Spotlight Series: Meet Doug Mattingly, A Multi-Talented Actor, Singer, Director, Composer, Teacher and Sound Designer


This Spotlight focuses on multi-talented actor, singer, director, composer, teacher, and sound designer Doug Mattingly, most recently involved with the production of Sarah Ruhl's Dead Man's Cell Phone at Little Fish Theatre in San Pedro.


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Doug Mattingly (Doug): I'm a stage and screen actor and have performed in dozens of plays, features, shorts, commercials, and videos. I've trained at the University of Southern California as an undergraduate where I also appeared in several student films at the time, at Shakespeare Theatre in Washington DC, and at Groundlings here in Los Angeles.

Doug Mattingly as Jack in Theresa Rebecks "Dead Accounts" at Little Fish Theatre

I recently won a Stage Scene LA Award for "Outstanding Lead Actor, Comedy - Intimate Theatre" for my performance as Jack in Theresa Rebeck's Dead Accounts at Little Fish Theatre.

In addition to acting, I also work as a theatre sound designer. Most recently I designed sound for Sarah Ruhl's Dead Man's Cell Phone at Little Fish, directed by my wife Branda Lock.

(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

Doug Mattingly as Jack in Theresa Rebeck's "Dead Accounts" at Little Fish Theatre

Doug: We had just completed our second weekend of four, of Dead Man's Cell Phone at Little Fish Theatre. I was able to see a design run of the show as well as tech week performances and opening night. My wife and I left for a trip to the Netherlands and Belgium the day after opening and were hoping to see a couple more performances upon returning. But unfortunately, the production closed just after we got back to the States. And given what has gone on since then, we were fortunate to get back when we did.

(SB): How was the shutdown communicated with the cast and production team?

Doug: I believe the director was notified via email and phone the day prior to the email notice going out to the cast and designers, followed by a public announcement. There was talk initially of live streaming or filming the performance, but events unfolded quickly to where social distancing measures made that impossible.

(SB): Are plans in place to present that production at a future date, or is the cancellation permanent?

Doug Mattingly as Ekhart in "Key to Eternity"

(Doug): The broader question right now for many theaters, is if the theater will reopen at all. For now, Little Fish Theatre (LFT) is hosting a Virtual Stage where company members are posting various forms of content. Given my musical background as a performer, composer, and teacher, I've posted a video on songwriting which you can find at the above link. Other actors have posted comedy bits, short films, etc. There's even an ongoing web series happening with material from legendary television writer Ken Levine (M*A*S*H, Cheers, Frasier), prolific playwright Rich Orloff, best-selling author Syrie James (The Lost Memoirs of Jane Austen), and LFT Company Members. A full slate of live stream readings, an original web series, classes, and interviews are now available on Little Fish Theatre’s Virtual Stage website.

(SB): What future productions on your schedule are also affected by the shutdown?

 

(Doug): As far as LFT is concerned, everything is up in the air. I also have some on-camera projects that are on hold. Another theatre company I am a member of, Infinite Jest Theatre Company, is working with the City of West Hollywood to mount readings and/or a production in September. As of now, plans are moving forward in the event that there is some return to normalcy by then.

(SB): I think everyone is hoping things return to normal as soon as possible. For now, how are you personally keeping the Arts alive while at home by using social media or other online sites?

Doug: I am an instructor at the American Musical and Dramatic Academy in Hollywood, a performing arts college that offers a Bachelor of Fine Arts as well as a two-year conservatory certificate, so I am (very fortunately) still working. I am teaching all my courses online for the remainder of the semester, so I am engaging with young artists in live one-on-one video settings and by making prerecorded lesson videos and posting documents in Google Classroom.

Doug Mattingly in "Spray It, Don't Say It"

I've also participated and will continue to participate in live online readings of screenplays and short theatrical plays. As a matter of fact, some actor friends and I are doing a reading of one of my feature screenplays on Sunday, April 26 at 4pm. We'll have an invited online audience as well! So that's a lot of fun! I will provide details for those interested in being part of the audience as the details become available.

I'll also be recording live solo music performances (I'm a guitarist and singer). My wife, who is a fantastic singer, and I have recorded a couple pieces as well and will be posting them in the coming days. I hope folks will check out Little Fish's Virtual Stage since there will be a lot of good material hitting there.

