COVID-19 THEATER SERIES: The NoHo Arts District - An Interview with Nancy Bianconi


Nancy Bianconi is the president of NoHo Communications Group, Inc. (NCG), an arts and entertainment company specializing in arts education and marketing. NCG owns/operates NoHo Communications Group, Inc. For 20 years, NCG has been responsible for marketing the NoHo Arts District with a major focus on theaters. It has also produced / sponsored 85 per cent of NoHo’s theater / arts community events. Nancy has provided assistance with business practices, including administrative, finance, and coordinated marketing collaborative programs. Nancy has produced three off-Broadway musicals and has provided consulting to hundreds of dance and theater schools / companies in NoHo and Los Angeles. Nancy took time out from her very busy schedule to interview in April 2020.


Ronnie Marmo in "I'm Not a Comedian - I'm Lenny Bruce" at Theatre 68 - Photo by Doren Sorell

Tell us something about the history of the NoHo Arts District. What makes the NoHo Arts District special? 

Nancy Bianconi:  In the 1990s, North Hollywood was a blighted, crime-ridden neighborhood. Due to the cheap rents, theaters began to move in; and it was the theatres who helped rebuild the blighted and crime-ridden North Hollywood neighborhood that we now call NoHo. In 1992, the theaters and the Universal City/North Hollywood Chamber of Commerce petitioned the City of Los Angeles to declare this one-square-mile section of North Hollywood as the NoHo Arts District. Theaters were the impetus for the creation of the NoHo Arts District and attracted other theaters and creative industry folks as well as new developments, restaurants, bars, apartments, and hotels. The theaters have a huge impact on the neighborhood and on Los Angeles as a whole.

  • NoHo has 22 theaters in one square mile.
  • NoHo had the highest concentration of theaters outside of New York City.
  • NoHo theaters present more than 500 shows per year, including world premieres.
  • NoHo has 35 acting classes held any given night.
  • More than 20,000 people enjoy NoHo's shows throughout the year.
  • NoHo theaters are an economic multiplier for local restaurants, bars, local businesses, etc.  Theater-goers spend on average of $32 above the theatre ticket price for dinner, drinks, and retail purchases.

The official site for the NoHo Arts District, NoHoArtsDistrict.com, was created in 1998 to showcase this unique neighborhood, the first established neighborhood in the San Fernando Valley. What makes NoHo an eclectic neighborhood is that it is the only performing arts district in Los Angeles. The theaters established this section of North Hollywood as an arts district; and, over the years, it has blossomed into a booming creative neighborhood. NoHo is filled with 20+ live, professional theaters, which is the highest concentration outside of New York City. NoHo is also the hip-hop dance capital with studios and choreographers that create the moves we see on TV and in film and all over Instagram. NoHo makes a lot of music and boasts the largest amount of recording studios west of the Mississippi with musicians from all genres having recorded in the district. NoHo was the first neighborhood in the Valley; it has become a METRO hub and attracts new talent, creative businesses, and visitors alike.

Acme Comedy Theatre, NoHo Arts District - Photo courtesy of Nancy Bianconi

When did the theaters close due to COVID-19? Were any of the theatres in the middle of a run?

NB: All theaters closed when the Mayor ordered a shut-down. They were either in the middle of a run or about to open a show. The NoHo theaters are used for a variety of acting classes, one-night events, workshops, seminars, fundraisers, etc. Our theaters are open to all and the neighborhood utilizes them for many events. Our creative makeup means that our theaters are a normal use, a normal part of daily life, you could even say an essential service - when we are not under quarantine.

TU Studios, NoHo Arts District - Photo courtesy of Nancy Bianconi

Over the past weeks, how has COVID-19 impacted the theaters?

NB: Eighteen of the 22 live, professional theaters in the NoHo Arts District will close within two months because of Covid-19. It will not only harm the theaters, but also the NoHo Arts District as a whole. All the NoHo theaters survive month-to-month in order to create their shows because they’re not government supported and cannot sustain even a short-term shut down.  Without shows, classes, rentals, and ticket sales, theaters can’t survive. This has an effect on the entire community because, without the theater patrons, actors, and crew, restaurants, bars, apartments and other local businesses lose revenue. Without NoHo theaters, there will be no NoHo Arts District.

Group Rep Theatre, NoHo Arts District - Photo courtesy of Nancy Bianconi

What are you doing to prevent closing for good?

NB: To avoid closure of 18 theaters in Los Angeles’ performing arts district, NoHoArtsdistrict.com has created a “Save NoHo Theatres from COVID19” Go Fund Me campaign to help pay for 60 days of rent for the 18 theaters. The NoHo Arts District  is just one-square mile, and it has the second largest concentration of theaters in the United States. We need to make sure that it survives.

What do you think will be the impact of COVID-19 on live theater in general in Los Angeles? Do you foresee any permanent changes?

NB:  If we lose our NoHo theaters, we also will have lost theaters in Hollywood, downtown, West LA, and Santa Monica. Can Los Angeles still be the entertainment capital of the world without theater? I don't think so.

Secret Rose Theatre, NoHo Arts District - Photo courtesy of Nancy Bianconi

What do you need right now to keep going forward? What would you like from the theater public? 

NB: Like all businesses and individuals, we need a true moratorium on rent / mortgages. There is a freeze on rents, but what happens when the freeze is over? How is anyone - theater, dance school, or individual - supposed to repay back rents/mortgages when they have been forced to close, stop working, and have zero income? We all would like the answer to this question. In the short run, we would like to see support for our gofundme campaign from theater lovers, local politicians, arts organizations, etc. We are a large theater community that is an economic multiplier. Without theater patrons who go out for a show and dinner, restaurants would be negatively impacted. Without actors and technical / creative crew, who would fill the apartments? When life begins to function again - although it will be different - we would love to see our theaters packed with audiences, including some who've never seen a show in NoHo. We want to reopen with a splash!

Loft Ensemble, NoHo Arts District - Photo courtesy of Nancy Bianconi

What are some of your future plans?

NB: ​The future of NoHo theatres will be determined by the amount of money we raise through our gofundme campaign. NoHo theaters are determined to continue producing plays, festivals, acting workshops, and home-to-church services, community organization meetings, etc. It is from our theaters that tomorrow's Broadway and Off Broadway shows originate.


This article first appeared in LA Splash Worldwide.



COVID-19 THEATER SERIES: Ronnie Marmo on the Move - A Coast-to-Coast Artist


Originally from the East Coast, actor / producer / director / writer / chief bottle washer Ronnie Marmo has managed to call both the East and West coast home during his life-long career. Perhaps best known for his stellar performance in I'm Not a Comedian... I'm Lenny Bruce, which he also penned – directed, by the way, by the talented Joe Mantegna - or his three year / 150 episode run on General Hospital just a few years ago, Ronnie traveled from Los Angeles to New York to Chicago to entertain audiences far and wide. With critically acclaimed performances in dozens of plays, including Bill W. and Dr. Bob and Tony ‘N Tina’s Wedding, Ronnie co-founded Theatre 68 Los Angeles 19 years ago. The New York Chapter opened nine years ago now, making Theatre 68 a bi-coastal home for many artists. Despite his perpetual-motion-machine style, Ronnie took time out to interview during the COVID-19 “holiday” from live theater.


