theater Company), and Sell/Buy/Date (Geffen Playhouse / Los Angeles LGBT Center).

Better Lemons' Chief Operating Officer Stephen Box (Left,) Publisher Enci Box, and Playwright & Screenwriter Steven Vlasak at the 50th Annual LA Drama Critics Circle Awards at the Pasadena Playhouse, Monday, April 8, 2019.

The Antaeus Theatre Company received the most awards, with three of its productions winning a combined seven trophies. Celebration Theatre's Cabaret took home six awards, the most awards for a single production, including one for Revival. Tom Hanks received a lead actor award for his performance as Falstaff in The Shakespeare Center of Los Angeles production of Henry IV in a competitive category. 17 awards were presented in other categories with 17 productions taking home the honors.

In its inaugural this year, the Theater Angel award was presented to Yvonne Bell in recognition of her "long career devoted to fostering theater in Los Angeles ... [and] successful fundraising campaigns" to help open several cultural institutions, such as The Museum of Contemporary Art and the California Science Center.

Eight previously announced special awards were presented, including the Margaret Harford Award for sustained excellence in theater to Sacred Fools Theater Company and the Ted Schmitt Award for the world premiere of an outstanding new play to Lauren Yee for Cambodian Rock Band.

The LADCC was established in 1969  “to foster and reward merit in the American Theater and encourage theater in Los Angeles,” the LADCC site quotes from an announcement in the L.A. Times of that year.

Here is the list of award recipients as announced during Better Lemons' live coverage on Twitter:

Featured photo by Enci Box - Theatre patrons in the courtyard of the Pasadena Playhouse for the 50th Annual LA Drama Critics Circle Awards, Pasadena, California, Monday, April 8, 2019. Enci Box contributed to this story and photos.


Now Registered on the Better Lemons Calendar – February 25 - March 10, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Trojan Women

“Archway Theatre's immersive post-modern retelling of the aftermath of the Trojan War. Priam, Hector, and Paris are all dead. Queen Hecuba and the women of Troy are now the spoils of war, and must await their fate at the hands of the conquering Greeks.”

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Cemetery of Tortured Souls

“Zombie Joe's Underground Theatre Group proudly presents their All-New Horror-Theatre Spectacular haunted by The Golden Age of Hollywood in 1930's. While the only escape from The Great Depression were the movies, there was no escape for those entrapped by the glitter of Tinseltown: These restless spirits of stars and villains from yesteryear rise from their forgotten graves – to wander their final resting place and re-live their final moments in eternal damnation!”

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What Matters Now?/! (Another Political Pop-Up of the Theatrical Kind)

“Open Fist's annual “political pop-up” features a rotating roster of short plays by writers from across the country that explore our nation's current social and political climate and how the past year has affected us. Finding it hard to get off the couch and get to the theater? ”

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CATS!

“The record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory”. Winner of 7 Tony Awards® including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn. The original score by Andrew Lloyd Webber (Phantom, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!...Now and Forever.”

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THE MEATBALL CHRONICLES

“The Meatball Chronicles follows one woman through humorous and sometimes heart wrenching meals that align with stories of her childhood, her relationships with men, and in particular, her complicated relationship to her mother.
Mansini crafts this piece in a way that transcends her own story into universal themes that anyone who has a family can love. As she kneads the dough and thickens the sauce through each Italian recipe, the stories associated with those recipes reveal the complex ways that families cope, laugh, grieve, and show their love through food.”

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The Judas Kiss

“In spring of 1895, Oscar Wilde was larger than life. His masterpiece, The Importance of Being Earnest, was a hit in the West End and he was the toast of London. Yet by summer he was serving two years in prison for gross indecency. Punished for “the love that dare not speak its name,” Wilde remained devoted to his beloved, Lord Alfred “Bosie” Douglas. The Judas Kiss revolves around two pivotal moments in his life: the day when, cajoled by Bosie into an ill-fated trial, he decides to stay in England and face imprisonment, and a night when, after his release two years later, the lover for whom he risked everything betrays him again. David Hare's masterful play pulses with the ecstasy and anguish of an enamored heart.”

