Spotlight Series: Meet Multi-Talented Triple-Threat Actor John Devereaux from Hamilton Touring Company


This Spotlight focuses on John Devereaux, a multi-talented triple-threat actor who I shared the stage with in Little Shop of Horrors at the Westchester Playhouse after he arrived in Los Angeles from Houston, and who has gone on to charm audiences across the country in touring productions of Rent and Hamilton. John also appeared locally in Dreamgirls at the Pasadena Playhouse, Spamilton at the Kirk Douglas Theatre, and during the Hollywood Fringe Festival in the world premiere of Recorded in Hollywood, among many other productions.

I was so looking forward to seeing him take the stage in Hamilton at the Hollywood Pantages Theatre soon, but unfortunately the national tour in which he was appearing had to shut down along with the rest of the world’s theaters. So what’s he up to now?


Shari Barrett (SB): What would you like readers to know about your theatrical background?

John Devereaux as Collins in "Rent"

John Devereaux (John): I grew up in Houston, Texas and moved to LA in 2012 to continue my career in performance, beginning with studying Improv at The Groundlings. I’ve been fortunate enough to be a part of a number of professional productions working with some of the best in the area, including McCoy/Rigby Entertainment, Center Theatre Group, and 5-Star Theatricals. I’ve also toured with the 20th Anniversary Tour of Rent and currently with the Angelica Tour of Hamilton.

John Devereaux on the Angelica Tour of "Hamilton"

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(John): I was in Miami with the Angelica Tour of Hamilton when we got word that our shows would be postponed/cancelled 

(SB): How was the shutdown communicated with the cast and production team?

(John): I do believe our company managers did the best they could in the moment with everything going on and there is probably nothing more challenging than managing a touring theatre company. After we had two meetings after two of our evening shows, we were implementing new procedures to keep the company safe (not doing backstage tours, not signing at the stage door, etc.), which left us wondering what was going to happen to the rest of our tour schedule. Then the cancellation of our next city, Jacksonville, was announced publicly on the Hamilton Instagram story before we found out ourselves. Knowing there was work to be done during that time, including the spread of information, I can see why we might have been the last to know. It was just a sad moment personally for me.

John Devereaux backstage in "Dreamgirls" at the Village Theatre

(SB):  Are plans in place to present that production at a future date, or is the cancellation permanent?

(John): Dates are being rescheduled as word comes in. It may not be the company/tour that was originally supposed to do the engagement, but Hamilton will still happen in those cities at a later time.

(SB): That’s great to know that I may get the chance to see you in the show then! Were there other future productions on your schedule also affected by the shutdown?

(John): None as of yet. As of March, I’m scheduled to stay on the Hamilton tour at least through June 2021. But for now, I am coping with all of this by creating bits of humor online. Funny videos mostly on Instagram.

John Devereaux in"Spamilton" at the Kirk Douglas Theatre

(SB): I have been enjoying many of them on your Facebook page! It’s great to see so many creative people bringing humor to the forefront during this pandemic.  

(John): To members of the Los Angeles Theatre community and those across the country, please remember our industry will bounce back. Ours is a business of escapism, people are going to need something else than a screen to entertain them once this is all done. We’re going to get through this.

In the meantime, take a breath. Spend time with the people you love or doing the other things you love or finding new things to love! To those for whom performance was their escape, it’s okay to feel that emptiness. It’s okay if there’s nothing there to replace it right now because this is a time to focus on the other parts of our lives that inform our performances; our art. Life is but an opportunity to be and as long as there is breath in our lungs, we can breathe life into anything.


This article first appeared on Broadway World.



LA STAGE: A Royal Dilemma and Lots of (Crazy) Comedy Tonite!

Quote of the week: "Trump said that Latinos are rapists and criminals.  So when I meet him, I plan to rob him and fuck him." - George Lopez

I saw something last night at a performance of Something Rotten at the Ahmanson Theatre that I'd never seen before in my 21 years in Los Angeles.   In the middle of the First Act, after the killer musical number, "A Musical," the crowd went wild - wild - and clapped wildly for a full five minutes, then a man spontaneously stood up and gave the show a standing ovation!  A mid-Act Standing-O!  Unheard of!

Anyway, the point is that actors on LA stages are crushing it this holiday season!  Crushing it!  And it's not too late to get in on the fun.

Caitlyn Conin, Kendra Chell and Dylan Jones. Photo by Justin Szebe

Before I get to it, though, I want to wish Theatre Movement Bazaar a great week in Beijing, China!  A full  house at the Bootleg were fortunate enough to catch their parting performance of TRACK 3, their brilliant interpretation of Chekhov's Three Sisters.  Better, funnier, fuller, more precise than I recall from the time I saw it before.  Why not run it here again for a few weeks?  If the audience at the Bootleg was any indication, there is a lot more happiness to be had with this show about the search for happiness.

CLOSING THIS WEEKEND:  KING CHARLES III by Mike Bartlett, Directed by Michael Michetti

Jim Abele as King Charles III. Photo: Jenny Graham.