Ronnie Marmo as Lenny Bruce - Photo by Doren Sorell

How is the COVID-19 ban on live theater affecting you and Theatre 68?

Ronnie Marmo:  We tried to keep the Lenny Bruce show open in Chicago as long as we could. We got as far as Sunday, March 15 before we ultimately postponed the show and went dark for the time being. For our last four performances, we deliberately sold only a quarter of the 180 seats in the theater to allow for social distancing; and we sanitized everything that people might touch. In 25 years, I’ve never missed a performance. Now we don’t have a choice, but this virus is scary and it’s important to respect the people who know more than us about COVID-19 safety.

The LA and NY Chapters of Theatre 68 are currently dark for productions; however, the community is sticking together with our Monday Night Actors Gym on both coasts. It's a hard time right now because many of us don’t know much about this virus. I’m concerned for theaters both small and large around the world because, generally speaking, theater is not a very lucrative business; and many of us survive month to month. After all, we don’t get into the theater business to get rich. We do it because we can’t help ourselves; we love it. It’s a sickness of sorts (laughing). My hope is that people will continue to support the arts. For example, if you currently have tickets for a show or event, it would be wonderful if people can move those tickets to a performance down the road as opposed to asking for a refund - but ONLY if they could afford to do so.

Ronnie Marmo as Lenny Bruce - Photo by Doren Sorell 2

Tell us about your plans for the future. Will you continue with I'm Not a Comedian...I'm Lenny Bruce? Do you have any new shows planned?

RM:  First and foremost, we plan on bringing the Lenny Bruce show back to Chicago just as soon as it is safe to do so. Also, we plan on having a few pop-up performances here in Los Angeles. We have just signed with Columbia Artists Theatrical, and they are working on a national tour. We have already had an offer for early 2021 in Tampa, Florida; and many other venues have inquired. But I assume that, with the virus, things may be delayed a bit. We will see.

Let me tell you a bit more about Theatre 68 and our productions. We have great leadership on both Coasts, and we’ve been in constant meetings making plans and finding ways to keep the company inspired during this very tough time.

I plan to keep moving forward in hopes that all will be well soon enough / Combined on both coasts, we have 90 actors who take part in our NOW virtual Monday Night Actor’s Gym. I’m constantly trying to help keep everyone engaged. We’re working really hard with lots of writing assignments, monologue jams, anything we can do virtually to continue to grow as artists. We’re constantly producing on both coasts. Right now, we’re working on Stupid Fucking Bird by Aaron Posner. It’s a great play, a really cool play. It’s sort of a contemporary version of Anton Chekhov’s, Seagull. We plan to open in June in Los Angeles. We’re having virtual auditions next week, and we plan to move forward as if it will happen, even if maybe we have to postpone it. In NY, we are in the middle of developing seven original one-act plays written by NY company members. We’re going into virtual auditions for that as well in the coming weeks.

Monday night at Theatre 68's virtual gym - Photo by Ronnie Marmo

Any final thoughts on live theater's survival during a pandemic?

RM:  Our survival depends on how kind the landlords are to theater owners. I’m going to work my pants off to keep this thing going for all involved. I feel that enthusiasm is the key to life, and that certainly has been the case for me. People have asked me how I’ve found success in different areas of show business, and I simply tell them - I do my best to finish what I start.


This article first appeared in LA Splash Worldwide.



Save Your Local Arts District - NoHo Arts District


This is a guest post by Lisa Bianconi


I was born and raised in the Valley and have seen North Hollywood transform from a bit scary (but always fun) to an eclectic, vibrant, creative neighborhood - a real one where folks actually know each other. Back in 2000, my mother and I joined forces to run NoHoArtsDistrict.com, and over the years the theatre owners, visiting companies, acting classes and everyone who uses our theatres have become our friends. When we saw the 18 NoHo Theatres struggling to save their creative homes due to the pandemic shut down, we had to figure out some ways to help.

Together we’ve created “Save NoHo Theatres from COVID-19” Go Fund Me campaign. We are going to do whatever is in our power to keep the NoHo Theatres alive.

As with most LA theatres, the NoHo theatres survive month to month in order to create their shows because they’re not government supported and cannot sustain even a short-term shut down. Without shows, classes, rentals and ticket sales theatres cannot survive. This has an effect on the entire community because without the theatre patrons, actors and crew, restaurants, bars, apartments and other local businesses lose revenue. Without NoHo theatres, there will be no NoHo Arts District.

“Why did residents and businesses move into the area? Because it’s an arts district,” says Nancy Bianconi, publisher of NoHoArtsDisrict.com. “If 18 out of 22 theatres close, this area will have to be called North Hollywood again. Theatres have a huge economic impact on restaurants, bars, apartments, hotels, other creative industries, local businesses, etc.”

Here are the owners of Brews Brothers, one of NoHo’s beloved craft beer bars, who chose their location because of the artsy neighborhood vibe.

But what makes NoHo theatres important to the neighborhood is:

  • NoHo has 22 theatres in one square mile.
  • NoHo had the highest concentration of theatres outside of New York City.
  • NoHo theatres present more than 500 shows per year, including world premieres.
  • NoHo has 35 acting classes held any given night.
  • More than 20,000 people enjoy NoHo's shows throughout the year.
  • NoHo theatres are an economic multiplier for local restaurants, bars, local businesses, etc.

Theatre goers spend on average of extra $32 above the theatre ticket price for dinner, drinks, and retail purchases.

But NoHo wasn’t always how it is today. In the 90s, it was the theatres who helped rebuild the blighted and crime-ridden North Hollywood neighborhood that we now call NoHo. Theatres were the impetus for the creation of the NoHo Arts District and attracted other theatres and creative industry folks as well as new developments, restaurants, bars, apartments, and hotels.

Meet The Group Rep at the Lonny Chapman Theatre. They are one of the founding members and longest-running theatre company in the NoHo Arts District.

“As one of the founders of the NoHo Theatre District, I have witnessed the most incredible blossoming of the entire neighborhood,” said Ed Gaynes, owner of three NoHo theatres. “When a few of us began opening theatres in the many empty storefronts, the area was a wasteland. No foot traffic, no shops, practically no restaurants even. The theatres attracted the people, the crowds flowing into our theatres attracted the restaurants, art galleries and shops. Ultimately, it all attracted the flood of new residents who poured into the district.”

But NoHo theatres are more than a place for shows. It is a place to practice your craft and make friends in a city of 10+ million people.

THE BOTTOM LINE
The goal of raising $108,194 will allow theatres to survive into the summer when the productions and audiences return, and NoHo’s entertainment and nightlife scene will be booming again.

