Friday Features – Sweet Shows This Coming Week

Better Lemons has lots of registered shows and events and lot of them have Critics and Audience reviews posted. Here you can see their favorites and when you click on a title, you will see all the critics' and audience reviews and ratings. From there you can choose what your adventures this weekend will be. We wish you a fantastic weekend!

OPPENHEIMER

Yes, Virginia

THE COLOR PURPLE

DIXIE’S TUPPERWARE PARTY

Finks

LOVE, ACTUALLY LIVE

A CAROL CHRISTMAS

COME FROM AWAY

Delusion: The Blue Blade

Special

Sisters Three


Now Registered This Week on the Better Lemons Calendar - October 29, 2018 through November 4

NEW! Theatrical shows, Musical Concerts, and Film Festivals registered on the Better Lemons calendar!
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

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Sleep Out: Stage & Screen, Theatres to Provide for Artists, Free Training for Early-Career Actors With Disabilities, and More Local, National, and International News to Inspire, to Stir, and to Entertain

LOCAL

Audio Interview: The cast of “Under Milk Wood” at Atwater Village Theatre

Reflecting the milieu in which Dylan Thomas grew up, Under Milk Wood recounts the dreams, gossip and waking hours of the sleepy, Welsh seaside town of Llareggub — a name that seems innocent enough until you read it backwards. A slice of life set over a period of 24 hours one spring day, Milk Wood exposes the secret thoughts and reveries of over 50 residents in the salty fishing town. Unforgettable characters such as Jack Black, the sexually repressed cobbler; Mr. Pugh, who constantly dreams of murdering his wife; sweet Polly Garter, loved by many men, but still pining for long-dead Little Willy Wee; Mr. Waldo, who has impregnated virtually every woman in the countryside; twice widowed Mrs. Ogmore-Pritchard, who dreams of assigning cleaning tasks to her two dead husbands; and town bigamist Dai Bread populate this odd place, and their affectionate charm and humor still captivate and entertain 65 years after it was written. The poetry wafts and enters through one's heart rather than one's head. listen to it here


PODCAST: An Interview with Director Jessica Lynn Johnson of 'Soaring Solo'

I interviewed Director Jessica Lynn Johnson, teacher of Soaring Solo, a how-to series of workshops and individual instruction on creating solo theatrical projects and bringing them to fruition. Jessica is often a one-woman cheering squad for her students, creating unique costumes out of their promotional bar cards and items for Fringe Festival parties.  read more here


Katy Sullivan, Victor William in “Cost of Living”, Manhattan Theatre Club, 2017.

Fountain Theatre awarded grant for Pulitzer Prize winner ‘Cost of Living' by Martyna Majok

The National Arts and Disability Center has awarded The Fountain an Arts and Accessibility Grant to support its upcoming West Coast Premiere of Martyna Majok‘s 2018 Pulitzer Prize winning play, Cost of Living. The grant will assist in funding the compensation of two actors with disabilities for the production opening October 20th. read more here


Activist Theater Company Launches Inaugural Season in support of Los Angeles Justice Fund

The Thursday Night Theater Club's inaugural season to begin with the morality play, “A View from the Bridge” by Arthur Miller, to benefit families in the Los Angeles area.

NORTH HOLLYWOOD, CA (August 14, 2018) - Activist theater group Thursday Night Theater Club (TNTheaterClub) opens its inaugural season with Arthur Miller's “A View from the Bridge” on August 23rd, at the historic El Portal Theatre in North Hollywood. The LA Justice Fund will receive a percentage of each ticket sold during the 10-week run. read more here


Rogue Machine Theatre trades Hollywood for Venice

Rogue Machine, one of Los Angeles' more prominent small-theater companies, is heading west this fall, relocating from Hollywood to Venice.

“We've been looking for a permanent home for 11 years,” artistic director John Perrin Flynn said with a laugh.