(SB): What thoughts would you like to share with the rest of the LA Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

(Doug): I will have moments of feeling normal: practicing guitar, working on a screenplay, reading a play, making dinner, watching a movie, preparing for a class I'm teaching, and then remember what's going on outside my front door. That has been unsettling. It's like holding the two ideas in your mind that one day we'll shuffle off this mortal coil, yet you have to do the laundry.

Doug Mattingly staying fit

It's tempting to think of this period as a "hold" or "pause" until we get back to real life. But for me, it's been important to remember that this IS real life. And so I've been doing my best to make the most of each day. I'm using the various video chat formats to keep in touch with friends and family and all that. I had a lockdowned birthday last week. I'll never forget that one, that's for sure.

As people all over the world shelter in place and stream hours and hours of movies and TV shows, creative people should be proud of the service we as a community are providing during this time. When folks watch a movie or TV show, they are enjoying the talents of actors, writers, set designers, directors, gaffers, cinematographers, composers, editors, makeup artists; not to mention the legions of drivers, caterers, accountants, agents, lawyers, union representatives who help make it all possible. We must always remember that artists are vital to our society and we need for all of us to go on creating.

(SB): You have so much going on. How can others stay in touch and/or find out more about you and your projects?

Doug: Folks can keep tabs on me here at my website, where I've recently updated my comedy and drama. And if you've watched all the Netflix, there are a few short films posted including the award winning "Grand Cru," I can also be found on Instagram as dougmattingly.

I'm also posting lots of videos on my YouTube channel. Half Life is a comedic drama about a 40ish struggling actor who returns to his hometown to settle the affairs of his estranged, overbearing father and to find a way to finally move into an adulthood that's been a long time coming. Anyone interested in being part of the audience for the reading of my screenplay Half Life can contact me through my website.


This article first appeared on Broadway World.



Spotlight Series: Meet Kelly Brighton, an Actor, Singer, Composer/Lyricist, Producer/Arranger and Writer


This Spotlight focuses on Kelly Brighton, an Actor, Singer, Composer/Lyricist, Producer/Arranger and Writer who has appeared in theatrical productions his entire life. As a member of DOMA Theatre, Kelly has received accolades for his roles in several company productions. He is also preparing to take a new musical he has written to the stage, and as a Recording Artist works with some of the finest producers and recording engineers in Hollywood.  So what’s this always-busy guy up to while quarantined at home?  But first, Kelly shares a bit about his theatrical background.


Shari Barrett (SB): What would you like readers to know about your theatrical background?

Kelly Brighton (Kelly): I’m a Composer/Lyricist, Producer/Arranger and Writer, which keeps me very busy. I started early in Theatre when I did two shows as a kid with Los Angeles Civic Light Opera, sang with LA Opera and the UCLA Opera Workshop. Those were really fun, busy times. I’m very grateful to my parents for supporting me to do what I love to do. Thanks to my Mom and Dad, I’ve been in the Theatre my whole life. Flash forward to today. In January I performed at the 2020 LA Ovation Awards. It was an honor to perform for our LA theatre colleagues, many of whom are my friends. It’s always a grand, black tie event at the beautiful Ace Theatre in downtown Los Angeles.

I’m a member of DOMA Theatre and played the conflicted Pontius Pilate in our production of Jesus Christ Superstar. Our superb cast and show were unanimously praised by critics and audiences, so much so that we extended our sold-out run twice at The Met Theatre in Hollywood. I received a Robby Award nomination for Best Supporting Actor in a Musical as Pilate from L.A. Theatre critic, Rob Stevens.

Kelly Brighton as Lord Henry Wotton in "Dorian's Descent"

I had a great time as Lord Henry Wotton in DOMA Theatre’s Dorian’s Descent, the new musical written by Christopher Raymond and Marco Gomez, based on Oscar Wilde’s Gothic novel, The Picture of Dorian Gray. I led Dorian into a life of debauchery in our beautifully produced show.

One of my favorite productions was Octavio Carlin’s hilarious farce, Hollywood Party, at the Hudson Theatre. It was mad-cap romp that audiences loved in which I played Rodrigo De Altamirano and spent the entire show looking for Lilyan Tashman. Movie star shenanigans.