WHERE CONTRIBUTIONS GO:
ACME Comedy Theatre, ACME Comedy Club
Actors Workout Studio, Actors Workout Theater B
Avery Schreiber Playhouse
Brick House Theatre
Group Rep Theatre Main Stage, Group Rep Theatre Upstairs
Loft Ensemble Mainstage, Loft Ensemble Sawyer’s Playhouse
Secret Rose Theatre
Theatre 68 Flex, Theatre 68 Main Stage
The Sherry Theater
Theatre Unlimited (T.U. Studios)
The Whitmore-Lindley Theater Center Theatre #1, Whitmore Lindley Theater Center Theatre #2
Zombie Joe's Underground Theatre

ABOUT THE NOHO ARTS DISTRICT
The NoHo Arts District is one of Los Angeles' eclectic and walkable neighborhoods - an enclave of all things artistic. This one-square-mile performing arts community is filled with 20+ live, professional theaters, which is the highest concentration outside of New York City. NoHo is also the hip hop dance capital with studios and choreographers that create the moves we see on TV and in film and all over Instagram. NoHo makes a lot of music and boasts the largest amount of recording studios west of the Mississippi with musicians from all genres having recorded in the district. NoHo was the first neighborhood in the Valley, it has become a Metro hub, and attracts new talent, creative businesses and visitors alike. Visit NoHoArtsDistrict.com for more information.



Spotlight Series: Meet Barbara Keegan, an Emmy Award-winning Actress


This Spotlight  focuses on Barbara “Bobbie” Keegan, an Emmy Award-winning actress who always says “yes” to the Santa Monica Playhouse and Theatre 68 who always travels with her adopted son, good luck charm and alter- ego, “Smitty the Magical Flying Purple Turtle.” I first met both of them during the second Hollywood Fringe Festival when Keegan took Best in Fringe honors headlining in the world premiere of Jon Courie's Jennifer Aniston Stole My Life, which Courie wrote specifically with her in mind.


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Bobbie Keegan (BK): I made my Chicago stage debut at age 3, in a duet with my comedy godfather, first mentor and jester spirit-guide for all time - Danny Kaye. I also have the distinction of being the only performer ever to receive a special Emmy Award for my work in a local television commercial. But it all kicked into high gear when I was enjoying a stint as a tourist development authority ambassador (masquerading as beauty queen Miss Miami Beach) at the same time CBS and Universal Studios were in Miami scouting locations and talent and discovered me.

Soon I relocated to the West Coast to strengthen my commitment to both stage and screen, with scores of appearances and participation on the governing bodies of organizations such as First Stage, Theatre 40, and The American National Theatre and Academy.  The move also made me a presence in major motion pictures from Caddyshack, to The Curious Case of Benjamin Button, from Disneyland (Saving Mr. Banks, Tomorrowland) to outer space (J.J. Abrams' Star Trek), as well as a slew of award-winning indie and festival projects. I also hosted my own TV series, The Handy Ma'am on PBS, and appeared as "Nell's Mom" on NCIS: Los Angeles (in which I was introduced in a Christmas episode, wearing antlers on my head), in addition to a wealth of classic episodic TV roles.

Los Angeles theater audiences have seen me in ten roles in the Pasadena Playhouse's award-winning Joined at the Head, five roles in the five yea- run of Bill W and Dr. Bob at Theatre 68, as well as original musicals from The Fantastics to the country-western Tanglin' Hearts to the politically-themed Campaign to the borscht-belt Mamaleh! and the occasional beloved classic such as the blarney-speaking Nurse in Romeo and Juliet for Merry War Theatre Group.

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(BK) I was appearing in the comedy Mistakes Were Made...coulda-woulda-shoulda at The Santa Monica Playhouse, which was written by Jerry Mayer and directed by Chris DeCarlo.

(SB): How was the shutdown communicated to you?

(BK): As the coronavirus reports grew more serious, we suspected that we very well might be suspending performances at some point.  This was especially ironic for me, having only joined the cast in this extension of the show on Saturday, March 7.  So, I had my "opening" performance that night and we played our matinee on the following day, Sunday, March 8.  When we left the theatre that evening, we were already wondering if we would be playing the next weekend.  During the week, the reports grew more and more grim, and by “lucky” Friday the 13th, the Co-artistic Directors of Santa Monica Playhouse, Evelyn Rudie and Chris DeCarlo, emailed all of us to confirm that we were indeed suspending performances.  The irony is that this may turn out to be the shortest run of my life!

Mistakes Were Made First Night!

(SB): I know Mistakes Were Made has been running for a while as I reviewed it before you joined the cast. Do you know if plans are in place to present that production at a future date, or is the cancellation permanent?

(BK): Of course, this is a situation we've never experienced before, and so all plans are of necessity both hopeful and flexible. Evelyn tells me that there is every hope and expectation that we will re-open as soon as it is feasible to do so, and we're hoping to return this summer.

(SB): What future productions on your schedule are also affected by the shutdown?

(BK):  I have kept my options open since there was already the possibility of further extensions of that show beyond our announced closing of April 26. And since everything is now up in the air, I want to be available for whatever dates we are able to bring Mistakes Were Made back on stage.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

(BK): I try to post as many fun/funny/uplifting things as I possibly can.  My personal preference is to always try to only spread good news. A lovely recent festival competition-entry film I appeared in called Title 9 by Amy Campione, can be viewed at this link.

(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(BK): Oh, I love that you mentioned the Ghostlight!  That's actually something I posted just the other day on my Facebook page. Here's what I want to say: We WILL be back. My personal assignment-to-myself has been to use this time, however strange, as positively and healthily and lovingly as I possibly can.  I'm a do-it-yourselfer but also a lifetime member of the procrastinators club (well as soon as I get around to joining), so I've been trying to do at least one thing around the house per day. Fix something. Clean something.  Take care of the plants inside and out. Straighten a corner that's gotten out of hand, which seem to multiply daily.

It’s important to remember we're all creative artists, so let's create! Maybe you'll re-discover papier-mâché, or watercolors, or maybe you'll use that great idea you have and finally write that play!  But don't forget to take care of yourself, too. Stay healthy, both physically and mentally/spiritually. Move. Exercise as much as you can. Eat. Hydrate. (I'm mostly reminding myself about that, I regularly get "busy" with something and forget to eat or drink 'til I just about fall over, my friends will testify to this)

Most importantly, if you're by yourself (or not), REACH OUT and call people you love (yes, they will be home), write to them, text them, (but don't text me, I'm bad at it). BE KIND TO YOURSELF AND EVERYONE ELSE. We WILL get through this. And always remember, it’s all about the love! And I’d like to end by sending out lots of love and best wishes to everyone from my adopted “son,” good luck charm and alter-ego, “Smitty The Magical Flying Purple Turtle,” who is always at the theatre with me and has an even bigger web following than I do!


This article first appeared on Broadway World.


Ronnie Marmo at Lenny Bruce

Spotlight Series: Meet Ronnie Marmo – An Actor, Director, Producer, Playwright, and Artistic Director of Theatre 68 in NoHo


This Spotlight focuses on Ronnie Marmo, an actor, director, producer, playwright, and Artistic Director of Theatre 68 who has been touring the country with his dynamic solo show I’m Not A Comedian...I’m Lenny Bruce. I attended the show more than once and was excited to hear the news of its New York City and Chicago production dates, which of course are now on hold. If you missed the show, here’s a link to my review.


Shari Barrett (SB): What would you like readers to know about your own theatrical background?

Ronnie Marmo (RM): On stage, I have starred in more than 30 plays. A few of my favorites include my portrayal of Bill Wilson in Bill W. and Dr. Bob, Silva in Baby Doll, Earl in the Los Angeles Premiere of The Late Henry Moss, Danny in Danny and The Deep Blue Sea, and Satan in The Last Days of Judas Iscariot written by Stephen Adly Guirgis.