Several factors are behind the move. Most pressing: The company's current home, the Met Theatre on Oxford Avenue near Santa Monica Boulevard, is for sale and couldn't guarantee long-term occupancy, Flynn said. At the same time, the 99-seat Electric Lodge in Venice was in search of a resident company and appealed to Flynn as a black-box space with flexible seating arrangements. read more here


NATIONAL

Sleep Out: Stage & Screen

Broadway and Hollywood unite to sleep on the street for one night so homeless kids don't have to.

4.2 million kids in America will face homelessness this year.

Covenant House provides these young people with safe shelter and wrap-around services, including education and job training, so they can move forward to an adulthood free of poverty and the threat of homelessness. read more here and donate to the cause


Queens Theatre to Offer Free Training for Early-Career Actors With Disabilities

Applications are now open for the new training program for Deaf and disabled performers.

New York City's Queens Theatre is now accepting applications for its free fall training program for early-career Deaf and disabled actors. Part of the organization's Theatre For All initiative, the new two-week program will run September 16–28 and will be made up of various workshops culminating in a showcase performance.

All workshops and events will take place at Queens Theatre in Flushing Meadows Corona Park. Actors will be selected through an application process through August 22; read more here


Minority Voices Theatre

Local theater project looks to confront Eugene's diversity issues

Local theater directors Carol Dennis and Stanley Coleman had been churning around the idea of a diverse project for about six years after noticing a lack of diversity in Eugene and its reflection in the theater communities they were a part of.

“I grew up in Miami,” Dennis says. “I spent my 20s in New York City doing theater, and my 30s in Los Angeles doing theater. When I came up here for life situations, I wanted to do theater up here, and I realized just how white it is here, how small the communities of color are.” read more here


Monthlong exposition to highlight emerging veteran artists

11 locations will feature different artists

MADISON, Wis. - This November, emerging military veteran artists will exhibit two- and three-dimensional visual art, theater and performance art, music and writing at 11 different locations throughout Madison.

According to a release, "In Good Company: An Exposition of Emerging Veteran Artists" will display works that reflect the veteran experience.

Both veteran and civilian curators are organizing the events as a way to ignite discourse. Art created by veterans is starting to become a larger genre, the release said. read more here


FROM AROUND THE WORLD

Inflatable yellow theatre barge pops-up on east London canal

This year's Antepavilion is an inflatable arts venue on a barge that unfurls in just 12 minutes, created by architects Thomas Randall-Page and Benedetta Rogers.

Called AirDraft, the floating theatre boasts a balloon-like construction that means it can deflate in five minutes, allowing it to manoeuvre easily under bridges along London's waterways. read more here


Queensland Theatre's Artistic Director Sam Strong.

10 things theatre companies can provide to artists

Too often conversations around the careers of artists can get lost in the abstract. To counter that, Queensland Theatre Artistic Director Sam Strong gets practical.

ArtsHub performs a wonderful industry service for artists: spotlighting careers, highlighting the challenges of different cities, and shining a light on neglected parts of the sector.

However, a voice has been missing from these conversations. That voice is the voice of companies, the providers of opportunities to artists. read more here


Rogue Machine Leaves MET in October 2018

Finishing Season at Electric Lodge in Venice, CA
Opening October 6th - "Oppenheimer"

Press Contact: Judith Borne
(310) 305-7888 or [email protected]

Rogue Machine Leaves The Met in October
Opening “Oppenheimer” October 6
and “Finks" 
on November 10, 2018

at the Electric Lodge in Venice, CA
Rogue Machine at Electric Lodge - 1416 Electric Ave, Venice, CA 90291

