Spotlight Series: Meet Bill Brochtrup Who Rose to Fame on NYPD Blue, L.A. Stages, and is now the Artistic Director of the Antaeus Theatre Company


This Spotlight focuses on Bill Brochtrup who rose to TV stardom as PAA John Irvin on the ABC television drama NYPD Blue and continues to dazzle audiences as an actor, most recently in the Ovation Award-wining Daniel's Husband at the Fountain Theatre, and planning programming for the Antaeus Theatre Company in Glendale as its Artistic Director. And when he can, Bill enjoys traveling around the world and hiking in some of the most beautiful places on Earth.


Fountain Theatre Company's "Daniel's Husband" with Bill Brochtrup and Tim Cummings. Photo by Ed Krieger

Shari Barrett (SB):  What would you like readers to know about your theatrical background?

Bill Brochtrup (Bill): I started working in Los Angles theatre as soon as I got to town in the mid-1980s and that led directly to my work in film and television. But I’ve always returned to the Theatre, first as an actor and more recently as Artistic Director of the Antaeus Theatre Company. I’ve seen LA theatre grow and deepen and thrive, and I’ve been very lucky to experience what a close knit and warm community this is.

(SB):  What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(Bill): Antaeus had just opened a new production of Shakespeare’s Measure for Measure, which is an extremely pertinent and timely play. Word of mouth was going very well and we had a number of sold out performances coming up, so it was a blow to everyone involved to have to shut it down.

(SB):  How did you communicate the shutdown with your cast and production team?

Opening Night of Antaeus Theatre Company's Native Son at CTG'S BLOCK PARTY with Bill Brochtrup, Ana Rose O'Halloran and Kitty Swink

(Bill): Early on I met with Co-Artistic Director Kitty Swink and our Executive Director Ana Rose O’Halloran to talk about our options — and it was pretty clear that for the safety of our actors, staff, and audiences we needed to close the show.  We spoke first to the play's directors, Armin Shimerman and Elizabeth Swain, and then I wrote a difficult email to the cast and production team.  Everyone understood because it was becoming increasingly clear what the world would be up against.  With sickness, death, and true hardship on the horizon for many people, closing a play is a small thing — but it was sad news nevertheless.

(SB):  Are plans in place to present that production at a future date, or is the cancellation permanent?

(Bill): At this point it’s hard to say what we’ll do in the future because we just can’t be certain of any kind of timeline.  I will say that the set is still standing and the costumes are still in the dressing room, so it remains a possibility — I’d love for more people to be able to see our wonderful actors.

(SB):  What future productions on your schedule are also affected by the shutdown?

(Bill): We had just finished casting our next production, William Saroyan’s The Time of Your Life which was meant to begin rehearsal this month. We’re still determining how we’re going to proceed. And we were in the midst of finalizing Antaeus’ next season, which will be our 30th and some of those plans are now in flux. We will obviously be following all guidelines from the county and state about when we can reopen and get things going again.

(SB):  How are you keeping the Arts alive while at home by using social media or other online sites?

(Bill): Antaeus has numerous programs and many of those have been able to move online fairly seamlessly — a number of our Academy classes are meeting that way as is the Antaeus Playwrights Lab. We have weekly Zoom check-ins with our Company members, another with our staff, and we have also already enjoyed a really fun virtual Happy Hour with some donors and supporters.

(SB):  You mentioned what a close knit and warm community our L.A. Theatre world is. What thoughts would you like to share with them while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Bill): We believe that live theatre is about artists and audiences coming together in person to create a community, so we’re really looking forward to the time when we can gather together in real life. Antaeus isn’t going anywhere and we’ll be back with a vengeance as soon as we’re able.

(SB): I totally agree. Nothing can compare to being part of an assembly of people experiencing the magic of live theatre together. It’s so symbiotic, making each performance unique and special in its own right. Any other thoughts to share?

(Bill): On a personal note, I’m so proud to be a part of the LA Theatre scene in all of its vibrancy and diversity. I believe we’ll come through this stronger and more unified than ever.

(SB): Amen!


Featured headshot by Rory Lewis


This article first appeared on Broadway World.



Best Theatre of the Year - Looking Back At L.A.’s 2019

I give to you my personal list of the best theatre Los Angeles offered in 2019, with a few swipes at the less of the best….

First off, the production of August Wilson’s Jitney at the Mark Taper Forum. Wilson’s works share a distinction with those of Shakespeare, in that when the plays of either are fortunate enough to be housed in a production of true artistry one finds theatre nirvana, which is what director Ruben Santiago-Hudson and cast provided L.A. audiences with.

The cast —Steven Antony JonesFrancois BattisteAmari CheatomNija OkoroRay Anthony ThomasHarvy BlanksKeith Randolph SmithBrian D. Coats, and Anthony Chisholm returning to the role which earned him a Drama Desk Award and Obie in 2000’s off-Broadway production— performed as keys on a perfectly tuned piano, with  Santiago-Hudson assuring not one false note was sounded.

Contributing to this perfect harmony were David Gallo’s set, Jane Cox’s deft light design and Toni-Leslie James’ superlatively unobtrusive costumes.


In six short years the Wallis Annenberg Center for the Performing Arts has won L.A.’s appreciation for the work produced and Artistic Director Paul Crewes its respect for his guidance.

This year that appreciation and respect were given further validation: The Old Man and the Old Moon by the PigPen Theatre Company, was an intoxicating entwining of old world folklore, Arabian night tales and the poetic arts of a Celtic seanchaís resulting in an evening of wondrous magic which is the essence of theatre.


Some twenty-five years ago at the old Tiffany Theatre on Sunset Boulevard, the marvelous Hershey Felder presented his first solo show based on the life of a great composer.  Having previously brought Chopin and Beethoven to the Wallis, this year Felder returned again— and again was…well, marvelous.

Hershey Felder: A Paris Love Story, are the reminiscences of his first youthful journey to Paris which are placed as a palimpsest in homage to his favorite composer Achille-Claude Debussy.  Directed by Trevor Hay it was perhaps the most enchanting show of the season.


We have the Wallis to thank for Renée Taylor’s one-woman show, My Life on a Diet Best known to movie lovers as Eva Braun in Mel Brooks’ The Producers (1968) and to TV viewers as Fran Drescher’s mother on the CBS sitcom The Nanny, Taylor, with her late husband Joseph Bologna, co-wrote the Oscar nominated Lovers and Other Strangers as well as two additional screenplays and 21 more plays.

It was a privilege and a joy to be in the company of the 86 year old Taylor who is a juggernaut of talent as well as a living history of both Broadway and Hollywood, and, personally, I wanted her show to go on longer than its 90 minutes.

Like a week longer.  Maybe two.


The Wallis also deserves thanks for bringing back talented David Mynne, whose one-man presentation of Charles Dickens’ Great Expectations was one of last year’s high-water mark.

A Christmas Carol, this year’s Dickens offering, was less satisfying but Mynne’s performance was nevertheless amazing to watch.


The Fountain Theatre, which I regard as one of the jewels in the crown of the L.A. theatre community offered little this year that drew my interest and what did, I’m afraid, I was less than thrilled by.

Idris Goodwin’s play Hype Man, though not without merit, I found weak and I thought the cast, Clarissa ThibeauxChad Addison and Matthew Hancock and director Deena Selenow, brought more to the play than the play brought to the stage.

Of course, there was no performance of the Forever Flamenco series that I was not enraptured by.  These monthly Juergas of dancers and singers, overseen by Deborah Culver at the Fountain since 1990, I have often heralded as one of the best kept secrets in L.A. and one of its hottest tickets.


The Long Beach International City Theatre’s production of Arthur Miller’s The Price was a show one should regret if missed.

David Nevell as a man who sees in the wreckage of his father’s life the failure of his own, and Elyse Mirto as the wife who sees her husband’s true worth but is unable to make him believe it, were each outstanding.

In the most Biblical referenced of Miller’s plays, Bo Foxworth’s layered performance as the prodigal son allowed the audience to see that the chains forged by his choices were as heavy as those of his brother.

As the secondhand furniture dealer Mister Solomon, which is the heartbeat of the play, Tony Abatemarco fluctuated adroitly between the Old Testament’s wise Solomon and Faust’s wheeling-dealing Mephistopheles.

I find director John Henry Davis to be rather hit or miss, but with The Price he undeniably knocked one out of the stadium.

DoubleDouble playwright Guy Zimmerman and director Juli Crockett, by a fusion of the 1944 noir classic Double Indemnity with Shakespeare’s Scottish play, successfully brought another artistic chimera to the stage.

Zimmerman and Crockett juggled snippets of dialogue and hints of shared motifs, transforming a trio of Barbara Stanwyck doppelgangers  (Henita TeloJenny Greer and Isabella Boose) into a Greek Chorus to warn  Saughn Buchholz as Walter-Walter of the fate awaiting his Oedipus MacMurray.

From concept to execution, this production had the luster that craft and intelligence brings; sharing in the credit for this are scenic designer Melissa Ficociello and Michael Feldman’s ballads.


Bill Irwin’s On Beckett was perhaps more lecture than show, but what a subject to lecture on and what a lecturer to hear.  Having been a fan of Bill Irwin since his Old Hats and Fool Moon days, what I found so extraordinary in his discourse/performance/dissertation/sermon on the works of the great Irish playwright on the stage at Kirk Douglas Theatre, was Irwin’s ability to delve into those “linguistic non-spaces” Beckett supplies, and weave relevance into those silences found there.


