Announcing the Hollywood Fringe Festival 'Sponsored,' 'Runway,' 'Encore! Producers,' and 'Best of Broadwater' Awards

The following are more winners of the Hollywood Fringe Festival, including the Sponsored Awards and Fringe Runway.

Now that the Hollywood Fringe Festival has technically come to a close, here are awards that provide additional opportunities through the Encore! Producers Awards and the Best of Broadwater Award which provide an avenue for shows to extend through July, August, and beyond, to see the shows you might have missed.

Sponsored Award Winners

2019 Unleashed Awards

The Mayor’s Debate Of Tranquillity Nebraska

The Unleashed Award is given to the ensemble production who unleashes their production with a strong focus on telling the story and the winner receives a certificate, a dog collar and tag engraved with the name of the show, the award and the year, award laurels for social media use, and shout outs on the Theatre Unleashed social media sites.

2cents Theatre Distinctive Voices Award

The Institute For The Opposite Of Longing

The 2Cents Distinctive Voices Award recognizes an artist/team of artists who prove themselves as a true auteur. The winning production will demonstrate unique perspective, fresh interpretation and defined approach, providing a one of a kind experience of unexpected storytelling. The winner will receive a coveted engraved 2Cents Piggy.

Aunt Lyla’s Fave Fringe Flyer

Matt: The Gathering

Aunt Lyla’s Fave Fringe Flyer recognizes superb flyer design and the winner(s) receive an award plague showcasing the winning flyer.

Fight the Power Award

Start Swimming

Fight The Power Award is granted for performance, writing, direction combined "to create a powerful piece that moves the needle in social justice, inclusiveness, normalization of reality, and forward-thinking art." Winners receive a custom ‘Fight the Power’ trophy.

No Room In The Green Room Award

Borracho: Spanish For Drunken Bum

MB Stage Productions No Room In The Green Room Award "goes to those who like to challenge themselves to have a full audience and an even fuller stage."  Winner(s) are awarded a trophy and recognition on MB Stage Productions, LLC’s website, social media and digital laurels.

O Face Award For Orgasmic Achievement In Theatre: “Most Orgasmic Performance”

Macy Idzakovich – Flower Society

The O Face Award For Orgasmic Achievement In Theatre: 'Most Orgasmic Performance' Award singles out one production "for forging a connection between artist, audience and the divine, bringing all three together in an explosive theatrical experience that transcends convention and can only be regarded as 'Orgasmic.'" A 7th Annual O Face Award statuette is presented to the winner.

Showorks Don’t Wait. Create! Award

The Duchess & The Stripper

The ShoWorks Don’t Wait. Create! Award is awarded to "writers and creators who develop their own opportunities by producing original content and pushing the creative envelope from 'page to stage.'” The winner receives this 3rd Annual award statuette.

Soaring Solo Artist Award

Dear Jeff by Callie Ott

The 3rd Annual Soaring Solo Artist Award is presented by Soaring Solo LLC, Jessica Lynn Johnson & the Whitefire Theatre recognizes and celebrates "excellence in solo theatre within the Hollywood Fringe Community." The winner receives an award plaque, along with a spot to perform their winning solo show at the Whitefire Theatre’s SOLOFEST 2020.

Standout Song Award

“Smellay Lahk A Turkay (She Was)” Blackboxing

Standout Song Award honors "the song at Fringe that we feel represents the 'number one hit' of the festival. The song that we remember as we leave their show and keep thinking about as the festival goes on." The award involves "a fully funded/produced music video of the original song that will be published online."

Steve Kent Award

Earth Stories: Our Climate And Our Future

Steve Kent Award, named after co-founder of the legendary Company Theatre, the late Steve Kent,  "is given a piece of theatre that uses their art for to create political or social change within an individual and their community." and a trophy is awarded to the winner.