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Native Voices at the Autry Presents Pure Native

“Brewster's back! Rising from the ashes with a slick plan for a bottled water plant on reservation land. There's mixed agreement and opposition from family and friends, including an old flame with a grudge—but is he the secret ingredient for success? This play was workshopped as Corn Soup. Native Voices at the Autry is devoted to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights..”

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THE ELEPHANT MAN

“'The Elephant Man' is based on the life of John Merrick who lived in London during the latter part of the 19th Century. A horribly deformed young man who has been a freak attraction in traveling side shows, John is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of the famous young doctor, Fredrick Treves, Merrick is educated and introduced to London society. Through their eyes, he is changed from sensational object of pity, to an urbane and witty favorite of the aristocracy and literati. It his dream that he will become a man like any other…but unbeknownst to him, he exceeds even that.”

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JOAN and WHAT DID THEY SAY - An Evening of One Acts

“An Evening Of One Acts: JOAN and WHAT DID THEY SAY
JOAN is an imaginary tale of Joan Crawford's journey through the Bardo and her adjustment to the fact that her soul will move onto the unknown. During this dream state Joan reflects on–her life–her career–her enemies–her loves–those that helped create the film legend she became.
WHAT DID THEY SAY explores gender and sexuality in an unconventional family dramedy, taking place in Los Angeles today. As experienced in today's rough political climate, families don't always share the same values. Family members can be rough among themselves, and where Julian's dad is gay, and his older sister Harper identifies as a dyke, his twin sibling Felicia struggles to understand Julian's gender identity.”

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LA DRAMA CRITICS CIRCLE AWARDS

“The Los Angeles Drama Critics Circle (LADCC), which presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago, has begun the gala celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018).
The LADCC is further thrilled to announce that this historic occasion will take place on Monday, April 8, 2019 at one of the region's most historic and beautiful theatres, Pasadena Playhouse, at 39 S. El Molino Avenue in Pasadena.”

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The Mother of Henry

“In the working class melting pot that was Boyle Heights in the 1960s, five diverse employees in the return department at Sears form a tight bond as they cope with upheaval in their personal lives, their community and the rapidly changing world around them. Connie, a Latinx single working class mother, realizes her agency and discovers her true identity when the anxieties of war, civil unrest and political assassinations plaguing the country tragically affect her own life. Infused with period music and magical realism.”

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The Shape of Things

“Neil LaBute's 2001 drama “The Shape of Things” is set in a small university town in the American Midwest and centers on the lives of four young students who become emotionally and romantically involved. How far would you go for love? For art? What would you be willing to change? What price might you pay? Such are the painful questions explored in the play. A young student drifts into an ever-changing relationship with an art major while his best friend's engagement crumbles, unleashing a drama that peels back the skin of two modern-day relationships.”

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The MisMatch Game

“For a record-breaking 15th year, it's time once again to “get ready to match the stars” with a new edition of Dennis Hensley's The MisMatch Game. The side-splitting parody of the ‘70s game show has set the rafters ringing with laughter since its debut in 2004. The show the LA Times calls, “witty, ribald … an adventure in surrealist era bending” returns to the Los Angeles LGBT Center's Renberg Theatre for two hilarious shows.”

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Los Angeles Women's Theatre Festival

“The overall theme of the Festival will be I, Woman and the theme of the Opening Night GALA will be In Tribute To. The Champagne GALA and Awards Ceremony will take place on March 22, 2019 at 7:00 p.m. nd will be directed by Denise Dowse (Imposters) and hosted by Starletta DuPois (The Notebook) and Kym Whitley (Young and Hungry). The event will honor five women of exceptional achievement and contribution to the world of theatre (Eternity Awardee- Jenifer Lewis; Integrity Awardee- Leslie Ishii; Maverick Awardee- Sandra Tsing Loh; Rainbow Awardee- Whitney Weston; and posthumously, Infinity Awardee-Carol Channing. There will be special live performances in addition to the awards presentation.”

