TICKETHOLDER AWARDS 2019 PART I


Travis Michael Holder - Ticket Holders LA

Travis Michael Holder - Ticket Holders LA

Writer, Registered Critic


My 28th annual TicketHolder Awards are now posted on my TicketHoldersLA website in two parts. You can read it below and click here for photos.

Choosing my honorees this year is a real bitch. Almost as many tears shed as Carrie Ann Inaba eliminating a sports figure she finds hot. Yet there’s not much else good to write home about in 2019 besides theatre in El Lay. Between the mess we’re making of our planet and the eye-opening disintegration of everything I’ve championed and held dear all my life, thank Terpsichore it’s been a spectacular year for the creation of theatrical art to help ease the pain and frustration of living in our Trumpian nightmare. And even though I have a whole heap of productions to honor this year, with part of my time spent in New Orleans hosting an exhibit of my paintings and medical issues to tackle that seem to come with the territory at age 348, there were also a lot of noteworthy productions I sadly missed. In my world, it’s definitely been a year to praise some monumental directorial work and a plethora of spectacular ensemble casts; choosing winners in both categories has not been an easy task. And what do you think of the Geffen Playhouse? After too long a period of less-than exciting fare, the announcement in 2017 that Matt Shakman had been hired as the complex’s artistic director guaranteed a positive change and without a doubt, the turn around has been staggering. Two of the company’s casts are tied here for Best Ensemble, two of its masterful set designs are as well, and five of my top production choices for 2019 were presented at the Geffen, including my second, third, ninth, and tenth pick for Best Play and second choice of Best Revival. If I gave an annual award for Best Season, surely the Geffen Playhouse would win this year. As a matter of fact, maybe I should initiate such a thing. As a matter of fact, I think I will. 

THE 2019 TICKETHOLDER AWARD
FOR BEST SEASON

Geffen Playhouse; Matt Shakman, resident puppetmaster

BEST PRODUCTION OF 2019

Linda Vista, Center Theatre Group, Mark Taper Forum
The Thanksgiving Play, Geffen Playhouse
RUNNERS-UP: The Abuelas, Antaeus; Andy Warhol’s Tomato, Pacific Resident Theatre; Apple Season, Moving Arts; Dana H., CTG/Douglas; The End of Sex, Victory Theatre Center; For The Love Of (or the Roller Derby Play), Theatre of NOTE/CTG at the Douglas; 4.48 Psychosis, Son of Semele; Frankenstein, A Noise Within; Handjob, Echo Theatre Company; The Mountaintop, Garry Marshall Theatre; On Beckett, CTG/Douglas; The Play That Goes Wrong, CTG/, Ahmanson; Sisters in Law, Wallis Annenberg Center

BEST REVIVAL PRODUCTION

JitneyCenter Theatre Group, Mark Taper Forum 
FalsettosCenter Theatre Group, Ahmanson Theatre
RUNNERS-UP: The Caucasian Chalk Circle, Antaeus Theatre Company; Cats, Pantages; The Cripple of Inishmaan, Anteaus Theatre Company; Happy Days, CTG/Mark Taper Forum; Hello, Dolly!, Pantages; Jesus Christ Superstar, Pantages; Loot, Odyssey Theatre Ensemble; The Ruffian on the Stairs, Los Angeles LGBT Center; Lady Day at Emerson’s Bar & Grill, Garry Marshall Theatre

BEST MUSICAL PRODUCTION

Indecent, Center Theatre Group, Ahmanson Theatre
Travis Michael Holder - Ticket Holders LA
TRAVIS MICHAEL HOLDER is Opinionatedasswipe-in-Chief for the new handydandy arts-oriented website TicketHoldersLA.com. He has been a LA theatre critic since 1987 and has taught acting at the New York Film Academy’s west coast campus since 2010. He was Theatre Editor for Entertainment Today for 21 years, reviewed for BackStage for 12 years, and is also currently a contributor to ArtsInLA.com. As a writer, five of his plays have been produced in LA and his first, "Surprise Surprise," became a feature film in 2010, for which Travis wrote the screenplay and appeared in a leading role. An actor since childhood who originally came to LA under contract to Paramount Pictures, he has appeared in six Broadway productions and has traveled extensively in everything from "Bye Bye Birdie," "Hair," and throughout Europe and Asia in "Hello Dolly" to touring as Amos (Mr. Cellophane) Hart in "Chicago." Locally, Travis received the LA Drama Critics’ Circle Award as Kenneth Halliwell in the west coast premiere of "Nasty Little Secrets," a Drama-Logue Award as Lennie in "Of Mice and Men," and he has also received six acting nominations from LA Weekly; a Sage Award; Ovation, GLAAD, NAACP, and five Garland Award nominations. Regionally, he was given the Inland Theatre League Award as Ken Talley in "Fifth of July," three awards for direction and performance as Dr. Dysart in "Equus," and he was up for Washington, DC’s Helen Hayes honors as Oscar Wilde in the premiere of "Oscar & Speranza." His first novel "Waiting for Walk," a memoir of growing up as a child actor, has been sitting in a desk drawer since its completion in 2005, proving there is often a deep divide between talent and functionality. www.travismichaelholder.coms