The Diverse Diva Award

Squeeze My Cans by Cathy Schenkelberg

The Diverse Diva Award is presented by the Los Angeles Women’s Theatre Festival, co-sponsored by City National Bank, and is awarded to a solo female identified artist performing  "cabaret, poetry, dance, as a singer-songwriter, vocalist, musician [or]  storyteller" selecting one "engaging and unique female identified artist who exemplifies what it means to be a 'Diverse Diva.'" The winner receives a framed award certificate, a performance spot in the LAWTF Wine Down Wednesday event, and a week-long stay at the Writer’s Well International Literary Retreat in Sharpsburg Georgia (including lodging.)

The Golden Key

The Pod

The show with the highest score will receive The Golden Key, a symbol of the production’s ability to unlock a new world for guests.

The Encore Award

The Encore! Producers Award represents the best of the Hollywood Fringe selected by venue producers, based on artistic merit and commercial potential. The extensions immediately follow the HFF2019 and run through July in participating fringe venues. Shows selected receive extensions "giving them the opportunity for additional audience, press, awards and extensions. Shows receive "at least one performance," following the Hollywood Fringe Festival, in July. Typically extensions are one to two performances, but longer runs are possible and are negotiated between venue and show producer.

The Inkwell Theater Playwright’s Promise Award

Butcher Holler Here We Come” By Casey Wimpee

The Inkwell Theater Playwright’s Promise Award, presented by the Inkwell Theater Development LAB, recognizes a writer of a Fringe production. The criteria for this fifth annual award is based on the play itself, not necessarily the production. The playwright of the winning production is invited to "participate in a number of special events and reading opportunities throughout our 2019-20 season" and receive a “Golden Pen” statuette.

The Outdoor Voices Festival “conversation Creation” Award

Dear Jeff: A Musical Comedy About Suicide & Domestic Abuse

The Outdoor Voices Festival “conversation Creation” Award honors the show that "encompasses all of the qualifications that make up a brilliant piece of socially relevant theater." The winner of the award receives a statuette and is invited to perform in the "Outdoor Voices Festival, Winter 2019" where a limited number shows are selected each year.

The Paul Koslo Memorial/Met theatre Award

A Time Traveler’s Guide To The Present

Sponsored by MET Theatre (MET Foundation) The Paul Koslo Memorial/Met theatre Award, in honor of the late MET Theatre founding member Paul Koslo, is given to "outstanding theatre makers who reflect that same bold, creative, and inspirational spirit as was possessed by our beloved Mr. Koslo." The winner receives a statuette, plaque, or "the like" along with "20 Free Rehearsal Hours (a $500 value) at the MET Theatre on the Paul Koslo Stage in the Great Scott space."

TPP’s Trope Buster!

Blackboxing

Sponsored by They Played Productions, LLC., TPP’s Trope Buster! is awarded to shows that "break the mold," disrupt the medium, and take the "expected roles or stories or themes or tropes of theatre and spin them off the axis into unknown territory."  Winners will receive an award created by producer and artist Thea Rivera specifically for this year’s TPP Trope Buster as well as a digital file listing your winning award.

LAFPI's Most Wanted Award

LAFPI's Most Wanted Award is granted in "recognition of the gender parity efforts and achievements by LA Theaters and Fringe Venues, focusing on female-identifying playwrights" and receive a certificate.

The LAFPI Most Wanted Awards:

Actors Company
Assistance League Theatre
Hudson Theatres
Lounge Theatres
Asylum @ McCadden Theatre
Asylum @ Studio C
The Hobgoblin Playhouse at The Arena Stage, Theatre of Arts
The New American Theatre
The New Collective

Fringe Runway Winners: 

1st Place- ANGELBIRD
2nd Place- THE HUMAN[OID] EXPERIENCE
3rd Place- Start Swimming
Honorable Mention – Mil Grus

Audience Winners:

1st Place – Squeeze My Cabaret
2nd Place – HAMILKONG

Best of Broadwater Award

The Best of Broadwater Award is awarded to a select few Hollywood Fringe productions that have performed at The Broadwater based on "their high level of artistry and excellence." Winners receive a statuette and certificate for their production during the Hollywood Fringe Festival Closing Night Ceremony and are offered an extension at one of The Broadwater’s four stages on Best of Broadwater Weekend July 5th-7th.