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IN RESPONSE: Year of the Woman (Still)

“Past and present issues of women including current the #MeToo movement are explored through a collection of dramatic, humorous and thought-provoking, monologues, poems and dance. All the material is written by women. Sunday performances are followed by an audience talkback.”

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Church Basement Ladies

“Church Basement Ladies, a celebration of the church basement kitchen and the women who work there, features four distinct characters and their relationships as they organize the food and the problems of a rural Minnesota church. From the elderly matriarch of the kitchen to the young bride-to-be learning the proper order of things, the show and music give us a touching, funny look at their lives as we see them handle a record breaking Christmas dinner, the funeral of a dear friend, a Hawaiian Easter Fundraiser, and a steaming hot July wedding. They stave off potential disasters, share and debate recipes, instruct the young, and keep the Pastor on due course while thoroughly enjoying, (and tolerating) each other. Funny and down to earth, you will recognize these ladies as they begin to see the Church year unfold from below the House of God.”

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The Sunshine Experience

“So do a little dance! Make a little love! Get down tonight with The Sunshine Experience – the nation's premier tribute to KC and the Sunshine Band. “Shake, Shake Shake Your Booty” to their funky tunes and fall in love with KCSB's triple-platinum sound all over again! ‘Cause “That's the way–uh huh, uh huh–I like it!” The Sunshine Experience delivers a high-energy, adrenaline-pumping show with spot-on musical arrangements and amazing choreography.”

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A Terrible Show for Terrible People

“A Terrible Show for Terrible People is a raunchy and rambunctious, non-verbal solo clown performance that is both boner- and vomit-inducing. Physical comedian Bonnie He takes the audience through a voyeuristic window into personal tragedy, triumph, and titillation. Mostly titillation. Hehe. TIT-illation. You're not just watching a Terrible Show – you're participating in the destruction of common decency.”

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HEISENBERG

“LAGUNA PLAYHOUSE is thrilled to present a co-production with the Rubicon Theatre Company, the critically acclaimed (LA Times Critics' Choice) production of HEISENBERG, written by Simon Stephens (The Curious Incident of the Dog in the Night-Time) directed by Katherine Farmer (South Pacific, Gulf View Drive) and starring Faline England (Valentine's Day) & Joe Spano (Hill Street Blues and NCIS). Comments Artistic Director Ann E. Wareham and Executive Director Ellen Richard, “What a special opportunity to co-produce this critically acclaimed production with the Rubicon Theatre Company. Simon Stephens has written a funny, tender and quirky love story that celebrates human relationships in all their complexity. Faline England and Joe Spano are giving masterful performances under the brilliant direction of the gifted Katharine Farmer.”

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The Second Coming of Klaus Kinski

“Fresh off an LA Stage Alliance Ovation nomination for Lead Actor in a Play, WTFN brings back Andrew Perez in the Encore Award-winning THE SECOND COMING OF KLAUS KINSKI!...resurrected for 3 consecutive Friday nights — March 22, 29 & April 5 at the Pico Playhouse...Klaus Kinski is one of the most celebrated and controversial actors in the history of world cinema. The reckless abandon with which he approached both life and art left him tortured, demonized and worshipped. He now resurrects to shake your souls with one last command performance. THE SECOND COMING OF KLAUS KINSKI.”

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Audio Interview: Bryce Charles staring in "RAGTIME: THE MUSICAL" at the Pasadena Playhouse

The great American musical returns to LA for its first major production in 20 years. Nominated for 13 Tony Awards including Best Musical, Ragtime tells the story of three families at the turn of the 20th Century in pursuit of the American dream. The award-winning score uses ragtime rhythms to paint a portrait of the people who built this country with the hopes for a brighter tomorrow.* Enjoy this interview with Bryce Charles staring in “RAGTIME: THE MUSICAL” at the Pasadena Playhouse, running until Mar 9th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here. *taken from the website

The Pasadena Playhouse To Host This Year's Drama Critics Circle Awards

The Los Angeles Drama Critics Circle (LADCC) has begun the celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018). The Awards will take place on Monday, April 8, 2019, at the historic Pasadena Playhouse, in Pasadena's Playhouse District.