I have to start with this caveat, that whatever the opposite of a Royal Family watcher is, that's what I am.   I know who Kate is, but the name of her kids? Have no clue.  Prince Harry and the Markle sparkle?  No thanks, I'll pass. So I'm not the ideal audience for this "future history play" about what could happen after Queen Elizabeth dies and Prince Charles finally becomes king.  Now I do know who the Prince of Wales is, and he's always seemed to me like a comedic figure with his rubber face and big ears.  But not here.  As played with great earnestness and dignity by Jim Abele, Charles is a learned man, deeply versed in the ways of monarchy, who intends to make the most of the royal position that he has waited so long to assume.  I must admit that the First Act seemed overly long and self-serious to me, but most of that paid off in the Second Act, which succeeded in making King Charles III into a memorably tragic figure.  Given all the current hubbub about another Royal Wedding (yawn) and the fact that this 16-actor play needs to be done on a majestic level, you'd better rush down to the Pasadena Playhouse this weekend if you have any hopes of catching this play.  Michael Michetti directed with great assurance, and Abele and Laura Gardner (as wife Camilla Bowles) stand out.

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, Book by Burt Shevelove and Larry Gelbart, Music and Lyrics by Stephen Sondheim - Directed by Joseph Leo Bwarie 

Nicole Kaplan, Michael Thomas Grant and Paul C. Vogt

This musical, based on the plays of the Roman satiric playwright Plautus, premiered in 1962.  It has the distinction of being the first musical to feature both music and lyrics by musical theater god Stephen Sondheim, along with a book co-written by Larry Gelbart, a comedy genius.  With such an illustrious heritage, I suppose it's no surprise that this is a rollicking laugh machine, featuring three wonderful Sondheim songs that have been imitated in hundreds of lesser musicals: "Comedy Tonite," "Lovely" and "Everybody Ought To Have A Maid."  This production, directed by Joseph Leo Bwarie, co-artistic director of the Garry Marshall Theatre, is highly entertaining, using a nicely-spacious Roman Square set that is beautifully-lit by Francois-Pierre Couture.  The show was well ahead of its time in the tongue-in-cheek way it plays to the audience, and Paul C. Vogt leads an agile and talented cast in bringing this farcical concoction to vivid life.  (Joey McIntyre replaces Vogt until Dec. 10, when Vogt returns to the show.)

SPAMILTON: An American Parody, Created, Written and Directed by Gerald Alessandrini, at the Kirk Douglas

Zakiya Young, Wilkie Ferguson III, William Cooper Howell, John Deveraux and Dedrick A. Bonner

Like everything connected to the phenomenon of Hamilton, this parody is selling out the Kirk Douglas Theatre like no other production before it.  While Spamilton is funny and barbed, it does not re-invent the parody form the way that Hamilton has apparently done with the musical.  (That's right, I haven't been able to get a ticket either.)  As long as it sticks to spoofing Lin-Manuel Miranda, his show and its now-famous performers like Daveed Diggs and Leslie Odom Jr, this evening is on solid comedic ground.  When it strays into parodies of other current Broadway shows, the energy level definitely takes a dip.  But the performers are absolutely first-rate, especially John Deveraux and Zakiya Young (whether she's spoofing Renee Elise Goldsberry, Audra McDonald or J-Lo).  The choreography by Gerry McIntyre is straight-up brilliant, with some of the wittiest and most unexpected comedy movements I've seen.  I have to commend CTG also for the post-show Broadway karaoke in the theatre lobby, which is a wonderful idea, and really carried over the fun from the show.  It was inspiring to hear all the talented young performers belting out not only the score of Hamilton, but of many other Broadway shows.  But like I said, good luck getting tickets.

SOMETHING ROTTEN!, Conceived by Karey Kirkpatrick & Wayne Kirkpatrick, Book by Karey Kirkpatrick & John O'Farrell, Music and Lyrics by Wayne Kirkpatrick & Karey Kirkpatrick. Directed/Choreographed by Casey Nicholaw

Blake Hammond and Rob McClure

Hopefully it was clear in my opening paragraph to this article that I think Something Rotten! is anything but rotten. The truth is, I didn't see the Broadway production, and I'd heard so many mixed and unenthusiastic things about it that I set my expectations fairly low.  And, my word, I was simply blown away by the inventiveness and exhilirating lunacy of this musical!  Yes, it owes a large debt to Mel Brooks - not just The Producers, but also the musical number at the end of Blazing Saddles, where the characters from the movie all go spilling into each other on a Hollywood soundstage.  But this show has its own brand of historical and parodic zaniness, it does a masterful job of keeping a sense of real stakes while continuing to move the story and characters forward.  To my mind, every element of this production is brilliant, top-tier, and yet they all come together to form something that is greater than the sum of its wonderful parts.  This is so rarely achieved, and I am in awe of the many talents at work at such a high level here.  The cast is all strong, but Blake Hammond as the soothsayer and Scott Cote as a Puritan leader are simply off the charts in their musical comedy mojo.  This show is around for the entire month of December - you owe it to yourself not to miss this. It left me feeling positively giddy.