SCARLETT FEVER
LEAR / LOMAN – THE BEST OF INK @FRINGE
COME BACK!
THE LAST CROISSANT
GRAIL PROJECT
POCKETS
JOURNEY
LINCOLN 2020
SUPPORTIVE WHITE PARENTS
EARTH STORIES: OUR CLIMATE AND OUR FUTURE
RIDE OR DIE: THE HIP-HOP MUSICAL
JORDAN MAVERICK HISTORY TEACHER
TEMPLE TANTRUM
NORMALER THAN EVERYONE
45 MILLIGRAMS
EARTH TO KAREN
THE FLOWER SOCIETY
SON OF A BITCH
ORANGUTAN
FOUR CLOWNS PRESENTS: SHAKEDOWN AT THE DUSTY SPUR!
COME ON DOWN
MR. YUNIOSHI
THE SAME ROOM
GHOST TOWN
RED, WHITE, BLACK & BLUE
DEAR JEFF: A MUSICAL COMEDY ABOUT SUICIDE & DOMESTIC ABUSE
THE DEATH OF SAM MOBEAN
MEET ME IN MIZZERY
ALIVE-ISH
IF TRUTH BE TOLD

Encore Extensions:

The Actors Company
#CANCELLED
BIRTHDAY
HAPPY HOUR
HUMAN FOUNTAINS
MANDY PICKS A HUSBAND
ORACLES AND MIRACLES
PUBLIC DOMAIN: THE MUSICAL
REWIND – A NEW 80’S POP MUSICAL
THE LONDON ROSE
[TITLE OF SHOW]

New American Theater
THE SCORPION AND THE FROG: A TIME-KILLER
LOOSE UNDERWEAR

Hudson Theater
COMEDY HOE
THE RIDE
GOLDFISH
EVA PERON BY COPI EN ESPAÑOL
AN YET ANOTHER EVENING WITH THE SISTAHS- UNSUNG SHEROES
LOVE, MADNESS, AND SOMEWHERE IN BETWEEN
IT TAKES TWO: MUSICAL IMPROV WITH PEARCY & BYRNES
SWIPED

The New Collective
YOU TOO
YOU, AGAIN

The Complex Hollywood
2 FOR 1
ACID WASH LOVE
BLACKBOXING
CAVE GIRL THE MUSICAL
THE COLOR COLLECTIVE
CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR
DEATH AND THE FOOL
FIVE
IF IT GOES THERE
KLINGON TAMBURLAINE
MY TRANS WIFE
THE NARCISSIST NEXT DOOR
OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE
PIT OF GOBLINS
POCKETMON! A PARODY MUSICAL
PRINCESS MAGIC’S TRASH TIME REVUE
PRODIGY
SEXUALMISADVENTURESOFASTRAIGHTWHITEMALE: APRIVILEGESTORY
SHIVA FOR ANNE FRANK
TALES FROM THE POWDER ROOM
THE MAYOR’S DEBATE OF TRANQUILITY, NEBRASKA
THIS WAY YONDER
VERY GOOD ACTOR: AN ACTING SEMINAR
WHAT I NEVER TOLD YOU
WHY DID THE CHICKEN CROSS THE ROAD?
YES. NO. MAYBE.