Although the Pasadena Playhouse will be hosting the LADCC Awards for the very first time, returning once again is onstage host Wenzel Jones of IMRU, the LGBTQI Radio News Magazine on KPFK 90.7, as well as local composer-conductor Christopher Raymond as musical director for his second consecutive year. The entire production will be in the hands of stage manager Heatherlynn Gonzalez, veteran of more than a decade's worth of LADCC service.

One or more plaques will be presented in each of 18 categories and seven special awards will also be presented. Topping the nominations, the Antaeus Theatre Company has a total of 12 in various categories, including for the McCulloh Award for Revival (plays written between 1920 and 1993) for their productions of both "The Hothouse" and "The Little Foxes."A Noise Within has 10 nominations, including for Production for "A Picture of Dorian Gray." The Center Theatre Group has a total of nine nominations, including for Production of "Come From Away." Both the South Coast Repertory and East WestPlayers have seven nominations each. And the Celebration Theatre and the La Mirada Theatre for the Performing Arts, each with seven and six nominations, respectively, are uniquely both up for the McCulloh Award for Revival for their individual productions of "Cabaret."

Sergio Trujillo, is nominated for Choreography for both "Ain't Too Proud," Center Theatre Group, Ahmanson Theatre and "On Your Feet," Hollywood Pantages Theatre. Allison Dillard, is nominated for her work in Costume Design for both "Bliss, Or Emily Post Is Dead," Moving Arts and "Priscilla, Queen of the Desert," Celebration Theatre. Set Designer John Iacovelli, a winner of multiple LADCC awards for Scene Design, is nominated for "The Little Foxes", Antaeus Theatre Company.

The LADCC special award recipients are as follows:

  • The Polly Warfield Award for an excellent season in a small to mid-size theatre will be awarded to Echo Theater Company.
  • The Ted Schmitt Award for the world premiere of an outstanding new play goes to Lauren Yee for Cambodian Rock Band, originally produced by South Coast Repertory.
  • The Kinetic Lighting Award for distinguished achievement in theatrical design goes to sound designer Robert Oriol.
  • The Milton Katselas Award for distinguished achievement in direction goes to Cameron Watson.
  • The Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community will be presented to Native Voices at the Autry.

More of the complete list of nominees for the Los Angeles Drama Critics Circle Awards for theatrical excellence in 2018 is here.

The Los Angeles Drama Critics Circle was founded in 1969. It is dedicated to excellence in theatrical criticism, and to the encouragement and improvement of theatre in Greater Los Angeles.

The Pasadena Playhouse is at 39 S El Molino Ave, in Pasadena. Standard general admission tickets (a small service fee applies) are $40 and are now available. All purchased tickets will be held at Will Call and tickets are also available at the door. The event will begin at 6:30 p.m. with a pre-show reception in the courtyard. The show will commence at 7:30 p.m. and nominees will receive instructions via email regarding how to claim complimentary tickets.

For all other inquiries, email: [email protected].


Now Registered on the Better Lemons Calendar – February 11 - 17, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Accidental Death Of An Anarchist

“In this piece of classic international theatre from 1970, Fo writes of a madman, who invades a police station interrogation room where an anarchist accused of bombing a railway station has recently “accidentally” fallen out of a window. Donning various disguises and voices, the madman manipulates policemen into a truth-inducing hysteria. This world-renowned farce is produced in honor of one of The Actors' Gang inspirations and mentors, Dario Fo. Famed artist Ralph Steadman, known for his iconic images a lifetime of illustration, magazine and other work, including his longtime collaboration with Hunter S. Thompson, has created a logo that helps to bring this production context. Also, a Dario Fo – Ralph Steadman exhibition will be on view throughout the run of Accidental Death of an Anarchist.”

