Spotlight Series: Meet Christine Joëlle, a Versatile Actor Who Also Runs a Successful Pet Care Service


This Spotlight focuses on Christine Joëlle, an actress I first saw onstage in the summer of 2004 as Madge Owens in Picnic, directed by Gail Bernardi for Kentwood Players at the Westchester Playhouse. Christine and I went on to work together in many productions for the community theatre group, both onstage and on production teams. Since then, I have been fortunate to follow her path across the stages of professional theatre companies all over town, always enjoying her ability to transform herself into a great variety of characters – often during the same show!  And I am also a very happy customer of her pet care service, Movin’ Paws.


Shari Barrett (SB): What would you like readers to know about your own theatrical background? 

Christine Joëlle (CJ): I graduated from James Madison University and attended The American Academy of Dramatic Arts. Since moving to Los Angeles, I have worked in several theaters all around the city, having performed in over 60 stage productions. I am a proud theatre company member of THE ROAD and THEATRE 40 and union member of AEA, SAG-AFTRA.

Jennifer Laks, Lary Ohlson and Christine Joëlle in "Night Watch" at Theatre 40. Photo by Ed Krieger

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(CJ): I was currently working on Mistakes Were Made: Coulda, Woulda, Shoulda by Jerry Mayer at The Santa Monica Playhouse. We were on its 4th extension before having to postpone until a future date.

Christine Joëlle in “Mistakes Were Made: Coulda, Woulda, Shoulda" at the Santa Monica Playhouse. Photo by Evelyn Rudie

(SB): How was the shutdown communicated with the cast and production team? 

(CJ): Via emails and phone calls. Ultimately, we came to a mutual decision to close the theatre for our and our patron’s safety.

(SB):  Are plans in place to present that production at a future date, or is the cancellation permanent?

(CJ): Our producers, Evelyn Rudie and Chris DeCarlo will most likely resume running the show. I have no doubt that all the cast members would be delighted to return.

(SB): I really enjoyed Mistakes Were Made: Coulda, Woulda, Shoulda and all the characters you played in it. It’s so much fun to attend a show that keeps you laughing - and crying - at the same time from start to finish at such universal human foibles! Here is my review on Broadway World.

What future productions on your schedule are also affected by the shutdown? 

Christine Joëlle in the immersive theatre show “Delusion”

(CJ): I was not planning to be in other shows at the moment. But I do have a strong feeling many fall shows and activities may not happen either. For example, the Haunted Play production staff of the immersive theatre show Delusion will most likely not take place this year because it’s the type of show where you must secure and rent a location by May/June in order for production planning to commence.

Caleb Slavens, Alison Blanchard, Christine Joëlle and Christian Pedersen in "Flare Path" at Theatre 40. Photo by Ed Krieger(SB):  How are you keeping the Arts alive while at home by using social media or other online sites?

(CJ): I’m definitely becoming a master of ZOOM chats! Ha! And am putting my self-tape skills to good use as well.

I am also the owner and CEO of a successful pet care service called Movin’ Paws. So, I’ve been busy keeping it movin’ during these crazy times. If you need any dog/cat care for your furry ones, we’d be delighted to lend a helping paw. Check out our services at MovinPaws.com 

(SB): My dog Cody, bird Ernie, and I all highly recommend Movin’ Paws for their excellent service and personal care of your pets! 

What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(CJ): Stay Strong and Safe. Without our health, our return to the stage shall take longer. The Arts and our creative community shall never die. We shall need it now more than ever. Keep that creative flow going!

(SB): And in closing to you personally, Christine – windmills!


This article first appeared on Broadway World.



Nowhere on the Border director Stewart J. Zully Presents His Take on the Play Currently at The Road Theatre on Magnolia

The Road Theatre Co is proud to present the premiere of "Nowhere on the Border" by Carlos Lacámara and directed by Stewart J. Zully. The play concerns itself with the question "Why do people cross borders?". Two working class men, an Anglo on border watch and a Mexican, face off in the desert. What is discovered is that border crossings are both physical and emotional. The play opened January 17 at the Road on Magnolia and will play through March 8. Director Zully took time out of a busy schedule to discuss the play.