Playwright Lauren Gunderson is the current “flavor of the month” from the New York theatre scene.  I find most of her works “vanilla” at best.  But there are a couple of her plays which, while not on the level of “Chocolate Therapy,” come close to “Chunky Monkey” status.

Ada and the Engine is one.  It tells the story of the rakish Lord Byron’s daughter, Ada, and her contribution to the development of Charles Babbage’s Analytical Engine, precursor to the modern computer.  In their staging, Theatre Unleashed emphasized the play’s strengths while cloaking its weaknesses, resulting in a thoroughly enjoyable and engaging production.

As the two dominant men in Ada’s life —William King-Noel, later Lord Lovelace and the driven Charles Babbage— Gregory Crafts and Alex Knox gave faultless performances.  But it was Jessie Sherman in the titular role that captured the audience and herded them on the pathway from the joys of dreams to the price paid for them.

Director Heidi Powers enriched the production by her employment of Denise Barrett’s costumes and use of Kevin Hilton’s animation which shattered the black box’s confines by expanding the vista of ideas.

Less successful, but certainly more frenzied was the Theatre Unleashed production of Never Ever Land by playwright Rider Strong, centering on the allegations against Michael Jackson’s involvement with underaged boys.  Director Michael A. Shepperd applied cunning and skill but was only moderately successful in masking the play’s faults.  On the other hand, Josh Randall as the “abused” lad’s manipulating father and Leif Gantvoort as the unctuous news commentator after a story turned in exceptional performances.


As a former puppeteer, I admit I was a sucker for Les Miz And Friends! A Puppet Parody and my hearty guffaws filled the Hudson Theatre on Santa Monica Boulevard.

Nathan Makaryk and Geneviève Flati co-directed their “re-envisioning” of Les Misérables, the much beloved musical based on Victor Hugo’s much renowned classic.  The crushing poverty, sexual exploitation, brutal police and civil bloodshed are still there, they just added a ton of puppets and screwed with the songs.

Performer-puppeteers Kelly RogersKevin GarciaGabrielle JacksonJaycob HunterHailey Tweter and Carter Michael kept the laughter coming, as did Christopher Robert Smith as Javert.

The production was packed with silly puns and dopey jokes, but what came as a total surprise, at least to me, was the quality of the cast’s musical chops.  Some credit for this must go to “musical accompaniment, Orchestrator and Arranger” David Norris.  Here’s hoping Makaryk and Flati set their satirical sights on another classic of the musical theatre.


I did manage to see Rogue Machine’s Disposable Necessities in their new space in Santa Monica.  Playwright Neil McGowan has conceived a clever work akin to an old “slam-door” comedy where an actor would rush out as one character to re-enter as another seconds later.  But, McGowan does away with the “doors” by setting his work in a protean near future when bodies are changed with wardrobe like ease.  The device supplies the show with laughs, but also with difficulties.  Claire Blackwelder isn’t up to the demands of conveying the persona of an elderly chauvinistic lecher dwelling in young lady with a body worthy of Vargas’ watercolors.  Nor does Jefferson Reid have the acting apparatus to conjure the reality of a spoiled white boy deposited into the body a black urban teen; the rest of the cast, Billy FlynnDarrett Sanders and the always superb Ann Noble, having the benefit of experience turn in stellar performances.

We look forward to what Rogue Machine and Artistic Director John Perrin Flynn have in store for us in 2020.


The Judas Kiss by British playwright David Hare travels the oft-treaded ground of Oscar Wilde’s disgrace following the infamous trial for libel he foolishly instigated against the father of his young lover Boise.

Director Michael Michetti’s production at The Boston Court was lushly mounted with sets by designer Se Hyun OhDianne K. Graebner’s costumes, and lighting design by David Hernandez, but all the lushness could not conceal the piece’s anemia of dramatic tension.
Some atonement was found in the performances of Darius De La Cruz as Robbie Rose, Wilde’s most stouthearted friend and that of Colin Bates as the self-centered Boise.
But it was the sincerity and depth of humanity which Rob Nagle brought to the role of Wilde that served as the most memorable feature of a rather forgettable show.


The Hollywood Fringe Festival held every June along the strip of Santa Monica Blvd running from Highland Avenue to Vine Street should be a seasonal Mecca for the creative souls of this city and those with any reverence towards the arts.  HFF 2019 boasted a total of 405 individual productions and sold over 67,000 tickets.

Here were the standouts for me:
Mil Grus, featured the absurdly inspired clowning of Helene UdyGrayson MorrisJeremy SappJenson Lavellee and Isaac Kessler under Dean Evans’ direction and took TVO’s “Best of the Fringe.”   The show, along with its five misshapen blobs of bizarre silliness, just opened in New York.

Theatre Unleashed made their presence felt at the Fringe with Tattered Capes by Gregory Crafts, an intelligent and clever account of the marital woes that befall two caped crusaders.  With outstanding performances from Chris ClabaughTravis Joe Dixon and Joanna MercedesCrafts’ play celebrated the superheroes of our childhood while reverberating with deeper questions regarding the secret identities we use in concealing our true selves from those we love.

Designer Denise Barrett provided the super costumes and Corey Lynn Howe’s direction was more powerful than a locomotive.

With Son of A Bitch, Director Billy Ray Brewton fashioned an American Morality play about, to quote my fellow critic David Narine, “Lee Atwater’s  – Republican-Strategist-Liar-Driven-Liar-Brilliant-Liar- Son of a Bitch – rise to power.”

Featuring solid performances by Dennis Gersten as George H.W. Bush, Luke Forbes as “W” and David McElwee as Atwater, playwright, Lucy Gillespie’s work was a much-needed history lesson.

Another political offering at the Fringe was The Mayor’s Debate of Tranquility, Nebraskaa silly and sinister parable on the American electorate.

A local news broadcaster, Emily Dorsett, hosts a mayoral debate in the American heartland.  The candidates include the gay uber-liberal lesbian (Kate Hellen) a Tea-Partier (Lucie Beeby) and the slimy incumbent (Jim Hanna who also penned the script).

The debate goes from glad-handing to backstabbing with gleeful alacrity and the laughs roar out.  But beneath the chortles, Hanna and his cast slip a grim warning; that in this nation today, the “amber waves of grain” are closer to Rod Sterling’s “cornfield.”

Butcher Holler Here We Come written by Casey Wimpee was perhaps the Festival’s most successful immersive piece.  The audience is confined in a room dark as pitch, sharing in the fate of five miners trapped beneath the earth.  Under the astute direction of Leah Bonvissuto, the voices of the unseen miners, Michael MasonIsaac ByrneAdam BelvoMorrison Keddie and Adam Willson, spin about the audience, webbing them in desperation.

Spencer Green’s twisted take on the anthropomorphic beast fables of Aesop, The Scorpion and the Frog, was riotously engaging.  Showcasing the talents of Matthew LeavittChristine Sage and Alex Parker it was hands down one of the Fringe’s most thoroughly enjoyable offerings.

Public Domain the Musicalwhile not perfect, had highpoints that would make your nose bleed. Sam Pasternack (who wrote the book, composed the music, supplied the lyrics and directed) gathered some first-rate performers for this musical ragging of the Disney Corporation’s propensity to squeeze profits from any character in the public domain.  Pasternack uses those public domain icons that Disney overlooked: Oedipus (Max Mahle), The Monkey Paw (Max Ash), Rosie the Riveter (Codi Coates) and…er, Potato Mussolini (Ben Cassil).  Let it be known, costume designer Ember Everett, rose to the occasion.  One of my favorite numbers was Oedipus’ song, “The Way to Become a Hero (is to be at the right place at the right time.)  Were there flaws in the production?  Of course, but it also had a Potato Mussolini!

Solo shows are the stock in trade for any Fringe and HFF 2019 had some extraordinary ones, with the TVO’s “Best Solo Show (Female) going to Raised By Wolves, a cautionary tale about life among alpha-males and evil step-mothers, written and performed by Marla Black.

TVO’s “Best Solo Show (Male) went to Monica Bauer’s Made For Each Other, an astonishingly tender tale staring John Fico as a man who learns that even those in their flabby fifties are deserving of love.

Cathy Schenkelberg arrived at the Fringe with a double whammy for Scientology; first there was Squeeze My Cans, her harrowing one-woman show about the 20 plus years she spent in the cult of L. Ron Hubbard.

Then there was that show’s musical clone Squeeze My Cabaret, in which Schenkelberg related the same tale but showed that she has a pair of pipes on her that could knock the smug superciliousness off Tom Cruise’s puss at twenty yards.

In HFF 2018 Yokko brought her New York based company Ren Gyo Soh with a Japanese Butoh re-fitting of Euripides, Butoh Medea.  This year Yokko turned her efforts on Shakespeare with Hide Your Fires: Butoh Lady Macbeth adapted by Sean Michael Welch and directed by Brian Rhinehart.  Both shows were equally entrancing.

Two excellent productions which deserved greater exposure were Clark Wade-A Jazzy Tragedy, written and performed by Esquizito, AKA EP Perez which drew on memories of New Orleans’ Golden Age;

 And

Stephen Lang’s Beyond Glory based on the recollections of Medal of Honor winners for which Steve Scott took TVO’s “Best Actor” award.

From Ireland came Drought, poetess-songsmith-performer Kate Radford’s haunting indictment of the toxicity of sexual abuse, which TVO acknowledged as the “Best International Show.”

Her true-life tale of a model being afflicted with alopecia was shared by Jannica Olin in (IM)Perfekt. Olin managed to inspire her audiences and at the same time convulse them with laughter.