Los Angeles, CA (August 9, 2018) – Multi-award winning Rogue Machine Theatre (Best Season Ovation Award this year; Best Production Award 2013, 2011 and 2010; Excellent Season Award 2016 and 2011 - Los Angeles Drama Critics Circle) is on the move…to Venice, California.
In October, Rogue Machine begins a new journey by launching two productions at the Electric Lodge. OPPENHEIMER, by Tom Morton-Smith, is slated for October 6th and FINKS, by Joe Gilford, is scheduled for a November 8th opening.
OPPENHEIMER (Opening October 6th) is the American premiere of a play first produced by the Royal Shakespeare Company at Stratford-upon-Avon, and then in London. We see the personal cost of making history as J. Robert Oppenheimer struggles to cast off his radical past beliefs and hold onto opposition of power and authority. Directed by Artistic Director, John Perrin Flynn.
“A dazzling spectacle, ambitious and triumphant. Packed with fascinating nuggets and bristling ideas” - The Daily Telegraph
FINKS (Opening November 10th) is a play about the blacklisting, will open and begin playing in rep with Oppenheimer in early November. Michael Pressman will be directing. Both Joe Gilford's FINKS and Tom Morton-Smith's OPPENHEIMER examine socialism and communism in America in the 30s, 40s and 50s. These movements were driven by the universal ideal that we could be better than we are. Who are our friends? Who are our enemies?
This season our plays explore what haunts us. Why are we as we are? Can we be better? How can we be better and still survive in a world that is increasingly nonsensical? One of Rogue Machine's most important missions is to offer visionary playwrights a professional platform and we are honored to do just that, by presenting these important Los Angeles premieres from established playwrights” – John Perrin Flynn; Artistic Director
Rogue Machine Theatre won the Ovation Award this year for “Best Season” - 2017 and received, for the second time, the Polly Warfield Award for Outstanding Season from the LA Drama Critics Circle – 2016. The company was recognized with 12 Ovation Award nominations, including one for Best Season and two for Best Production. KCRW's nod to Best Theatre was a highlight of the 2016 season, as was receiving a Shubert Foundation grant awarded to select theatre organizations for their artistic achievement, administrative strength, and fiscal stability along with the company's development of new work and other significant contributions to the field of professional theatre in the United States. A recipient of the American Theatre Wing's 2014 National Theatre Company Grant, given only to 12 theatre companies in the country, Rogue Machine (BEST PRODUCTION for three years – Ovation and LADCC Awards) presents plays that are new to Los Angeles. They recently received support from the Ralph M. Parsons Foundation, and the company garnered recognition for their work in upwards of 75 awards and nominations.
Continuing at the Met this through September, audiences can enjoy:
RANT & RAVE (Chapter 88: "Losing") on Monday August 27th at 8pm. $15 online, $20 at the door.
AMERICAN SAGA-Gunshot Medley: Part 1 opens at 8pm on September 8th at the MET Theatre and run Fridays, Satruday, and Mondays at 8pm, Sundays at 2pm through September 23rd. It then moves for a two week run at WLCAC Theatre, 10950 S. Central Ave, Los Angeles, CA 90059 beginning on Friday, October 5th, with performances on Fridays and Saturdays at 8pm, Sundays at 2pm through October 14th. Rogue Machine is located at The Met, 1089 N Oxford Ave, Los Angeles, CA 90029. Tickets are $40 at the MET and $35 at the WLCAC Theatre with Pay-What-You-Can for Watts local audience at the door. Performances on Oct 5, 7, & 14 feature a guided tour of the Civil Rights Museum. Group discounts for 15 or more through Julie at [email protected] Reservations: 855-585-5185 or at www.roguemachinetheatre.com
Description: A lyrical and mystical new play, with live music, about the struggle against systemic racism. Set in a haunted North Carolina graveyard this intricately crafted work brings past and present together in a soulful tale of lives destroyed by deep-seated tensions and conflicts that have marred America's history from antebellum south to the present day.
AMERICAN SAGA-Gunshot Medley: Part 1: https://youtu.be/tl4orG0sRrk
Rogue Machine Moves: https://youtu.be/YEMAHu4B6Ls
Rogue Machine is moving to the Electric Lodge at 1416 Electric Ave, Venice, CA 90291, beginning in October 2018. For more information and tickets for performances: 855-585-5185 or online at www.roguemachinetheatre.com
Follow us on Twitter: @RogueMachineLA FB: https://www.facebook.com/RogueMachineTheatre