What are your challenges directing Nowhere on the Border?

SZ: Many years ago I performed in an earlier draft of this play, and this was the first time I had directed a play that I had been in previously. It was interesting being reminded of my own acting choices from more than 10 years ago and then collaborating on new ones with the two actors performing this role (we have an alternate cast). Chet Grissom and Lance Guest are such experienced actors that it was rewarding to see them find their own character choices through our process.

What do you feel is the best feature(s) of the play? How does it speak to the audience?

SZ: Nowhere On The Border reminds us that we are more similar than different. When it comes to natural disasters, such as floods, fires, hurricanes, etc., we as a species get together as one—"Are you alright?” "Look at mother nature’s devastation, etc." Then, when the dust has settled, we get back to manmade problems, such as war, poverty, religion. This play is a reminder that we are all human, as the desert, a natural phenomenon, awakens in us an animal instinct. The characters in this play bond through adversity, and the audience gets to witness that.

Can you tell us a little bit about your cast?

SZ: I have been blessed with solid pros, in both casts, as the characters are inhabited by some well seasoned stage actors. I recommend people not only see the show, but actually see both casts, as the work is fascinating in the hands of different actors. The types that have been cast are vastly different in many ways, so the alternate cast puts its stamp on the roles thoroughly. And since we had to mix and match, having some of the actors in the alternate cast performing with the first cast, we have created a true ensemble of 12 people. I have been blessed with some enormous talent to direct.

What have you been up to as of late? How is your book doing?

SZ: Last year I published my memoir, MY LIFE IN YANKEE STADIUM Forty Years as a Vendor and Other Tales of Growing Up Somewhat Sane in the Bronx. The book tells the story of my working at the ballpark in New York for 2500 events as I pursued my career in show business as an actor, director, writer, and producer. For the past year I did promotion with interviews and book signings so it was nice to be able to stay in one place and focus on this play, which has been percolating at The Road for a number of years. And now, here it is…

Nowhere on the Border plays on Fridays at 8 pm, Saturdays at 8 pm and Sunday matinees at 2 pm at the Road in The NoHo Senior Arts Colony that is located at 10747 Magnolia Blvd. in NoHo. There is plenty of street parking but arrive early. For tickets call 818-761-8838 or go to RoadTheatre.org.


Nowhere on the Border Playwright Carlos Lacámara Talks About His Critically Acclaimed Play at The Road

The Road Theatre Co is proud to present the premiere of Nowhere on the Border by Carlos Lacámara and directed by Stewart J. Zully. The play concerns itself with the question "Why do people cross borders?" Two working class men, an Anglo on border watch and a Mexican, face off in the desert. What is discovered is that border crossings are both physical and emotional. The play opened January 17 at the Road on Magnolia and will play through March 8. Playwright Carlos Lacámara, who also plays a role in the alternate cast, took time out of a busy schedule to discuss the play in detail.

Is the play Nowhere on the Border autobiographical?

CL: The play is not autobiographical, but as a refugee to this country, I have great empathy for those who tear themselves away from their homes and families to search for a better life.

What actual event(s) inspired you to write this play?

CL: Two different ideas inspired Nowhere on the Border. First, both my wife and I come from working class families. I find that working men (and I am specifically referring to men) often blame their difficulties on other working men of different races or ethnicities rather than on the upper classes that have more control over their fate. A working man from Pennsylvania and one from Mexico have much more in common with each other than they do with Bill Gates or David Koch, so I decided to let two working men from different nations battle out their differences along the southern U.S. border. My other inspiration came from a Los Angeles Times article that followed a father who spent weeks looking for his missing daughter in the desert. Along the way, he found many other dead bodies, and each time he did, he called the Border Patrol and waited for them to take the corpse away. I combined these two ideas to create Nowhere on the Border.

What is the play's intent?

CL: I want this play to remind us that we are all one.

What is it like  playing one of the characters in a play that you wrote?