Lounge Theatre
AN EXCUSE TO BEHAVE BADLY
CHRISSY METH – A DANCE WITH THE DEVIL AND THE JOURNEY BACK
CORINA, FROM LAP DANCE TO SUNDANCE
HIDE YOUR FIRES: BUTOH LADY MACBETH
HOLLYWOODN’T
(IM)PERFEKT
TO RICHARD!
A BIT MUCH
CLEMENTINE
FERTILE.
IF WE RUN
LEAVING PRINCE CHARMING

Studio/Stage
BAT KNIGHT!
BATTER UP! MY BRAIN ON BASEBALL
CRABBE AND GOYLE ARE DEAD
DISROBED
LIFE PLAN, OR LIVING YOUR BEST LIFE IN A COLLAPSING WORLD
THE JOURNEY OF THE LITTLE PRINCE
PHO GIRL
TATTERED CAPES
SILENT JOY, A NEW PLAY
SUGARFREE: FOSTER CARE COGNITIVE DISSONANCE

The Hobgoblin Playhouse at the Arena Stage
EARTH & FIRE WALKING (TIERRA Y FUEGO QUE CAMINA)
SHE KILLS MONSTERS
RADICALS
TABLETOP (THE MUSICAL)
THE BULLY PROBLEM

McCadden Theater
GUNFIGHT AT THE NOT-SO-OK SALOON
LET’S WRITE A MUSICAL
MIL GRUS
MONKEY MIND
NO MORE TOYS
SIREN CALL
STRAIGHT WHITE MEN TRYING TO WOKE
Thymele Arts
NO CHILD LEFT BEHIND.

Stephanie Feury Studio Theatre
BUNNY THE ELF LIVE!
GEORGE.
GREENWOOD 1964
OUT OF THE BLUE
RAISED BY WOLVES
SORRY ABOUT MY FRIEND
SWIPE RIGHT: THE MUSICAL
THANK YOU FOR LOVING ME
THE HUMAN[OID] EXPERIENCE
TOBINCON

Studio C
AMERICAN STRANGER
ASK A BLACK WOMAN
DANDY DARKLY’S ALL ABOARD!
DEAR JEFF: A MUSICAL COMEDY ABOUT SUICIDE & DOMESTIC ABUSE
DOUBLE FEATURE: THE ORIGINAL ENGLISH & MURDERFUCK
I AM NOT A MAN
JAMBA JUICE: THE MUSICAL
MORAL FIXATION (ORIGINALLY TITLED BOYS
WILL BE BOYS)
MR. YUNIOSHI
ONE HUMP HEART
PAPER TRAILS
SPEAK I WILL: A FRACTURED SHAKESPEARE
SUPPORTIVE WHITE PARENTS
TEMPLE TANTRUM
THE LAST POWERPOINT
THE MASHER
THE ONE-MAN IMPROVISED MUSICAL
SEVEN
ALL OUR PRETTY SONGS


JUST A TASTE: Shows at the Hollywood Fringe Festival, Opening This Week! - First Edition


The Hollywood Fringe Festival is celebrating its 10th year this year and opens today, Thursday, June 13, 2019.

Annually, for the month of June, this unique "open and uncensored" non-profit theatre festival occupies Hollywood's Theatre Row, and many more adjacent venues and spaces in the Hollywood and Media District areas. Per the non-profit's site, this "open-access, community-derived event celebrating freedom of expression and collaboration in the performing arts community" can be found in parks, community centers, churches, clubs, restaurants" housing a wide variety of productions created by new individual producers, seasoned production companies, member-fueled theatre companies and residencies, and a variety of other independent self-producers–both locally and from all over the world.

This year, there are nearly 400 participating shows, most of which are also registered on the Better Lemons Calender. Here are a few shows, opening this week and next, that talked with Better Lemons about their shows.


Vivi Thai, producer and actress of "She Kills Monsters," spoke with Monique LeBleu of Better Lemons at The BLACK bar and lounge at the Hollywood Fringe Festival Office Hours mixer on May 22, 2019.

"She Kills Monsters" opens on Friday, June 14, 2019, at 11:00 p.m., at the Arena Theatre - Hobgoblin Playhouse at the Hollywood Fringe Festival.