With Black Boxing, playwright Matt Ritchey held a funhouse mirror to the very concept of solo shows.  Directed by Matthew Martin this raucously funny gem chronicled every pitfall solo shows face.  Fittingly, this send-up of a one-man show featured performances by Ritchey and Jim Niedzialkowski.

Finally, I’ll close with one of the most satisfying shows in HFF 2019, Temple Tantrum, written and performed by Nicole Steinwedell. Raised in a right-wing Christian cult, Steinwedell broke free and plunged into a world diametrically different – Hollywood.  Steinwedell told her tale with the slashes of vibrancy one expects on a Jackson Pollack canvas.

Steinwedell’s dynamism, like the dissonance of a “perfect storm,” may have dissipated into an ineffable silence, but for director Kimleigh Smith who ably applied orchestration to the tempest, assuring awareness of the work’s import and clarity, for which she took TVO’s “Best Director” honors.

Of course the Fringe had disappointments: Olivia Wilde Does Not Survive the Apocalypse, Princess Magic’s Trash Time Revue, and Lincoln 2020.  But these were in a minority.

And the larger L.A. theatre scene had its pratfalls too:

Between Riverside and Crazy, (It won a Pulitzer Prize for drama, just like Enter Madame and Men in White!), Scraps (whose playwright the program told us “never learned to properly write a play.” I buy that.) and The Play That Goes Wrong (which I’m sure would have been much funnier if I hadn’t seen it.)

But these were in a minority as well.

The demands of theatre are arduous, and despite good intentions, dedicated labor and inspired concept, we often fail or falter through our own faults or fate’s callous insensitivity.  This is when we should recall the words of Robert Ingersoll:

“…when men and women belong to a profession
that can count Shakespeare in its number,
they should feel nothing but pride.” ¹

And so I say to all my good friends, to all the stagehands, house managers, dancers, marketing directors, composers, ushers, wardrobe supervisors, directors, set designers, choreographers, carpenters, light board operators, set dressers, producers, sound designers, singers, dramaturges, dialogue coaches, box office agents, fight choreographers, company managers, janitors, make-up artists, musicians, spotlight operators, set builders, technical directors, videographers, dressers, prop masters, parking attendants, playwrights, actors, stage managers, wig makers, publicists, scene painters, critics and most importantly to all who make up our theater, let us join together in 2020 and do what we do best – make magic!

From all of us at theTVolution.com we hope 2020 brings you good fortune, good health and of course, great theatre.


THE BEST OF SHOWS ON BETTER LEMONS IN 2019

Better Lemons had a fantastic year and we couldn't have done it without the fantastic critics, publicists, and audience members who share their love of Los Angeles theater, by posting on Better Lemons and sharing their favorite shows and their reviews on social media.

We are especially grateful for all the Registered Critics who took their time this past year to rate shows they have reviewed to be included in our LemonMeter.

There were 1200 productions registered on Better Lemons in 2019! Out of those registered shows, over 600 received at least one review from a Critic and 201 were reviewed by Audience members. Out of these shows, we selected the winners that were most favored by Critics and/or Audiences.

Here is a list with all the Better Lemons SWEET productions of 2019:

The Better Lemons DoubleSWEET #LemonMeter Choice Awards for 2019
are going to the following productions:

(33 shows out of 1200 productions received
a DoubleSWEET #LemonMeter rating
from audience and critics)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet
14 Critics reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet
9 Critics reviews - 94% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet
4 Critics reviews - 75% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet
7 Critics reviews - 93% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR at the Complex Theatre
14 Audience reviews - 96% Sweet
3 Critics reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

BLACKBOXING at the Complex Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

TRANSFERENCE at The Broadwater
9 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

SCRAPS at the Matrix Theatre
8 Audience reviews - 100% Sweet
15 Critics reviews - 87% Sweet

SUPPORTIVE WHITE PARENTS at The Broadwater
8 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
7 Audience reviews - 100% Sweet
13 Critics reviews - 92% Sweet

ROMEO AND JULIET IN HELL at the Actors Workout Studio
7 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

FALLEN SAINTS: SALEM at the Actors Workout Studio
7 Audience reviews - 100% Sweet
7 Critics reviews - 100% Sweet

SAVING CAIN at the Hudson Theatres
6 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

THE LAST CROISSANT at The Broadwater
5 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
4 Audience reviews - 100% Sweet
10 Critics reviews - 95% Sweet

OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE at the Complex Theatre
4 Audience reviews - 100% Sweet
6 Critics reviews - 92% Sweet

CLARISSANT at the Atwater Village Theatre
4 Audience reviews - 88% Sweet
4 Critics reviews - 100% Sweet

CIRQUE DU GISELLE at the Assistance League Theater
4 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BATTER UP: MY BRAIN ON BASEBALL at studio/stage
4 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

JOAN AND WHAT DID THEY SAY - AN EVENING OF ONE ACTS at Theatre Unlimited (T.U. Studios)
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TREASON at the Stephanie Feury Studio Theatre
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

45 MILLIGRAMS at The Broadwater
3 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

The Better Lemons Audience #LemonMeter Choice Awards for 2019
are going to the following productions:

(32 shows out of 1200 productions received
a minimum of 10 audience reviews
and have received a SWEET #LemonMeter rating by the Audience)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet

AN EXCUSE TO BEHAVE BADLY at the Lounge Theatre
22 Audience reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet

TELENOVELA at the Actors Workout Studio
16 Audience reviews - 100% Sweet

AMERICAN STRANGER THE MUSICAL at Studio C
16 Audience reviews - 100% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR Complex Theatre
14 Audience reviews - 96% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet

MANDY PICKS A HUSBAND at the Actors Company
13 Audience reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet

ASK A BLACK WOMAN at Studio C
12 Audience reviews - 100% Sweet

THANK YOU FOR LOVING ME at the Stephanie Feury Studio Theatre
12 Audience reviews - 100% Sweet

BIRTHDAY at the Actors Company
12 Audience reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

LEAVING PRINCE CHARMING at the Lounge Theatre
11 Audience reviews - 100% Sweet

ENERJOYCE...EVOLUTION OF A PISCES BABY BOOMER at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

YES. NO. MAYBE. at the Complex Theatre
11 Audience reviews - 100% Sweet

BECOMING PEACE: A ONE WOMAN DRAMEDY ABOUT POWER, CULTURE, VIOLENCE AND NONVIOLENCE at the Lounge Theatre
10 Audience reviews - 100% Sweet

CAT SH!T CRAZY...FROM HOT MESS TO HOT MAMA IN FOUR SIMPLE CATS at the Whitefire Theatre
10 Audience reviews - 100% Sweet

OCTOPI WALL STREET at the New American Theatre
10 Audience reviews - 100% Sweet

EMBRACE LOVE FREE at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

BLACKBOXING at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet

The Better Lemons Critics #LemonMeter Choice Awards for 2019
are going to the following productions:

(92 shows out of 1200 productions received
a minimum of 10 critic reviews
and have received a SWEET #LemonMeter rating by the Critics)

DANIEL'S HUSBAND at The Fountain Theatre
26 Critics reviews - 96% Sweet

WITCH at the Geffen Playhouse
21 Critics reviews - 93% Sweet

HANDJOB by the Echo Theater Company
21 Critics reviews - 79% Sweet

THE PLAY THAT GOES WRONG at the Ahmanson Theatre
21 Critics reviews - 76% Sweet

THE CRIPPLE OF INISHMAAN by the Antaeus Theatre Company
20 Critics reviews - 90% Sweet

SKINTIGHT at the Geffen Playhouse
19 Critics reviews - 100% Sweet

THE CAUCASIAN CHALK CIRCLE by the Antaeus Theatre Company
19 Critics reviews - 97% Sweet

BETWEEN RIVERSIDE AND CRAZY at The Fountain Theatre
19 Critics reviews - 79% Sweet

LATIN HISTORY FOR MORONS at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

MATTHEW BOURNE'S SWAN LAKE at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

1776 THE MUSICAL at the La Mirada Theatre for the Performing Arts
18 Critics reviews - 94% Sweet

BRONCO BILLY - THE MUSICAL at the Skylight Theatre Company
18 Critics reviews - 92% Sweet

AN INSPECTOR CALLS at The Wallis Annenberg Center for the Performing Arts
18 Critics reviews - 81% Sweet

DEADLY at the Sacred Fools Theater Company
18 Critics reviews - 75% Sweet

ON BECKETT at the Kirk Douglas Theatre
17 Critics reviews - 100% Sweet

HELLO DOLLY at the Pantages Theatre
17 Critics reviews - 97% Sweet

READY STEADY YETI GO at the Rogue Machine Theatre
17 Critics reviews - 82% Sweet

TOO MUCH SUN at the Odyssey Theatre
17 Critics reviews - 82% Sweet

SALVAGE at the Lounge Theatre
16 Critics reviews - 100% Sweet

LOOT at the Odyssey Theatre
16 Critics reviews - 91% Sweet

ANNE, A NEW PLAY at the Museum of Tolerance
16 Critics reviews - 88% Sweet

MYSTERIOUS CIRCUMSTANCES at the Geffen Playhouse
16 Critics reviews - 84% Sweet

NICK DEAR'S FRANKENSTEIN at A Noise Within
16 Critics reviews - 78% Sweet

RAGTIME: THE MUSICAL at the Pasadena Playhouse
15 Critics reviews - 100% Sweet

INDECENT at the Ahmanson Theatre
15 Critics reviews - 100% Sweet

LOVE ACTUALLY LIVE at The Wallis Annenberg Center for the Performing Arts
15 Critics reviews - 97% Sweet