CL: It’s wonderful to get to portray a character in my own story. Theatre is story telling. Playing a character gives me the wonderful opportunity to live the story I created, and it’s easier to memorize lines that I wrote myself.

What would you like audiences to take away from seeing the play?

CL: I would love for audiences to see themselves in the characters, and to understand that any of us could easily have found ourselves walking across a burning desert, fleeing danger and poverty, were it not for an accident of birth. Immigrants and refugees are as good and smart and deserving as any of us, maybe more so when you consider the courage it takes to do what they do.

Nowhere on the Border plays on Fridays at 8 pm, Saturdays at 8 pm and Sunday matinees at 2 pm at the Road in The NoHo Senior Arts Colony that is located at 10747 Magnolia Blvd. in NoHo. There is plenty of street parking but arrive early. For tickets call 818-761-8838 or go to RoadTheatre.org.


THE BEST OF SHOWS ON BETTER LEMONS IN 2019

Better Lemons had a fantastic year and we couldn't have done it without the fantastic critics, publicists, and audience members who share their love of Los Angeles theater, by posting on Better Lemons and sharing their favorite shows and their reviews on social media.

We are especially grateful for all the Registered Critics who took their time this past year to rate shows they have reviewed to be included in our LemonMeter.

There were 1200 productions registered on Better Lemons in 2019! Out of those registered shows, over 600 received at least one review from a Critic and 201 were reviewed by Audience members. Out of these shows, we selected the winners that were most favored by Critics and/or Audiences.

Here is a list with all the Better Lemons SWEET productions of 2019:

The Better Lemons DoubleSWEET #LemonMeter Choice Awards for 2019
are going to the following productions:

(33 shows out of 1200 productions received
a DoubleSWEET #LemonMeter rating
from audience and critics)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet
14 Critics reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet
9 Critics reviews - 94% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet
4 Critics reviews - 75% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet
7 Critics reviews - 93% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR at the Complex Theatre
14 Audience reviews - 96% Sweet
3 Critics reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

BLACKBOXING at the Complex Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet
5 Critics reviews - 100% Sweet

TRANSFERENCE at The Broadwater
9 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

SCRAPS at the Matrix Theatre
8 Audience reviews - 100% Sweet
15 Critics reviews - 87% Sweet

SUPPORTIVE WHITE PARENTS at The Broadwater
8 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
7 Audience reviews - 100% Sweet
13 Critics reviews - 92% Sweet

ROMEO AND JULIET IN HELL at the Actors Workout Studio
7 Audience reviews - 100% Sweet
8 Critics reviews - 100% Sweet

FALLEN SAINTS: SALEM at the Actors Workout Studio
7 Audience reviews - 100% Sweet
7 Critics reviews - 100% Sweet

SAVING CAIN at the Hudson Theatres
6 Audience reviews - 100% Sweet
5 Critics reviews - 90% Sweet

THE LAST CROISSANT at The Broadwater
5 Audience reviews - 100% Sweet
6 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
4 Audience reviews - 100% Sweet
10 Critics reviews - 95% Sweet

OLIVIA WILDE DOES NOT SURVIVE THE APOCALYPSE at the Complex Theatre
4 Audience reviews - 100% Sweet
6 Critics reviews - 92% Sweet

CLARISSANT at the Atwater Village Theatre
4 Audience reviews - 88% Sweet
4 Critics reviews - 100% Sweet

CIRQUE DU GISELLE at the Assistance League Theater
4 Audience reviews - 100% Sweet
4 Critics reviews - 88% Sweet

BATTER UP: MY BRAIN ON BASEBALL at studio/stage
4 Audience reviews - 100% Sweet
4 Critics reviews - 100% Sweet

JOAN AND WHAT DID THEY SAY - AN EVENING OF ONE ACTS at Theatre Unlimited (T.U. Studios)
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

TREASON at the Stephanie Feury Studio Theatre
4 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

45 MILLIGRAMS at The Broadwater
3 Audience reviews - 100% Sweet
3 Critics reviews - 100% Sweet

The Better Lemons Audience #LemonMeter Choice Awards for 2019
are going to the following productions:

(32 shows out of 1200 productions received
a minimum of 10 audience reviews
and have received a SWEET #LemonMeter rating by the Audience)

TALES FROM THE POWDER ROOM at the Whitefire Theatre
41 Audience reviews - 100% Sweet

IF WE RUN at the Lounge Theatre
32 Audience reviews - 100% Sweet

RAISED BY WOLVES at the Stephanie Feury Studio Theatre
32 Audience reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
30 Audience reviews - 100% Sweet

FERTILE: A CONVERSATION ABOUT THE EXPECTATION OF PROCREATION currently at the Whitefire Theatre
27 Audience reviews - 100% Sweet

AN EXCUSE TO BEHAVE BADLY at the Lounge Theatre
22 Audience reviews - 100% Sweet

HOLLYWOODN'T at the Santa Monica Playhouse
20 Audience reviews - 100% Sweet

THE BULLY PROBLEM at the Arena Theatre - Theatre of Arts
17 Audience reviews - 100% Sweet

TELENOVELA at the Actors Workout Studio
16 Audience reviews - 100% Sweet

AMERICAN STRANGER THE MUSICAL at Studio C
16 Audience reviews - 100% Sweet

THE NARCISSIST NEXT DOOR at the Complex Theatre
15 Audience reviews - 100% Sweet

MONO/POLY at the Odyssey Theatre
14 Audience reviews - 100% Sweet

MASTERS OF THE DARK REALM at the Actors Workout Studio
14 Audience reviews - 100% Sweet

BUNNY THE ELF LIVE! currently at the Stages in Fullerton
14 Audience reviews - 100% Sweet

CRACK WHORE, BULIMIC, GIRL-NEXT-DOOR Complex Theatre
14 Audience reviews - 96% Sweet

THE ELEPHANT MAN at the El Portal Theatre
14 Audience reviews - 96% Sweet

MANDY PICKS A HUSBAND at the Actors Company
13 Audience reviews - 100% Sweet

A BIT MUCH at the Lounge Theatre
12 Audience reviews - 100% Sweet

ASK A BLACK WOMAN at Studio C
12 Audience reviews - 100% Sweet

THANK YOU FOR LOVING ME at the Stephanie Feury Studio Theatre
12 Audience reviews - 100% Sweet

BIRTHDAY at the Actors Company
12 Audience reviews - 100% Sweet

(IM)PERFEKT at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

LEAVING PRINCE CHARMING at the Lounge Theatre
11 Audience reviews - 100% Sweet

ENERJOYCE...EVOLUTION OF A PISCES BABY BOOMER at the Santa Monica Playhouse
11 Audience reviews - 100% Sweet

YES. NO. MAYBE. at the Complex Theatre
11 Audience reviews - 100% Sweet

BECOMING PEACE: A ONE WOMAN DRAMEDY ABOUT POWER, CULTURE, VIOLENCE AND NONVIOLENCE at the Lounge Theatre
10 Audience reviews - 100% Sweet

CAT SH!T CRAZY...FROM HOT MESS TO HOT MAMA IN FOUR SIMPLE CATS at the Whitefire Theatre
10 Audience reviews - 100% Sweet

OCTOPI WALL STREET at the New American Theatre
10 Audience reviews - 100% Sweet

EMBRACE LOVE FREE at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

BLACKBOXING at the Santa Monica Playhouse
10 Audience reviews - 100% Sweet

MIL GRUS at the McCadden Place Theatre
10 Audience reviews - 100% Sweet

The Better Lemons Critics #LemonMeter Choice Awards for 2019
are going to the following productions:

(92 shows out of 1200 productions received
a minimum of 10 critic reviews
and have received a SWEET #LemonMeter rating by the Critics)

DANIEL'S HUSBAND at The Fountain Theatre
26 Critics reviews - 96% Sweet

WITCH at the Geffen Playhouse
21 Critics reviews - 93% Sweet

HANDJOB by the Echo Theater Company
21 Critics reviews - 79% Sweet

THE PLAY THAT GOES WRONG at the Ahmanson Theatre
21 Critics reviews - 76% Sweet

THE CRIPPLE OF INISHMAAN by the Antaeus Theatre Company
20 Critics reviews - 90% Sweet