For more information on other dates and times for "SHE KILLS MONSTERS" visit:

She Kills Monsters


Chris Bunyi & Matt Robinson of "Olivia Wilde Does Not Survive the Apocalypse" spoke with Monique LeBleu of Better Lemons at The BLACK bar and lounge at the Hollywood Fringe Festival Office Hours mixer on May 22, 2019.

"Olivia Wilde Does Not Survive the Apocalypse" which opens Saturday, June 15, 2019, at 2:00 p.m. at the Ruby Stage at the Complex, is a featured play at the Hollywood Fringe Festival.

Saturday's show is currently sold out. For more information on other dates and times for "OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE" visit:

Olivia Wilde Does Not Survive The Apocalypse


Christi Pedigo of "Bunny The Elf LIVE!" spoke with Monique LeBleu of Better Lemons at The BLACK bar and lounge at the Hollywood Fringe Festival Office Hours mixer on May 22, 2019.

"Bunny The Elf LIVE!" opens Thursday, June 20, 2019, at 8:30 p.m., at the Stephanie Feury Studio Theatre at the Hollywood Fringe Festival.

For more information on other dates and times for "BUNNY THE ELF, LIVE!" visit:

Bunny the Elf LIVE!


Jannica Olin spoke about her solo show "(IM)PERFEKT" with Monique LeBleu of Better Lemons at The BLACK bar and lounge at the Hollywood Fringe Festival Office Hours mixer on May 22, 2019.

"(IM)PERFEKT" opens Saturday, June 22, 2019, at 12:00 p.m., at the Lounge Theatre at the Hollywood Fringe Festival.

For more information on (IM)PERFEKT:

(IM)PERFEKT


All shows are available for patron and critic reviews where shows registered on Better Lemons can qualify for the LemonMeter! 🍋

More full videos on participating Hollywood Fringe Festival shows soon on the Better Lemons YouTube channel and at Better-Lemons.com!

Better Lemons
Twitter/Instagram: @betterlemons

Monique A. LeBleu
Twitter/Instagram: @moniquelebleu


Voices from the Fringe: Writer/Director Thomas Wortham

Making his Fringe debut this year is Thomas Wortham, the writer, producer and director of An American Video Store, set in one of the titular establishments that barely exist anymore.

In the midst of beginning a new job and preparing his show for the Fringe, Mr. Wortham still found the time to talk to Better Lemons.

Better Lemons: What was the inspiration behind this piece? Personal
experience?
Thomas Wortham: I don't know how it works now, but in the ‘90s kids would just hang out at various retail locations, whether it be the mall, an arcade or — in my case — a video store. I got hooked at a young age by my mom's VHS collection and it just never stopped. There was a Blockbuster up the street from my house that I practically grew up in. I also worked at a Hollywood Video Store in college, which was an awesome and terrible experience all at the same time. I always wanted to write some form of this story and the mistake I always made was trying to make the plot about the actual downfall of the video store business. Something in the vein of Empire Records, where it was all about saving the store.

I finally felt I had unlocked the idea when I realized the story had to be about the characters and allow the business aspects to simply act as a foundation for what was happening.

BL: Any parallels with Clerks - which, of course, would be a perfect connection?
TW: It is so funny you ask this. OF COURSE Clerks and Kevin Smith are a massive influence on myself and the play. In fact, just two nights ago I attended his Fatman Beyond podcast taping in Hollywood. They do a Q&A at the end and I was able to get up and ask a question wearing a shirt that had my play's logo on it.

Kevin is so generous with folks promoting their stuff, and with his connection to video stores, he immediately asked me about my shirt and insisted I plug all aspects of my play before and after me asking my question. It was incredible. He also had some nice things to say about the Fringe, which was cool.