Stage Raw Announces its 2018 Theater Awards Nominees

The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
Stage Raw is a community funded professional journalism website that was created in response to the decline of arts coverage in local mainstream and alternative media.
A catered nominees reception and Stage Raw fundraiser party is being held at the The Skylight Theatre in Los Feliz, on Tuesday, July 24, 7 – 10 p.m. Tickets are $100 (which includes complimentary admission to the Theater Awards ceremony), in support of Stage Raw. All nominees are invited as complimentary guests of Stage Raw.
(Nominees include everybody whose name appears on the list below; all actors and understudies named in the program for all ensemble categories; all actors, understudies, directors, playwrights, stage managers, choreographers, designers and producers in the categories of Best Revival, Best Musical and Best Production; and in the category of Production Design: all producers, directors, and designers.)
The evening will include live music and performances by Burglars of Hamm; Cheray O'Neal; Padua Playwrights; and Kristina Wong.
At the nominees reception, there will also be a silent auction of drawings created for this event by Alan Mandell, Ken Sawyer, French Stewart, Vanessa Stewart, Richard Fancy, Jon Mullich, Jon Lawrence Rivera, Stephen Sachs, Simon Levy, Gary Grossman, Kristina Wong, Michael A. Shepperd, Ken Werther, David Elzer, Jaime Robledo, Leo Marks, Nike Doukas, Tom Jacobson, Kirsten Vansgness, David Melville, Jessica Hanna, Steven Stanley, Philip Littell, Mark Seldis, Katharine Noone, Tony Abatemarco, Ann Closs-Farley, Herbert Siguenza, Jules Aaron, and more.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles, hosted by Coeurage Theatre Company, directed by Jer Adrianne Lelliott, and celebrating the theme of “community.” Tickets are $30.
Tickets for both events can be found at Eventbrite.com/e/stage-raw-theater-awards-tickets-46961390784#tickets, or visit StageRaw.com and press the “2018 Theater Awards” tab.
The 2018 Nominees are:
FIGHT CHOREOGRAPHY
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Bjørn Johnson, King Hedley II, The Matrix Theatre
Bjørn Johnson, Red Speedo, Road Theatre Company
Bjørn Johnson, Stupid Kid, Road Theatre Company
Edgar Landa, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Doug Oliphant, Br'er Cotton, Zephyr Theatre
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
VIDEO/PROJECTION DESIGN
Omolara Abode, Lyrics From Lockdown, The Actors' Gang
Nicholas Acciani, 33 Variations, Actors Co-op
J. Walt Adamcyk and Hannah Beavers, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Benjamin Durham, This Land, Company of Angels
Corwin Evans, The Art Couple, Sacred Fools Theater Company
Hana Sooyeon Kim, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Hana Sooyeon Kim, With Love and a Major Organ, Boston Court Performing Arts Center
Yee Eun Nam, Br'er Cotton, Zephyr Theatre
Tom Ontiveros, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
SOUND DESIGN
Joseph V. Calarco, The Secret in the Wings, Coeurage Theatre Company
Jeff Gardner, Cat on a Hot Tin Roof, Antaeus Theatre Company
Jeff Gardner, The Hothouse, Antaeus Theatre Company
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Jeff Gardner, Native Son, Antaeus Theatre Company
Christopher Moscatiello, The Devil's Wife, The Skylight Theatre
Christopher Moscatiello, Rhinoceros, Pacific Resident Theater
John Nobori, With Love and a Major Organ, Boston Court Performing Arts Center
Robert A. Ramirez, Master Class, The Garry Marshall Theatre
John Zalewski, I Carry Your Heart, Bootleg Theatre
LIGHTING DESIGN
Brandon Baruch, The Secret in the Wings, Coeurage Theatre Company
John E.D. Bass, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Elizabeth Harper, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Elizabeth Harper and Rose Malone, With Love and a Major Organ, Boston Court Performing Arts Center
Matt Richter, I'm Not A Comedian... I'm Lenny Bruce, Theatre 68
Pablo Santiago-Brandwein, Time Alone, Belle Reve Theatre Company
Andrew Schmedake, 33 Variations, Actors Co-op
Andrew Schmedake, Native Son, Antaeus Theatre Company
Andrew Schmedake, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
COSTUME DESIGN
Wendell C. Carmichael, Les Blancs, Rogue Machine Theatre
Allison Dillard, Priscilla, Queen of the Desert, Celebration Theatre
Christine Cover Ferro, Rhinoceros, Pacific Resident Theater