SKINTIGHT at the Geffen Playhouse
19 Critics reviews - 100% Sweet

THE CAUCASIAN CHALK CIRCLE by the Antaeus Theatre Company
19 Critics reviews - 97% Sweet

BETWEEN RIVERSIDE AND CRAZY at The Fountain Theatre
19 Critics reviews - 79% Sweet

LATIN HISTORY FOR MORONS at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

MATTHEW BOURNE'S SWAN LAKE at the Ahmanson Theatre
18 Critics reviews - 100% Sweet

1776 THE MUSICAL at the La Mirada Theatre for the Performing Arts
18 Critics reviews - 94% Sweet

BRONCO BILLY - THE MUSICAL at the Skylight Theatre Company
18 Critics reviews - 92% Sweet

AN INSPECTOR CALLS at The Wallis Annenberg Center for the Performing Arts
18 Critics reviews - 81% Sweet

DEADLY at the Sacred Fools Theater Company
18 Critics reviews - 75% Sweet

ON BECKETT at the Kirk Douglas Theatre
17 Critics reviews - 100% Sweet

HELLO DOLLY at the Pantages Theatre
17 Critics reviews - 97% Sweet

READY STEADY YETI GO at the Rogue Machine Theatre
17 Critics reviews - 82% Sweet

TOO MUCH SUN at the Odyssey Theatre
17 Critics reviews - 82% Sweet

SALVAGE at the Lounge Theatre
16 Critics reviews - 100% Sweet

LOOT at the Odyssey Theatre
16 Critics reviews - 91% Sweet

ANNE, A NEW PLAY at the Museum of Tolerance
16 Critics reviews - 88% Sweet

MYSTERIOUS CIRCUMSTANCES at the Geffen Playhouse
16 Critics reviews - 84% Sweet

NICK DEAR'S FRANKENSTEIN at A Noise Within
16 Critics reviews - 78% Sweet

RAGTIME: THE MUSICAL at the Pasadena Playhouse
15 Critics reviews - 100% Sweet

INDECENT at the Ahmanson Theatre
15 Critics reviews - 100% Sweet

LOVE ACTUALLY LIVE at The Wallis Annenberg Center for the Performing Arts
15 Critics reviews - 97% Sweet

DANA H. at the Kirk Douglas Theatre
15 Critics reviews - 97% Sweet

EIGHT NIGHTS by the Antaeus Theatre Company
15 Critics reviews - 93% Sweet

FALSETTOS at the Ahmanson Theatre
15 Critics reviews - 90% Sweet

A KID LIKE JAKE by the IAMA Theatre Company
15 Critics reviews - 90% Sweet

LACKAWANNA BLUES at the Mark Taper Forum
15 Critics reviews - 90% Sweet

HYPE MAN at The Fountain Theatre
15 Critics reviews - 90% Sweet

SCRAPS at the Matrix Theatre
15 critics reviews - 87% Sweet

OTHELLO at A Noise Within
15 Critics reviews - 80% Sweet

PARADISE at the Matrix Theatre
15 Critics reviews - 77% Sweet

LINDA VISTA at the Mark Taper Forum
15 Critics reviews - 77% Sweet

AUGUST WILSON'S JITNEY at the Mark Taper Forum
14 Critics reviews - 100% Sweet

TO DAD WITH LOVE: A TRIBUTE TO BUDDY EBSEN at Theatre West
14 Critics reviews - 100% Sweet

THE SKIN OF OUR TEETH at Will Geer's Theatricum Botanicum
14 Critics reviews - 100% Sweet

DIANA OF DOBSON'S by the Antaeus Theatre Company
14 Critics reviews - 93% Sweet

MOBY DICK - REHEARSED at Will Geer's Theatricum Botanicum
14 Critics reviews - 89% Sweet