I completed an audio book in which I portray Lenny Bruce in Lenny’s autobiography, How to Talk Dirty and Influence People. Most recently, I wrote and still perform in the long-running, critically-acclaimed and award-winning show, I’m Not A Comedian...I’m Lenny Bruce in Chicago (also in Los Angeles and New York), After 305 total performances across all three cities, we are still going strong. And still under the direction of Joe Mantegna.

As a director, I have staged over 50 productions and produced about 100 in Los Angeles, New York and Chicago. I was the Artistic Director and Producer of the critically acclaimed first ever 13 by Shanley Festival; which enjoyed a six-month run. I received the Robert Pastorelli Rising Star Award for achievements as an actor, writer, director and producer at the 2010 Garden State Film Festival.

Most importantly, I am proud to continue to serve as the Artistic Director of Theatre 68 (68 Cent Crew Theatre Company) in Los Angeles and New York City.

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(RM): We were in production in Chicago for the solo show I wrote and in which I star, I’m Not A Comedian...I’m Lenny Bruce. March 15th was my 85th and final (for now) performance in Chicago. That decision was made since the town was shutting down around us, and I felt the best thing for us to do was stop performing and for me to head back to Los Angeles to be near my daughters.

At the same time, both the LA and NY chapters of Theatre 68 were in pre-production for new shows. In LA, we were in the casting stage for the play Stupid Fucking Bird by Aaron Posner. We are slated to open in early June, and have decided to move all of our auditions and pre-production to a virtual platform, hoping we will get to open on time. Of course, we are prepared to postpone if need be for everyone’s safety during the pandemic.

In NY, our company was just about to go into casting for an evening of seven one-act plays, all written by Theatre 68 members. We were slated to open late May, which seems lightly unrealistic now. But as said above, we will continue on as if we will open as planned and move things out if need be.

To say I am heartbroken for both chapters would be an understatement. I love these artists and so we will do what we can. But obviously, safety is first for them as well as our supporters.

(SB): How did you communicate the shutdown with your cast and production team?

(RM): I was in constant contact with them throughout the entire process. But quite honestly, as the Artistic Director “the buck stops here” in moments like this, and I could not have made these decisions every step of the way without the incredible leaders I have at Theatre 68 on both coasts.

We communicated over video conferencing, phone calls and back and forth email threads. We used any and every platform possible given the circumstances at that moment. Although, I have to say. for someone who had no idea what ‘Zoom’ was a few months ago, it’s become the biggest part of my life now (laughing).

(SB): I am in the same position in that I must also learn how to use “Zoom” in order to be part of online meetings as well. So, we have more than our mutual love of PB&J sandwiches in common!

(RM): My go-to meal before shows!

(SB):  What future productions on your schedule are also affected by the shutdown?

(RM): In the Theatre world, the only thing that was actually on the docket that has now seemingly been delayed was the booking and logistics for the Lenny Bruce National Tour. We signed with Columbia Artists Theatrical and they just began fielding offers right before COVID-19 hit.

While productions have been temporarily affected, one major shift in our Theatre 68 community has been that we moved our Monday Night Actors Gym to a virtual platform. To me, the productions we do are fantastic and we are blessed to have done over 100 of them. But the heartbeat of our company is the fact that we get together every Monday night on both coasts and have a 3-hour “class” of sorts where we hold each other accountable with scene work, monologues, improv, cold readings, writing assignments, etc. What makes it very special is that everyone in the company has a voice - there isn’t just one individual teacher. Transitioning from us being together on stage every Monday night to moving to Zoom has been the biggest adjustment to the company.

I’m excited to announce that we’ve had two successful Monday Night Gyms in NY and LA so far, and they have been inspiring to everyone involved. We’re still very focused on acting of course, but I’ve taken this opportunity to give our artists writing assignments with deadlines. I always preach taking your own career into your own hands and creating your own work. Now they have that opportunity more than ever.

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

(RM): Well, it’s funny you mention that. What started out as a silly idea and something to pass the time about 9 days ago, has become something that many people seem to look forward to watching every day. I have started a Facebook and Instagram live web-show called A Bachelor’s Guide to Do-mes-ti-ca-tion with Ronnie Marmo! The first 8 episodes (days) have felt to be more of a cooking show (since that’s where I need the most work - I basically can’t cook… nor have I ever had to do so for myself and think I single-handedly kept all the take out restaurants in business.

(SB): I watched the episode where you were driving around your neighborhood and asking viewers about how to make chicken parmesan, then took us inside Pinocchio’s Deli to purchase what you needed. I really enjoyed the spur-of-the-moment and interactive format, making those watching feel as if we were in there with you.

(RM): I’m trying to mix it up a bit and tomorrow we might just do some laundry together. It’s interesting how I end up having severe meltdowns and get hurt every episode, but we’re having a lot of fun and there have been a lot of laughs! Honestly, I’ve learned how to cook eight dishes so far thanks to help of all my viewers.  Maybe a cookbook is on the horizon? (more laughs)

(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(RM): I’m very proud that Theatre 68 is a part of the NoHo Arts Theatre scene. I have spoken to a dozen or so other theatres in the area and I’m very concerned that many of them will not recover and continue on after COVID-19. We have all been in constant communication and are trying to help each other. I will say, like any other crisis, this has brought us all closer together. I’m trying to encourage all of us to stay positive and try to stay in the day that we’re in and not project too far into the future because there are so many unknowns. I’m going to fight like hell to keep Theatre 68 and all the other Theatres in the NoHo Arts District alive and thriving.

Lastly, I just want to say “Thank You” to Broadway World for all of the support it gives to all the theatres small, medium, and large. There is never enough advertising dollars and generally speaking, we always need a little more enthusiasm and support for what we do. Broadway World and other press outlets have really kept us afloat even when things are great and especially when the road has become a bit rocky. So thank you for your constant support.

(SB): Thanks so much! It’s always my pleasure to get the word out about shows at theaters of all sizes in the greater Los Angeles area, and I appreciate all the kind words of support from readers of my reviews and these Spotlight Series interviews on Broadway World. This writer always likes to know my articles are being read and my contributions to the LA Theatre Community are helping to keep us united as the powerful group of artists I know we are.


This article first appeared on Broadway World.



Now Registered on the Better Lemons Calendar – February 10 - 16, 2020


Musicals, Comedy, Cabaret, Variety shows, and more now registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


For The Love of the Glove

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Hot Tragic Dead Thing

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FERTILE

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Law & Order: The Musical!

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Old Jews Telling Jokes

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The Wild Party

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Richard Lederer's Presidents Tonight! at North Coast Repertory Theatre

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Matty: An Evening with Christy Mathewson

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Pan Am Returns

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The Swords of Sorrow- BURAI II

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Death and Other Girly Things

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AFTERGLOW

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Ain't All So Grimm

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Jelly Beans

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Deconstructing Holly

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Show Me A Hero

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Valentine's Weekend and Beyond: The Other Way to Celebrate Love With the Lights Out

Like a box of chocolates, here's a rich and varied collection of L.A. theatrical, comedy, magic, and variety shows, readings, and classic films to enjoy for your Valentine's, Galentine's, or Palentine's Weekend--and beyond--currently registered on Better Lemons' Calendar.