But in terms of the mechanics of the play, it was crucial that the script had scenes that allowed the characters to wax intellectual about movies. Very similar to how Dante and Randal talk about Star Wars in Clerks, or how Brodie and T.S. talk about Superman in Mallrats. And you know just how shitty jobs  really have an impact on how our lives play out, when we are young can, whether we recognize it or not in the moment.

BL: What does (or did) the video store symbolize in American culture?
TW: I think that more than anything the video store era just represented a communal experience that sadly is the biggest thing missing when you select something through a streaming service. I'm sure the algorithms that Netflix uses are very sophisticated, but the way an organic conversation with customers and clerks could lead you down such interesting and unexpected paths was something I think is impossible to replicate.

BL: Briefly, what’s the show about? How will it resonate with audiences?
TW: Taking place over three pivotal moments in the history of the American video store, our intimate story of clerks and customers examines the rise and fall of a cultural phenomenon that defined a generation. The show is an hour long - with the goal being a funny, emotional and nostalgic trip down memory lane for anyone who has ever enjoyed the experience of going to a video store to pick out a movie.

BL: Can you tell us a bit about the cast?
TW: My girlfriend Aidan Rees is our lead and is also a producer. She is an incredibly talented actoress who is a regular at Second City. I'm always blown away by her ability to be such a versatile performer. Going from improv to sketch to everything scripted can be challenging for anyone to execute. We found our second lead, Jeff Coppage, through a self-tape. He has the uncanny ability to add flavor to dialogue that wasn't intended as a joke, and all of a sudden I'm laughing my ass off. So damn unique and funny.

Kristin Morris is a close friend of mine and an extremely accomplished actor. I saw her in West Side Story at Musical Theatre West in Long Beach and I always knew I would love to write a part that would be brought to life by her amazing talents. Antoine Dillard, Misao McGregor and Angelique Maurnaé were all actors that Aidan had worked with before. While I was not familiar with their work, they have all knocked it out of the park and made their characters jump off the page in a way I never could have imagined.

BL: Is this your first Fringe experience? Or have you attended in previous years, either as an audience member or talent?
TW: First time Fringer in every capacity. I am so excited and thankful to be exposed to this brand new weird world.

BL: What other shows intrigue you at #hff19?
TW: Lots of shows that are also at Stephanie Feury look great. I have had the chance to meet the creators of George. and Treason so I look forward to seeing those. The ladies who are putting on 2 for 1 seem to be cooking up something unique. An Excuse to Behave Badly sounds like a really smart and fun concept. I am intrigued by the ambitious premise of She Kills Monsters. I am sure there are plenty more I would love to see but honestly those are some of the folks who I have met at office hours that caught my eye.

I look forward to a Fringe year when I can be just an attendee and have more time to learn about other shows instead of focusing so much on ours.

BL: Finally, have you made the trek to the last remaining Blockbuster in Bend, Oregon?
TW: I have not. I would love to. Fortunately, there are a handful of video stores still operating in the LA area that I have gone to recently to help inspire the show. In particular, Cinefile Video in Santa Monica made me feel at home, so if any of this conversation makes you miss the experience, go check ‘em out and show them some love!


An American Video Store plays June 9-29 at the Stephanie Feury Studio
Theatre, 5636 Melrose Avenue. Specific dates, show times and ticketing
information can be found on the Fringe site.


Now Registered on the Better Lemons Calendar – April 22 - 28, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Greenwood 1964

“GREENWOOD 1964 is a powerful, educational two man one act show which takes us into an actual trip made by Sidney Poitier and Harry Belafonte. Two very great friends and once industry's most successful sought after duo. Sidney Poitier the first Black to win an Academy Award for best actor and Harry Belafonte, activist and first music artist ever to sell a million copies in the US & England. The show takes place in Greenwood Mississippi 1964, a time in which Dr. King called it “The year of promise” due to the rise of racial tension versus the quest for social equality. This brilliantly crafted fictional debate between Mr. Poitier and Mr. Belafonte eloquently explores the individual approaches on how to achieve liberation for people of color. The action takes place inside of an attic “safe-house” in the racially charged segregated deep south of Mississippi. Both men have traveled down to drop a bundle of cash for relief funds and show moral support for the civil rights workers who have been killed trying to register black voters.”