THE SOLID LIFE OF SUGAR WATER by Deaf West Theatre
14 Critics reviews - 89% Sweet

LITTLE SHOP OF HORRORS at the Pasadena Playhouse
14 Critics reviews - 75% Sweet

TWO TRAINS RUNNING AT MATRIX at the Matrix Theatre
13 Critics reviews - 100% Sweet

IN CIRCLES at the Odyssey Theatre
13 Critics reviews - 100% Sweet

TWELFTH NIGHT at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 100% Sweet

RAGTIME at the Chance Theater
13 Critics reviews - 96% Sweet

NEIL SIMON'S MUSICAL FOOLS by the Open Fist Theatre Company
13 Critics reviews - 92% Sweet

WITNESS UGANDA at The Wallis Annenberg Center for the Performing Arts
13 Critics reviews - 92% Sweet

THE JOY WHEEL at the Ruskin Group Theatre
13 Critics reviews - 88% Sweet

THE WOLVES by the Echo Theater Company
13 Critics reviews - 88% Sweet

FAITH HEALER at the Odyssey Theatre
13 Critics reviews - 88% Sweet

THE NICETIES at the Geffen Playhouse
13 Critics reviews - 88% Sweet

ARGONAUTIKA at A Noise Within
13 Critics reviews - 88% Sweet

THE PRODUCERS at the Celebration Theatre @ The Lex
13 Critics reviews - 88% Sweet

FEFU AND HER FRIENDS at the Odyssey Theatre
13 Critics reviews - 88% Sweet

LIGHTS OUT: NAT "KING" COLE at the Geffen Playhouse
13 Critics reviews - 85% Sweet

GRUMPY OLD MEN: THE MUSICAL at the La Mirada Theatre for the Performing Arts
13 Critics reviews - 77% Sweet

HAPPY DAYS at the Mark Taper Forum
12 Critics reviews - 100% Sweet

CANYON at theLos Angeles Theatre Center
12 Critics reviews - 100% Sweet

THE VANDAL at the Chance Theater
12 Critics reviews - 100% Sweet

DEATH OF A SALESMAN at the Ruskin Group Theatre
12 Critics reviews - 96% Sweet

NANCY F***ING REAGAN at the Secret Rose Theatre
12 Critics reviews - 88% Sweet

AMERICA ADJACENT at theSkylight Theatre Company
12 Critics reviews - 83% Sweet

DEFENDERS at The Broadwater
12 Critics reviews - 79% Sweet

ANASTASIA at the Pantages Theatre
12 Critics reviews - 75% Sweet

JULIUS WEEZER at the El Portal Theatre
11 Critics reviews - 100% Sweet

ANDY WARHOL’S TOMATO at the Pacific Resident Theatre
11 Critics reviews - 100% Sweet

BURIED CHILD at A Noise Within
11 Critics reviews - 100% Sweet

SINGIN' IN THE RAIN at the La Mirada Theatre for the Performing Arts
11 Critics reviews - 100% Sweet

HERSHEY FELDER: A PARIS LOVE STORY at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 100% Sweet

ANNA IN THE TROPICS by the Open Fist Theatre Company
11 Critics reviews - 95% Sweet

THE GLASS MENAGERIE at A Noise Within
11 Critics reviews - 95% Sweet

AT THE TABLE at The Road Theatre Company
11 Critics reviews - 91% Sweet

MISS LILLY GETS BONED at the Rogue Machine Theatre
11 Critics reviews - 91% Sweet

SISTERS IN LAW at The Wallis Annenberg Center for the Performing Arts
11 Critics reviews - 91% Sweet

THE GREAT LEAP at the Pasadena Playhouse
11 Critics reviews - 91% Sweet

A STREETCAR NAMED DESIRE at the Odyssey Theatre
11 Critics reviews - 86% Sweet

M. BUTTERFLY at the South Coast Repertory
11 Critics reviews - 77% Sweet

THE MAN WHO CAME TO DINNER by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 100% Sweet