DANA H. at the Kirk Douglas Theatre
15 Critics reviews - 97% Sweet

EIGHT NIGHTS by the Antaeus Theatre Company
15 Critics reviews - 93% Sweet

FALSETTOS at the Ahmanson Theatre
15 Critics reviews - 90% Sweet

A KID LIKE JAKE by the IAMA Theatre Company
15 Critics reviews - 90% Sweet

LACKAWANNA BLUES at the Mark Taper Forum
15 Critics reviews - 90% Sweet

HYPE MAN at The Fountain Theatre
15 Critics reviews - 90% Sweet

SCRAPS at the Matrix Theatre
15 critics reviews - 87% Sweet

OTHELLO at A Noise Within
15 Critics reviews - 80% Sweet

PARADISE at the Matrix Theatre
15 Critics reviews - 77% Sweet

LINDA VISTA at the Mark Taper Forum
15 Critics reviews - 77% Sweet

AUGUST WILSON'S JITNEY at the Mark Taper Forum
14 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
14 Critics reviews - 100% Sweet

THE SKIN OF OUR TEETH at Will Geer's Theatricum Botanicum
14 Critics reviews - 100% Sweet

DIANA OF DOBSON'S by the Antaeus Theatre Company
14 Critics reviews - 93% Sweet

MOBY DICK - REHEARSED at Will Geer's Theatricum Botanicum
14 Critics reviews - 89% Sweet

THE SOLID LIFE OF SUGAR WATER by Deaf West Theatre
14 Critics reviews - 89% Sweet

LITTLE SHOP OF HORRORS at the Pasadena Playhouse
14 Critics reviews - 75% Sweet

TWO TRAINS RUNNING AT MATRIX at the Matrix Theatre
13 Critics reviews - 100% Sweet

IN CIRCLES at the Odyssey Theatre
13 Critics reviews - 100% Sweet

TWELFTH NIGHT at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 100% Sweet

RAGTIME at the Chance Theater
13 Critics reviews - 96% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
13 Critics reviews - 92% Sweet

WITNESS UGANDA at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 92% Sweet

THE JOY WHEEL at the Ruskin Group Theatre
13 Critics reviews - 88% Sweet

THE WOLVES by the Echo Theater Company
13 Critics reviews - 88% Sweet

FAITH HEALER at the Odyssey Theatre
13 Critics reviews - 88% Sweet

THE NICETIES at the Geffen Playhouse
13 Critics reviews - 88% Sweet

ARGONAUTIKA at A Noise Within
13 Critics reviews - 88% Sweet

THE PRODUCERS at the Celebration Theatre @ The Lex
13 Critics reviews - 88% Sweet

FEFU AND HER FRIENDS at the Odyssey Theatre
13 Critics reviews - 88% Sweet

LIGHTS OUT: NAT "KING" COLE at the Geffen Playhouse
13 Critics reviews - 85% Sweet

GRUMPY OLD MEN: THE MUSICAL at the La Mirada Theatre for the Performing Arts
13 Critics reviews - 77% Sweet

HAPPY DAYS at the Mark Taper Forum
12 Critics reviews - 100% Sweet

CANYON at theLos Angeles Theatre Center
12 Critics reviews - 100% Sweet

THE VANDAL at the Chance Theater
12 Critics reviews - 100% Sweet

DEATH OF A SALESMAN at the Ruskin Group Theatre
12 Critics reviews - 96% Sweet

NANCY F***ING REAGAN at the Secret Rose Theatre
12 Critics reviews - 88% Sweet

AMERICA ADJACENT at theSkylight Theatre Company
12 Critics reviews - 83% Sweet

DEFENDERS at The Broadwater
12 Critics reviews - 79% Sweet

ANASTASIA at the Pantages Theatre
12 Critics reviews - 75% Sweet

JULIUS WEEZER at the El Portal Theatre
11 Critics reviews - 100% Sweet

ANDY WARHOL’S TOMATO at the Pacific Resident Theatre
11 Critics reviews - 100% Sweet

BURIED CHILD at A Noise Within
11 Critics reviews - 100% Sweet

SINGIN' IN THE RAIN at the La Mirada Theatre for the Performing Arts
11 Critics reviews - 100% Sweet

HERSHEY FELDER: A PARIS LOVE STORY at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 100% Sweet

ANNA IN THE TROPICS by the Open Fist Theatre Company
11 Critics reviews - 95% Sweet

THE GLASS MENAGERIE at A Noise Within
11 Critics reviews - 95% Sweet

AT THE TABLE at The Road Theatre Company
11 Critics reviews - 91% Sweet

MISS LILLY GETS BONED at the Rogue Machine Theatre
11 Critics reviews - 91% Sweet

SISTERS IN LAW at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 91% Sweet

THE GREAT LEAP at the Pasadena Playhouse
11 Critics reviews - 91% Sweet

A STREETCAR NAMED DESIRE at the Odyssey Theatre
11 Critics reviews - 86% Sweet

M. BUTTERFLY at the South Coast Repertory
11 Critics reviews - 77% Sweet

THE MAN WHO CAME TO DINNER by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
10 Critics reviews - 95% Sweet

DAMES AT SEA by the Sierra Madre Playhouse
10 Critics reviews - 95% Sweet

NEVER IS NOW at the Skylight Theatre Company
10 Critics reviews - 95% Sweet

THE NEW ONE at the Ahmanson Theatre
10 Critics reviews - 95% Sweet

FRIENDS WITH GUNS at The Road Theatre Company
10 Critics reviews - 90% Sweet

ROALD DAHL'S MATILDA THE MUSICAL by 5 Star Theatricals
10 Critics reviews - 90% Sweet

DISNEY'S FROZEN at the Pantages Theatre
10 Critics reviews - 90% Sweet

THE MIRACULOUS JOURNEY OF EDWARD TULANE by the 24th STreet Theatre
10 Critics reviews - 85% Sweet

SPECIAL at the Theatre of Note
10 Critics reviews - 85% Sweet

SWEENEY TODD - THE DEMON BARBER OF FLEET STREET at the South Coast Repertory
10 Critics reviews - 85% Sweet

FIFTEEN MEN IN A SMOKE-FILLED ROOM at Theatre 40
10 Critics reviews - 85% Sweet

LOOSE KNIT by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 80% Sweet


Now Registered on the Better Lemons Calendar – October 7 - 13, 2019

Theatrical shows, Film Festivals, Musicals, Dance, Solo, and Awards Showsregistered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.

One Night Only

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Mermaid of the Great Pacific Garbage Patch

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DEFENDERS

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Sally Spectre the Musical

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40th Anniversary Celebration- LA Choreographers & Dancers Performance

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Impresario of Castro Street

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The Soul of Broadway - Impossible Dreams

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Levi Kreis: Home for the Holidays

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Something Rotten!

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Between Riverside and Crazy

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The Wrong Kind of People

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Second City/NBC Bob Curry Fellowship Showcases 2019

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The Double V

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Short+Sweet Hollywood Festival - Our Fantasia and On the Terrace

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October off the Screen Series

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Pembroke Taparelli Arts and Film Festival

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An Excuse to Behave Badly

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Magoc Castle Magicians at Theatre West

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The 7th Annual URBAN DEATH TOUR OF TERROR: Haunted Theatre Attraction!

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The 16th Annual Hollywood PAL Awards Gala

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Circa: Humans

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Chills & Thrills

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TAP DANCING MY WAY TO THE NUTHOUSE

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On an Average Day

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How the Light Gets In

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The Eight: Reindeer Monologues

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DISROBED

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Aliens, Immigrants & Other Evil Doers

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Ashton's Audio Interview: Bill Brochtrup - John Irvin on the ABC television drama NYPD Blue and the cast of "Daniel's Husband" at Fountain Theatre

A bold commentary on love, commitment and family in our perilous new world.* Enjoy this interview with Bill Brochtrup - Dr. Joe Bowman in Major Crimes and the cast of “Daniel's Husband” at The Fountain Theatre, running until Jun 23rd. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here. *taken from the website

Now Registered on the Better Lemons Calendar – April 29 - May 5, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.

How I Became A Superhero

“...An ensemble comedy about a couple that leaves the world of online activism and leaps into the business of vigilante justice! Running at the 2019 Hollywood Fringe Festival in June, this is a bright show for anyone who has ever dreamed about being amazing...a family friendly comedy that brings comic books to life, with comic book page sets, sound effects, and lights.”

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SugarFree: Foster Care Cognitive Dissonance

“SugarFree Foster Care combines the difficult journey of foster youth through my perspective as both a social worker and foster child...interspersed [with] poetry, personal narrative, humor, and real-life experiences for a theater experience that tugs at the heartstrings of our greatest human needs in the midst of the social welfare system's inadequacies.”

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Lend Me A Tenor

“Winner of 3 Tony Awards and 4 Drama Desk Awards LEND ME A TENOR combines a chain-reaction of mistaken identity, plot twists, double entendres and the constant slamming of many doors to create one of the funniest farces to grace the American stage in the last 30 years. A sensation on Broadway and in London's West End, LEND ME A TENOR pays homage to the madcap screwball comedies of the 1930's, guaranteed to leave audiences howling hysterically with laughter and walking out the door with a warm smile. ”

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GEORGE.