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Anderson Lena and the Things That Don't Matter

“In 2012, researchers at Northwestern University concluded that when we recall a memory, we're not actually the recalling the memory, but rather the memory of the last time we remembered it, thus irreparably distorting our perception of the past. This is a play about that. With an offbeat yet authentic voice (and a structure to match), “Anderson Lena and the Things That Don't Matter” explores the unsettlingly distinct possibility that objective truth is about as real as a fluffy pink unicorn. It starts off simply enough: a girl dancing alone in her bedroom. But, much like life, this story is nowhere near as simple as it should be. Three characters, two timelines, and one room later, you'll leave questioning every memory you ever held dear. But, you know, in a cool way.”

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RAGTIME: THE MUSICAL

“The great American musical has returned to LA for its first major production in 20 years. Nominated for 13 Tony Awards including Best Musical, Ragtime tells the story of three families at the turn of the 20th Century in pursuit of the American dream. The award-winning score uses ragtime rhythms to paint a portrait of the people who built this country with the hopes for a brighter tomorrow.”

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Ohad Naharin/Batsheva Dance Company: Venezuela

“Batsheva returns with Venezuela, a new work which explores the dialogue and conflict between movement and the content it represents. Venezuela is a multifaceted piece where the endless possibilities of a choreographer's craft are at play and compel the audience to challenge their own notion of freedom of choice.”

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Attack of the Second Bananas

“Who killed beloved stage stars Ruby Moss and Andrea Hammond? Find out as the LAPD detective on the case pieces together the clues. Attack of the Second Bananas is a comedy noir about the ultimate price of fame. Running time is 90 minutes with no intermission. WORLD PREMIERE.”

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Fifty Words

“Adam (Eric Larson) and Jan (Olga Konstantulakis) are alone together for the first time in almost 10 years. Without the buffer of their nine-year-old son (who is away at his first-ever sleepover), this smoothly scripted multi-layered play reveals how closely love and hate can be linked in marriage … how with each problem experienced as parents, each subsequent layer that's revealed shows yet another problem in their marriage. The play is an incisive close-up of the emotional battleground of contemporary relationships and the lengths to which a couple will go to save it.”

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How We're Different from Animals

“Over three years in the making, ÉLAN Ensemble's inaugural production is the culmination of the company's work, adapting Miranda July's book of short stories No One Belongs Here More Than You. The show breathes life into July's quirky, lonely, odd, lovable characters in an oddly hilarious tapestry that reflects the complexity, isolation, and unexpected connectivity of life in Los Angeles.”

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Home

“Writer/performer Nancy Ma's coming-of-age tale about growing up sandwiched between two cultures. Desperately seeking approval from her Chinese Toisan immigrant family, Nancy journeys away from her home in New York City's Chinatown in search of the American dream — only to learn that you can only find “home” when you accept where you come from. Feb. 28 – March 24 at The Los Angeles Theatre Center, 514 S. Spring St., Los Angeles, CA 90013; $24- $38; For reservations and information, call (866) 811-4111 or go to http://thelatc.org.”

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The Joy Wheel

“Life is changing for Frank and Stella. On the day of Frank's retirement party, this once loving and simple couple find themselves pulled in different directions as the winds of change blow through Joy, Illinois. The world is not what it was. Joy is not what it was. Stella is shaken, but inspired, by her best friend becoming a liberated, sexualized, independent woman, while Frank decides to emulate his doomsday prepper friend by building an underground bunker that once was the family swimming pool. It's as if all of them are riding the Joy Wheel, hanging on to someone else so they can stay their ground.”

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Church Basement Ladies

“The Glendale Centre Theatre is America's longest-running continuously family-owned theatre in the round. Now in its 72nd year, GCT has just opened its second show of the 2019 season: Church Basement Ladies!”

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The Pack at The Pico

“The Pico will be presenting a monthly reading series of original short comedies by Emmy® nominated and Drama Desk Award-winning writer Eugene Pack. Every month, The Pack at the Pico will feature a new evening of material and a revolving noteworthy cast.”