Loves Me/Loves Me Not

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She Loves Me

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Gifted

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The $5 Shakespeare Company

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That's the End of Our Time

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Mistakes Were Made

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Emma

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Shoulda Been You

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The Little Match Girl

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Valentine’s Weekend of Love at The Montalbán

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Casablanca - Valentine’s Weekend of Love at The Montalbán

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The Notebook - Valentine’s Weekend of Love at The Montalbán

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Breakfast at Tiffany's - Valentine’s Weekend of Love at The Montalbán

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Barefoot in the Park

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Never Been Kissed

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Mack & Poppy: 'Til Death Do Us Part

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Hot Tragic Dead Thing

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Now Registered on the Better Lemons Calendar – January 13 - 19, 2020


Theatrical, One-Person, Improv, and Comedy shows, Music, Dance, and Award Shows registered on the Better Lemons calendar!

For shows with a LemonMeter rating, visit our LemonMeter page.


Making God Laugh by Sean Grennan

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Human Interest Story

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Ballet Folclórico Nacional de México de Silvia Lozano

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Cirque Éloize

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Ballet BC's Romeo + Juliet

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The MisMatch Game

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RED INK

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More Guns!

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Canuck as F🍁ck

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Earthquakes in London

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Plus One

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Ballet West's Giselle

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The 19th Annual 50 HOUR DRIVE-BY THEATRE FESTIVAL

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Surviving 'MN Nice'. . . and becoming brave AF

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The Los Angeles Women's Theatre festival

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STOMP: 25th Anniversary

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FOUND

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Activities of Daily Living

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Men are From Mars-Women are From Venus LIVE at North Coast Rep

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Theatre 40 Musical Matinee

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Now Registered on the Better Lemons Calendar – February 25 - March 10, 2019

Theatrical shows registered on the Better Lemons calendar!
For more shows visit our Calendar.
For shows with a LemonMeter rating, visit our LemonMeter page.

Trojan Women

“Archway Theatre's immersive post-modern retelling of the aftermath of the Trojan War. Priam, Hector, and Paris are all dead. Queen Hecuba and the women of Troy are now the spoils of war, and must await their fate at the hands of the conquering Greeks.”

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Cemetery of Tortured Souls

“Zombie Joe's Underground Theatre Group proudly presents their All-New Horror-Theatre Spectacular haunted by The Golden Age of Hollywood in 1930's. While the only escape from The Great Depression were the movies, there was no escape for those entrapped by the glitter of Tinseltown: These restless spirits of stars and villains from yesteryear rise from their forgotten graves – to wander their final resting place and re-live their final moments in eternal damnation!”

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What Matters Now?/! (Another Political Pop-Up of the Theatrical Kind)

“Open Fist's annual “political pop-up” features a rotating roster of short plays by writers from across the country that explore our nation's current social and political climate and how the past year has affected us. Finding it hard to get off the couch and get to the theater? ”

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CATS!

“The record-breaking musical spectacular by Andrew Lloyd Webber that has captivated audiences in over 30 countries and 15 languages, is now on tour across North America! Audiences and critics alike are rediscovering this beloved musical with breathtaking music, including one of the most treasured songs in musical theater—”Memory”. Winner of 7 Tony Awards® including BEST MUSICAL, CATS tells the story of one magical night when an extraordinary tribe of cats gathers for its annual ball to rejoice and decide which cat will be reborn. The original score by Andrew Lloyd Webber (Phantom, School of Rock, Sunset Boulevard), original scenic and costume design by John Napier (Les Misérables), all-new lighting design by Natasha Katz (Aladdin), all-new sound design by Mick Potter, new choreography by Andy Blankenbuehler (Hamilton) based on the original choreography by Gillian Lynne (Phantom) and direction by Trevor Nunn (Les Misérables) make this production a new CATS for a new generation!...Now and Forever.”

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THE MEATBALL CHRONICLES

“The Meatball Chronicles follows one woman through humorous and sometimes heart wrenching meals that align with stories of her childhood, her relationships with men, and in particular, her complicated relationship to her mother.
Mansini crafts this piece in a way that transcends her own story into universal themes that anyone who has a family can love. As she kneads the dough and thickens the sauce through each Italian recipe, the stories associated with those recipes reveal the complex ways that families cope, laugh, grieve, and show their love through food.”

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The Judas Kiss

“In spring of 1895, Oscar Wilde was larger than life. His masterpiece, The Importance of Being Earnest, was a hit in the West End and he was the toast of London. Yet by summer he was serving two years in prison for gross indecency. Punished for “the love that dare not speak its name,” Wilde remained devoted to his beloved, Lord Alfred “Bosie” Douglas. The Judas Kiss revolves around two pivotal moments in his life: the day when, cajoled by Bosie into an ill-fated trial, he decides to stay in England and face imprisonment, and a night when, after his release two years later, the lover for whom he risked everything betrays him again. David Hare's masterful play pulses with the ecstasy and anguish of an enamored heart.”

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Native Voices at the Autry Presents Pure Native

“Brewster's back! Rising from the ashes with a slick plan for a bottled water plant on reservation land. There's mixed agreement and opposition from family and friends, including an old flame with a grudge—but is he the secret ingredient for success? This play was workshopped as Corn Soup. Native Voices at the Autry is devoted to developing and producing new works for the stage by Native American, Alaska Native, and First Nations playwrights..”

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THE ELEPHANT MAN

“'The Elephant Man' is based on the life of John Merrick who lived in London during the latter part of the 19th Century. A horribly deformed young man who has been a freak attraction in traveling side shows, John is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of the famous young doctor, Fredrick Treves, Merrick is educated and introduced to London society. Through their eyes, he is changed from sensational object of pity, to an urbane and witty favorite of the aristocracy and literati. It his dream that he will become a man like any other…but unbeknownst to him, he exceeds even that.”

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JOAN and WHAT DID THEY SAY - An Evening of One Acts

“An Evening Of One Acts: JOAN and WHAT DID THEY SAY
JOAN is an imaginary tale of Joan Crawford's journey through the Bardo and her adjustment to the fact that her soul will move onto the unknown. During this dream state Joan reflects on–her life–her career–her enemies–her loves–those that helped create the film legend she became.
WHAT DID THEY SAY explores gender and sexuality in an unconventional family dramedy, taking place in Los Angeles today. As experienced in today's rough political climate, families don't always share the same values. Family members can be rough among themselves, and where Julian's dad is gay, and his older sister Harper identifies as a dyke, his twin sibling Felicia struggles to understand Julian's gender identity.”

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LA DRAMA CRITICS CIRCLE AWARDS

“The Los Angeles Drama Critics Circle (LADCC), which presented its first awards for excellence in Los Angeles, Orange County, and Ventura County a half-century ago, has begun the gala celebration of its 50th anniversary by announcing its nominations for the year 2018 (Dec. 1, 2017 – Nov. 30, 2018).
The LADCC is further thrilled to announce that this historic occasion will take place on Monday, April 8, 2019 at one of the region's most historic and beautiful theatres, Pasadena Playhouse, at 39 S. El Molino Avenue in Pasadena.”

Visit their Better Lemons Registered Calendar Page for ticket and show information.

The Mother of Henry

“In the working class melting pot that was Boyle Heights in the 1960s, five diverse employees in the return department at Sears form a tight bond as they cope with upheaval in their personal lives, their community and the rapidly changing world around them. Connie, a Latinx single working class mother, realizes her agency and discovers her true identity when the anxieties of war, civil unrest and political assassinations plaguing the country tragically affect her own life. Infused with period music and magical realism.”