I’ve written the music and lyrics with my writing partner Jane Stuart and we also co-wrote the book for a new musical farce titled Kiss Me, Quick! We’ve had two hilarious table reads with my DOMA friends and we’re planning a workshop production, making it a very exciting time for us. DOMA is developing a multi-use Arts Studio with a performance space in the Arts District in DTLA which will allow for immersive experiences as we develop new musicals in association with Behind The Mask, Inc. Stay tuned!

I’m also a Recording Artist and work with some of the finest producers and recording engineers in Hollywood. My pop/soul music is available on iTunes, Spotify, and most digital platforms. I invite you to check them out at KellyBrighton.com

(SB):  What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?

(Kelly): In mid-March this year, I was in pre-production to direct/act in Seminar by Theresa Rebeck for the Hollywood Fringe Festival. We did a staged reading at Theatre Palisades in August 2019 which was such a success, we decided to put it up for Fringe. I was also rehearsing new material for Jim Caruso’s Cast Party at Feinstein’s at Vitello’s, and was in pre-production with my good friend, Jim West (Weird Al), to co-produce a new single I’ll be releasing. Of course, everything is on hold now. And after years of not seeing The Book of Mormon, I finally had tickets but it was cancelled. What a disappointment!

(SB): How are you keeping the Arts alive while at home by using social media or other online sites?

(Kelly): While at home now, as a member of SAG-AFTRA Singers, I’m a studio session singer and have a home studio, and work is being offered remotely. We download the tracks, record our vocals at home, then send them back. It works very well. I just did a fun, Zoom online “Radio Play” reading with the Quarantine Players! It was a live, Facebook event and we had a blast. More to come! I’m also using this time at home to compose and arrange, which is my full-time job at the moment. I’m thankful to be focused on the positive and in the zone of creativity. I recommend it! And I love vocal coaching and am considering using Zoom to coach online. It’s an amazing media tool which many of us are discovering for the first time.

(SB): That’s very true. I am on the Board of Kentwood Players at the Westchester Playhouse and we held our April Board meeting on Zoom, which was a really fun way to get together without having to drive to a meeting. I’d love to keep doing it that way even when the quarantine is over.

What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?

Kelly Brighton and "Kiss Me, Quick!" cast

(Kelly): I ask everyone to remember that this is temporary. Focus on what you can do at home. Engage your creativity. Read those scripts you’ve been meaning to get to. Learn that monologue you’ve had on your desk for months. Bump up your self-tape submission game. Work on your website. Go through your archival photos and update your news page. Encourage your friends to do the same. Lift each other up. And if you’re hurting, reach out. It beats being pre-occupied with worry.

There is nothing like the magic of live Theatre. It transports us, teaches us, moves us, riles us. That’s what keeps us in love with it. I know what it takes to put up a show and sustain a run, and when I’m an audience member, I’m pulling for everyone on stage to knock it out of the park! Always remember so much of what we do as actors happens backstage. I like that graphic that shows top 10% of an iceberg – what the audience sees - and the 90% below water is what we do in rehearsal. Truth!

(SB) That’s for sure! It’s the reason I appear in a play or musical every five years or so, just so that I remember all the work that goes into bringing a production to the stage when I am in the audience reviewing a show.

(Kelly): I love our community and it means a great deal to me. Some of my dearest friends are those I’ve done shows with here. You’re in the pressure cooker of production, and you bond quickly because you count on each other to bring it every rehearsal and performance. The shows go up with a bang, you have your run, and inevitably you say good-bye to your cast mates and production crew. Post-show blues are a real thing. Right?!

And so we take our friendships with us and support each other. Texts, phone calls, and lunches. None of us are doing this alone since the very nature of theatre is collaboration. How nice is it that we can continue to help each other along the way.

When we’re up and running, please go see a show! Continue to support your fellow actors and theatre companies. Get back out there and audition. We can do this!


Kelly is repped by The Movement Talent Agency

Visit Kelly at his YouTube Channel, listen to him on iTunes or on Spotify and connect with him on Facebook or on Instagram.


This article first appeared on Broadway World.