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Geronimo: Life on the Reservation

“Return engagement of the critically acclaimed seldom told story of Geronimo's life as a POW on the Fort Sill Indian Reservation. Starring veteran performer Rudy Ramos (Yellowstone, Ironsides, The High Chaparral, Dr. Quinn, Medicine Woman: The Movie, The Enforcer, Defiance, Colors), helmed by respected actor/director Steve Railsback (The Visitors – dir. Elia Kazan; Helter Skelter, From Here to Eternity, The X-Files), and written by award-winning novelist Janelle Meraz Hooper (As Brown As I Want: The Indianhead Diaries, Custer and His Naked Ladies), GERONIMO focuses on the resiliency, humor, and genius of the great Apache leader, bringing his final years to life on the stage in a dramatic recounting of a fascinating, largely forgotten chapter in American history. Two shows only!”

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Pirates of Penzance

“The Gilbert and Sullivan classic Pirates of Penzance sails into Glendale Centre Theatre March 15!”

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Rex & Bob's Excellent Misadventure

“Rex & Bob's Excellent Misadventure is the story of The Music Man's and My Fair Lady's two leading men. What happens when they switch lives?”

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Nunsence

“The mega musical returns to the Glendale Centre Theatre! Pure nunsense!”

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Four Weddings and an Elvis

“Come enjoy four weddings in Las Vegas with the King himself! This musical comedy is a treat for the whole family.”

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More Guns! A Musical Comedy about the NRA s

“The National Rifle Association is here to save the day – through song and dance! Praise the lord and NRA-men! Ron Barkley is the head lobbyist for the NRA, and his life is real tough — his daughter is a liberal socialist with a penchant for protests, and for some reason, the entire country is up in arms about gun control. But when Ron prays to God for divine intervention, he receives a magical gun that turns people – into guns. Because after all, if you've got problems, the solution is always More Guns! With songs like “Semi-Automatically”, “Everybody Do The Lobby!” and “Liberal Love”, MORE GUNS! is a satire of the NRA, the “woke” left, and all those boring moderates in between. This is a show for the whole family, and by whole family we mean adults only (16+)”

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Birdland Blue

“At Broadway and 52nd Street in New York City, the nightclub Birdland was the legendary center of the jazz world, where the glitterati of Broadway, Hollywood and the sports world regularly filled its 500 seats. In August, 1959, the biggest star in jazz was Miles Davis, who earlier that year recorded Kind of Blue, regarded then and now as the most innovative and best jazz album of all time. The Miles Davis Sextet, as constituted that summer, was regarded as the best jazz combo ever. Birdland Blue is a behind-the-scenes look at Miles on one evening that August. He flirts with a beautiful reporter for a jazz magazine. He copes with division within his ranks, as two of his musicians (Julius “Cannonball” Adderley and John Coltrane) are on the verge of leaving the Sextet to start their own groups. He deals with substance abuse problems, his own and that of one of his musicians. He argues with the club owner/manager over proper compensation. His biggest challenge may be coming from a violent, crooked, racist cop.”

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Julius Caesar

“From the presenters of the Griffith Park Free Shakespeare Festival, join us indoors at the ISC Studio at Atwater Crossing.
Beware the Ides of March! Rome teeters on the brink of civil war as Caesar's ambition for a crown threatens the stability of the Republic. Part ghost story, part political murder thriller, ancient Rome comes to vivid life in ISC's first ever mounting of one of the greatest hits of the Elizabethan stage. Inspired by Orson Welles's 1937 Mercury Theater production, this pared down version of the text immerses the audience in the multiplicities of the conspiracy to save Rome and even gives the spectators a voice in the action. Audience participation encouraged (but not enforced!)”

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The Apple Tree

“When the Winslow sisters are forced to return home to confront their past, they must choose either to hold tight to anger or open their arms to change. 'In the process of letting go you will lose many things from the past, but you will find yourself.'-Deepak Chopra. This is the world premiere of The Apple Tree and the inaugural production of Firefly Theatre Group.”