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Sins

“Can we ever stop paying for the past? Can the person we want to ever escape the person we are now and were then? What price must be paid for not only our own crimes, but those of people close to us? Sins is a frank look at what we all deal with when we cannot overcome our own failings...This show includes prop guns, gunshots, and themes of gun violence. This show includes scenes of domestic violence, gun violence, and strong language.”

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Saving Cain

“A far-right, Pentecostal helicopter-mom struggles to keep her hell-raising son on the path of righteousness as he enters his first public school. When a powerful addiction takes over her son's life, she must accept that you can't save everyone, and that not every miracle can be left up to God.”

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Flights of Fancy

“Imagination or reality? Elegant stagecraft or just, well… Complications? Stephanie and her best friend Tommy are flying home together, but nothing is what it seems. As we are thrown back and forth between the rehearsals for a play Stephanie has written about her troubles and her increasingly turbulent flight home, we start to wonder: can we be saved through our art or is a crash landing inevitable? ”

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Women Beyond Borders

“Rubicon Theatre continues the company's 21st “Coming of Age” season with the World Premiere of WOMEN BEYOND BORDERS, a play inspired by and loosely based on the remarkable journey of Lorraine Serena and a dynamic group of California-based artists who founded the non-profit Women Beyond Borders (WBB). Determined to “make art as if the world matters,” Serena and her friends fell upon the idea of box as metaphor: hope chest, treasure chest, womb, coffin, etc. They replicated a miniature wooden box no bigger than the size of a human heart and sent the boxes to curators and friends in other countries with the goal of encouraging dialogue, collaboration and community among women and honoring creativity. The founders of WBB were astonished at what came back to them – eloquent expressions of the enormous depth and variety, but also the universality, of women's experiences throughout the world.”

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All in the Timing at North Coast Repertory Theatre

“Award-winning playwright David Ives, described by The New York Times as “wizardly, magical, funny, and original,” has penned six one-act comedies that examine various attempts at relationships and communication with hilarious results. Using inspired language and wordplay, Ives takes delight in pushing audiences' smart buttons and teasing their brains. Join us for non-stop laughter and brilliant witticisms.”

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She Kills Monsters at North Coast Rep Theatre School

“A comedic romp into the world of fantasy role-playing games, She Kills Monsters tells the story of high schooler Agnes Evans as she deals with the death of her younger sister, Tilly. When Agnes stumbles upon Tilly's Dungeons & Dragons notebook, she finds herself catapulted into a journey of discovery and action-packed adventure in the imaginary world that was her sister's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.”

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John Denver Tribute at North Coast Repertory Theatre

“Jim Curry, returns to North Coast Repertory Theatre to perform the music of the late John Denver. The music “is like an old friend, outlasting trends and standing the test of time,” says Mr. Curry. Join acclaimed performer Jim Curry for this tribute to the music of one of the most beloved singer/songwriters ever to grace the stage.”

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Tuesday Night Comics at North Coast Rep

“Tuesday Night Comics is arguably the funniest night of comedy in San Diego. Mark Christopher Lawrence taps into his extensive list of talented comedian friends and shares the North Coast Rep stage with them. The show is comprised of talent from all over the country with late-night television credits as well as credits from Comedy Central, HBO, SHOWTIME, ETC…RATED R ”

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Taken at Midnight at North Coast Repertory Theatre

“Based on true events in 1931 Berlin, a courageous mother resists the rising Nazi party in order to free her imprisoned son. This riveting drama explores the heroic battle of the weak against the powerful, the truth against the lies, and mothers against murderers. ”

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The Price

“In Arthur Miller's riveting masterpiece, two estranged brothers must try to make peace with their past when they meet to dispose of their late father's belongings.”