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The Shape of Things

“Neil LaBute's 2001 drama “The Shape of Things” is set in a small university town in the American Midwest and centers on the lives of four young students who become emotionally and romantically involved. How far would you go for love? For art? What would you be willing to change? What price might you pay? Such are the painful questions explored in the play. A young student drifts into an ever-changing relationship with an art major while his best friend's engagement crumbles, unleashing a drama that peels back the skin of two modern-day relationships.”

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The MisMatch Game

“For a record-breaking 15th year, it's time once again to “get ready to match the stars” with a new edition of Dennis Hensley's The MisMatch Game. The side-splitting parody of the ‘70s game show has set the rafters ringing with laughter since its debut in 2004. The show the LA Times calls, “witty, ribald … an adventure in surrealist era bending” returns to the Los Angeles LGBT Center's Renberg Theatre for two hilarious shows.”

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Los Angeles Women's Theatre Festival

“The overall theme of the Festival will be I, Woman and the theme of the Opening Night GALA will be In Tribute To. The Champagne GALA and Awards Ceremony will take place on March 22, 2019 at 7:00 p.m. nd will be directed by Denise Dowse (Imposters) and hosted by Starletta DuPois (The Notebook) and Kym Whitley (Young and Hungry). The event will honor five women of exceptional achievement and contribution to the world of theatre (Eternity Awardee- Jenifer Lewis; Integrity Awardee- Leslie Ishii; Maverick Awardee- Sandra Tsing Loh; Rainbow Awardee- Whitney Weston; and posthumously, Infinity Awardee-Carol Channing. There will be special live performances in addition to the awards presentation.”

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IN RESPONSE: Year of the Woman (Still)

“Past and present issues of women including current the #MeToo movement are explored through a collection of dramatic, humorous and thought-provoking, monologues, poems and dance. All the material is written by women. Sunday performances are followed by an audience talkback.”

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Church Basement Ladies

“Church Basement Ladies, a celebration of the church basement kitchen and the women who work there, features four distinct characters and their relationships as they organize the food and the problems of a rural Minnesota church. From the elderly matriarch of the kitchen to the young bride-to-be learning the proper order of things, the show and music give us a touching, funny look at their lives as we see them handle a record breaking Christmas dinner, the funeral of a dear friend, a Hawaiian Easter Fundraiser, and a steaming hot July wedding. They stave off potential disasters, share and debate recipes, instruct the young, and keep the Pastor on due course while thoroughly enjoying, (and tolerating) each other. Funny and down to earth, you will recognize these ladies as they begin to see the Church year unfold from below the House of God.”

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The Sunshine Experience

“So do a little dance! Make a little love! Get down tonight with The Sunshine Experience – the nation's premier tribute to KC and the Sunshine Band. “Shake, Shake Shake Your Booty” to their funky tunes and fall in love with KCSB's triple-platinum sound all over again! ‘Cause “That's the way–uh huh, uh huh–I like it!” The Sunshine Experience delivers a high-energy, adrenaline-pumping show with spot-on musical arrangements and amazing choreography.”

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A Terrible Show for Terrible People

“A Terrible Show for Terrible People is a raunchy and rambunctious, non-verbal solo clown performance that is both boner- and vomit-inducing. Physical comedian Bonnie He takes the audience through a voyeuristic window into personal tragedy, triumph, and titillation. Mostly titillation. Hehe. TIT-illation. You're not just watching a Terrible Show – you're participating in the destruction of common decency.”

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HEISENBERG

“LAGUNA PLAYHOUSE is thrilled to present a co-production with the Rubicon Theatre Company, the critically acclaimed (LA Times Critics' Choice) production of HEISENBERG, written by Simon Stephens (The Curious Incident of the Dog in the Night-Time) directed by Katherine Farmer (South Pacific, Gulf View Drive) and starring Faline England (Valentine's Day) & Joe Spano (Hill Street Blues and NCIS). Comments Artistic Director Ann E. Wareham and Executive Director Ellen Richard, “What a special opportunity to co-produce this critically acclaimed production with the Rubicon Theatre Company. Simon Stephens has written a funny, tender and quirky love story that celebrates human relationships in all their complexity. Faline England and Joe Spano are giving masterful performances under the brilliant direction of the gifted Katharine Farmer.”

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The Second Coming of Klaus Kinski

“Fresh off an LA Stage Alliance Ovation nomination for Lead Actor in a Play, WTFN brings back Andrew Perez in the Encore Award-winning THE SECOND COMING OF KLAUS KINSKI!...resurrected for 3 consecutive Friday nights — March 22, 29 & April 5 at the Pico Playhouse...Klaus Kinski is one of the most celebrated and controversial actors in the history of world cinema. The reckless abandon with which he approached both life and art left him tortured, demonized and worshipped. He now resurrects to shake your souls with one last command performance. THE SECOND COMING OF KLAUS KINSKI.”

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Ashton's Audio Interview: Sam Henry Kass (Executive Consultant for the television series Seinfeld) and the cast of ‘A FLOCK OF MACAWS' at Theatre 68

A young woman, abandoned at birth, finds the woman she believes to be her birth mother-- What should be a reunion/reconciliation of sorts, turns into a combination of mutual interrogation, the absurdity of potential paternal candidates, with back stories straight out of an urban modern day, "Alice in Wonderland. Abandonment is the theme, but the ranting's and ravings regarding everything from pop culture to politics,
takes this moment and delivers a roller coaster ride, filled with everything from rage to contrition. Along the way, we meet an array of bizarre paternal candidates, as well as a young Actress, who stumbles into this world, eager to fill any void or role necessary. “Mothers & Daughters— It doesn't get any easier, when they actually meet.”*
Enjoy this interview about “A FLOCK OF MACAWS” by Sam Henry Kass (Executive Consultant for the television series Seinfeld) at Theatre 68, running until Oct 20th. You can listen to this interview while commuting, while waiting in line at the grocery store or at an audition, backstage and even front of the stage. For tickets and more info Click here.