Ashphord Jackoway, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Terri A. Lewis, Cat on a Hot Tin Roof, Antaeus Theatre Company
Linda Muggeridge, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael Mullen, Fixed, Echo Theater Company
Lena Sands, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
ORIGINAL MUSIC
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Kangaroo Rat (Tim Desrosiers and Anna Bell), Rhinoceros, Pacific Resident Theater
Bernie Sirelson, Alysia Michelle James, and Elisa Rosin, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Surrija, The Secret in the Wings, Coeurage Theatre Company
CHOREOGRAPHY
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Joyce Guy, Les Blancs, Rogue Machine Theatre
Carolyn Katz, Daedalus' Daughter, Bootleg Theater
Michael Marchak, Pacific Overtures, Chromolume Theatre
Jen Oundjian, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Anne-Marie Talmadge, Alina Bolshakova, Leslie Charles Roy Jr., and the NMA Ensemble, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
MUSICAL DIRECTION
Jake Anthony, The View Upstairs, Celebration Theatre
Gina Belafonte, Lyrics From Lockdown, The Actors' Gang
Jennifer Lin, Priscilla, Queen of the Desert, Celebration Theatre
Dylan Price, 33 Variations, Actors Co-op
Lyndon Pugeda, Honky Tonk Laundry, Hudson Mainstage Theatre
Dimitri Toscas, Master Class, The Gary Marshall Theatre
SET DESIGN
Nicholas Acciani, 33 Variations, Actors Co-op
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Justin Huen, This Land, Company of Angels
John Iacovelli, Bled For The Household Truth, Rogue Machine Theatre
John Iacovelli, El Niño, Rogue Machine Theatre
John Iacovelli, King Hedley II, The Matrix Theatre
David Mauer, Rhinoceros, Pacific Resident Theater
Jeff McLaughlin, Stupid Kid, Road Theatre Company
Stephanie Kerley Schwartz, Les Blancs, Rogue Machine Theatre
Victoria Tam, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
SOLO PERFORMANCE
Giovanni Adams, Love Is A Dirty Word, VS Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bryonn Bain, Lyrics From Lockdown, The Actors' Gang
Keight Leighn, (A)partment 8, The ABC Project
Ronnie Marmo, I'm Not a Comedian, I'm Lenny Bruce, Theatre 68
Tina Preston, Don't You Ever Call My Anything But Mother, Open Fist Theatre Company
TWO PERSON PERFORMANCE
Martin Rayner & Martyn Stanbridge, Freud's Last Session, Odyssey Theatre Ensemble
Misty Cotton & Bets Malone, Honky Tonk Laundry, Hudson Mainstage Theatre
Tim Cummings & Brian Henderson, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Gary Patent & Dan Via, Plunge, Son of Semele Theater
James Eckhouse & Graham Sibley, Redline, IAMA Theatre Company
Alex Hernandez & Tonya Pinkins, Time Alone, Belle Reve Theatre Company
SUPPORTING MALE PERFORMANCE
Noel Arthur, Native Son, Antaeus Theatre Company
Ryan Brophy, Rotterdam, The Skylight Theatre
Eduardo Fernandez-Baumann, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Harry Groener, Cat on a Hot Tin Roof, Antaeus Theatre Company
Rob Nagle, Stupid Kid, Road Theatre Company
Jeris Poindexter, Runaway Home, The Fountain Theatre
Gabriel Romero, The Madres, The Skylight Theatre
Montae Russell, King Hedley II, The Matrix Theatre
Desean Kevin Terry, A Streetcar Named Desire, Boston Court Performing Arts Center
Adolphus Ward, King Hedley II, The Matrix Theatre
MALE COMEDY PERFORMANCE
Josh Clark, The Hothouse, Antaeus Theatre Company
Drew Droege, Die, Mommie, Die!, Celebration Theatre
Alex Elliott-Funk, Supper, Theatre of NOTE
Alex Fernandez, Rhinoceros, Pacific Resident Theater
Leo Marks, The Hothouse, Antaeus Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Darrett Sanders, Supper, Theatre of NOTE
Joel Scher, Supper, Theatre of NOTE
LEADING MALE PERFORMANCE
Daniel Bess, Cat on a Hot Tin Roof, Antaeus Theatre Company
Benjamin Burdick, Bled For The Household Truth, Rogue Machine Theatre
Joe Hart, Stupid Kid, Road Theatre Company
Bruce Ladd, 33 Variations, Actors Co-op
Ben Martin, Walking To Buchenwald, Open Fist Theatre
Esau Pritchett, King Hedley II, The Matrix Theatre
Graham Sibley, Redline, IAMA Theatre Company
Adam Silver, Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
Desean Kevin Terry, Les Blancs, Rogue Machine Theatre
SUPPORTING FEMALE PERFORMANCE
Dawn Didawick, Cat on a Hot Tin Roof, Antaeus Theatre Company
Emily Goss, Forever Bound, Atwater Village Theatre
Ella Joyce, King Hedley II, The Matrix Theatre
Ciera Payton, King Hedley II, The Matrix Theatre