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Mamma Mia!

“East West Players presents an all-P.O.C. production of the beloved musical Mamma Mia! The magic of ABBA's disco-era hits brings us to a Greek island paradise where a mother, a daughter, and three possible dads take a trip down the aisle you'll never forget!”

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Sunbathe in Darkness

“In the distant past of 2007, Casey writes fanfiction for the hit Alfie Wunderkid series of books. She writes really, really, really bad fanfiction. On purpose. The plot makes no sense, the characters are inconsistent, the dialogue is at the level of a second grader who swears, and… it's hugely popular. As the fanfiction comes to life, what started out as a joke slowly morphs into a way for her to cope...with absentee parents, an overbearing sister, and having only one friend who, let's just be honest, is a bit of a douche.”

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Masters of the Dark Realm

“Fantasy collides with reality when Force of Nature presents the world premiere of Thomas J. Misuraca's 'Masters of the Dark Realm.' When a group of long-time friends end their fantasy role-playing game, Masters of the Dark Realm, they seek out new quests in the real world.
Will a tragedy bring them together to slay their dragons, or cause their fellowship to fall apart?”

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BLUE KISS

“An SAT tutoring session takes a shocking turn when the teacher realizes that his new student is not who she claimed to be, in this intense nerve-racking drama.”

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Treason

“A dark comedy on the danger and absurdity of American politics.
Taking inspiration from the family drama of Arthur Miller and the gallows humor of Martin McDonagh, TREASON explores the entitled toxicity of our current president and his surrounding culture without relying on recent headlines. Synopsis- On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.”

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Chrissy Meth ~ A Dance with the Devil and a Journey Back to Self

“Chrissy Meth is a solo show written & performed by Crystal Bush with direction & development by Jessica Lynn Johnson. It centers around a motherless child “Crystal” who grows up in the western suburbs of Chicago, she finds herself stumbling from one abusive relationship to the next, pushing her into a deep drug addiction. Somehow, from the depths, of being lost forever, she finds hope and begins to put the pieces back together. Through the use of song, multimedia, humor and multiple characters, she explores, questions and challenges beliefs and social mores surrounding identity, and self-esteem while showing that it's never too late to comeback and find one's self-worth. ”

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VIOLENCE: The Misadventures of Spike Spangle, Farmer

“Originally written and performed in 1986, this no-holds-barred satire of militarism and media manipulation tells the story of Spike Spangle, a down on his luck farmer who gets sucked into a whirlwind of celebrity and patriotism. He joins Superman on billionaire Max Enormous' Celebrity Space Shuttle and a nefarious plot leads to the deification of Spike Spangle as an American hero.”

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Tap Dancing My Way To The Nuthouse

“A burgeoning neurotic evolves into a full-fledged tap dance, mime, story-telling, multimedia nutcase… Come watch the trip! Does insanity win?”

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Tales By Candlelight

“A collaborative storytelling experience, driven by scent; a parcel received in the mail with a unique story-based candle.”

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Los Angeles Women's Theatre Festival: Defining Moments

“Four women writer-performers will perform their stories, excerpted from larger pieces. Karen. A. Clark in The Women. In this encore excerpt and through music, poetry and storytelling, Ms. Clark reflects on the women in her family, particularly her mother, who provided a “wow” factor. Barbara Cole in Surviving Chrysalis. One woman reconciles aging in her journey toward self-actualization in this funny excerpt. Bellina Logan in Confessions of a Mulatto Child. This excerpted piece chronicles a bi-racial child's life with her acerbic English actor/mother and the deep bond they forged. Amy Milano in Dancing with Crazies. In this excerpt from her life experiences, one woman searches for a place to call home after being uprooted from place to place as a child. Anna Maria Horsford and Ted Lange host.”

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