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EVENTS OPENING THIS WEEK

W.C. THORNBUSH AND THE GREAT AMERICAN SHOW - CHRISTMAS EDITION @ Bootleg Theater

December 12, 2018 7:00 pm

Once again, W.C. Thornbush is bringing his musical revue to Bootleg Theater to celebrate the Christmas Canon in the only way this group knows how. With bells ringing, birds singing, and all the cheer ...read more


IT'S A WONDERFUL LIFE: A LIVE RADIO PLAY @ Pasadena Playhouse

December 12, 2018 8:00 pm

The holiday classic we all know and love takes the beloved George Bailey on journey to renew his spirit and restore his faith in mankind on one fateful Christmas Eve. Join George and all ...read more


SPECIAL @ Theatre of Note

December 13, 2018 8:00 pm

Special is the World Premiere comedy that commemorates the 40th Anniversary of the worst variety show in television history with a behind-the-scenes imagined look of how The Star Wars Holiday Special came to be. ...read more


BETTER LEMONS - "MEET THE PUBLICISTS" @ Thymele Arts

December 15, 2018 10:00 am

On Saturday, December 15, from 10 am to 12 noon, Better Lemons and Thymele Arts will be hosting “Meet the Publicists!” which will be featuring several of LA's premier performance art publicists for a ...read more


JULIUS CAESAR IRREVERENT SHAKESPEARE PROJECT @ Hudson Loft

December 15, 2018 7:30 pm

Irreverent Shakespeare Project presents Julius Caesar, directed by Heather Ann Gottlieb, produced by Steven Brandon, Mark Laird, Bradley Gosnell, Rachel Rios and Ari Stidham. An all-female cast of eleven tackles the Bard's political drama, ...read more


MEASURE FOR MEASURE @ New American Theatre

December 15, 2018 8:00 pm

The New American Theatre presents Shakespeare's story of impassable moral dilemmas, religious hypocrisy and he said/she said. ...read more


HERE'S JOHNNY @ Theatre West

December 15, 2018 8:00 pm

Johnny Ferretti in Here's Johnny! A Colorado boy whose first job was as a ranch hand, then became a newspaper reporter... then found himself working as an engineer in California. And then, suddenly, he's ...read more


AS ALWAYS, JIMMY STEWART @ Theatre West

December 16, 2018 2:00 pm

Steve Nevil in As Always, Jimmy Stewart. It's two-thirty in the morning at 911 Roxbury Drive in Beverly Hills, and Jimmy Stewart can't sleep. Steve Nevil's acclaimed one-person show presents the film legend late ...read more


Novel Entertainments – Part 2

This is a three part series.

To read Part 1 of this series, which discusses the recent production of The Picture of Dorian Gray that was performed at the Pasadena Playhouse, please go to Novel Entertainments – Part 1.

In a short run recently at Red Cap, co-presented with Center Theatre Group, the members of The Gob Squad fashioned Creation (Pictures for Dorian Gray). It's a fascinating thematic exploration of The Picture of Dorian Gray by the seven-member, Anglo-German “arts collective” based in Berlin.


In the program the Squady quotes Wilde from the preface to the novel: “It is the spectator, and not life, that art really mirrors.” Which speaks to the endless reflections of looking into the mirror, which is what The Portrait is for Dorian. So, as one of the members told me, the work is based on Dorian's reaction to first seeing the portrait of himself, his contemplation of what he sees - and what he makes of it as it ages and he doesn't.

There is no attempt to bring its story, even its characters, to life. It's not an adaptation. But it is theatrical, albeit more didactic than dramatic. All seven members of the Gob Squad are self-identified as middle-aged. They employ three local actors over eighty and three in their twenties to assist in making their Dorian-esque exploration of youthful hopes and beauty versus the elderly value of memories and experience – the dreams of youth in the light of the value of aging. Beginning with an Ikibana floral display which they put under a heat lamp to see the effects, they continue discussing the theme and creating examples using the young and the elderly singing and in confessional self-revelation.