“Told through the creation of his first three films, ‘George' is the story of how a young man from Modesto, California became George Lucas. With each act following a different film, George will learn all of the skills that eventual led to the creation of ‘Star Wars.' ”

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Raised By Wolves

“You learn to survive quick when you're being dragged behind a team of sled dogs. A comedy about a girl and her dogsled team navigating the rocky terrain of growing up and her quest to become the alpha of her own pack. ”

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Widows Anonymous

“In the circle that is Widows Anonymous, five characters come together to share stories, secrets and the brutal humor that is being a widow in modern times. As they discover, there is no short cut, no alternate route, and the only way out is through. Welcome to the front lines.”

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Bat Knight!

“The dynamic duo have finally made it to the Hollywood Fringe Festival! Little do Batman and Robin know, the Joker's latest scheme will give them the ride of a lifetime. Race through the streets of Gotham with Batman, Robin, Batgirl, Superman, Alfred the Butler, and many more members of the Bat Family in this dark and hilarious interactive musical parody that puts you, the audience, in the middle of the action. Bring the whole family to battle The Joker, Harley Quinn, Catwoman, the Penguin, and the rest of the Dark Knight's rogues gallery, and celebrate the Batman universe in this side splitting night of Bat-Mania! ”

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Olivia Wilde Does Not Survive The Apocalypse

“A hack director and a snooty actress stumble 300 years into the future. America has been taken over by a fascist government, which believes that entertainment is the key to control. As the only remaining people on earth with any artistic talent the director and actress are forced to put on a play. But if they fail to entertain the masses they will be executed on live television. ”

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TOBINCON

“Actor and comedian Tobin Mitnick sheds light on three con men that are using their style-savvy to manipulate a generation of young Americans through the unregulated Wild West that is the Internet. In its world premiere, one-man comedy TOBINCON dives into the grotesque and hilarious world of online grifters—the Body Prophet, the Rhetorical Bad Boy, and the Compassionologist—with sketch and stand-up, in order to show us that the game may have changed, but the players are all still here. But Mitnick also answers a lingering question: When you spend so much time rubbing shoulders with these types, will it rub off on you? In other words, can you con yourself? Only TOBINCON has the answers!”

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CINDERELLA TOPSY TURVY – A Tender Gender Bender Romantic Musical Fairy Story for Pride 2019

“A Tender Gender Bender Romantic Musical Fairy Story. A delightful re-imagining of the classic Cinderella tale brings you upside-down casting – half original practices, half Gilbert and Sullivan, half just plain fun. Meet a handsome Prince, silly stepsisters, a befuddled king, and an out-of-the-box steampunk Fairygodmother. Added delights are the outrageously playful period costumes and the heart-warming romance that blooms with the assistance of a glass slipper, a feather duster, and a truly magical wand. A gentle prod at stereotypical gender roles, this light-hearted send-up is a hilarious twist on the classic tale.”

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La Traviata

“Giuseppe Verdi and Librettist Francesco Maria Piave's classic Italian opera based on the play La Dame aux Camélias adapted from the novel by Alexandre Dumas...Southern California native Christopher Job...makes his L.A. Opera debut. After a decade of work at the Metropolitan Opera, and making two appearances last season with the L.A. Phil.”

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The Same Room

“'A dimension as vast as space and as timeless as infinity…' Well, not quite. Thyma and Aspid find themselves trapped in a barren room with two locked doors, but where are they? What sets them free? And most importantly, what happens after this? 'The Same Room' explores human compassion in a new light and begs the question- What becomes of us when we refuse to heal?”

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Lincoln 2020

“Like a lot of people today, campaign manager Tess Baker is sick of politics. She's just about ready to throw in the when somebody wakes up a candidate she can work with – Abraham Lincoln. Will he be a good President in 2020 America? Will he even win? You decide! That's right, the play has two endings and your vote counts!”

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Bunny the Elf LIVE!

“A Musical Theatre Nerd, forced by her family to give up her dreams, gets a real job in the real world… as a toy store Christmas elf. An uplifting coming of age comedy about finding where one's talents, or lack thereof, fit in the world. Christi Pedigo's YouTube sensation Bunny the Elf will be sharing her elfing journey LIVE! On stage! With new material and a special update on what's next for Bunny.”

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FEELING LUCKY

“A comedy about men and women straddling the elusive line between true love and a broken heart who discover that in the game of love what you see is not always what you get.”

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Victress Burlesque Presents: ShipwRACKed

“Introducing Victress, the L.A.-based comedy burlesque troupe, flipping traditional burlesque on its head with a character-fueled strip show. The premise is simple: Comedic monologues lead into cheeky choreographed dance numbers that will make your heart go pitter-pat. Their newest show, “ShipwRACKed,” premieres in a 5-show limited run as part of the Hollywood Fringe Festival. It's a naughty'cal adventure stacked with quips, ships, n' nips. Get ready for a burlesque show like you've never seen before.”

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And Now It's All This!

“A play about when John Lennon said the Beatles were bigger than Jesus and the fallout that ensued.”

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A Walk in the Woods at North Coast Repertory Theatre

“What really goes on behind the scenes of tense arms negotiations between powerful nations? Set in the midst of the Cold War, Lee Blessing's gripping play, A WALK IN THE WOODS, is especially relevant today. With talks seemingly at an impasse, the American and Soviet negotiators agree to meet informally while strolling through the peaceful forest. Their revealing and absorbing conversations, laced with warmth and humor, evolve through debate and discord, exploring unexpected and uncharted territory. Nominated for a Pulitzer and a Tony Award, Blessing's dramatic comedy was inspired by historic conversations between negotiators Paul H. Nitze and Yuli A Kvitsinsky who left the official 1982 Geneva sessions for an unofficial “walk in the woods.” For those yearning for a more enlightened world, this play is shrewdly observant and resonates with the ring of political truth ”

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Impro Theatre's Twilight Zone UnScripted at North Coast Rep

“From the darkest corners of reality, to the land of the unexplained – Impro Theatre's Twilight Zone Unscripted pays homage to Rod Serling's breakthrough sci-fi series “The Twilight Zone.” Enter the wondrous dimension of imagination, as completely improvised episodes are created with every performance.”

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You're A Good Man, Charlie Brown

“Based on the beloved comic strip “Peanuts” by Charles Schulz, this revue of songs and vignettes tells the story of some typical days in the life of Charlie Brown. From running after the school bus to spying the cute little red-haired girl at lunch, Charlie Brown deals with the fun and frustrations of life with his friends Lucy, Linus, and Schroeder; his kid sister Sally; and his faithful companion, Snoopy. With charm, wit, and heart, “You're A Good Man, Charlie Brown” is fun for all ages.”

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Chico's Angels: Fly Chica Fly

“A live comedy production that parodies the 1976–1981 television series Charlie's Angels. Three of LA's favorite drag queens star in the title roles — Kay Sedia (Oscar Quintero), Chita Parol (Ray Garcia), and Frieda Laye (Danny Casillas). In this brand new episode written by Oscar Quintero and Kurt Koehler, young hopeful stewardesses are disappearing, and it's up to Chico's Angels to fly the “not-so-friendly skies.” Can the Angels solve the case? Fasten your seat belts, turbulence was never this spicy!”

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BE A GOOD LITTLE WIDOW

“Young newlywed Melody has never been to a funeral – until her husband dies in a plane crash. Expected to instantly assume proper widowhood, Melody is left to wonder, what's the right way to grieve? Fortunately, her mother-in-law is a professional. Widow, that is. Under her guidance, Melody must try her best to be a good little widow.An emotional comedy about loss and longing from Peabody Award-winning Writer/Producer of NBC's Hit “This Is Us.” Bekah Brunstetter will be participating in a talk-back following the performance on Saturday, June 1st. ”

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ROOTS

“Theatre of NOTE continues its 2019 season with ROOTS:...four wonderfully strange world premiere short plays, written by four accomplished Theatre of NOTE-grown playwrights, which together usher audiences through the complexity of the human condition. A dark comedy for dark times unfolds at a wedding…in either a sitcom or just a disturbed mind (Deadpan). A one-night stand takes a Kafkaesque turn. Is this stranger the one? Or just something very strange (The Smell of Something to Eat)? A story of people who probably definitely love each other, as they encounter tectonic distress (Big Ones). Escaping Soviet Russia, a young woman goes on to found modern conservative philosophy before becoming the subject of her own musical theater production (Rand!). Everyone has their own journey, but we all start at our ROOTS. ”

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Thank You For Loving Me

“August and Bobbie have been broken up for weeks. Bobbie comes back to the apartment she left to pick up the last of her things. Like a manic, time-jumping fever dream- they recreate all of their highs and lows of their relationship. Only, they have differing memories and perceptions of the events. 'Thank You For Loving Me' explores still loving someone yet knowing it is time to say goodbye.”

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Town Brawl

“Inspired by the outrageous stories found on Nextdoor.com, Town Brawl is your chance to witness petty and absurd neighborly drama being settled in a no holds barred town hall meeting. If you hate your neighbors you'll love our show.”

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Daniel's Husband

“Daniel and Mitchell are the perfect couple. What isn't so perfect is that Daniel desperately longs to be married, but Mitchell doesn't believe in it. When a life-altering event throws the couple into crisis, Mitchell must use the laws of his own heart to fight the rules of law. Michael McKeever's funny, passionate and poignant play takes an unflinching look at how we choose to tie the knot — or not.”

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Bronco Billy - The Musical

“The country's going crazy; partisan politics, civil rights threatened, technology exploding. That's right, it's 1979! Somewhere in America's heartland, with more heart than sense, Bronco Billy struggles to keep his traveling Wild West show alive. But when Billy and his ragtag troupe of misfits meet Antoinette, a Manhattan heiress on-the-run, the ride gets even wilder as she turns Billy's world upside down.”