TREYA'S LAST DANCE at the Hudson Theatres
10 Critics reviews - 95% Sweet

DAMES AT SEA by the Sierra Madre Playhouse
10 Critics reviews - 95% Sweet

NEVER IS NOW at the Skylight Theatre Company
10 Critics reviews - 95% Sweet

THE NEW ONE at the Ahmanson Theatre
10 Critics reviews - 95% Sweet

FRIENDS WITH GUNS at The Road Theatre Company
10 Critics reviews - 90% Sweet

ROALD DAHL'S MATILDA THE MUSICAL by 5 Star Theatricals
10 Critics reviews - 90% Sweet

DISNEY'S FROZEN at the Pantages Theatre
10 Critics reviews - 90% Sweet

THE MIRACULOUS JOURNEY OF EDWARD TULANE by the 24th STreet Theatre
10 Critics reviews - 85% Sweet

SPECIAL at the Theatre of Note
10 Critics reviews - 85% Sweet

SWEENEY TODD - THE DEMON BARBER OF FLEET STREET at the South Coast Repertory
10 Critics reviews - 85% Sweet

FIFTEEN MEN IN A SMOKE-FILLED ROOM at Theatre 40
10 Critics reviews - 85% Sweet

LOOSE KNIT by The Group Rep/Lonny Chapman Theatre
10 Critics reviews - 80% Sweet


Now Registered This Week on the Better Lemons Calendar – November 19 through November 25, 2018

Theatrical shows, Musical Concerts, and Film Festivals registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

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Now registered this week on the Better Lemons Calendar August 20 to September 2, 2018

NEW! Shows and film festivals that have registered on the Better Lemons calendar. For more shows visit our Calendar. For shows with a LemonMeter rating, visit our LemonMeter page.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.

Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
Share on social media.

Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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Visit their Better Lemons Registered Calendar Page for ticket and show information.
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"TOXIC MASCULINITY" IN HOLLYWOOD (Onstage)

Given how much "toxic" masculinity there is around these days - just this morning, some jerk in Northern Cali joined the growing list of lethal shooters, at a children's elementary school, no less - well, I thought I'd begin with a memoir from a non-toxic Hollywood male.

BORN STANDING UP: a comic's life by Steve Martin, published by Scribner's

"I was not naturally talented - I didn't sing, dance or act - though working around that minor detail made me inventive.  I was not self-destructive, though I almost destroyed myself. In the end, I turned away from standup with a tired swivel of my head, until now," writes Steve Martin, in the first chapter of this fascinating self-analysis of his 18 year career as a standup comic.  Martin adds: "I was seeking comic originality, and fame fell on me as a by-product."

This is not a new book - it's been out 10 years already - but it has sat on my shelf for some-time now, unread.  I am suspicious of celebrity culture of any kind, and self-analysis is usually of the most superficial variety with such folk.  But Steve Martin has been more unpredictable than most, branching out to playwriting, literary fiction, painting, musicals.  And I found his book to be unexpectedly and delightfully insightful, both into the formation of "Steve Martin, standup" who became the first comedian to play stadiums, and into the art of standup comedy itself.  Steve Martin spent years as a standup failure, bombing hard and often.  He lost managerss, he lost lovers, he had no money. His father never believed in him and was clearly hoping he would call it quits.  Even the months before his stardom were filled with gigs with small audiences and loud hecklers.  How and why did it change?  Read the book and find out.  I was deeply impressed with the honesty and humility with which Martin was able to view his own development as an entertainer and creative force.   He comes across as a flawed but genuinely good guy, a private person from Orange County who is well aware of the demands of celebrity, keeping it at as great a distance as he can afford to.