Maya Lynne Robinson, Runaway Home, The Fountain Theatre
Maya Lynne Robinson, A Streetcar Named Desire, Boston Court Performing Arts Center
Michaela Slezak,Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Cheryl Umaña, This Land, Company of Angels
Karen Malina White, Runaway Home, The Fountain Theatre
Christine Woods, Cult of Love, IAMA Theatre Company
FEMALE COMEDY PERFORMANCE
Anna Lamadrid, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Debra Jo Rupp, The Cake, Echo Theater Company
Paige Lindsey White, With Love and a Major Organ, Boston Court Performing Arts Center
LEADING FEMALE PERFORMANCE
Corryn Cummins, Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Carolyn Hennesy, Master Class, The Garry Marshall Theatre
Margarita Lamas, The Madres, The Skylight Theatre
Nan McNamara,33 Variations, Actors Co-op
Jaimi Paige, A Streetcar Named Desire, Boston Court Performing Arts Center
Ashley Romans, Rotterdam, The Skylight Theatre
Camille Spirlin, Runaway Home, The Fountain Theatre
Heidi Sulzman, Bugaboo and The Silent One, The Lounge Theatre
Miranda Wynne, Rotterdam, The Skylight Theatre
ADAPTATION
Nambi E. Kelley, Native Son, Antaeus Theatre Company
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Mary Zimmerman, The Secret in the Wings, Coeurage Theatre Company
PLAYWRITING
Giovanni Adams, Love Is A Dirty Word, VS. Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bekah Brunstetter, The Cake, Echo Theater Company
Alessandro Camon, Time Alone, Belle Reve Theatre Company
Bernardo Cubría, The Giant Void In My Soul, Ammunition Theatre Company
Leslye Headland, Cult of Love, IAMA Theatre Company
Jeremy J. Kamps, Runaway Home, The Fountain Theatre
Dan O'Brien, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Evangeline Ordaz, This Land, Company of Angels
Marja-Lewis Ryan, Bugaboo and the Silent One, The Lounge Theatre
PRODUCTION DESIGN
Caught, Think Tank Gallery
Daedalus' Daughter, Bootleg Theater
King Hedley II, The Matrix Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
A Streetcar Named Desire, Boston Court Performing Arts Center
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
With Love and a Major Organ, Boston Court Performing Arts Center
COMEDY ENSEMBLE
Bad Jews, Odyssey Theatre Ensemble
The Cake, Echo Theater Company
Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
El Niño, Rogue Machine Theatre
The Giant Void In My Soul, Ammunition Theatre Company
The Hothouse, Antaeus Theatre Company
Rhinoceros, Pacific Resident Theater
Supper, Theatre of NOTE
With Love and a Major Organ, Boston Court Performing Arts Center
ENSEMBLE
33 Variations, Actors Co-op
Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Pacific Overtures, Chromolume Theatre
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
COMEDY DIRECTION
Lindsay Allbaugh, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Jennifer Chambers, The Cake, Echo Theater Company
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Lisa James, El Niño, Rogue Machine Theatre
Jessica Kubzansky, With Love and a Major Organ, Boston Court Performing Arts Center
Dana Resnick, Bad Jews, Odyssey Theatre Ensemble
Felix Solís, The Giant Void In My Soul, Ammunition Theatre Company
DIRECTION
Andi Chapman, Native Son, Antaeus Theatre Company
Gregg T. Daniel, Les Blancs, Rogue Machine Theatre
Ed Sylvanus Iskandar, Caught, Think Tank Gallery
Carol Katz, Daedalus' Daughter, Bootleg Theater
Thomas James O'Leary, 33 Variations, Actors Co-op
Robert Mandel, Freud's Last Session, Odyssey Theatre Ensemble
Michael Michetti, A Streetcar Named Desire, Boston Court Performing Arts Center
Jonathan Muñoz-Proulx, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Jaime Robledo, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael A. Shepperd,Rotterdam, The Skylight Theatre
Annie Tippe, Cult of Love, IAMA Theatre Company
MUSICAL OF THE YEAR
Dessa Rose, Chromolume Theatre
Pacific Overtures, Chromolume Theatre
Priscilla, Queen of the Desert, Celebration Theatre
REVIVAL OF THE YEAR
Cat on a Hot Tin Roof, Antaeus Theatre Company
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Rhinoceros, Pacific Resident Theater
A Streetcar Named Desire, Boston Court Performing Arts Center
PRODUCTION OF THE YEAR
Caught, Think Tank Gallery
The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
Rotterdam, The Skylight Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
QUEEN OF THE ANGELS
Dolores Chavez
LIFETIME ACHIEVEMENT
Norman Lloyd