*taken from the website


Stage Raw Announces its 2018 Theater Awards Nominees

The 2018 Stage Raw Theater Awards celebrate excellence on the Los Angeles stages in venues of 99-seats or under. This fourth annual edition includes productions that opened between January 1, 2017 and May 31, 2018.
Stage Raw is a community funded professional journalism website that was created in response to the decline of arts coverage in local mainstream and alternative media.
A catered nominees reception and Stage Raw fundraiser party is being held at the The Skylight Theatre in Los Feliz, on Tuesday, July 24, 7 – 10 p.m. Tickets are $100 (which includes complimentary admission to the Theater Awards ceremony), in support of Stage Raw. All nominees are invited as complimentary guests of Stage Raw.
(Nominees include everybody whose name appears on the list below; all actors and understudies named in the program for all ensemble categories; all actors, understudies, directors, playwrights, stage managers, choreographers, designers and producers in the categories of Best Revival, Best Musical and Best Production; and in the category of Production Design: all producers, directors, and designers.)
The evening will include live music and performances by Burglars of Hamm; Cheray O'Neal; Padua Playwrights; and Kristina Wong.
At the nominees reception, there will also be a silent auction of drawings created for this event by Alan Mandell, Ken Sawyer, French Stewart, Vanessa Stewart, Richard Fancy, Jon Mullich, Jon Lawrence Rivera, Stephen Sachs, Simon Levy, Gary Grossman, Kristina Wong, Michael A. Shepperd, Ken Werther, David Elzer, Jaime Robledo, Leo Marks, Nike Doukas, Tom Jacobson, Kirsten Vansgness, David Melville, Jessica Hanna, Steven Stanley, Philip Littell, Mark Seldis, Katharine Noone, Tony Abatemarco, Ann Closs-Farley, Herbert Siguenza, Jules Aaron, and more.
The Awards ceremony is slated for Monday night, August 20, at Los Angeles Theatre Center, 514 S. Spring Street in downtown Los Angeles, hosted by Coeurage Theatre Company, directed by Jer Adrianne Lelliott, and celebrating the theme of “community.” Tickets are $30.
Tickets for both events can be found at Eventbrite.com/e/stage-raw-theater-awards-tickets-46961390784#tickets, or visit StageRaw.com and press the “2018 Theater Awards” tab.
The 2018 Nominees are:
FIGHT CHOREOGRAPHY
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Bjørn Johnson, King Hedley II, The Matrix Theatre
Bjørn Johnson, Red Speedo, Road Theatre Company
Bjørn Johnson, Stupid Kid, Road Theatre Company
Edgar Landa, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Doug Oliphant, Br'er Cotton, Zephyr Theatre
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
VIDEO/PROJECTION DESIGN
Omolara Abode, Lyrics From Lockdown, The Actors' Gang
Nicholas Acciani, 33 Variations, Actors Co-op
J. Walt Adamcyk and Hannah Beavers, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Benjamin Durham, This Land, Company of Angels
Corwin Evans, The Art Couple, Sacred Fools Theater Company
Hana Sooyeon Kim, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Hana Sooyeon Kim, With Love and a Major Organ, Boston Court Performing Arts Center
Yee Eun Nam, Br'er Cotton, Zephyr Theatre
Tom Ontiveros, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
SOUND DESIGN
Joseph V. Calarco, The Secret in the Wings, Coeurage Theatre Company
Jeff Gardner, Cat on a Hot Tin Roof, Antaeus Theatre Company
Jeff Gardner, The Hothouse, Antaeus Theatre Company
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Jeff Gardner, Native Son, Antaeus Theatre Company
Christopher Moscatiello, The Devil's Wife, The Skylight Theatre
Christopher Moscatiello, Rhinoceros, Pacific Resident Theater
John Nobori, With Love and a Major Organ, Boston Court Performing Arts Center
Robert A. Ramirez, Master Class, The Garry Marshall Theatre
John Zalewski, I Carry Your Heart, Bootleg Theatre
LIGHTING DESIGN
Brandon Baruch, The Secret in the Wings, Coeurage Theatre Company
John E.D. Bass, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Elizabeth Harper, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Elizabeth Harper and Rose Malone, With Love and a Major Organ, Boston Court Performing Arts Center
Matt Richter, I'm Not A Comedian... I'm Lenny Bruce, Theatre 68
Pablo Santiago-Brandwein, Time Alone, Belle Reve Theatre Company
Andrew Schmedake, 33 Variations, Actors Co-op
Andrew Schmedake, Native Son, Antaeus Theatre Company
Andrew Schmedake, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
COSTUME DESIGN
Wendell C. Carmichael, Les Blancs, Rogue Machine Theatre
Allison Dillard, Priscilla, Queen of the Desert, Celebration Theatre
Christine Cover Ferro, Rhinoceros, Pacific Resident Theater
Ashphord Jackoway, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Terri A. Lewis, Cat on a Hot Tin Roof, Antaeus Theatre Company
Linda Muggeridge, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael Mullen, Fixed, Echo Theater Company
Lena Sands, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
ORIGINAL MUSIC
Jeff Gardner, Les Blancs, Rogue Machine Theatre
Kangaroo Rat (Tim Desrosiers and Anna Bell), Rhinoceros, Pacific Resident Theater
Bernie Sirelson, Alysia Michelle James, and Elisa Rosin, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Surrija, The Secret in the Wings, Coeurage Theatre Company
CHOREOGRAPHY
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Joyce Guy, Les Blancs, Rogue Machine Theatre
Carolyn Katz, Daedalus' Daughter, Bootleg Theater
Michael Marchak, Pacific Overtures, Chromolume Theatre
Jen Oundjian, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Anne-Marie Talmadge, Alina Bolshakova, Leslie Charles Roy Jr., and the NMA Ensemble, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
MUSICAL DIRECTION
Jake Anthony, The View Upstairs, Celebration Theatre
Gina Belafonte, Lyrics From Lockdown, The Actors' Gang
Jennifer Lin, Priscilla, Queen of the Desert, Celebration Theatre
Dylan Price, 33 Variations, Actors Co-op
Lyndon Pugeda, Honky Tonk Laundry, Hudson Mainstage Theatre
Dimitri Toscas, Master Class, The Gary Marshall Theatre
SET DESIGN
Nicholas Acciani, 33 Variations, Actors Co-op
Joel Daavid, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Justin Huen, This Land, Company of Angels
John Iacovelli, Bled For The Household Truth, Rogue Machine Theatre
John Iacovelli, El Niño, Rogue Machine Theatre
John Iacovelli, King Hedley II, The Matrix Theatre
David Mauer, Rhinoceros, Pacific Resident Theater
Jeff McLaughlin, Stupid Kid, Road Theatre Company
Stephanie Kerley Schwartz, Les Blancs, Rogue Machine Theatre
Victoria Tam, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
SOLO PERFORMANCE
Giovanni Adams, Love Is A Dirty Word, VS Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bryonn Bain, Lyrics From Lockdown, The Actors' Gang
Keight Leighn, (A)partment 8, The ABC Project
Ronnie Marmo, I'm Not a Comedian, I'm Lenny Bruce, Theatre 68
Tina Preston, Don't You Ever Call My Anything But Mother, Open Fist Theatre Company
TWO PERSON PERFORMANCE
Martin Rayner & Martyn Stanbridge, Freud's Last Session, Odyssey Theatre Ensemble