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The Taming of the Shrew

“Directed by Alicia Patterson and Rose Fliegel, the production's focus will be less about the masculine versus feminine and more about the imposed imbalance of power...to directly confront these issues and start a discussion by engaging the audience with a comedic show which portrays how power politics affect the dynamics of a dysfunctional love story.”

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Horny-The Musical

“In Horny-The Musical, we meet Emily. Social-climbing as quickly as possible away from her embarrassingly bohemian mother into the arms of the most eligible bachelor and heir to the Smitt Family Wineries, Emily is the luckiest girl in the world…until she starts to grow horns right before the wedding. Her new social circles could never accept such a thing, so she must resolve the problem before her new fiance––not to mention her new mother-in-law––finds out. Knowing her mother's sexually free nature, she wonders if its genetic and braces herself for the answer to the question: Who is my father? This simple question unleashes an avalanche of satyrs and nymphs from a different world…party-crashing her high-society wedding rehearsal and upending her carefully-constructed plans with wild debauchery and mayhem. If that weren't enough, as prudish Emily's horns continue to grow, so do new…feelings. ”

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Batter Up: My Brain on Baseball

“Brett Moore is totally enamored with baseball, and has been for 25 years. In that time, he's memorized more about baseball than anyone with access to the Internet could possibly need to know. Come watch him perform his amazing feats of baseball memory that are unnecessary, stunning, and highly entertaining and wax poetic about his favorite obsession in a unique solo show that connects patrons and the performer through the love of our national pastime! ”

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Sex With Strangers

“In 'Sex With Strangers,' failed novelist Olivia meets Ethan, a celebrated (and much younger) writer made famous by his sexcapade tell-all blog, at a snowbound bed and breakfast, and their mutual attraction quickly gets hot and heavy. As a weekend tryst develops into a long-term romance, their personal and professional lives collide. Ethan seeks legitimacy, dismissing his bad boy reputation as nothing more than an invented character. Olivia has her doubts, but craves for the literary fame Ethan can offer her. Ambition, identity and trust are in play when online personas clash with real world expectations in this smart, steamy take on modern love.”

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Captivated: You

“A warehouse sits alone at the edge of Silverlake. The story within its walls has already caused the disappearance of a dozen women and a reporter hot on the trail. Now you have come to help the reporter's friend find the truth.
Inside there may be danger. Inside there may be horror. But in the end, there will be one question for you to answer: Who is the actual monster here? Captivated is a modern retelling of the classic horror story Frankenstein. They Played Productions brings you this psychological-horror immersive production where you, the audience, become a character in a story based on the classic tale Frankenstein. YOUR decisions will matter. YOUR choices will lead to one of 45 different endings. YOU will decide who survives…and who dies.”

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A Falling Star At Buzzard's Roost

“A FALLING STAR AT BUZZARD'S ROOST follows hard-touring retro-Rockabilly band, MAUREEN & THE MERCURY 5, performing at a kitschy, Alabama Drive-Inn Diner (off-season). When Maureen plugs in her vintage Elvis mic, she triggers otherworldly powers from the famous “moon rock”, sending the band, their manager and even the diner owner back to the first days of Rock & Roll! The reluctant time-travelers find love and learn life lessons as they struggle to get back to present day — set to the music of Rockabilly Jump Swing Band Maureen & the Mercury 5 (aka M&M5) and Alt-Country Outlaws The Flutterbies.”

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JOAN OF ART: Break Beat Play, Magical Musical, Great Restaurant About to Disappear and a very scary Stalker

Hello Everyone. I love rap! I'm fascinated by it probably because it's something I have absolutely no ability to do. But that's not the only reason. Powerful rap moves you emotionally and physically. So I can't think of a better way to experience some great rapping then to go see the West Coast premiere of Idris Goodwin's break beat timely play entitled 'Hype Man' which opened at the Fountain Theatre last weekend. Social injustice, racial identity, gender inequity, career ambition and friendship coverage and collide in Hype Man, directed by Deena Selenow.

Hype man Verb, played by Matthew Hancock, has been backing up front-man rapper Pinnacle (Chad Addison) since they were kids. Then beat maker Peep One (Clarissa Thibeaux) joined the group. Now just as they are on the verge of making it big on national TV, a police shooting of a black teen shakes the band to its core, forcing them to confront questions of race, gender, privilege and when to use artistic expression as an act of social protest.

This is one play you do not want to miss. The Fountain Theatre is located at 5060 Fountain Avenue, Los Angeles, CA. For tickets call 323-663-1525 or go to FountainThetre.org. Tickets are $25.-$45. The play runs Fridays at 8pm, Saturdays at 2pm and 8pm, Sundays at 2pm and Mondays at 8pm until April 8th.

While you're in the neighborhood visit Paru's Indian Vegetarian Restaurant. I've eaten here several times and the food is absolutely delicious as well as reasonably priced. That's the good news.

The bad news is that the restaurant is about to close at the end of the March. The owner of the property has decided to raise the rent to $10,000 a month. Paru's has been in this location since March of 1979. The sign of the times...most definitely.

As more and more people became aware of the physical, spiritual and environmental benefits of the vegetarian diet, Paru's became a landmark both to local vegetarians as well as non-vegetarian who simple like wonderful food.

The owners of Paru's brought from India the strict culinary traditions of their ancestors, Every dish is prepared with loving kindness as well as technical mastery. The staff is not only friendly but extremely helpful.

Paru is located at 5140 Sunset Boulevard, Los Angeles. For hours of operation call 323-661-7600. Their web sit is ParusRestaurant.com.

Now something for the whole family....THE OLD MAN AND THE OLD MOON at the Wallis Annenberg Center for the Performing Arts.

This is a new musical folktale by PigPen Theatre Company. What keeps the moon shining bright? The Old Man charged with that task embarks on an epic adventure of land, sea and sky in search of his missing wife in this swirling tale of love, accompanied by a live, indie-folk band. The endlessly imaginative PigPen Theatre Company finally arrives in Los Angeles with a luminously lo-fi spectacle that elevates traditional storytelling to high art.

Even though I'm taking my fourteen year old nephew to see this on Sunday, this isn't a kid show. It's for everyone. I've heard some of the music from the production and it's just wonderful.

The show runs March 2nd - March 17th. To purchase tickets and for more info visit TheWallis.org/oldman.

Whatever you choose to do this weekend, have a great one.


Friday Features – Sweet Shows This Coming Week

Better Lemons has lots of registered shows and events and lot of them have Critics and Audience reviews posted. Here you can see their favorites and when you click on a title, you will see all the critics' and audience reviews and ratings. From there you can choose what your adventures this weekend will be. We wish you a fantastic weekend!

The Little Foxes

The Bench, A Homeless Love Story

The Value of Moscow

Blue Surge

A Mile In My Shoes

VALLEY OF THE HEART

Jane Austen’s EMMA

COME FROM AWAY

Cost of Living

OPPENHEIMER

Delusion: The Blue Blade

The Big Event: Sunny Afternoon

THE COLOR PURPLE

BUS STOP

Finks

SHE LOVES ME

A CAROL CHRISTMAS

HANSEL AND GRETEL

Aleichem Sholom! The wit and wisdom of Sholom Aleichem

The Big Event: King Dick

Blacktop Highway


Friday Features – Sweet Shows This Coming Week

Better Lemons has lots of registered shows and events and lot of them have Critics and Audience reviews posted. Here you can see their favorites and when you click on a title, you will see all the critics' and audience reviews and ratings. From there you can choose what your adventures this weekend will be. We wish you a fantastic weekend!

The People VS Hell Kross

Charles Dickens’ A Christmas Carol

Death and Cockroaches

My Date With Death – A Musical Romance

Anatomy of a Hug

THE UNAUTHORIZED MUSICAL PARODY OF STRANGER THINGS

COME FROM AWAY

Cost of Living

The Little Foxes

The Bench, A Homeless Love Story

OPPENHEIMER

Finks

Delusion: The Blue Blade

The Value of Moscow

THE COLOR PURPLE

BUS STOP

Blue Surge

HANSEL AND GRETEL

A CAROL CHRISTMAS

SHE LOVES ME

A Mile In My Shoes

Blacktop Highway

VALLEY OF THE HEART


EVENTS OPENING THIS WEEK

CIRQUE MECHANICS: 42FT – A MENAGERIE OF MECHANICAL MARVELS@ Smothers Theatre at Pepperdine University

October 16, 2018 7:30 pm

Thrills, laughs and excitement are on full display as Cirque Mechanics' 42FT – A Menagerie of Mechanical Marvels transports audiences back to the timeless thrills of the big top circus ring. Deriving its name ...read more


CHEMO BARBIE – MY LADY BITS JOURNEY THROUGH BREAST CANCER @ Santa Monica Playhouse, The Other Space

October 16, 2018 8:00 pm

“Uniquely funny” exclaims LA Beat. In 2016, Heather Keller, a healthy young vegan runner, was diagnosed with breast cancer and her life changed forever. This is her heartbreaking, inspiring and ultimately uplifting story. Winner ...read more


THE BINGE FRINGE FESTIVAL OF FREE THEATRE (BFF) @ Santa Monica Playhouse The Main Stage

October 16, 2018 8:00 pm

Welcome to the Binge! Your new BFF! Two weeks of free theatre October 15 to 28, 2018 with encore performances through November 11! Santa Monica Group Theatre presents The BFF aka The BINGE Fringe Festival of Free ...read more