STUPID KID by Sharr White, Directed by Cameron Watson

Joe Hart, Taylor Gilbert, Rob Nagle, Allison Blaize, Ben Theobald (Brian Cole)

There are sometimes when the opening scene of a new play is so original and mind-blowing that I worry about how the rest of the play is going to be able to continue on this level, much less top it.  Such was the case with Sharr White's Stupid Kid at the Road.  The play opens with a knock on a door - suddenly Chick (Ben Theobald), a wayward man in his late 20s, is facing his father Eddie (Joe Hart) on the threshold of the run-down family home.  "Who are you?" Eddie keeps asking, and he seems unable to comprehend that this stranger at his door is actually his son.  Soon mother Gigi (Taylor Gilbert) joins the fray, and things only get more wildly out of control.  What's so winning about this opening scene, from a playwright's point of view, is that the three major characters are established and we begin to get a glimpse of the terrible tragedy/media event 14 years earlier that changed their lives - all without ever slowing down the play or compromising its reality to give us any exposition.  The play has raised several intriguing questions without giving away any crucial information.  Soon after this, the "toxic masculinity" in the play is introduced in the character of Uncle Mike (Rob Nagle).  Uncle Mike was the town sheriff, until he was unceremoniously removed.  Now he's running for town judge to get his revenge.  Uncle Mike has moments of greatness, but his character ends up raising more questions than the play is able to answer, chief among them: why would a man so concerned with power and domination rent a boy's room in his sister's run-down house for the last 14 years?  Given the depth of sadism, maybe he needs people to dominate; but other questions emerge that simply prove to be too big for this play to deal with.  Still, it's a terrific production, with great costumes by Kate Bergh and a wonderfully-detailed set by Jeff McLaughlin.  It has six more performances and is worth catching.

LES LIASON DANGEREUSES by Christopher Hampton, from the novel by Choderlos de Laclos, directed by Robin Larson

Reiko Aylesworth and Henry Lubatti in the Libertine cast (Geoffrey Wade)

This would seem to be the perfect play for right now, dealing as it does with the sexual misdeeds of two 18th Century aristocrats, La Marquise de Merteuil and Le Vicomte de Valmont, who conspire together to pray upon the more vulnerable members of their society.  There's even this quote from a mother to her teenage daughter in the early moments of the play, regarding why Valmont continues to be received in polite homes, despite his tawdry history: "You'll soon find that society is riddled with such inconsistencies, we're all aware of them, we all deplore them, and in the end, we all accommodate them."   As Jenny Lower pointed out in her Stage Raw review, this could be a description of how Harvey Weinstein's uncouth behavior and violations went unpunished for so long.

Antaeus is famous for having two separate casts for each show - in this case, The Libertines and The Lovers.  I saw The Libertines cast, with Reiko Aylesworth and Henry Lubatti in the lead roles, and the production simply didn't work for me, because Mr Lubatti didn't make me feel the emotional devestation that Valmont causes by rejecting his true love, La Presidente de Tourvel.  In her Stage Raw review, Jenny Lower raves about how well this worked with the actors in The Lovers cast.  Something to think about.

REDLINE by Christian Durso, directed by Eli Gonda, presented by IAMA Theatre at the Lounge

This father-son play about the consequences of a 5 second outburst of toxic masculinity has all the emotional devestation I found missing from Liason Dangereuse, and much more.  It is the culmination of a two year development process in which playwright Christian Durso continued to work on his play with director Eli Gonda and actors James Eckhouse and Graham Sibley, having readings, making changes. The play is still finding its levels and filling in a few details, and the ending still feels a bit tentative, but this is an example of what small theaters can do that major institutional theaters rarely can.  The collaborative elements here are outstanding, and IAMA Theatre deserves huge kudos for helping to bring about such a powerful theatrical experience.  Every family will be able to relate to the central event in the play - an argument between mom and dad on a skiing field trip that gets out of hand and ignites a moment of chaos that results in a tragedy for many people.  Further, the play shows how the emotional damage is compounded and passed along from father to son, resulting in another heartrending and entirely preventable tragedy.  Eckhouse and Sibley are two of SoCal's best actors, and both are at the top of their games here.  But, again, the brilliance here is the result of a great collaboration between all aspects of theater, including the flexible steel set by Rachel Myers and the excellent lighting by Josh Epstein.  Kudos also to producers Tom DeTrinis and Jen Hoguet for their contribution.  There are only 3 performances left with available tickets: this Saturday at 2 and 8 pm and this Sunday at 2.  Grab one fast.