Misty Cotton & Bets Malone, Honky Tonk Laundry, Hudson Mainstage Theatre
Tim Cummings & Brian Henderson, The House In Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Gary Patent & Dan Via, Plunge, Son of Semele Theater
James Eckhouse & Graham Sibley, Redline, IAMA Theatre Company
Alex Hernandez & Tonya Pinkins, Time Alone, Belle Reve Theatre Company
SUPPORTING MALE PERFORMANCE
Noel Arthur, Native Son, Antaeus Theatre Company
Ryan Brophy, Rotterdam, The Skylight Theatre
Eduardo Fernandez-Baumann, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Harry Groener, Cat on a Hot Tin Roof, Antaeus Theatre Company
Rob Nagle, Stupid Kid, Road Theatre Company
Jeris Poindexter, Runaway Home, The Fountain Theatre
Gabriel Romero, The Madres, The Skylight Theatre
Montae Russell, King Hedley II, The Matrix Theatre
Desean Kevin Terry, A Streetcar Named Desire, Boston Court Performing Arts Center
Adolphus Ward, King Hedley II, The Matrix Theatre
MALE COMEDY PERFORMANCE
Josh Clark, The Hothouse, Antaeus Theatre Company
Drew Droege, Die, Mommie, Die!, Celebration Theatre
Alex Elliott-Funk, Supper, Theatre of NOTE
Alex Fernandez, Rhinoceros, Pacific Resident Theater
Leo Marks, The Hothouse, Antaeus Theatre Company
Roman Pantoja, Priscilla, Queen of the Desert, Celebration Theatre
Darrett Sanders, Supper, Theatre of NOTE
Joel Scher, Supper, Theatre of NOTE
LEADING MALE PERFORMANCE
Daniel Bess, Cat on a Hot Tin Roof, Antaeus Theatre Company
Benjamin Burdick, Bled For The Household Truth, Rogue Machine Theatre
Joe Hart, Stupid Kid, Road Theatre Company
Bruce Ladd, 33 Variations, Actors Co-op
Ben Martin, Walking To Buchenwald, Open Fist Theatre
Esau Pritchett, King Hedley II, The Matrix Theatre
Graham Sibley, Redline, IAMA Theatre Company
Adam Silver, Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
Desean Kevin Terry, Les Blancs, Rogue Machine Theatre
SUPPORTING FEMALE PERFORMANCE
Dawn Didawick, Cat on a Hot Tin Roof, Antaeus Theatre Company
Emily Goss, Forever Bound, Atwater Village Theatre
Ella Joyce, King Hedley II, The Matrix Theatre
Ciera Payton, King Hedley II, The Matrix Theatre
Maya Lynne Robinson, Runaway Home, The Fountain Theatre
Maya Lynne Robinson, A Streetcar Named Desire, Boston Court Performing Arts Center
Michaela Slezak,Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Cheryl Umaña, This Land, Company of Angels
Karen Malina White, Runaway Home, The Fountain Theatre
Christine Woods, Cult of Love, IAMA Theatre Company
FEMALE COMEDY PERFORMANCE
Anna Lamadrid, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Debra Jo Rupp, The Cake, Echo Theater Company
Paige Lindsey White, With Love and a Major Organ, Boston Court Performing Arts Center
LEADING FEMALE PERFORMANCE
Corryn Cummins, Lord of the Underworld's Home for Unwed Mothers, The Skylight Theatre
Carolyn Hennesy, Master Class, The Garry Marshall Theatre
Margarita Lamas, The Madres, The Skylight Theatre
Nan McNamara,33 Variations, Actors Co-op
Jaimi Paige, A Streetcar Named Desire, Boston Court Performing Arts Center
Ashley Romans, Rotterdam, The Skylight Theatre
Camille Spirlin, Runaway Home, The Fountain Theatre
Heidi Sulzman, Bugaboo and The Silent One, The Lounge Theatre
Miranda Wynne, Rotterdam, The Skylight Theatre
ADAPTATION
Nambi E. Kelley, Native Son, Antaeus Theatre Company
Jones (Welsh) Talmadge, Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Mary Zimmerman, The Secret in the Wings, Coeurage Theatre Company
PLAYWRITING
Giovanni Adams, Love Is A Dirty Word, VS. Theatre
Alex Alpharaoh, WET: A DACAmented Journey, Ensemble Studio Theatre L.A.
Bekah Brunstetter, The Cake, Echo Theater Company
Alessandro Camon, Time Alone, Belle Reve Theatre Company
Bernardo Cubría, The Giant Void In My Soul, Ammunition Theatre Company
Leslye Headland, Cult of Love, IAMA Theatre Company
Jeremy J. Kamps, Runaway Home, The Fountain Theatre
Dan O'Brien, The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Evangeline Ordaz, This Land, Company of Angels
Marja-Lewis Ryan, Bugaboo and the Silent One, The Lounge Theatre
PRODUCTION DESIGN
Caught, Think Tank Gallery
Daedalus' Daughter, Bootleg Theater
King Hedley II, The Matrix Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
A Streetcar Named Desire, Boston Court Performing Arts Center
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
With Love and a Major Organ, Boston Court Performing Arts Center
COMEDY ENSEMBLE
Bad Jews, Odyssey Theatre Ensemble
The Cake, Echo Theater Company
Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
El Niño, Rogue Machine Theatre
The Giant Void In My Soul, Ammunition Theatre Company
The Hothouse, Antaeus Theatre Company
Rhinoceros, Pacific Resident Theater
Supper, Theatre of NOTE
With Love and a Major Organ, Boston Court Performing Arts Center
ENSEMBLE
33 Variations, Actors Co-op
Exit Strategy, The Los Angeles LGBT Center's Davidson/Valentini Theatre
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Pacific Overtures, Chromolume Theatre
Paradise Lost: Reclaiming Destiny, Greenway Court Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
COMEDY DIRECTION
Lindsay Allbaugh, Collective Rage: A Play in 5 Boops, Boston Court Performing Arts Center
Jennifer Chambers, The Cake, Echo Theater Company
Guillermo Cienfuegos, Rhinoceros, Pacific Resident Theater
Lisa James, El Niño, Rogue Machine Theatre
Jessica Kubzansky, With Love and a Major Organ, Boston Court Performing Arts Center
Dana Resnick, Bad Jews, Odyssey Theatre Ensemble
Felix Solís, The Giant Void In My Soul, Ammunition Theatre Company
DIRECTION
Andi Chapman, Native Son, Antaeus Theatre Company
Gregg T. Daniel, Les Blancs, Rogue Machine Theatre
Ed Sylvanus Iskandar, Caught, Think Tank Gallery
Carol Katz, Daedalus' Daughter, Bootleg Theater
Thomas James O'Leary, 33 Variations, Actors Co-op
Robert Mandel, Freud's Last Session, Odyssey Theatre Ensemble
Michael Michetti, A Streetcar Named Desire, Boston Court Performing Arts Center
Jonathan Muñoz-Proulx, One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Jaime Robledo, Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Michael A. Shepperd,Rotterdam, The Skylight Theatre
Annie Tippe, Cult of Love, IAMA Theatre Company
MUSICAL OF THE YEAR
Dessa Rose, Chromolume Theatre
Pacific Overtures, Chromolume Theatre
Priscilla, Queen of the Desert, Celebration Theatre
REVIVAL OF THE YEAR
Cat on a Hot Tin Roof, Antaeus Theatre Company
King Hedley II, The Matrix Theatre
Les Blancs, Rogue Machine Theatre
One Flew Over the Cuckoo's Nest, After Hours Theatre Company
Rhinoceros, Pacific Resident Theater
A Streetcar Named Desire, Boston Court Performing Arts Center
PRODUCTION OF THE YEAR
Caught, Think Tank Gallery
The House in Scarsdale: A Memoir for the Stage, Boston Court Performing Arts Center
Mr. Burns, A Post-Electric Play, Sacred Fools Theater
Native Son, Antaeus Theatre Company
Rotterdam, The Skylight Theatre
Runaway Home, The Fountain Theatre
The Secret in the Wings, Coeurage Theatre Company
This Land, Company of Angels
Time Alone, Belle Reve Theatre Company
QUEEN OF THE ANGELS
Dolores Chavez
LIFETIME ACHIEVEMENT
Norman Lloyd