A SPLINTERED SOUL @ International City Theatre

October 17, 2018 8:00 pm

A gripping drama about war refugees haunted by the death of their loved ones — and by memories of the things they had to do to survive. It's 1947 in San Francisco, home to ...read more


COST OF LIVING @ The Fountain Theatre

October 17, 2018 8:00 pm

In this gripping, unexpectedly funny Pulitzer Prize-winning play, John is a rich, quick-witted grad student who has cerebral palsy. Ani is an hilariously foul-mouthed quadriplegic. The people who help them, Jess and Eddie, have ...read more


DEAR EVAN HANSEN @ Ahmanson Theatre

October 18, 2018 2:00 pm

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one ...read more


DOWNTOWN LA FILM FESTIVAL @ Regal L.A. LIVE Cinemas

October 18, 2018 7:00 pm

Established in 2008, the festival has screened more 1,000 films, held more 200 events and partnered with more than 75 other profit and nonprofit business in DTLA. Our programming reflects downtown L.A.'s vibrant new ...read more


SHORT+SWEET HOLLYWOOD @ Marilyn Monroe Theatre

October 18, 2018 7:00 pm

Thursday, October 18, 2018 at 7:00 p.m. People's Choice Semifinalist short plays (audience favorites): Surprise.  Written by Mark Harvey Levine.  Directed by Luis Goyanes. Cast. Loren Lillian, Nathan Ondracek & Ryan Walsh. Peter is a psychic, but ...read more


RADIANT VERMIN@ Odyssey Theatre

October 18, 2018 8:00 pm

The Los Angeles premiere of an outrageous comedy with a killer heart by acclaimed British playwright and provocateur Philip Ridley. In this viciously funny satire flecked with horror, Ollie and Jill want to tell ...read more


WAITING FOR LEFTY BY CLIFFORD ODETS@ The Complex

October 18, 2018 8:00 pm

Expertly written in 1935 by Clifford Odets, Waiting for Lefty exposes a downtrodden group of Laborers fighting back against the backdrop of The Great Depression. Drama of tough times and tougher people desperate for ...read more


THE LITTLE FOXES@ Antaeus Theatre at Kiki David Gindler Performing Arts Center

October 18, 2018 8:00 pm

Lillian Hellman's provocative masterpiece continues to exert a captivating hold on American culture. Set in the Deep South of 1900, where women have scant options and men seem to hold all the power, Regina ...read more


WE BANJO 3 @ Smothers Theatre at Pepperdine University

October 19, 2018 8:00 pm

Pioneers of the innovative musical fusion style dubbed “Celtgrass,” We Banjo 3's unique blend of the traditional Irish and authentic Americana genres has made them one of the music world's most celebrated ensembles. With ...read more


THE TRIAL OF LIZZIE BORDEN @ Woodbury University Library

October 19, 2018 8:00 pm

"Lizzie Borden took an axe, gave her mother 40 whacks...." It was the crime and trial and of the century! Two people savagely hatched to death in their own home in a quiet town ...read more


FIGHTING SHADOWS @ The Rosenthal Theater at Inner-City Arts

October 19, 2018 8:00 pm

FIGHTING SHADOWS is the true story of one man's search for love in a world meant for breaking, not bending. A brutal, truthful account of Emmy-nominated actor and star of FX's Mayans M.C. Richard ...read more


THE LITTLE FOXES@ UCLA James Bridges Theatre

October 19, 2018 8:00 pm

Lillian Hellman's modern classic about a wealthy Southern family and the greed that tears them apart. Mamie Gummer (HBO's True Detective, CW's Emily Owens, M.D) stars as Regina Giddens, whose dying husband (Jared Harris, ...read more


EDGAR ALLAN POE@ Generation DCD Studio

October 19, 2018 8:30 pm

Come celebrate All Hallows' Eve at Force of Nature Productions with a dark evening of tales and mystery from the Master of the Macabre himself, Edgar Allan Poe. Poe returns to us from the ...read more


SNOW WHITE AND THE SEVEN DWARFS @ Theatre West

October 20, 2018 1:00 pm

Storybook Theatre's fun filled version of this famous story has lots of singing, dancing, audience participation, and a funny witch with a handsome prince. The children in the audience become the seven dwarfs who ...read more


FROM WHARF RATS TO LORDS OF THE DOCKS @ Theatre West

October 20, 2018 8:00 pm

Actor-playwright Ian Ruskin portrays the legendary union organizer Harry Bridges, capturing his passion, struggles and wicked sense of humor in this one-man play. This vivid dramatization brings to life the San Francisco labor leader ...read more


STEAMBATH @ Odyssey Theatre

October 20, 2018 8:00 pm

What if God turned out to be a Puerto Rican steam bath attendant, assisted by a butler named Gottlieb? Renowned stand up comedian and actor Paul Rodriguez stars in a revival of Steambath, the ...read more


QUACK @ Kirk Douglas Theatre

October 23, 2018 8:00 pm

Millions of women across America rely on Dr. Irving Baer and his daytime talk show to help them lose weight, manifest their destinies, and take their health into their own hands. Then, a take-down ...read more