THE BALLAD OF THE BIMINI BATHS: 5 Questions for Tom Jacobson, Playwright

Almost a decade ago, I met Tom Jacobson during my transition from undergrad studies at Princeton back to Los Angeles theatre life. A few alumni contacts recommended I involve myself with Ensemble Studio Theatre/LA because it was one of Los Angeles' premier theatre for new play development. Tom was active in the company's artistic directorship and took me under his wing.

What I remember most about my mentorship with Tom Jacobson was his staunch belief in outlining before writing. Because of his adherence to this rigorous prep work, Tom's plays remain immensely well-researched, planned and cared for, structured, and richly detailed.

Tom Jacobson's newest creative endeavor is The Ballad of the Bimini Baths, a trilogy on the now-forgotten but once (in)famous Bimini Baths, a hot springs resort that only the City of Angels could produce. Tom's trilogy boasts an unprecedented exploration of almost 50 years of Los Angeles' history through the lens of the Baths. Each of the works in The Ballad of the Bimini Baths will be produced by a different LA intimate theatre: Son of Semele's production of Plunge will run until June 17; Rogue Machine's presentation of Mexican Day runs through July 1; and Playwright's Arena's premiere of Tar opens June 9 and runs through July 2.

Recently, as Tom prepared to take LA theatregoers to the Baths, I checked in with him to find out about this exciting project.

Donathan Walters and Darrell Larson

Roger Q. Mason (RQM): You are writing a trilogy on a forgotten place in LA. I'm already in love with the prospect of these works. What drew you to the subject matter?