It was an intriguing astringent amongst a group of dramatized novels, related to but with no attempt at capture the novel on stage.

***

Another offering in Pasadena this fall (at The Pasadena Playhouse) is Susan Hill's acclaimed novel, The Woman in Black. It's one of those English Christmas stories of ghostly gothic horror set in the very early years of the 20th Century. Written in 1983, it was dramatized in 1987 and presented in London's West End in 1989 where it's still (almost 30 years on) playing eight times a week. Mostly to tourists, I suspect.

Hill's book tells the tale of a young lawyer who encounters horrific visions in an isolated windswept mansion set amidst the eerie marshes and howling winds of England's forbidding North Coast. Brought to the stage by virtue of Stephen Mallatratt's minimalist two-characters script, it is now touring the US in a re-creation of the London production. And it's come for Halloween. Good timing. We colonials like our ghosts in their proper time slot – on All Hallows' Eve or Dia de Los Muertos. Generally, we want our Christmas stories warm and toasty, infused with the exhilaration of a brightly wrapped present, not served on a plate of misty gloom with spine-tingling chills and startling thrills.

In the Playhouse production two excellent American actors (Bradley Armacost and Adam Wesley Brown) successfully capture a handful of the book's idiosyncratic characters with consummate skill, and the technical production, the design, lighting, and special effects all work to create the novel's mood. It is all one could ask for.

But as a piece of spooky stage drama? Adapted from a novel? Well, the play-within-a-reading concept seems at odds with itself. For this viewer, it never really achieves the “scary” heights the book provides, and the theatrical promos promise. Indeed, it seems that the brilliance of the theatricality and the clever direction work against it.

In the most recent film of the novel, Daniel Radcliffe played Arthur Kipps the central character, as a young troubled lawyer, whose unease was affecting his career. So, his journey to the haunted house was meant to give him a reboot. Hah! In this stage version Arthur Kipps is a middle-aged man (not the youngster of the novel) needing to share the horrors of his past with friend and family (so the action is in flashback). He's written it down, and he starts the evening by reading it us. That he's hired a never-named actor to help him with his presentation provides a wonderfully entertaining, charmingly humorous opening that leads the two of them to “act out” what Kipps has written down. This cleverly tips its hat to the prose origins of the story. Yet the rollicking entertainment of the opening sets an expectation of comedy. And as the tale unfolds, the stage script frequently breaks in on the intended mood of otherworldly eerie-scary. It shatters the illusion, mostly because the humor doesn't flow from the tale but reminds us that the tale is being enacted on a stage.

The result is a production greatly to admire but ultimately a less than effective transmogrification of a top-notch ghost story into a spooky coup de theatre.

***

Another classic piece of ghostly English prose brought to the stage this fall in Los Angeles is another two-character reduction, this time of Henry James' The Turn of the Screw, by noted playwright-screenwriter Jeffry Hatcher (screenwriter of the sublime Mr. Holmes and the lavish The Duchess). There are three characters if you believe you see the lady in Black.

Of the handful of adaptations viewed for this writing, even with its less than effective production values, this was the most satisfying – because the script hones to the intent of the novel and the actors were so convincing. Both actors made the experience of the novel's legendary ambiguities palpable.

But it's Hatcher's script that, even if reduced to a handful of characters, quite successfully captures the tone of the novel, reducing the action to its essentials. Hatcher vividly brings key passages to life in mostly short effective scenes that sweeps the audience into and through the story. Like The Lady In Black, it takes place in a house haunted by past horrors. This time it's about a young governess determined to care for two young children, but in over her head. Is the naughty boy playing a spooky game intent on driving her mad? Are there two spirits haunting the house, jealous of the governess' presence? Is the all too knowing creepy housekeeper working to maintain control over the house by driving her bonkers? The questions, as per the novel, remain long after the curtain calls. And the mood lingers in the memory.