Stage Raw Announces its 2018 Theater Awards Nominees

The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
Stage Raw is a community funded professional journalism website that was created in response to the decline of arts coverage in local mainstream and alternative media.
A catered nominees reception and Stage Raw fundraiser party is being held at the The Skylight Theatre in Los Feliz, on Tuesday, July 24, 7 – 10 p.m. Tickets are $100 (which includes complimentary admission to the Theater Awards ceremony), in support of Stage Raw. All nominees are invited as complimentary guests of Stage Raw.
(Nominees include everybody whose name appears on the list below; all actors and understudies named in the program for all ensemble categories; all actors, understudies, directors, playwrights, stage managers, choreographers, designers and producers in the categories of Best Revival, Best Musical and Best Production; and in the category of Production Design: all producers, directors, and designers.)
The evening will include live music and performances by Burglars of Hamm; Cheray O'Neal; Padua Playwrights; and Kristina Wong.
At the nominees reception, there will also be a silent auction of drawings created for this event by Alan Mandell, Ken Sawyer, French Stewart, Vanessa Stewart, Richard Fancy, Jon Mullich, Jon Lawrence Rivera, Stephen Sachs, Simon Levy, Gary Grossman, Kristina Wong, Michael A. Shepperd, Ken Werther, David Elzer, Jaime Robledo, Leo Marks, Nike Doukas, Tom Jacobson, Kirsten Vansgness, David Melville, Jessica Hanna, Steven Stanley, Philip Littell, Mark Seldis, Katharine Noone, Tony Abatemarco, Ann Closs-Farley, Herbert Siguenza, Jules Aaron, and more.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles, hosted by Coeurage Theatre Company, directed by Jer Adrianne Lelliott, and celebrating the theme of “community.” Tickets are $30.
Tickets for both events can be found at Eventbrite.com/e/stage-raw-theater-awards-tickets-46961390784#tickets, or visit StageRaw.com and press the “2018 Theater Awards” tab.
The 2018 Nominees are:
FIGHT CHOREOGRAPHY
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Bjørn Johnson, King Hedley II, The Matrix Theatre
Bjørn Johnson, Red Speedo, Road Theatre Company
Bjørn Johnson, Stupid Kid, Road Theatre Company
Edgar Landa, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Doug Oliphant, Br'er Cotton, Zephyr Theatre
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
VIDEO/PROJECTION DESIGN
Omolara Abode, Lyrics From Lockdown, The Actors' Gang
Nicholas Acciani, 33 Variations, Actors Co-op
J. Walt Adamcyk and Hannah Beavers, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Benjamin Durham, This Land, Company of Angels
Corwin Evans, The Art Couple, Sacred Fools Theater Company
Hana Sooyeon Kim, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Hana Sooyeon Kim, With Love and a Major Organ, Boston Court Performing Arts Center
Yee Eun Nam, Br'er Cotton, Zephyr Theatre
Tom Ontiveros, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
SOUND DESIGN
Joseph V. Calarco, The Secret in the Wings, Coeurage Theatre Company
Jeff Gardner, Cat on a Hot Tin Roof, Antaeus Theatre Company
Jeff Gardner, The Hothouse, Antaeus Theatre Company
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Jeff Gardner, Native Son, Antaeus Theatre Company
Christopher Moscatiello, The Devil's Wife, The Skylight Theatre
Christopher Moscatiello, Rhinoceros, Pacific Resident Theater
John Nobori, With Love and a Major Organ, Boston Court Performing Arts Center
Robert A. Ramirez, Master Class, The Garry Marshall Theatre
John Zalewski, I Carry Your Heart, Bootleg Theatre
LIGHTING DESIGN
Brandon Baruch, The Secret in the Wings, Coeurage Theatre Company
John E.D. Bass, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Elizabeth Harper, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Elizabeth Harper and Rose Malone, With Love and a Major Organ, Boston Court Performing Arts Center
Matt Richter, I'm Not A Comedian... I'm Lenny Bruce, Theatre 68
Pablo Santiago-Brandwein, Time Alone, Belle Reve Theatre Company
Andrew Schmedake, 33 Variations, Actors Co-op
Andrew Schmedake, Native Son, Antaeus Theatre Company
Andrew Schmedake, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
COSTUME DESIGN
Wendell C. Carmichael, Les Blancs, Rogue Machine Theatre
Allison Dillard, Priscilla, Queen of the Desert, Celebration Theatre
Christine Cover Ferro, Rhinoceros, Pacific Resident Theater
Ashphord Jackoway, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Terri A. Lewis, Cat on a Hot Tin Roof, Antaeus Theatre Company
Linda Muggeridge, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael Mullen, Fixed, Echo Theater Company
Lena Sands, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
ORIGINAL MUSIC
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Kangaroo Rat (Tim Desrosiers and Anna Bell), Rhinoceros, Pacific Resident Theater
Bernie Sirelson, Alysia Michelle James, and Elisa Rosin, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Surrija, The Secret in the Wings, Coeurage Theatre Company
CHOREOGRAPHY
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Joyce Guy, Les Blancs, Rogue Machine Theatre
Carolyn Katz, Daedalus' Daughter, Bootleg Theater
Michael Marchak, Pacific Overtures, Chromolume Theatre
Jen Oundjian, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Anne-Marie Talmadge, Alina Bolshakova, Leslie Charles Roy Jr., and the NMA Ensemble, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
MUSICAL DIRECTION
Jake Anthony, The View Upstairs, Celebration Theatre
Gina Belafonte, Lyrics From Lockdown, The Actors' Gang
Jennifer Lin, Priscilla, Queen of the Desert, Celebration Theatre
Dylan Price, 33 Variations, Actors Co-op
Lyndon Pugeda, Honky Tonk Laundry, Hudson Mainstage Theatre
Dimitri Toscas, Master Class, The Gary Marshall Theatre
SET DESIGN
Nicholas Acciani, 33 Variations, Actors Co-op
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Justin Huen, This Land, Company of Angels
John Iacovelli, Bled For The Household Truth, Rogue Machine Theatre
John Iacovelli, El Niño, Rogue Machine Theatre
John Iacovelli, King Hedley II, The Matrix Theatre
David Mauer, Rhinoceros, Pacific Resident Theater
Jeff McLaughlin, Stupid Kid, Road Theatre Company
Stephanie Kerley Schwartz, Les Blancs, Rogue Machine Theatre
Victoria Tam, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
SOLO PERFORMANCE
Giovanni Adams, Love Is A Dirty Word, VS Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bryonn Bain, Lyrics From Lockdown, The Actors' Gang
Keight Leighn, (A)partment 8, The ABC Project
Ronnie Marmo, I'm Not a Comedian, I'm Lenny Bruce, Theatre 68
Tina Preston, Don't You Ever Call My Anything But Mother, Open Fist Theatre Company
TWO PERSON PERFORMANCE
Martin Rayner & Martyn Stanbridge, Freud's Last Session, Odyssey Theatre Ensemble
Misty Cotton & Bets Malone, Honky Tonk Laundry, Hudson Mainstage Theatre
Tim Cummings & Brian Henderson, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Gary Patent & Dan Via, Plunge, Son of Semele Theater
James Eckhouse & Graham Sibley, Redline, IAMA Theatre Company
Alex Hernandez & Tonya Pinkins, Time Alone, Belle Reve Theatre Company
SUPPORTING MALE PERFORMANCE
Noel Arthur, Native Son, Antaeus Theatre Company
Ryan Brophy, Rotterdam, The Skylight Theatre
Eduardo Fernandez-Baumann, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Harry Groener, Cat on a Hot Tin Roof, Antaeus Theatre Company
Rob Nagle, Stupid Kid, Road Theatre Company
Jeris Poindexter, Runaway Home, The Fountain Theatre
Gabriel Romero, The Madres, The Skylight Theatre
Montae Russell, King Hedley II, The Matrix Theatre
Desean Kevin Terry, A Streetcar Named Desire, Boston Court Performing Arts Center
Adolphus Ward, King Hedley II, The Matrix Theatre
MALE COMEDY PERFORMANCE
Josh Clark, The Hothouse, Antaeus Theatre Company
Drew Droege, Die, Mommie, Die!, Celebration Theatre
Alex Elliott-Funk, Supper, Theatre of NOTE
Alex Fernandez, Rhinoceros, Pacific Resident Theater
Leo Marks, The Hothouse, Antaeus Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Darrett Sanders, Supper, Theatre of NOTE
Joel Scher, Supper, Theatre of NOTE
LEADING MALE PERFORMANCE
Daniel Bess, Cat on a Hot Tin Roof, Antaeus Theatre Company
Benjamin Burdick, Bled For The Household Truth, Rogue Machine Theatre
Joe Hart, Stupid Kid, Road Theatre Company
Bruce Ladd, 33 Variations, Actors Co-op
Ben Martin, Walking To Buchenwald, Open Fist Theatre
Esau Pritchett, King Hedley II, The Matrix Theatre
Graham Sibley, Redline, IAMA Theatre Company
Adam Silver, Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
Desean Kevin Terry, Les Blancs, Rogue Machine Theatre
SUPPORTING FEMALE PERFORMANCE
Dawn Didawick, Cat on a Hot Tin Roof, Antaeus Theatre Company
Emily Goss, Forever Bound, Atwater Village Theatre
Ella Joyce, King Hedley II, The Matrix Theatre
Ciera Payton, King Hedley II, The Matrix Theatre
Maya Lynne Robinson, Runaway Home, The Fountain Theatre
Maya Lynne Robinson, A Streetcar Named Desire, Boston Court Performing Arts Center
Michaela Slezak,Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Cheryl Umaña, This Land, Company of Angels
Karen Malina White, Runaway Home, The Fountain Theatre
Christine Woods, Cult of Love, IAMA Theatre Company
FEMALE COMEDY PERFORMANCE
Anna Lamadrid, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Debra Jo Rupp, The Cake, Echo Theater Company
Paige Lindsey White, With Love and a Major Organ, Boston Court Performing Arts Center
LEADING FEMALE PERFORMANCE
Corryn Cummins, Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Carolyn Hennesy, Master Class, The Garry Marshall Theatre
Margarita Lamas, The Madres, The Skylight Theatre
Nan McNamara,33 Variations, Actors Co-op
Jaimi Paige, A Streetcar Named Desire, Boston Court Performing Arts Center
Ashley Romans, Rotterdam, The Skylight Theatre
Camille Spirlin, Runaway Home, The Fountain Theatre
Heidi Sulzman, Bugaboo and The Silent One, The Lounge Theatre
Miranda Wynne, Rotterdam, The Skylight Theatre
ADAPTATION
Nambi E. Kelley, Native Son, Antaeus Theatre Company
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Mary Zimmerman, The Secret in the Wings, Coeurage Theatre Company
PLAYWRITING
Giovanni Adams, Love Is A Dirty Word, VS. Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bekah Brunstetter, The Cake, Echo Theater Company
Alessandro Camon, Time Alone, Belle Reve Theatre Company
Bernardo Cubría, The Giant Void In My Soul, Ammunition Theatre Company
Leslye Headland, Cult of Love, IAMA Theatre Company
Jeremy J. Kamps, Runaway Home, The Fountain Theatre
Dan O'Brien, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Evangeline Ordaz, This Land, Company of Angels
Marja-Lewis Ryan, Bugaboo and the Silent One, The Lounge Theatre
PRODUCTION DESIGN
Caught, Think Tank Gallery
Daedalus' Daughter, Bootleg Theater
King Hedley II, The Matrix Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
A Streetcar Named Desire, Boston Court Performing Arts Center
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
With Love and a Major Organ, Boston Court Performing Arts Center
COMEDY ENSEMBLE
Bad Jews, Odyssey Theatre Ensemble
The Cake, Echo Theater Company
Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
El Niño, Rogue Machine Theatre
The Giant Void In My Soul, Ammunition Theatre Company
The Hothouse, Antaeus Theatre Company
Rhinoceros, Pacific Resident Theater
Supper, Theatre of NOTE
With Love and a Major Organ, Boston Court Performing Arts Center
ENSEMBLE
33 Variations, Actors Co-op
Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Pacific Overtures, Chromolume Theatre
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
COMEDY DIRECTION
Lindsay Allbaugh, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Jennifer Chambers, The Cake, Echo Theater Company
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Lisa James, El Niño, Rogue Machine Theatre
Jessica Kubzansky, With Love and a Major Organ, Boston Court Performing Arts Center
Dana Resnick, Bad Jews, Odyssey Theatre Ensemble
Felix Solís, The Giant Void In My Soul, Ammunition Theatre Company
DIRECTION
Andi Chapman, Native Son, Antaeus Theatre Company
Gregg T. Daniel, Les Blancs, Rogue Machine Theatre
Ed Sylvanus Iskandar, Caught, Think Tank Gallery
Carol Katz, Daedalus' Daughter, Bootleg Theater
Thomas James O'Leary, 33 Variations, Actors Co-op
Robert Mandel, Freud's Last Session, Odyssey Theatre Ensemble
Michael Michetti, A Streetcar Named Desire, Boston Court Performing Arts Center
Jonathan Muñoz-Proulx, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Jaime Robledo, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael A. Shepperd,Rotterdam, The Skylight Theatre
Annie Tippe, Cult of Love, IAMA Theatre Company
MUSICAL OF THE YEAR
Dessa Rose, Chromolume Theatre
Pacific Overtures, Chromolume Theatre
Priscilla, Queen of the Desert, Celebration Theatre
REVIVAL OF THE YEAR
Cat on a Hot Tin Roof, Antaeus Theatre Company
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Rhinoceros, Pacific Resident Theater
A Streetcar Named Desire, Boston Court Performing Arts Center
PRODUCTION OF THE YEAR
Caught, Think Tank Gallery
The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
Rotterdam, The Skylight Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
QUEEN OF THE ANGELS
Dolores Chavez
LIFETIME ACHIEVEMENT
Norman Lloyd


Now registered this week on the Better Lemons Calendar through June 30, 2018

New shows registered on the Better Lemons calendar for information and review!