Tom Jacobson (TJ): Bimini Baths was located a block from my house. It's in an unnamed neighborhood at the edge of Koreatown, Historic Filipino Town, Silver Lake, and Wilshire Center/Westlake. A lost stream called Sacatella Creek used to run through it to a swamp called Bimini Slough. There were two movie studios and a restaurant on the top floor of the American Storage Building called Thirteenth Heaven where the waiters wore angel wings (until they were shut down for liquor violations during Prohibition). Lots of drama happened in these few blocks, including fires (Palomar Ballroom in 1939, civil unrest in 1992), floods (Sacatella Creek overflowed as far southwest as Mariposa and 6th) and several drownings in Bimini Baths. A lot of the conflict in the area grew out of racial bias, and these stories of the past are still relevant today. Plus, I'd like the neighborhood to get a name: Bimini Basin.

RQM: Which piece came first? Why did you start there?

TJ: I workshopped one play with Son of Semele Ensemble for several years, trying to create a site-specific work that encompassed 100 years of stories. That proved to be too much for one play, so I broke it into three plays, starting with Plunge, set in 1918. I outlined all three plays to tell one novelistic story, and then started at the beginning with the original sin that overshadowed the next 30 years.

RQM: Now, three of LA's finest companies are working with you to present the trilogy. Wow! What a feat! How did this production arrangement come about?

TJ: I had relationships with all three companies (Captain of the Bible Quiz Team in 2016 at Rogue Machine, The Orange Grove in 2004 at Playwrights Arena, plus the workshops with SOSE), and John Flynn, Jon Lawrence Rivera and Matt McCray all liked the idea of collaborating on a theatrical event related to the history of our city. They've done a terrific job of linking actors (some characters appear in more than one play), sets, costumes, sound, lighting over the 30 year span of the story. It was wonderful to see the directors exchanging ideas about how to link their productions.

Jully Lee and Jonathan Medina

RQM: The trilogy traverses a critical time period in LA's history: 1918 to 1948. The two Great Wars, the rise of Hollywood, the Roaring 20s, the Great Migration, the television age, our first freeways - just to name a few milestones. In your research, what major cultural shifts caught your eye during this time frame?

TJ: Plunge begins with the founding of Otis Art Institute, a proud civic moment as Los Angeles was just starting to envision itself as a city focused on the future. As Los Angeles boomed during the early Hollywood years and as a center of production during World War Two, civil rights became more of a focus nationally and in our city. Race figures prominently in all three plays, andMexican Day chronicles an early (and mostly unknown) civic rights victory.

RQM: Ultimately, one of the things I adore about this project is that it is an investigation of Los Angeles history written by a Los Angeles playwright which will premiere before a Los Angeles audience. You have always believed in the power and dignity of developing dramatic work in this town. Why should writers continue to make theatre in LA?

TJ: There are so many unexplored stories in our vast city. Any writer can find Los
Angeles tales that touch their hearts, probe their questions and bring to life issues about which they are passionate. We're so much more interesting than the cliches of beaches, Hollywood and plastic surgery. Together we can rediscover our landscape and remind ourselves of what we have in common as well as what tears us apart (which is drama). We can shape our public image in the stories we tell. Los Angeles is really coming into its own, a true city of the future, emblematic of our country's future, and that should be celebrated on stage.


Audio Interview: Richard Fancy - Mr. Lippman of Seinfeld stars in “Daytona” at Rogue Machine Theatre

Enjoy this interview about “Daytona” By Oliver Cotton (Cesare Borgia in the BBC's 1981 drama series The Borgias) staring Richard Fancy (Mr. Lippman in a recurring role on Seinfeld) at RogueMachine Theatre, running until Oct 30th. You can listen to this YouTube interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage.  For tickets and more info Click here.


Audio Interview: The cast of The Interference @ Rogue Machine in association with Pepperdine Scotland

Enjoy this interview about the "Scotsman Fringe First Award for excellence" & "Broadway Baby Bobby Award for exceptional work" winning play The Interference at Rogue Machine Theatre, which closed Jun 8th. You can listen to this YouTube interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage.  For tickets and more info  Click here.